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Gimme Dat Ding (album)
''Gimme Dat Ding'' is a split album by The Sweet (side one) and The Pipkins (side two), released on EMI's budget record label, MFP ( Music For Pleasure) in 1970. It is named after the 1970 song "Gimme Dat Ding" by the Pipkins. In the US, The Pipkins released a full album of the same name, consisting of the six songs here and an additional four. It charted at No.132. Background The unusual alliance between two groups so radically opposed, is attributed to that in that time both shared the same record producer ( John Burgess) and the same team of composers. After the poor commercial results with Burgess, in 1971 The Sweet decided to follow their own way, when it signed with successful duet of songwriters Nicky Chinn and Mike Chapman and with a new producer, Phil Wainman. On the other hand, The Pipkins disappeared that same year due to the brief success that their comedy act had in their native Britain. According to the booklet of the CD version for this album, ''Gimme Dat D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Sweet
The Sweet (often shortened to just Sweet), are a British glam rock band that rose to prominence in the 1970s. Their best known line-up consisted of lead vocalist Brian Connolly, bass player Steve Priest, guitarist Andy Scott, and drummer Mick Tucker. The group were originally called The Sweetshop. The band were formed in London in 1968 and achieved their first hit, " Funny Funny", in 1971 after teaming up with songwriters Nicky Chinn and Mike Chapman and record producer Phil Wainman. During 1971 and 1972, their musical style followed a marked progression from the Archies-like bubblegum style of "Funny Funny" to a Who-influenced hard rock style supplemented by a striking use of high-pitched backing vocals. The band first achieved success in the UK charts, with thirteen Top 20 hits during the 1970s alone, with "Block Buster!" (1973) topping the chart, followed by three consecutive number two hits in "Hell Raiser" (1973), "The Ballroom Blitz" (1973) and "Teenage Rampage" (1974) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Hall
Music hall is a type of British theatrical entertainment that was popular from the early Victorian era, beginning around 1850. It faded away after 1918 as the halls rebranded their entertainment as variety. Perceptions of a distinction in Britain between bold and scandalous ''Music Hall'' and subsequent, more respectable ''Variety'' differ. Music hall involved a mixture of popular songs, comedy, speciality acts, and variety entertainment. The term is derived from a type of theatre or venue in which such entertainment took place. In North America vaudeville was in some ways analogous to British music hall, featuring rousing songs and comic acts. Originating in saloon bars within public houses during the 1830s, music hall entertainment became increasingly popular with audiences. So much so, that during the 1850s some public houses were demolished, and specialised music hall theatres developed in their place. These theatres were designed chiefly so that people could consume food ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brian Connolly
Brian Francis Connolly (5 October 1945 – 9 February 1997) was a Scottish singer-songwriter, musician and actor, best known as the lead singer of glam rock band The Sweet between 1968 and 1979 and renowned for his charismatic stage presence and distinctive voice. Early life Connolly was born in 1945 in Hamilton, South Lanarkshire. His mother was a teenage waitress, Frances Connolly, who left him in a Glasgow hospital as an infant whilst he was possibly suffering from meningitis. The identity of his biological father was never made public. Connolly was fostered at the age of two by Jim and Helen McManus of Blantyre, South Lanarkshire and took their family name. After inadvertently discovering his lineage, he eventually reverted to the name Connolly. The McManuses were the family of Mark McManus, of ''Taggart'' fame. Both men perceived a resemblance between them, and supposed McManus's father to have also been Connolly's. In a radio interview, Connolly reported that singing wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Coasters
The Coasters are an American rhythm and blues/rock and roll vocal group who had a string of hits in the late 1950s. Beginning with "Searchin'" and " Young Blood" in 1957, their most memorable songs were written by the songwriting and producing team of Leiber and Stoller. Although the Coasters originated outside of mainstream doo-wop, their records were so frequently imitated that they became an important part of the doo-wop legacy through the 1960s. In 1987, they were the first group inducted into the Rock and Roll Hall of Fame. History The Coasters were formed on October 12, 1955, when two of The Robins, a Los Angeles–based rhythm-and-blues group, joined Atlantic Records. They were dubbed The Coasters because they went from the west coast to the east. The Robins included Carl Gardner and Bobby Nunn. The original Coasters were Gardner, Nunn, Billy Guy, Leon Hughes (who was replaced by Young Jessie on a couple of their early Los Angeles recordings), and the guitarist Adolp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yakety Yak
"Yakety Yak" is a song written, produced, and arranged by Jerry Leiber and Mike Stoller for the Coasters and released on Atco Records in 1958, spending seven weeks as #1 on the R&B charts and a week as number one on the Top 100 pop list. This song was one of a string of singles released by the Coasters between 1957 and 1959 that dominated the charts, making them one of the biggest performing acts of the rock and roll era. Song The song is a "playlet," a word Stoller used for the glimpses into teenage life that characterized the songs Leiber and Stoller wrote and produced. The lyrics describe the listing of household chores to a kid, presumably a teenager, the teenager's response ("yakety yak") and the parents' retort ("don't talk back") — an experience very familiar to a middle-class teenager of the day. Leiber has said the Coasters portrayed "a white kid’s view of a black person’s conception of white society." The serio-comic street-smart "playlets" etched out by the so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard Hot 100
The ''Billboard'' Hot 100 is the music industry standard record chart in the United States for songs, published weekly by '' Billboard'' magazine. Chart rankings are based on sales (physical and digital), radio play, and online streaming in the United States. The weekly tracking period for sales was initially Monday to Sunday when Nielsen started tracking sales in 1991, but was changed to Friday to Thursday in July 2015. This tracking period also applies to compiling online streaming data. Radio airplay, which, unlike sales figures and streaming, is readily available on a real-time basis, is also tracked on a Friday to Thursday cycle effective with the chart dated July 17, 2021 (previously Monday to Sunday and before July 2015, Wednesday to Tuesday). A new chart is compiled and officially released to the public by ''Billboard'' on Tuesdays but post-dated to the following Saturday. The first number-one song of the ''Billboard'' Hot 100 was " Poor Little Fool" by Ricky Ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
UK Singles Chart
The UK Singles Chart (currently titled Official Singles Chart, with the upper section more commonly known as the Official UK Top 40) is compiled by the Official Charts Company (OCC), on behalf of the British record industry, listing the top-selling Single (music), singles in the United Kingdom, based upon physical sales, paid-for downloads and music streaming, streaming. The Official Chart, broadcast on BBC Radio 1 and MTV (Official UK Top 40), is the UK music industry's recognised official measure of singles and albums popularity because it is the most comprehensive research panel of its kind, today surveying over 15,000 retailers and digital services daily, capturing 99.9% of all singles consumed in Britain across the week, and over 98% of albums. To be eligible for the chart, a Single (music), single is currently defined by the Official Charts Company (OCC) as either a 'single bundle' having no more than four tracks and not lasting longer than 25 minutes or one digital audio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mike Hazlewood
Michael Edward Hazlewood (24 December 1941 – 6 May 2001)Mike Hazelwood – Credits AllMusic (6 May 2001). Retrieved 4 January 2013. was a British singer, composer and songwriter. He variously worked with , , and . Biography E ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albert Hammond
Albert Louis Hammond OBE (born 18 May 1944) is a British-Gibraltarian singer, songwriter, and record producer. A prolific songwriter, he also collaborated with other songwriters such as Mike Hazlewood, John Bettis, Diane Warren, Holly Knight and Carole Bayer Sager. Hammond's son Albert Hammond Jr. is a guitarist with American band the Strokes. Hammond wrote commercially successful singles for artists including Celine Dion, Joe Dolan, Aretha Franklin, Whitney Houston, Diana Ross, Leo Sayer, Tina Turner, Glen Campbell, Julio Iglesias, Willie Nelson, Lynn Anderson and Bonnie Tyler, and bands Ace of Base, Air Supply, Blue Mink, Chicago, Heart, Living in a Box, the Carpenters, the Hollies, the Pipkins, Starship, and Westlife. Notable songs co-written by Hammond include "Make Me an Island" and "You're Such a Good Looking Woman" by Joe Dolan, "Nothing's Gonna Stop Us Now" by Starship, "One Moment in Time" sung by Whitney Houston, "The Air That I Breathe", a hit for the Hollies, "To ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gimme Dat Ding
"Gimme Dat Ding" is a 1970 popular UK song, of the novelty type, sung by " one-hit wonder" The Pipkins, and written and composed by Albert Hammond and Mike Hazlewood. Released as a single, it is the title selection of an album which The Pipkins recorded and released on the EMI Columbia Records label. It also appeared on a compilation album of the same name, which The Pipkins shared with another up-and-coming UK group, The Sweet. It has also been included on many other compilation albums. "Gimme Dat Ding" was arranged by Big Jim Sullivan. Chart history The song peaked at number 6 on the UK Chart in March/April 1970. It reached number 7 in Canada, number 9 on the US Hot 100 and number 20 in US Easy Listening. It did best in New Zealand, where it reached number 1. Weekly charts Year-end charts Song profile "Gimme Dat Ding" is a call-and-response duet between a deep, gravelly voice, that of Tony Burrows, and a high tenor, that of Roger Greenaway. The voices are said to rep ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Studio Band
Session musicians, studio musicians, or backing musicians are musicians hired to perform in recording sessions or live performances. The term sideman is also used in the case of live performances, such as accompanying a recording artist on a tour. Session musicians are usually not permanent or official members of a musical ensemble or band. They work behind the scenes and rarely achieve individual fame in their own right as soloists or bandleaders. However, top session musicians are well known within the music industry, and some have become publicly recognized, such as the Wrecking Crew, the Muscle Shoals Rhythm Section and The Funk Brothers who worked with Motown Records. Many session musicians specialize in playing common rhythm section instruments such as guitar, piano, bass, or drums. Others are specialists, and play brass, woodwinds, and strings. Many session musicians play multiple instruments, which lets them play in a wider range of musical situations, genres and s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Falsetto
''Falsetto'' (, ; Italian diminutive of , "false") is the vocal register occupying the frequency range just above the modal voice register and overlapping with it by approximately one octave. It is produced by the vibration of the ligamentous edges of the vocal cords, in whole or in part. Commonly cited in the context of singing, falsetto, a characteristic of phonation by both sexes, is also one of four main spoken vocal registers recognized by speech pathology. The term ''falsetto'' is most often used in the context of singing to refer to a type of vocal phonation that enables the singer to sing notes beyond the vocal range of the normal or modal voice. The typical tone of falsetto register or M2, usually has a characteristic breathy and flute-like sound relatively free of overtones—which is more limited than its modal counterpart in both dynamic variation and tone quality. However, William Vennard points out that while most untrained people can sound comparatively "breathy" o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
