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Giants (Dizzy Gillespie Album)
''Giants'' (also released as ''Mary Lou Williams and the Trumpet Giants'') is a live album by trumpeters Dizzy Gillespie and Bobby Hackett and pianist Mary Lou Williams recorded in 1971 and originally released on the Perception label.University of Idaho Dizzy Gillespie discography accessed April 12, 2012 Reception The review stated "The music (seven standards) is generally quite melodic and swinging but the closer, a classic version of "My Man," steals the show. It is interesting to hear the contrast between the two brassmen. Hackett was always a very complementary player, so the combination works well".Ya ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dizzy Gillespie
John Birks "Dizzy" Gillespie (; October 21, 1917 – January 6, 1993) was an American jazz trumpeter, bandleader, composer, educator and singer. He was a trumpet virtuoso and improviser, building on the virtuosic style of Roy Eldridge but adding layers of harmonic and rhythmic complexity previously unheard in jazz. His combination of musicianship, showmanship, and wit made him a leading popularizer of the new music called bebop. His beret and horn-rimmed spectacles, scat singing, bent horn, pouched cheeks, and light-hearted personality provided one of bebop's most prominent symbols. In the 1940s, Gillespie, with Charlie Parker, became a major figure in the development of bebop and modern jazz. He taught and influenced many other musicians, including trumpeters Miles Davis, Jon Faddis, Fats Navarro, Clifford Brown, Arturo Sandoval, Lee Morgan, Chuck Mangione, and balladeer Johnny Hartman. He pioneered Afro-Cuban jazz and won several Grammy Awards. Scott Yanow wrote, "Dizzy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caravan (1937 Song)
"Caravan" is an American jazz standard that was composed by Juan Tizol and Duke Ellington and first performed by Ellington in 1936. Irving Mills wrote lyrics, but they are rarely sung. The sad sound of "Caravan" interested exotica musicians; Martin Denny, Arthur Lyman, and Gordon Jenkins all covered it. Woody Allen used the song in two of his films, '' Alice'' and ''Sweet and Lowdown''. Steven Soderbergh used the Lyman version in his 2001 film ''Ocean's Eleven''. The song appears often in the 2014 film ''Whiplash'' as an important plot element. The Mills Brothers recorded an a cappella version in which they imitated instruments with their voices. Johnny Mathis recorded the song in 1956. More than 350 versions have been recorded. Original recording The first version of the song was recorded in Hollywood in 1936 and performed as an instrumental by Barney Bigard and His Jazzopators. Two takes were recorded, of which the first (Variety VA-515-1) was published. The band members were: * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Duvivier
George Duvivier (August 17, 1920 – July 11, 1985) was an American jazz double-bassist. Biography Duvivier was born in New York City, the son of Leon V. Duvivier and Ismay Blakely Duvivier. He attended the Conservatory of Music and Art, where he studied violin. At age sixteen, he worked as assistant concertmaster for the Central Manhattan Symphony Orchestra. He began playing double bass and concentrated on composition at New York University. In the early 1940s, he accompanied Coleman Hawkins, Lucky Millinder, and Eddie Barefield. After serving in the U.S. Army, he worked as an arranger for Jimmie Lunceford, then as arranger and bassist for Sy Oliver. In the 1950s, he accompanied Lena Horne on her tour in Europe. He recorded for commercials, television shows, and movie soundtracks. Although he spent most of his career as a sideman, he recorded as a leader in 1956 with Martial Solal for Coronet. For four years beginning in 1953, he worked steadily with Bud Powell. He also worked ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many distinc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albert Willemetz
Albert Willemetz (14 February 1887 – 7 October 1964) was a French libretto, librettist. Career Albert Willemetz was a prolific lyricist. He invented a new type of musical, with a humorous and "sexy" style. He was the author of more than 3000 songs, including "Mon homme" (popularized in English as "My Man"), "Valentine (Maurice Chevalier song), Valentine," "Dans la vie faut pas s'en faire," "Les palétuviers," "Ramona," "Est-ce que je te demande," "Ah si vous connaissiez ma poule," "Amusez-vous," and "Félicie aussi"), more than 100 musicals (including ''Phi-Phi'', ''Ta Bouche'', ''Là-Haut'', ''Dédé (opérette), Dédé'', ''3 jeunes filles nues'', ''Florestan 1er'', and ''Trois Valses''), more than 100 revues (including seven with Sacha Guitry), and work for films. He worked with some of the notable musicians of his day, including André Messager, Maurice Yvain, Arthur Honegger, Henri Christiné, José Padilla Sánchez, José Padilla, Vincent Scotto, Reynaldo Hahn, Raoul Mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Channing Pollock (writer)
Channing Pollock (March 4, 1880 – August 17, 1946) was an American playwright, critic and screenwriter, whose works included '' The Evil Thereof'' (1916) and the memoir ''The Footlights, Fore and Aft'' (1911). Pollock is perhaps best remembered in connection with a review of one of his later plays, in which Dorothy Parker famously wrote "'The House Beautiful' is the play lousy." Pollock began his career in 1896 as the dramatic critic at ''The Washington Post'', and later worked at the ''Washington Times''. Biography His father, Alexander L. Pollock, was consul of the United States of America in San Salvador, El Salvador. His mother took Channing and his two siblings to join him on April 1894. They took the Pacific Mail Steamship Company liner SS ''San Blas'' from San Francisco and arrived at the port of Acajutla on April 7. The country was at peace when they arrived; however, by the end of the month, the Revolution of the 44 occurred, during which President Carlos Ezeta was o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mon Homme
"Mon Homme" (),also known by its English translation, "My Man", is a popular song first published in 1920. The song was originally composed by Maurice Yvain with French lyrics by Jacques-Charles (Jacques Mardochée Charles) and Albert Willemetz. The English lyrics were written by Channing Pollock. History ''Mon Homme'' was copyrighted in France by Maurice Yvain, Albert Willemetz and Jacques-Charles (Jacques Mardochée Charles) in 1920 and was introduced to Parisian audiences in the revue "''Paris qui Jazz''" at the Casino de Paris. The song was performed by revue star Mistinguett and her stage partner American dancer Harry Pilcer. Although the song originated in France –where it was a hit for Mistinguett– it was popularized in the English speaking world in the 1920s with the 1921 recording by Ziegfeld Follies singer Fanny Brice. The song was a hit, and the record eventually earned a Grammy Hall of Fame Award for Brice in 1999. Brice also sang the song during one of the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ann Ronell
Ann Ronell (née Rosenblatt; December 25, 1905 — December 25, 1993) was an American composer and lyricist. She was best known for the standards "Willow Weep for Me" (1932) and "Who's Afraid of the Big Bad Wolf" (1933). Early life Ronell was born in Omaha, Nebraska, to Morris and Mollie Rosenblatt. Ronell graduated from Omaha's Central High School in 1923. She enrolled in Wheaton College, Massachusetts, but transferred after her sophomore year to pursue a more serious music education.Benjamin Sears"Ann Ronell" ''American National Biography Online'', 2000 She graduated from Radcliffe College, where she studied music with Walter Piston. While at Radcliffe, Ronell wrote music for college plays and contributed reviews and interviews to the school's music publication. After interviewing George Gershwin, she struck up a friendship with the composer, who hired her as a rehearsal pianist for his show '' Rosalie''. It was Gershwin who suggested that she change her name from Rosenblatt to R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Willow Weep For Me
"Willow Weep for Me" is a popular song composed in 1932 by Ann Ronell, who also wrote the lyrics. The song form is AABA, written in time,Zimmers, Tighe, E. (2009). ''Tin Pan Alley Girl: A Biography of Ann Ronell''. McFarland. pp. 19-22. although occasionally adapted for waltz time. One account of the inspiration for the song is that, during her time at Radcliffe College, Ronell "had been struck by the loveliness of the willow trees on campus, and this simple observation became the subject of an intricate song." The song was rejected by publishers for several reasons. First, the song is dedicated to George Gershwin. A dedication to another writer was disapproved of at the time, so the first person presented with the song for publication, Saul Bornstein, passed it to Irving Berlin, who accepted it. Other reasons stated for its slow acceptance are that it was written by a woman and that its construction was unusually complex for a composition that was targeted at a commercial a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fats Waller
Thomas Wright "Fats" Waller (May 21, 1904 – December 15, 1943) was an American jazz pianist, organist, composer, violinist, singer, and comedic entertainer. His innovations in the Harlem stride style laid much of the basis for modern jazz piano. His best-known compositions, " Ain't Misbehavin'" and " Honeysuckle Rose", were inducted into the Grammy Hall of Fame in 1984 and 1999. Waller copyrighted over 400 songs, many of them co-written with his closest collaborator, Andy Razaf. Razaf described his partner as "the soul of melody... a man who made the piano sing... both big in body and in mind... known for his generosity... a bubbling bundle of joy". It is likely that he composed many more popular songs than he has been credited with: when in financial difficulties he had a habit of selling songs to other writers and performers who claimed them as their own. Waller started playing the piano at the age of six, and became a professional organist at 15. By the age of 18, he was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jitterbug Waltz
"Jitterbug Waltz" is a 1942 jazz composition by Fats Waller and initially recorded the same year by Fats Waller and His Rhythm. It was also recorded by Art Tatum, Erroll Garner, Chet Atkins, Vince Guaraldi, Butch Thompson, Al Hirt, Eric Dolphy, and David Murray. Composition and recording The song is in the key of E♭ major E-flat major (or the key of E-flat) is a major scale based on E, consisting of the pitches E, F, G, A, B, C, and D. Its key signature has three flats. Its relative minor is C minor, and its parallel minor is E minor, (or enharmonically D ... and in 3/4 time. When Waller composed "Jitterbug Waltz" he was 38 years old and at the high point of his career as a veteran recording artist for RCA Victor, making the occasional movie appearance, broadcasting on radio, and traveling the United States and Europe on a hectic and tiring schedule. It is notable for being one of the first jazz records recorded with a Hammond organ, an instrument that gained po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
