Gilgamesh Statue (University Of Sydney)
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Gilgamesh Statue (University Of Sydney)
The Statue of Gilgamesh at the University of Sydney, Camperdown, was created by Lewis Batros on commission from the Assyrian community, and unveiled in 2000. The 2.5m statue depicts Gilgamesh, an ancient Sumerian king of the city-state of Uruk whose legendary exploits are told in the ''Epic of Gilgamesh'', an Akkadian epic poem written during the late second millennium BC, based on much earlier material. The Gilgamesh Cultural Centre, on behalf of the Assyrian community, presented the statue to the University to commemorate its sesquicentenary. The statue was unveiled by Dame Leonie Kramer, A.C., and D.B.E., on 15 October 2000. It is located in the Camperdown/Darlington Campus of the University of Sydney between the Old Teachers College Building and the Women's Sports Centre, facing towards the Charles Perkins Centre. History Gilgamesh was a king of Uruk in the land of Sumer, Mesopotamia. Gilgamesh is described as a demigod of superhuman strength, as he was two-thirds ...
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Charles Perkins Centre
The Charles Perkins Centre (CPC) is an Australian medical research institute, clinic and education hub that primarily focuses on diabetes, cardiovascular disease and obesity, as well as other related conditions. The centre is affiliated with the University of Sydney and is located within the Royal Prince Alfred Hospital health precinct at the campus of the university in Sydney, New South Wales. The centre is named in honour of alumnus Charles Perkins, the first man of Aboriginal descent to graduate from an Australian university. The centre's academic director is Professor Stephen Simpson. Designed by Francis-Jones Morehen Thorp with Building Studio, construction of the 385 million Centre began in 2012 and was officially opened in June 2014. Completed in the Modernist Australian architectural style, the centre was shortlisted for the World's Best Building award in the Higher Education and Research category at the 2015 World Architecture Festival. Many professorial chairs ...
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Cultural Depictions Of Gilgamesh
Culture () is an umbrella term which encompasses the social behavior, institutions, and norms found in human societies, as well as the knowledge, beliefs, arts, laws, customs, capabilities, and habits of the individuals in these groups.Tylor, Edward. (1871). Primitive Culture. Vol 1. New York: J.P. Putnam's Son Culture is often originated from or attributed to a specific region or location. Humans acquire culture through the learning processes of enculturation and socialization, which is shown by the diversity of cultures across societies. A cultural norm codifies acceptable conduct in society; it serves as a guideline for behavior, dress, language, and demeanor in a situation, which serves as a template for expectations in a social group. Accepting only a monoculture in a social group can bear risks, just as a single species can wither in the face of environmental change, for lack of functional responses to the change. Thus in military culture, valor is counted a typical be ...
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Statues Of Monarchs
A statue is a free-standing sculpture in which the realistic, full-length figures of persons or animals are carved or cast in a durable material such as wood, metal or stone. Typical statues are life-sized or close to life-size; a sculpture that represents persons or animals in full figure but that is small enough to lift and carry is a statuette or figurine, whilst one more than twice life-size is a colossal statue. Statues have been produced in many cultures from prehistory to the present; the oldest-known statue dating to about 30,000 years ago. Statues represent many different people and animals, real and mythical. Many statues are placed in public places as public art. The world's tallest statue, ''Statue of Unity'', is tall and is located near the Narmada dam in Gujarat, India. Color Ancient statues often show the bare surface of the material of which they are made. For example, many people associate Greek classical art with white marble sculpture, but there is evidenc ...
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Assyrian Genocide
The Sayfo or the Seyfo (; see below), also known as the Assyrian genocide, was the mass slaughter and deportation of Assyrian / Syriac Christians in southeastern Anatolia and Persia's Azerbaijan province by Ottoman forces and some Kurdish tribes during World War I. The Assyrians were divided into mutually antagonistic churches, including the Syriac Orthodox Church, the Church of the East, and the Chaldean Catholic Church. Before World War I, they lived in mountainous and remote areas of the Ottoman Empire (some of which were effectively stateless). The empire's nineteenth-century centralization efforts led to increased violence and danger for the Assyrians. Mass killing of Assyrian civilians began during the Ottoman occupation of Azerbaijan from January to May 1915, during which massacres were committed by Ottoman forces and pro-Ottoman Kurds. In Bitlis province, Ottoman troops returning from Persia joined local Kurdish tribes to massacre the local Christian population ( ...
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Austen Henry Layard
Sir Austen Henry Layard (; 5 March 18175 July 1894) was an English Assyriologist, traveller, cuneiformist, art historian, draughtsman, collector, politician and diplomat. He was born to a mostly English family in Paris and largely raised in Italy. He is best known as the excavator of Nimrud and of Nineveh, where he uncovered a large proportion of the Assyrian palace reliefs known, and in 1851 the library of Ashurbanipal. Most of his finds are now in the British Museum. He made a large amount of money from his best-selling accounts of his excavations. He had a political career between 1852, when he was elected as a Member of Parliament, and 1869, holding various junior ministerial positions. He was then made ambassador to Madrid, then Constantinople, living much of the time in a palazzo he bought in Venice. During this period he built up a significant collection of paintings, which due to a legal loophole he had as a diplomat, he was able to extricate from Venice and beque ...
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Enkidu
Enkidu ( sux, ''EN.KI.DU10'') was a legendary figure in ancient Mesopotamian mythology, wartime comrade and friend of Gilgamesh, king of Uruk. Their exploits were composed in Sumerian poems and in the Akkadian ''Epic of Gilgamesh'', written during the 2nd millennium BC. He is the oldest literary representation of the wild man, a recurrent motif in artistic representations in Mesopotamia and in Ancient Near East literature. The apparition of Enkidu as a primitive man seems to be a potential parallel of the Old Babylonian version (1300–1000 BC), in which he was depicted as a servant-warrior in the Sumerian poems. There have been suggestions that he may be the "bull-man" shown in Mesopotamian art, having the head, arms, and body of a man, and the horns, ears, tail and legs of a bull. Thereafter a series of interactions with humans and human ways bring him closer to civilization, culminating in a wrestling match with Gilgamesh, king of Uruk. Enkidu embodies the wild or natura ...
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Humbaba
In Ancient Mesopotamian religion, Humbaba ( Assyrian spelling), also spelled Huwawa ( Sumerian spelling) and surnamed ''the Terrible'', was a monstrous giant of immemorial age raised by Utu, the Sun / justice / truth god. Humbaba was the guardian of the Cedar Forest, where the gods lived, by the will of the god Enlil, who: "assigned umbabaas a terror to human beings." Gilgamesh and Enkidu defeated this great enemy. Description : "When he looks at someone, it is the look of death." : "Humbaba's roar is a flood, : his mouth is death and his breath is fire! : A hundred leagues away he can hear any ustling?in his forest! : Who would go down into his forest!" In various examples, his face is scribed in a single coiling line like that of the coiled entrails of men and beasts, from which omens might be read. Another description from Georg Burckhardt's translation of the ''Epic of Gilgamesh'' says, : "he had the paws of a lion and : a body covered in thorny scales; : his feet had t ...
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Demigod
A demigod or demigoddess is a part-human and part-divine offspring of a deity and a human, or a human or non-human creature that is accorded divine status after death, or someone who has attained the "divine spark" ( spiritual enlightenment). An immortal demigod(-dess) often has tutelary status and a religious cult following, while a mortal demigod(-dess) is one who has fallen or died, but is popular as a legendary hero in various polytheistic religions. Figuratively, it is used to describe a person whose talents or abilities are so superlative that they appear to approach being divine. Etymology The English term " demi-god" is a calque of the Latin word , "half-god". The Roman poet Ovid probably coined ''semideus'' to refer to less important gods, such as dryads. Compare the Greek ''hemitheos''. Classical In the ancient Greek and Roman world, the concept of a demigod did not have a consistent definition and associated terminology rarely appeared. The earliest recorded us ...
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Mesopotamia
Mesopotamia ''Mesopotamíā''; ar, بِلَاد ٱلرَّافِدَيْن or ; syc, ܐܪܡ ܢܗܪ̈ܝܢ, or , ) is a historical region of Western Asia situated within the Tigris–Euphrates river system, in the northern part of the Fertile Crescent. Today, Mesopotamia occupies modern Iraq. In the broader sense, the historical region included present-day Iraq and Kuwait and parts of present-day Iran, Syria and Turkey. The Sumerians and Akkadians (including Assyrians and Babylonians) originating from different areas in present-day Iraq, dominated Mesopotamia from the beginning of written history () to the fall of Babylon in 539 BC, when it was conquered by the Achaemenid Empire. It fell to Alexander the Great in 332 BC, and after his death, it became part of the Greek Seleucid Empire. Later the Arameans dominated major parts of Mesopotamia (). Mesopotamia is the site of the earliest developments of the Neolithic Revolution from around 10,000 BC. It has been identi ...
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