Giasone Del Maino Patr
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Giasone Del Maino Patr
''Giasone'' (''Jason'') is an opera in three acts and a prologue with music by Francesco Cavalli and a libretto by Giacinto Andrea Cicognini. It was premiered at the Teatro San Cassiano, Venice on 5 January 1649, during carnival. The plot is loosely based on the story of Jason and the golden fleece, but the opera contains many comic elements too. ''Giasone'' was "the single most popular opera of the 17th century". It is rarely revived today, but has been performed by for example English Touring Opera (2013). Recordings include a 1988 version directed by René Jacobs with Michael Chance in the title role. A 2010 production by the Vlaamse Opera, with Christophe Dumaux in the title role, was released on DVD. Roles Synopsis Prologue Two mythological characters appear in the prologue: Sole (the sun, i.e. Apollo) and Amore (love, i.e. Cupid). Sole opens with an aria about the gloriousness of the day because Giasone (i.e. Jason) will set out leading his Argonauts on a quest to find ...
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Francesco Cavalli
Francesco Cavalli (born Pietro Francesco Caletti-Bruni; 14 February 1602 – 14 January 1676) was a Republic of Venice, Venetian composer, organist and singer of the early Baroque music, Baroque period. He succeeded his teacher Claudio Monteverdi as the dominant and leading opera composer of the mid 17th-century. A central figure of Venetian musical life, Cavalli wrote more than forty operas, almost all of which premiered in the city's theaters. His best known works include ''Ormindo'' (1644), ''Giasone'' (1649) and ''La Calisto'' (1651). Life Cavalli was born at Crema, Lombardy, Crema, then an Domini di Terraferma, inland province of the Venetian Republic. He became a singer (boy soprano) at St Mark's Basilica in Venice in 1616, where he had the opportunity to work under the tutorship of Claudio Monteverdi. He became second organist in 1639, first organist in 1665, and in 1668 ''Kapellmeister, maestro di cappella''. He took the name "Cavalli" from his patron, Venetian nobleman ...
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Contralto
A contralto () is a type of classical female singing voice whose vocal range is the lowest female voice type. The contralto's vocal range is fairly rare; similar to the mezzo-soprano, and almost identical to that of a countertenor, typically between the F below middle C (F3 in scientific pitch notation) to the second F above middle C (F5), although, at the extremes, some voices can reach the D below middle C (D3) or the second B above middle C (B5). The contralto voice type is generally divided into the coloratura, lyric, and dramatic contralto. History "Contralto" is primarily meaningful only in reference to classical and operatic singing, as other traditions lack a comparable system of vocal categorization. The term "contralto" is only applied to female singers; men singing in a similar range are called "countertenors". The Italian terms "contralto" and "alto" are not synonymous, "alto" technically denoting a specific vocal range in choral singing without regard to factors ...
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1649 Operas
Events January–March * January 4 – In England, the Rump Parliament passes an ordinance to set up a High Court of Justice, to try Charles I for high treason. * January 17 – The Second Ormonde Peace concludes an alliance between the Irish Royalists and the Irish Confederates during the War of the Three Kingdoms. Later in the year the alliance is decisively defeated during the Cromwellian conquest of Ireland. * January 20 – Charles I of England goes on trial, for treason and other "high crimes". * January 27 – King Charles I of England, Scotland and Ireland is found guilty of high treason in a public session. He is beheaded three days later, outside the Banquet Hall in the Palace of Whitehall, London. * January 29 – Serfdom in Russia begins legally as the Sobornoye Ulozheniye (, "Code of Law") is signed by members of the Zemsky Sobor, the parliament of the estates of the realm in the Tsardom of Russia. Slaves and free peasants are con ...
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Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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Italian-language Operas
Italian (''italiano'' or ) is a Romance language of the Indo-European language family that evolved from the Vulgar Latin of the Roman Empire. Together with Sardinian, Italian is the least divergent language from Latin. Spoken by about 85 million people (2022), Italian is an official language in Italy, Switzerland (Ticino and the Grisons), San Marino, and Vatican City. It has an official minority status in western Istria (Croatia and Slovenia). Italian is also spoken by large immigrant and expatriate communities in the Americas and Australia.Ethnologue report for language code:ita (Italy)
– Gordon, Raymond G., Jr. (ed.), 2005. Ethnologue: Languages of the World, Fifteenth edition. Dallas, Tex.: SIL International. Online version
Italian ...
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Operas By Francesco Cavalli
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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La Finta Pazza Licori
The Italian composer Claudio Monteverdi (1567–1643), in addition to a large output of church music and madrigals, wrote prolifically for the stage. His theatrical works were written between 1604 and 1643 and included operas, of which three—''L'Orfeo'' (1607), ''Il ritorno d'Ulisse in patria'' (1640) and ''L'incoronazione di Poppea'' (1643)—have survived with their music and librettos intact. In the case of the other seven operas, the music has disappeared almost entirely, although some of the librettos exist. The loss of these works, written during a critical period of early opera history, has been much regretted by commentators and musicologists. Opera, as a musical and theatrical genre, began to emerge during the early part of Monteverdi's career, initially as a form of courtly entertainment. With other composers, he played a leading part in its development into the main form of public musical theatre. His first opera, ''L'Orfeo'', written in 1607 for the Mantuan court, ...
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Aeolus
In Greek mythology, Aeolus or Aiolos (; grc, Αἴολος , ) is a name shared by three mythical characters. These three personages are often difficult to tell apart, and even the ancient mythographers appear to have been perplexed about which Aeolus was which. Diodorus Siculus made an attempt to define each of these three (although it is clear that he also became muddled), and his opinion is followed here. * The first Aeolus was a son of Hellen and the eponymous founder of the Aeolian race. * The second Aeolus was a son of Poseidon, who led a colony to islands in the Tyrrhenian Sea. * The third Aeolus was a son of Hippotes who is mentioned in the ''Odyssey'' and the ''Aeneid'' as the ruler of the winds. All three men named Aeolus appear to be connected genealogically, although the precise relationship, especially regarding the second and third Aeolus, is often ambiguous as their identities seem to have been merged by many ancient writers. Aeolus was also the name of the follo ...
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Jupiter (mythology)
Jupiter ( la, Iūpiter or , from Proto-Italic language, Proto-Italic "day, sky" + "father", thus "sky father" Greek: Zeus, Δίας or Zeus, Ζεύς), also known as Jove (genitive case, gen. ''Iovis'' ), is the sky god, god of the sky and god of thunder, thunder, and Pantheon (gods), king of the gods in ancient Roman religion and Roman mythology, mythology. Jupiter was the chief deity of Roman state religion throughout the Roman Republic, Republican and Roman Empire, Imperial eras, until Constantine the Great and Christianity, Christianity became the dominant religion of the Empire. In Roman mythology, he negotiates with Numa Pompilius, the second king of Rome, to establish principles of Roman religion such as offering, or sacrifice. Jupiter is usually thought to have originated as a sky god. His identifying implement is the thunderbolt and his primary sacred animal is the eagle, which held precedence over other birds in the taking of auspices and became one of the most comm ...
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Ellen Rosand
Ellen Rosand is an American musicologist, historian, and opera critic who specializes in Italian music and poetry of the 16th through 18th centuries. Her work has been particularly focused on the music and culture of Venice and Italian opera of the baroque era. She is an acknowledged expert on the operas of Handel and Vivaldi, and on Venetian opera. Her books include ''Opera in Seventeenth-Century Venice: The Creation of a Genre'' (1991, University of California Press) and ''Monteverdi's last operas: a Venetian trilogy'' (2007, University of California Press). She has also contributed articles to numerous publications, including ''The New Grove Dictionary of Music and Musicians''. Rosand is a graduate of Vassar College (B.A.), Harvard University (M.A.), and New York University (Ph.D.). From 1981–1983 she was editor of the ''Journal of the American Musicological Society''. From 1992–1994 she was President of the American Musicological Society, and from 1997–2002 she was Vice-pre ...
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Castrato
A castrato (Italian, plural: ''castrati'') is a type of classical male singing voice equivalent to that of a soprano, mezzo-soprano, or contralto. The voice is produced by castration of the singer before puberty, or it occurs in one who, due to an endocrinological condition, never reaches sexual maturity. Castration before puberty (or in its early stages) prevents the larynx from being transformed by the normal physiological events of puberty. As a result, the vocal range of prepubescence (shared by both sexes) is largely retained, and the voice develops into adulthood in a unique way. Prepubescent castration for this purpose diminished greatly in the late 18th century. Methods of castration used to terminate on the onset of puberty varied. Methods involved using opium to medically induce a coma, then submerging the boy into an ice or milk bath where the procedure of either severing the vas deferens (similar to a vasectomy), twisting the testicles until they atrophied, or comp ...
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Antonio Cesti
Pietro Marc'Antonio Cesti () (baptism 5 August 162314 October 1669), known today primarily as an Italian composer of the Baroque era, was also a singer (tenor), and organist. He was "the most celebrated Italian musician of his generation". Biography He was born at Arezzo, and studied with various local musicians. In 1637 he joined the Order of Friars Minor, or Franciscans, a Roman Catholic religious group founded by Francis of Assisi. While he was in Volterra he turned more toward secular music, perhaps due to the patronage and influence of the powerful Medici family. Here he also came in contact with Salvator Rosa, who wrote libretti for a number of Cesti's cantatas. By 1650 Cesti's calling as a Franciscan friar and his success as a singer and composer for operas was coming into conflict, and he was officially reprimanded. In 1652 he became a member of the court at Innsbruck of Ferdinand Charles, Archduke of Austria. After holding a post somewhere in Florence as ''maestro di ca ...
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