Gillian Keith
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Gillian Keith
Gillian Keith (born 3 April 1972 in Toronto) is a Canadian/British operatic soprano, originally from Toronto, Canada, and living in London, UK. Keith was educated at the Royal Academy of Music in London, Schulich School of Music of McGill University, Montreal, and at the Royal Conservatory of Music in Toronto. Opera Keith's roles include: *Zerbinetta in Strauss's ''Ariadne auf Naxos'' at the Royal Opera House, Welsh National Opera and Opera de Oviedo *Tytania in Britten's '' A Midsummer Night's Dream'' at the Royal Opera House and English National Opera * Lubanara in ''The Philosopher's Stone'' (Der Stein der Weisen) by Mozart, Henneberg, Schack, Gerl and Schikaneder, Bampton Classical Opera *Poppea in Monteverdi's ''L'incoronazione di Poppea'' in Theater Basel and Boston Early Music Festival *Jeptha in Handel's '' Jeptha'', Buxton Festival *Philine in Ambroise Thomas's ''Mignon'', Buxton Festival *Sylvie in Gounod's '' La colombe'', Buxton Festival *Iole in Handel's ...
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Toronto
Toronto ( ; or ) is the capital city of the Canadian province of Ontario. With a recorded population of 2,794,356 in 2021, it is the most populous city in Canada and the fourth most populous city in North America. The city is the anchor of the Golden Horseshoe, an urban agglomeration of 9,765,188 people (as of 2021) surrounding the western end of Lake Ontario, while the Greater Toronto Area proper had a 2021 population of 6,712,341. Toronto is an international centre of business, finance, arts, sports and culture, and is recognized as one of the most multicultural and cosmopolitan cities in the world. Indigenous peoples have travelled through and inhabited the Toronto area, located on a broad sloping plateau interspersed with rivers, deep ravines, and urban forest, for more than 10,000 years. After the broadly disputed Toronto Purchase, when the Mississauga surrendered the area to the British Crown, the British established the town of York in 1793 and later designat ...
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Emanuel Schikaneder
Emanuel Schikaneder (born Johann Joseph Schickeneder; 1 September 1751 – 21 September 1812) was a German impresario, dramatist, actor, singer, and composer. He wrote the libretto of Wolfgang Amadeus Mozart's opera ''The Magic Flute'' and was the builder of the Theater an der Wien. Peter Branscombe called him "one of the most talented theatre men of his era". Aside from Mozart, he worked with Salieri, Haydn and Beethoven. Early years Schikaneder was born in Straubing in Bavaria to Joseph Schickeneder and Juliana Schiessl. Both of his parents worked as domestic servants and were extremely poor.Dent (1956, 16) They had a total of four children: Urban (born 1746), Johann Joseph (died at age two), Emanuel (born 1751 and also originally named Johann Joseph), and Maria (born 1753). Schikaneder's father died shortly after Maria's birth, at which time his mother returned to Regensburg, making a living selling religious articles from a wooden shed adjacent to the local cathedral. S ...
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HK Gruber
Heinz Karl "Nali" Gruber (born 3 January 1943), who styles himself HK Gruber professionally, is an Austrian composer, conductor, double bass player and singer. He is a leading figure of the so-called Third Viennese School. Career Gruber is said to be a descendant (though the descent remains obscure) of Franz Xaver Gruber, composer of the carol ''Stille Nacht'' (Silent Night). He was born in Vienna. From 1953 to 1957 Gruber was a member of the Vienna Boys' Choir, acquiring his nickname 'Nali' (from his snoring, he believes). He studied at the Vienna Hochschule für Musik, his composition teachers being Alfred Uhl, Erwin Ratz and Hanns Jelinek, and later Gottfried von Einem, with whom he also studied privately. In 1961 Gruber joined the ensemble ''die reihe'' as a double bass player, and became principal bass of the Vienna Tonkünstler Orchestra in 1963. In 1968, with his composer friends Kurt Schwertsik and Otto M. Zykan and the violinist Ernst Kovacic, he co-founded the 'MOB-art & t ...
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Ascanio In Alba
''Ascanio in Alba'', K. 111, is a pastoral opera in two parts (') by Wolfgang Amadeus Mozart to an Italian libretto by Giuseppe Parini. It was commissioned by the Empress Maria Theresa for the wedding of her son, Archduke Ferdinand Karl, to Maria Beatrice d'Este on 15 October 1771. Performance history It was first performed at the Teatro Regio Ducale in Milan on 17 October 1771. It was performed in October 2006 on the 250th anniversary of Mozart's birth at La Scala, Milan, under the baton of Giovanni Antonini. The ballet which linked the two acts was twice performed by the orchestra of the Handel and Haydn Society in Boston in 2006. Roles Synopsis :Place: the site of the future city of Alba Longa, near Rome :Time: mythical times. Part 1 The opening scene introduces Venus and Ascanio, the son she had by Aeneas. (In most classical sources, Venus/Aphrodite is the mother of ''Aeneas''.) The goddess vaunts the charms of Alba and invites her son to go and rule there. She ur ...
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Mozart
Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period (music), Classical period. Despite his short life, his rapid pace of composition resulted in more than List of compositions by Wolfgang Amadeus Mozart, 800 works of virtually every genre of his time. Many of these compositions are acknowledged as pinnacles of the symphony, symphonic, concerto, concertante, chamber music, chamber, operatic, and choir, choral repertoire. Mozart is widely regarded as among the greatest composers in the history of Western music, with his music admired for its "melodic beauty, its formal elegance and its richness of harmony and texture". Born in Prince-Archbishopric of Salzburg, Salzburg, in the Holy Roman Empire, Mozart showed prodigious ability from his earliest childhood. Already competent on Keyboard instrument, keyboard and violin, he composed from the age of fi ...
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Hercules (Handel)
''Hercules'' ( HWV 60) is a ''Musical Drama'' in three acts by George Frideric Handel, composed in July and August 1744. The English language libretto was by the Reverend Thomas Broughton, based on Sophocles's ''Women of Trachis'' and the ninth book of Ovid's ''Metamorphoses''. Performance history ''Hercules'' was first given at the King's Theatre in London on 5 January 1745 in concert style. There were only two performances in the original run. The role of Lichas was written first as a small one for tenor, but it was greatly expanded before the premiere to provide Susanna Cibber with six airs. She was too ill to sing on the first night, and the music was either omitted or redistributed on that occasion. She sang in the second performance on 12 January. The music for the chorus "Wanton God" and the air "Cease, ruler of the day" was never given in this opera: the latter was adapted for the final chorus of ''Theodora''. The work was a total failure and caused Handel to suspend h ...
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La Colombe
''La Colombe'' (''The Dove'') is an ''opéra comique'' in two acts by Charles Gounod with a libretto by Jules Barbier and Michel Carré based on the poem ''Le Faucon'' by Jean de la Fontaine. It premiered in a one-act version at the Theater der Stadt in Baden-Baden on 3 August 1860, where it was well received and performed four times. It was revived on 7 June 1866 by the Opéra-Comique at the Salle Favart in Paris in an expanded two-act version with additional music by Gounod. Performance history Gounod's previous opera, ''Philémon et Baucis'', also with a text by Barbier and Carré based on a story by La Fontaine, had originally been commissioned for the summer season of 1859 by Édouard Bénazet, the director of the theatre and casino at Baden-Baden. When the political situation between France and Germany deteriorated in June, Gounod's opera was preemptively withdrawn to avoid potential negative reaction from German audiences, and it ended up being premiered in an expanded fo ...
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Gounod
Charles-François Gounod (; ; 17 June 181818 October 1893), usually known as Charles Gounod, was a French composer. He wrote twelve operas, of which the most popular has always been ''Faust (opera), Faust'' (1859); his ''Roméo et Juliette'' (1867) also remains in the international repertory. He composed a large amount of church music, many songs, and popular short pieces including his Ave Maria (Bach/Gounod), Ave Maria (an elaboration of a Johann Sebastian Bach, Bach piece), and ''Funeral March of a Marionette''. Born in Paris into an artistic and musical family Gounod was a student at the Conservatoire de Paris and won France's most prestigious musical prize, the Prix de Rome. His studies took him to Italy, Austria and then Prussia, where he met Felix Mendelssohn, whose advocacy of the music of Bach was an early influence on him. He was deeply religious, and after his return to Paris, he briefly considered becoming a priest. He composed prolifically, writing church music, songs ...
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Mignon
''Mignon'' is an 1866 ''opéra comique'' (or opera in its second version) in three acts by Ambroise Thomas. The original French libretto was by Jules Barbier and Michel Carré, based on Goethe's 1795-96 novel '' Wilhelm Meisters Lehrjahre''. The Italian version was translated by Giuseppe Zaffira. The opera is mentioned in James Joyce's " The Dead" (''Dubliners'') and Willa Cather's '' The Professor's House''. Thomas's goddaughter Mignon Nevada was named after the main character. Performance history The first performance was at the Opéra-Comique in Paris on 17 November 1866. The piece proved popular: more than 100 performances took place by the following July, the 1,000th was given there on 13 May 1894, and the 1,500th on 25 May 1919. The opera was also adapted and translated into German for performance in Berlin with Madame Lucca as Mignon. Lucca was well received, but the German critics were unhappy with the opera's alterations to the Goethe original, so Thomas composed a shor ...
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Ambroise Thomas
Charles Louis Ambroise Thomas (; 5 August 1811 – 12 February 1896) was a French composer and teacher, best known for his operas ''Mignon'' (1866) and ''Hamlet'' (1868). Born into a musical family, Thomas was a student at the Conservatoire de Paris, winning France's top music prize, the Prix de Rome. He pursued a career as a composer of operas, completing his first opera, ''La double échelle'', in 1837. He wrote twenty further operas over the next decades, mostly comic, but he also treated more serious subjects, finding considerable success with audiences in France and abroad. Thomas was appointed as a professor at the Conservatoire in 1856, and in 1871 he succeeded Daniel Auber as director. Between then and his death at his home in Paris twenty-five years later, he modernised the Conservatoire's organisation while imposing a rigidly conservative curriculum, hostile to modern music, and attempting to prevent composers such as César Franck and Gabriel Fauré from influencing t ...
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Jephtha (Handel)
''Jephtha'' ( HWV 70) is an oratorio (1751) by George Frideric Handel with an English language libretto by the Rev. Thomas Morell, based on the story of Jephtha in Judges (Chapter 11) and ''Jephthes, sive Votum'' (''Jeptha, or the Vow'') (1554) by George Buchanan. Whilst writing ''Jephtha'', Handel was increasingly troubled by his gradual loss of sight, and this proved to be his last oratorio. In the autograph score, at the end of the chorus "How dark, O Lord, are thy decrees" he wrote "Reached here on 13 February 1751, unable to go on owing to weakening of the sight of my left eye." The story revolves around Jephtha's rash promise to the Almighty that if he is victorious, he will sacrifice the first creature he meets on his return. He is met by his beloved daughter Iphis. However, an angel intervenes to stop the sacrifice, and Iphis only needs to dedicate her life to the Lord. This is an unusual interpretation of the Bible story, although one which has been current since the Mid ...
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Handel
George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque composer well known for his operas, oratorios, anthems, concerti grossi, and organ concertos. Handel received his training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age. Handel started three commercial opera companies to supply the English nobility with Italian opera. In 1737, he had a physical break ...
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