Gildor Inglorion
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Gildor Inglorion
In the works of J. R. R. Tolkien, the Noldor (also spelled Ñoldor, meaning ''those with knowledge'' in his constructed language Quenya) were a kindred of Elves who migrated west to the blessed realm of Valinor from the continent of Middle-earth, splitting from other groups of Elves as they went. They then settled in the coastal region of Eldamar. The Dark Lord Morgoth murdered their first leader, Finwë. The majority of the Noldor, led by Finwë's eldest son Fëanor, then returned to Beleriand in the northwest of Middle-earth. This made them the only group to return and then play a major role in Middle-earth's history; much of ''The Silmarillion'' is about their actions. They were the second clan of the Elves in both order and size, the other clans being the Vanyar and the Teleri. Among Elves, the Noldor showed the greatest talents for intellectual pursuits, technical skills and physical strength, yet were prone to unchecked ambition and pride in their ability to create. Scho ...
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First Age
In J. R. R. Tolkien's legendarium, the history of Arda, also called the history of Middle-earth, began when the Ainur entered Arda, following the creation events in the Ainulindalë and long ages of labour throughout Eä, the fictional universe. Time from that point was measured using Valian Years, though the subsequent history of Arda was divided into three time periods using different years, known as the Years of the Lamps, the Years of the Trees and the Years of the Sun. A separate, overlapping chronology divides the history into 'Ages of the Children of Ilúvatar'. The first such Age began with the Awakening of the Elves during the Years of the Trees and continued for the first six centuries of the Years of the Sun. All the subsequent Ages took place during the Years of the Sun. Most Middle-earth stories take place in the first three Ages of the Children of Ilúvatar. Major themes of the history are the divine creation of the world, followed by the splintering of the creat ...
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Silmaril
The Silmarils (Quenya in-universe ''pl''. ''Silmarilli'', ''radiance of pure light''J. R. R. Tolkien, Tolkien, J. R. R., "Addenda and Corrigenda to the Etymologies — Part Two" (edited by Carl F. Hostetter and Patrick H. Wynne), in ''Vinyar Tengwar'', 46, July 2004, p. 11) are three fictional brilliant jewels in J. R. R. Tolkien's legendarium. They were made by the elf Fëanor, capturing the unmarred light of the Two Trees of Valinor. The Silmarils play a central role in J. R. R. Tolkien, Tolkien's book ''The Silmarillion'', which tells of the creation of Eä (the universe) and the beginning of Elves (Middle-Earth), Elves, Dwarf (Middle-earth), Dwarves and Men. Tolkien, a philologist, derived the idea of Silmarils, jewels that actually contained light, from the Old English word ''Siġelwara''; he concluded that ''Siġel'' meant both ''sun'' and ''jewel''. Scholars have described the Silmarils as embodying elvish pride in their own creation, or a Biblical desire for Tree of knowle ...
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Gondolin
In Tolkien's legendarium, Gondolin was a secret city of Elves in the First Age of Middle-earth. The story of the Fall of Gondolin tells of the founding of the city; of the arrival there of Tuor, a prince of Men; of the betrayal of the city to Morgoth by the king's nephew, Maeglin; and of its subsequent catastrophic destruction by Morgoth's armies. It also relates the flight of the fugitives to the Havens of Sirion, the wedding of Tuor and Idril, and the childhood of their son Eärendil. Scholars have noted the presence of tank-like iron fighting machines in Morgoth's army in early versions of the story, written soon after Tolkien returned from the Battle of the Somme. They have likened the story of the Fall of Gondolin to the sack of Troy in ancient Greek literature, or to Virgil's ''Aeneid''; the role of Tuor's wife Idril has similarly been compared to that of Cassandra or Helen of Troy in accounts of the Trojan War. City Foundation The city of Gondolin"Tolkien explained ...
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Valar In Middle-earth
The Valar (; singular Vala) are characters in J. R. R. Tolkien's Tolkien's legendarium, legendarium. They are "angelic powers" or "gods", #154 to Naomi Mitchison, September 1954 subordinate to the one God (Eru Ilúvatar). The Ainulindalë describes how those of the Ainur (Middle-earth), Ainur who chose to enter the World (Arda (Middle-earth), Arda) to complete its material development after its form was determined by the Music of the Ainur are called the Valar, or "the Powers of the World". The Valaquenta indicates that the Elves generally reserved the term "Valar" for the mightiest of these, calling the others the Maia (Middle-earth), Maiar. The Valar are mentioned briefly in ''The Lord of the Rings'' but were developed earlier in material published posthumously in ''The Silmarillion'', ''The History of Middle-earth'', and ''Unfinished Tales''. Scholars have noted that the Valar resemble angels in Christianity but that Tolkien presented them rather more like pagan gods. Their ...
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Language
Language is a structured system of communication. The structure of a language is its grammar and the free components are its vocabulary. Languages are the primary means by which humans communicate, and may be conveyed through a variety of methods, including spoken, sign, and written language. Many languages, including the most widely-spoken ones, have writing systems that enable sounds or signs to be recorded for later reactivation. Human language is highly variable between cultures and across time. Human languages have the properties of productivity and displacement, and rely on social convention and learning. Estimates of the number of human languages in the world vary between and . Precise estimates depend on an arbitrary distinction (dichotomy) established between languages and dialects. Natural languages are spoken, signed, or both; however, any language can be encoded into secondary media using auditory, visual, or tactile stimuli – for example, writing, whi ...
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Embroidery
Embroidery is the craft of decorating fabric or other materials using a needle to apply thread or yarn. Embroidery may also incorporate other materials such as pearls, beads, quills, and sequins. In modern days, embroidery is usually seen on caps, hats, coats, overlays, blankets, dress shirts, denim, dresses, stockings, scarfs, and golf shirts. Embroidery is available in a wide variety of thread or yarn colour. Some of the basic techniques or stitches of the earliest embroidery are chain stitch, buttonhole or blanket stitch, running stitch, satin stitch, and cross stitch. Those stitches remain the fundamental techniques of hand embroidery today. History Origins The process used to tailor, patch, mend and reinforce cloth fostered the development of sewing techniques, and the decorative possibilities of sewing led to the art of embroidery. Indeed, the remarkable stability of basic embroidery stitches has been noted: The art of embroidery has been found worldwide and ...
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Lapidary
Lapidary (from the Latin ) is the practice of shaping stone, minerals, or gemstones into decorative items such as cabochons, engraved gems (including cameos), and faceted designs. A person who practices lapidary is known as a lapidarist. A lapidarist uses the lapidary techniques of cutting, grinding, and polishing. Hardstone carving requires specialized carving techniques. In modern contexts, a gemcutter is a person who specializes in cutting diamonds, but in older contexts the term refers to artists who produced hardstone carvings; engraved gems such as jade carvings, a branch of miniature sculpture or ornament in gemstone. By extension, the term ''lapidary'' has sometimes been applied to collectors of and dealers in gems, or to anyone who is knowledgeable in precious stones. Etymology The etymological root of the word 'lapidary' is the Latin word , meaning "stone".Douglas Harper (2014)Lapidary Online Etymology Dictionary In the 14th century, the term evolved from , meani ...
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Handicraft
A handicraft, sometimes more precisely expressed as artisanal handicraft or handmade, is any of a wide variety of types of work where useful and decorative objects are made completely by one’s hand or by using only simple, non-automated related tools like scissors, carving implements, or hooks. It is a traditional main sector of craft making and applies to a wide range of creative and design activities that are related to making things with one's hands and skill, including work with textiles, moldable and rigid materials, paper, plant fibers,clay etc. One of the oldest handicraft is Dhokra; this is a sort of metal casting that has been used in India for over 4,000 years and is still used. In Iranian Baluchistan, women still make red ware hand-made pottery with dotted ornaments, much similar to the 5000-year-old pottery tradition of Kalpurgan, an archaeological site near the village. Usually, the term is applied to traditional techniques of creating items (whether for per ...
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Two Trees Of Valinor
In J. R. R. Tolkien's legendarium, the Two Trees of Valinor are Telperion and Laurelin, the Silver Tree and the Gold Tree, which brought light to Valinor, a paradisiacal realm also known as the Undying Lands where angelic beings lived. The Two Trees were apparently of enormous stature, and exuded dew that was a pure and magical light in liquid form. They were destroyed by the evil beings Ungoliant and Melkor, but their last flower and fruit were made into the Moon and the Sun. Commentators have seen mythic and Christian symbolism in the Two Trees; they have been called the most important symbols in the entire legendarium. Creation and destruction The first sources of light for all of Tolkien's imaginary world, Arda, were two enormous Lamps on the central continent, Middle-earth: Illuin, the silver one to the north, and Ormal, the golden one to the south. They had been created by the Valar, powerful spirit beings, but were cast down and destroyed by the Dark Lord Melkor., ...
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Tolkien's Legendarium
Tolkien's legendarium is the body of J. R. R. Tolkien's mythopoeic writing, unpublished in his lifetime, that forms the background to his ''The Lord of the Rings'', and which his son Christopher summarized in his compilation of ''The Silmarillion'' and documented in his 12-volume series ''The History of Middle-earth''. The legendarium's origins reach back to 1914, when Tolkien began writing poems and story sketches, drawing maps, and inventing languages and names as a private project to create a unique English mythology. The earliest story drafts (of ''The Book of Lost Tales'') are from 1916; he revised and rewrote these for most of his adult life. ''The Hobbit'' (1937), Tolkien's first published novel, was not originally part of the larger mythology but became linked to it. Both ''The Hobbit'' and ''The Lord of the Rings'' (1954 and 1955) took place in the Third Age of Middle-earth, while virtually all of his earlier writing had been set in the first two ages of the world. ...
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Elvish Languages (Middle-earth)
J. R. R. Tolkien constructed many Elvish languages; the best-known are Quenya and Sindarin. These were the various languages spoken by the Elves of Middle-earth as they developed as a society throughout the Ages. In his pursuit for realism and in his love of language, Tolkien was especially fascinated with the development and evolution of language through time. Tolkien created two almost fully developed languages, and a dozen more in various beginning stages as he studied and reproduced the way that language adapts and morphs. A philologist by profession, he spent much time on his constructed languages. In the collection of letters he had written, posthumously published by his son, Christopher John Tolkien, he even stated that he began his stories that were within this secondary world, the realm of Middle-earth, not with the characters or narrative as one would assume, but with a created set of languages. The stories and characters serve to be the conduits to make those languages ...
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