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Gilgamesh El Inmortal
sux, , label=none , image = Hero lion Dur-Sharrukin Louvre AO19862.jpg , alt = , caption = Possible representation of Gilgamesh as Master of Animals, grasping a lion in his left arm and snake in his right hand, in an Assyrian palace relief (713–706 BC), from Dur-Sharrukin, now held in the Louvre , reign=c. 2900–2700 BC ( EDI), predecessor = Dumuzid, the Fisherman (as Ensi of Uruk) , consort = , siblings = , successor = Ur-Nungal Gilgamesh ( akk, , translit=Gilgameš; originally sux, , translit= Bilgames)). His name translates roughly as "The Ancestor is a Young-man", from ''Bil.ga'' "Ancestor", Elder and ''Mes/Mesh3'' "Young-Man". See also . was a hero in ancient Mesopotamian mythology and the protagonist of the ''Epic of Gilgamesh'', an epic poem written in Akkadian during the late 2nd millennium BC. He was possibly a historical king of the Sumerian city-state of Uruk, who was posthumously deified. His rule probably would have taken pl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Master Of Animals
The Master of Animals, Lord of Animals, or Mistress of the Animals is a motif in ancient art showing a human between and grasping two confronted animals. The motif is very widespread in the art of the Ancient Near East and Egypt. The figure may be female or male, it may be a column or a symbol, the animals may be realistic or fantastical, and the human figure may have animal elements such as horns, an animal upper body, an animal lower body, legs, or cloven feet. Although what the motif represented to the cultures that created the works probably varies greatly, unless shown with specific divine attributes, when male the figure is typically described as a hero by interpreters. The motif is so widespread and visually effective that many depictions probably were conceived as decoration with only a vague meaning attached to them. The Master of Animals is the "favorite motif of Achaemenian official seals", but the figures in these cases should be understood as the king. The human ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Third Dynasty Of Ur
The Third Dynasty of Ur, also called the Neo-Sumerian Empire, refers to a 22nd to 21st century Common Era, BC (middle chronology) Sumerian ruling dynasty based in the city of Ur and a short-lived territorial-political state which some historians consider to have been a nascent empire. The Third Dynasty of Ur is commonly abbreviated as Ur III by historians studying the period. It is numbered in reference to previous dynasties, such as the First Dynasty of Ur (26-25th century BC), but it seems the once supposed Second Dynasty of Ur was never recorded. The Third Dynasty of Ur was the last Sumerian dynasty which came to preeminent power in Mesopotamia. It began after several centuries of control by Akkadian Empire, Akkadian and Gutian dynasty of Sumer, Gutian kings. It controlled the cities of Isin, Larsa, and Eshnunna and extended as far north as Upper Mesopotamia. History The Third Dynasty of Ur arose some time after the fall of the Akkadian Empire, Akkad Dynasty. The period betwe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Utnapishtim
Ut-napishtim or Uta-na’ishtim (in the ''Epic of Gilgamesh''), Atra-Hasis, Ziusudra ( Sumerian), Xisuthros (''Ξίσουθρος'', in Berossus) ( akk, ) is a character in ancient Mesopotamian mythology. He is tasked by the god Enki (Akkadian: Ea) to create a giant ship to be called ''Preserver of Life'' in preparation of a giant flood that would wipe out all life. The character appears in the ''Epic of Gilgamesh'' and is recognized as the inspiration for Noah in the Book of Genesis. Story Ut-napishtim is tasked by the god Enki to abandon his worldly possessions and create a giant ship to be called ''Preserver of Life''. In ''Erra and Išum'', Marduk is said to have been the originator of the flood and the Seven Sages. The ''Preserver of Life'' was made of solid timber, so that the rays of Shamash (the sun) would not shine in, and of equal dimensions in length and width. The design of the ship was supposedly drawn on the ground by Enki, and the frame of the ark, which was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Demigod
A demigod or demigoddess is a part-human and part-divine offspring of a deity and a human, or a human or non-human creature that is accorded divine status after death, or someone who has attained the "divine spark" ( spiritual enlightenment). An immortal demigod(-dess) often has tutelary status and a religious cult following, while a mortal demigod(-dess) is one who has fallen or died, but is popular as a legendary hero in various polytheistic religions. Figuratively, it is used to describe a person whose talents or abilities are so superlative that they appear to approach being divine. Etymology The English term " demi-god" is a calque of the Latin word , "half-god". The Roman poet Ovid probably coined ''semideus'' to refer to less important gods, such as dryads. Compare the Greek ''hemitheos''. Classical In the ancient Greek and Roman world, the concept of a demigod did not have a consistent definition and associated terminology rarely appeared. The earliest recorded us ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kassites
The Kassites () were people of the ancient Near East, who controlled Babylonia after the fall of the Old Babylonian Empire c. 1531 BC and until c. 1155 BC (short chronology). They gained control of Babylonia after the Hittite sack of Babylon in 1531 BC, and established a dynasty generally assumed to have been based first in that city, after a hiatus. Later rule shifted to the new city of Dur-Kurigalzu. By the time of Babylon's fall, the Kassites had already been part of the region for a century and a half, acting sometimes with the Babylon's interests and sometimes against. There are records of Kassite and Babylonian interactions, in the context of military employment, during the reigns of Babylonian kings Samsu-iluna (1686 to 1648 BC), Abī-ešuh, and Ammī-ditāna. The origin and classification of the Kassite language, like the Sumerian language and Hurrian language, is uncertain, and, also like the two latter languages, has generated a wide array of speculation over the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sîn-lēqi-unninni
Sîn-lēqi-unninni ( akk, ) was a '' mašmaššu'' who lived in Mesopotamia, probably in the period between 1300 BC and 1000 BC. He is traditionally thought to have compiled the best-preserved version of the ''Epic of Gilgamesh''. His name is listed in the text itself, which was unorthodox for works written in cuneiform. His version is known by its ''incipit,'' or first line "ša nagba īmuru" ("He who saw the deep" or "The one who saw the Abyss"). The extent to which his version is different from earlier texts is unknown; Andrew R. George argues that Sîn-lēqi-unninni "gave he ''Epic of Gilgamesh''its final, fixed form". Tigay acknowledges that Sîn-lēqi-unninni shifted "Gilgamesh's greatness from deeds to the acquisition of knowledge". At time it was also known as "Gilgamesh series" (''iškar Gilgāmeš''). The prologue features the only instance of first person narration by Sîn-lēqi-unninni. His version includes Utnapishtim's story of the Flood in tablet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Babylonia
Babylonia (; Akkadian: , ''māt Akkadī'') was an ancient Akkadian-speaking state and cultural area based in the city of Babylon in central-southern Mesopotamia (present-day Iraq and parts of Syria). It emerged as an Amorite-ruled state c. 1894 BCE. During the reign of Hammurabi and afterwards, Babylonia was called "the country of Akkad" (''Māt Akkadī'' in Akkadian), a deliberate archaism in reference to the previous glory of the Akkadian Empire. It was often involved in rivalry with the older state of Assyria to the north and Elam to the east in Ancient Iran. Babylonia briefly became the major power in the region after Hammurabi ( fl. c. 1792–1752 BCE middle chronology, or c. 1696–1654 BCE, short chronology) created a short-lived empire, succeeding the earlier Akkadian Empire, Third Dynasty of Ur, and Old Assyrian Empire. The Babylonian Empire rapidly fell apart after the death of Hammurabi and reverted to a small kingdom. Like Assyria, the Babylonian state retained ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bull Of Heaven
In ancient Mesopotamian mythology, the Bull of Heaven is a mythical beast fought by the hero Gilgamesh. The story of the Bull of Heaven has two different versions: one recorded in an earlier Sumerian poem and a later version in the standard Akkadian ''Epic of Gilgamesh''. In the Sumerian poem, the Bull is sent to attack Gilgamesh by the goddess Inanna for reasons that are unclear. The more complete Akkadian account comes from Tablet VI of the ''Epic of Gilgamesh'', in which Gilgamesh refuses the sexual advances of the goddess Ishtar, the East Semitic equivalent of Inanna, leading the enraged Ishtar to demand the Bull of Heaven from her father Anu, so that she may send it to attack Gilgamesh in Uruk. Anu gives her the Bull and she sends it to attack Gilgamesh and his companion, the hero Enkidu, who slay the Bull together. After defeating the Bull, Enkidu hurls the Bull's right thigh at Ishtar, taunting her. The slaying of the Bull results in the gods condemning Enkidu to dea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Humbaba
In Ancient Mesopotamian religion, Humbaba ( Assyrian spelling), also spelled Huwawa ( Sumerian spelling) and surnamed ''the Terrible'', was a monstrous giant of immemorial age raised by Utu, the Sun / justice / truth god. Humbaba was the guardian of the Cedar Forest, where the gods lived, by the will of the god Enlil, who: "assigned umbabaas a terror to human beings." Gilgamesh and Enkidu defeated this great enemy. Description : "When he looks at someone, it is the look of death." : "Humbaba's roar is a flood, : his mouth is death and his breath is fire! : A hundred leagues away he can hear any ustling?in his forest! : Who would go down into his forest!" In various examples, his face is scribed in a single coiling line like that of the coiled entrails of men and beasts, from which omens might be read. Another description from Georg Burckhardt's translation of the ''Epic of Gilgamesh'' says, : "he had the paws of a lion and : a body covered in thorny scales; : his feet had t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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