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Gid Tanner
James Gideon "Gid" Tanner (June 6, 1885 – May 13, 1960) was an American old-time fiddler and one of the earliest stars of what would come to be known as country music. His band, the Skillet Lickers, was one of the most innovative and influential string bands of the 1920s and 1930s. Its most notable members were Clayton McMichen (fiddle and vocal), Dan Hornsby (vocals), Riley Puckett (guitar and vocal) and Robert Lee Sweat (guitar). Biography Tanner was born in Thomas Bridge, near Monroe, Georgia. He made a living as a chicken farmer for most of his life. He learned to play the fiddle at the age of 14 and quickly established a reputation as one of the finest musicians in Georgia. Early on, he participated in several fiddle conventions together with his rival Fiddlin' John Carson; what one of them did not win, the other would. Tanner reportedly had a repertoire of more than 2000 songs. Tanner and Puckett traveled to New York City in March 1924 to make the first of a series ...
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Dacula, Georgia
Dacula ( ) is a city in Gwinnett County, Georgia, United States. It is an exurb of Atlanta, located approximately northeast of downtown. The population as of the 2010 census was 4,442, and the U.S. Census Bureau estimated the population to be 6,255 as of 2018. History The vicinity of Dacula was one of the first areas in present-day metropolitan Atlanta to be claimed by settlers (around the time of the War of 1812), but the area remained mostly undeveloped until the late 20th century. The Dacula area is home to some of the oldest buildings in greater Atlanta, such as the Elisha Winn House, which originally acted as the courthouse for Gwinnett County. Dacula itself began in the late 1800s under the name of Chinquapin Grove, where Dacula Elementary now stands. The town was renamed named "Hoke", in 1891 after a Seaboard Air Line Railroad executive, but that name was changed due to the Post Office Department's protest. Dacula's name was formed from letters in Decatur and Atlanta, t ...
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Hand Me Down My Walking Cane
"Hand Me Down My Walking Cane" is a song written by African-American James A. Bland in 1880. It has acquired the status of a folk song, and is cataloged as Roud Folk Song Index No. 11,733. Recordings The song has been recorded many times, in a variety of styles including country, cajun, jazz, mountain, bluegrass, rock and roll, and acoustic and electric blues. Recordings by artists having Wikipedia articles include: * Gid Tanner and His Skillet Lickers with Riley Puckett (1926) * Kelly Harrell (1926), Victor 20103 * Earl Johnson (1927) (unreleased) * Ernest V. Stoneman (1927) Edison Record 11481 * Sid Harkreader and Grady Moore (1927) Paramount Records 3022 * Karl Radlach and His Orchestra (directed by Bernie Cummins) (1930) * Cléoma Breaux (1937), Decca 17059 * Jerry Lee Lewis (1956), Sun Records * Bing Crosby included the song in a medley on his album '' 101 Gang Songs'' (1961) * Vern Williams and Ray Parks (1966), ''The Cabale, Berkeley, CA'' * Norman Blake, ...
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Bonaparte's Retreat (other)
Bonaparte's Retreat may refer to: * "Bonaparte's Retreat" (Pee Wee King song), a 1949 American country music song, based on a traditional tune * " The Bonny Bunch of Roses", an English folk song also known as "Bonaparte's Retreat" ** '' The Chieftains 6: Bonaparte's Retreat'', an album that includes this tune * One of the historical military defeats of the armies of Napoleon Napoleon Bonaparte ; it, Napoleone Bonaparte, ; co, Napulione Buonaparte. (born Napoleone Buonaparte; 15 August 1769 – 5 May 1821), later known by his regnal name Napoleon I, was a French military commander and political leader who ...
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Soldier's Joy (fiddle Tune)
"Soldier's Joy" is a fiddle tune, classified as a reel or country dance. It is popular in the American fiddle canon, in which it is touted as "an American classic" but traces its origin to Scottish fiddling traditions. It has been played in Scotland for over 200 years, and Robert Burns used it for the first song of his cantata 'The Jolly Beggars'. According to documentation at the United States Library of Congress, it is "one of the oldest and most widely distributed tunes" and is rated in the top ten most-played old time fiddle tunes. The tune dates as early as the 1760s. In spite of its upbeat tempo and catchy melody, the term "soldier's joy" has a much darker meaning than is portrayed by the tune. This term eventually came to refer to the combination of whiskey, beer, and morphine used by American Civil War soldiers to alleviate pain. Score Melody as basis for song Like many pure tunes with ancient pedigree, the melody of Soldier's Joy has been used as a basis for constr ...
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Cotton-Eyed Joe
"Cotton-Eyed Joe" (also known as "Cotton-Eye Joe") is a traditional American country folk song popular at various times throughout the United States and Canada, although today it is most commonly associated with the American South. The song is also an instrumental banjo and bluegrass fiddle standard. "Cotton-Eyed Joe" has inspired both a partner dance and more than one line dance that is often danced at country dance venues in the United States and around the world. The 1980 film ''Urban Cowboy'' sparked a renewed interest in the dance. In 1985, The Moody Brothers' version of the song received a Grammy Award nomination for Best Country Instrumental Performance. Irish group The Chieftains received a Grammy nomination for Best Country Vocal Collaboration for their version of the song with lead vocals by Ricky Skaggs on their 1992 album '' Another Country''. In 1994 a version of the song recorded by the Swedish band Rednex as "Cotton Eye Joe" became popular worldwide. History 19 ...
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Bile Them Cabbage Down
"Boil Them Cabbage Down" (also "Bile 'Em Cabbage Down") is an American folk song. Hoecakes are small cornmeal cakes that were baked over a fire on the blade of a hoe. A breakfast of hoecakes and cabbage soup testifies to the humble origins of this song. According to Alan Lomax, musicologist and folklorist formerly of the Library of Congress, this tune was originally associated with African slaves brought from Niger. Notable versions of the song have been played by such artists as Pete Seeger, Ruby Jane Smith and the Smothers Brothers. Sam Hinton sings the song in the album '' How the West Was Won'' (1959). Score \relative c'' Content As Byron Arnold and Bob Halli noted in ''An Alabama Songbook'', the song, musically and lyrically, is far from stable, with verses being swapped at will by the performers, and is interchangeable with many other songs, including "Old Joe Clark" and " Cindy". Music This simple tune is often used in old-time music circles to teach young folks ...
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John Henry (song)
John Henry is an American folk hero. An African American, he is said to have worked as a "steel-driving man"—a man tasked with hammering a steel drill into rock to make holes for explosives to blast the rock in constructing a railroad tunnel. The story of John Henry is told in a classic blues folk song, which exists in many versions, and has been the subject of numerous stories, plays, books, and novels. Legend According to legend, John Henry's prowess as a steel driver was measured in a race against a steam-powered rock drilling machine, a race that he won only to die in victory with a hammer in hand as his heart gave out from stress. Various locations, including Big Bend Tunnel in West Virginia, Lewis Tunnel in Virginia, and Coosa Mountain Tunnel in Alabama, have been suggested as the site of the contest. The contest involved John Henry as the hammerman working in partnership with a shaker, who would hold a chisel-like drill against mountain rock, while the hammerman st ...
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Old Joe Clark
"Old Joe Clark" is a US folk song, a mountain ballad that was popular among soldiers from eastern Kentucky during World War I and afterwards. Its lyrics refer to a real person named Joseph Clark, a Kentucky mountaineer who was born in 1839 and murdered in 1885. The "playful and sometimes outlandish verses" have led to the conjecture that it first spread as a children's song and via play parties. There are about 90 stanzas in various versions of the song. The tune is based on an A major scale in the Mixolydian mode, but moreover has definite hints of a complete blues scale, namely, the flatted 3rd and 5th. Although "Old Joe Clark" may have originated in the 19th century, no printed records are known from before 1900. An early version was printed in 1918, as sung in Virginia at that time. "Old Joe Clark" has been described as "one of the most widely known of all Southern fiddle tunes s of the late 20th century. ... Ithas, to a degree, become part of the nited Statesnational reperto ...
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Shortnin' Bread
"Shortnin' Bread" (also spelled "Shortenin' Bread", "Short'nin' Bread", or "Sho'tnin' Bread") is an African-American folk song dating back at least to the 1890s. James Whitcomb Riley published it as a poem in 1900, building on older lyrics. A "collected" version of the song was published by E. C. Perrow in 1915. It is song number 4209 in the Roud Folk Song Index. Shortening bread refers to a bread made of corn meal and/or flour and lard shortening. Origins "Shortnin' Bread" is a plantation song. Its first written version was captured by poet James Whitcomb Riley in 1900. He titled the song "A Short'nin' Bread Song—Pieced Out", and wrote the first verse as: The dialect rendered into common English would be: The verse includes: Another pair of verses may be later, and exist in several versions: (In some versions there are two children instead of three - and the "other" either "bump'd his head" or "was dead". Neither of these quite scan. The children (or "chillun") ...
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Alabama Jubilee (song)
"Alabama Jubilee" is a song written with music by George L. Cobb and words by Jack Yellen. The first known recording was that of comedians Collins & Harlan in 1915. The song is considered an American popular standard. The most popular versions of the song were Red Foley's 1951 version (#3 country, #28 pop) and the 1955 instrumental version by the Ferko String Band, which reached #13 on Cashbox, #14 on the Billboard Jukebox chart, and #20 in the UK. A 1981 instrumental version by Roy Clark won the Grammy Award for Best Country Instrumental Performance. The song is a popular marching band song. It was remade as a Tejano song "El circo" by Tony De La Rosa.The Billboard Guide to Tejano and Regional Mexican Music - Page 80 Ramiro Burr - 1999 "Interestingly, "El Circo" was actually a remake of Red Foley's "Alabama Jubilee," which became a Top 10 hit on Billboard's country charts in 1951." Other versions *1916: Prince Band *1926: Skillet Lickers *1927: Al Bernard & Ernest Hare *19 ...
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Bluegrass Music
Bluegrass music is a genre of American roots music The term American folk music encompasses numerous music genres, variously known as ''traditional music'', ''traditional folk music'', ''contemporary folk music'', ''vernacular music,'' or ''roots music''. Many traditional songs have been sung ... that developed in the 1940s in the Appalachian region of the United States. The genre derives its name from the band Bill Monroe, Bill Monroe and the Blue Grass Boys. Like Country music, mainstream country music, it largely developed out of Old-time music, old-time string music, though in contrast, bluegrass is traditionally played exclusively on Acoustic music, acoustic instruments and also has roots in traditional English, Scottish, and Irish Ballads, Irish ballads and dance tunes as well as in blues and jazz. Bluegrass was further developed by musicians who played with Monroe, including 5-string banjo player Earl Scruggs and guitarist Lester Flatt. Monroe characterized the genr ...
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Bluebird Records
Bluebird Records is a record label best known for its low-cost releases, primarily of kids' music, blues and jazz in the 1930s and 1940s. It was founded in 1932 as a lower-priced RCA Victor subsidiary label of RCA Victor. Bluebird became known for what came to be known as the "Bluebird sound", which influenced rhythm and blues and early rock and roll. It is currently owned by parent company Sony Music Entertainment. History The label was founded in 1932 as a division of RCA Victor by Eli Oberstein, an executive at the company. Bluebird competed with other budget labels at the time. Records were made quickly and cheaply. The "Bluebird sound" came from the session band that was used on many recordings to cut costs. The band included musicians such as Big Bill Broonzy, Roosevelt Sykes, Washboard Sam, and Sonny Boy Williamson. Many blues musicians were signed to RCA Victor and Bluebird by Lester Melrose, a talent scout and producer who had a virtual monopoly on the Chicago blues ...
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