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Gianna D'Angelo
Gianna D'Angelo (18 November 1929 - 27 December 2013) was an American coloratura soprano, primarily active in the 1950s and 1960s. Born Jane Angelovich in Hartford, Connecticut, she studied first at The Juilliard School in New York City with Giuseppe De Luca. In the early 1950s, she moved to Venice, Italy, where she became a pupil of Toti Dal Monte, who also advised her to italianize her name. She made her debut in 1954 at the Baths of Caracalla in Rome as Gilda in ''Rigoletto'', a role she would remain closely associated with throughout her career. She was rapidly invited at all the major opera houses of Italy, Naples, Florence, Bologna, Trieste, Parma, Milan, etc. She also made appearances at the Paris Opéra and the Glyndebourne Festival as Rosina in ''Il barbiere di Siviglia'' and at the Edinburgh Festival as Norina in ''Don Pasquale''. She made her American debut at the Cosmopolitan Opera in San Francisco, in March 1959, in the title role of ''Lucia di Lammermoor'' (opposit ...
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Gianna D Angelo 1961
Gianna is a female Italian given name, a diminutive form of Giovanna. In English, it is translated as Joann, Joanne or Joanna. These names mean "God is gracious". See also "John" for the origin. Variations *Feminine: Giana, Gia, Giovanna *Masculine: Gianni, Giovanni People *Gianna Angelopoulos-Daskalaki (born 1955), Greek businesswoman * Gianna Maria Canale (1927–2009), Italian actress * Gianna D'Angelo (1929–2013), American soprano *Gianna Galli (1935–2010), Italian soprano *Gianna Hablützel-Bürki (born 1969), Swiss fencer *Gianna Jessen (born 1977), American singer and anti-abortion activist *Gianna Jun (Jun Ji-hyun, born 1981), South Korean actress and model *Gianna Manzini (1896–1974), Italian writer *Gianna Beretta Molla (1922–1962), Italian pediatrician and Roman Catholic saint *Gianna Nannini (born 1954), Italian singer-songwriter *Gianna Pederzini (1900–1988), Italian mezzo-soprano *Gianna Rolandi (1952–2021), American soprano *Gianna Talone Gianna Tal ...
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San Francisco
San Francisco (; Spanish language, Spanish for "Francis of Assisi, Saint Francis"), officially the City and County of San Francisco, is the commercial, financial, and cultural center of Northern California. The city proper is the List of California cities by population, fourth most populous in California and List of United States cities by population, 17th most populous in the United States, with 815,201 residents as of 2021. It covers a land area of , at the end of the San Francisco Peninsula, making it the second most densely populated large U.S. city after New York City, and the County statistics of the United States, fifth most densely populated U.S. county, behind only four of the five New York City boroughs. Among the 91 U.S. cities proper with over 250,000 residents, San Francisco was ranked first by per capita income (at $160,749) and sixth by aggregate income as of 2021. Colloquial nicknames for San Francisco include ''SF'', ''San Fran'', ''The '', ''Frisco'', and '' ...
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Tullio Serafin
Tullio Serafin (1 September 18782 February 1968) was an Italian conductor and former Musical Director at La Scala. Biography Tullio Serafin was a leading Italian opera conductor with a long career and a very broad repertoire who revived many 19th-century ''bel canto'' operas by Bellini, Rossini and Donizetti to become staples of 20th-century repertoire. He had an unparalleled reputation as a coach of young opera singers and famously harnessed and developed both Renata Tebaldi's and Maria Callas's considerable talents. Born in Rottanova (Cavarzere), near Venice, and trained in Milan, he played viola in the Orchestra of La Scala, Milan under Arturo Toscanini, later being appointed Assistant Conductor. He took over as Music Director at La Scala when Toscanini left to go to New York, and served 1909–1914, 1917–1918, and returned briefly after the Second World War, 1946 -1947. He joined the conducting staff of the Metropolitan Opera in 1924, and remained for a decade, after w ...
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Ettore Bastianini
Ettore Bastianini (24 September 1922 – 25 January 1967) was an Italian operatic baritone who was particularly associated with the operas of the ''bel canto'' tradition. Early training and career as a bass Born in Siena, Bastianini first began performing at fifteen while apprenticed to a pastry chef, Gaetano Vanni, who discovered his vocal talent and encouraged him to join the choir of his hometown's cathedral. Between 1937 and 1938, he sang bass during Masses and religious functions at the church. In 1939 he began singing lessons under Fathima and Anselmo Ammanati, who continued training him as a bass. He sang his first professional concerts in 1940 and 1941 in Asciano and Siena at the Fortezza Medicea and Teatro dei Rozzi. In 1942 he won first prize in the 6th National Singing Contest at the Teatro Comunale, Florence, but was soon drafted into the Italian Air Force which prevented him from immediately enjoying the scholarship accompanying the prize. After serving in the It ...
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Carlo Bergonzi (tenor)
Carlo Bergonzi (13 July 1924 – 25 July 2014) was an Italian operatic tenor. Although he performed and recorded some bel canto and verismo roles, he was above all associated with the operas of Giuseppe Verdi, including many of the composer's lesser known works he helped revive. He sang more than forty other roles throughout his career. Biography Early life Bergonzi was born in Polesine Parmense, near Parma in Northern Italy, on 13 July 1924. He was an only child."Carlo-Bergonzi-obituary"
''The Telegraph'' (London), 27 July 2014 on telegraph.co.uk
He later claimed he saw his first opera, Verdi’s '''', when he was six years old. He sang in church, and so ...
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Renata Tebaldi
Renata Tebaldi ( , ; 1 February 1922 – 19 December 2004) was an Italian lirico-spinto soprano popular in the post-war period, and especially prominent as one of the stars of La Scala, San Carlo and, especially, the Metropolitan Opera. Often considered among the great opera singers of the 20th century, she focused primarily on the verismo roles of the lyric and dramatic repertoires. Italian conductor Arturo Toscanini called her voice "" ("the voice of an angel"), and La Scala music director Riccardo Muti called her "one of the greatest performers with one of the most extraordinary voices in the field of opera." Early years and education Born in Pesaro, Tebaldi was the daughter of cellist Teobaldo Tebaldi and Giuseppina Barbieri, a nurse. Her parents separated before her birth and Tebaldi grew up with her mother in her maternal grandparents' home in Langhirano. Stricken with polio at the age of three, Tebaldi became interested in music and sang with the church choir in L ...
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La Bohème
''La bohème'' (; ) is an opera in four acts,Puccini called the divisions ''quadri'', ''tableaux'' or "images", rather than ''atti'' (acts). composed by Giacomo Puccini between 1893 and 1895 to an Italian libretto by Luigi Illica and Giuseppe Giacosa, based on ''Scènes de la vie de bohème'' (1851) by Henri Murger. The story is set in Paris around 1830 and shows the Bohemian lifestyle (known in French as "") of a poor seamstress and her artist friends. The world premiere of ''La bohème'' was in Turin on 1 February 1896 at the Teatro Regio, conducted by the 28-year-old Arturo Toscanini. Since then, ''La bohème'' has become part of the standard Italian opera repertory and is one of the most frequently performed operas worldwide. In 1946, fifty years after the opera's premiere, Toscanini conducted a commemorative performance of it on radio with the NBC Symphony Orchestra. A recording of the performance was later released by RCA Victor on vinyl record, tape and compact disc. ...
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The Magic Flute
''The Magic Flute'' (German: , ), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a ''Singspiel'', a popular form during the time it was written that included both singing and spoken dialogue. The work premiered on 30 September 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, just two months before the composer's premature death. Still a staple of the opera repertory, its popularity was reflected by two immediate sequels, Peter Winter's ''Das Labyrinth oder Der Kampf mit den Elementen. Der Zauberflöte zweyter Theil'' (1798) and a fragmentary libretto by Johann Wolfgang von Goethe titled ''The Magic Flute Part Two''. The allegorical plot was influenced by Schikaneder and Mozart's interest in Freemasonry and concerns the initiation of Prince Tamino. Enlisted by the Queen of the Night to rescue her daughter Pamina from the high priest Sarastro, Tamino comes to a ...
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Ariadne Auf Naxos
(''Ariadne on Naxos''), Op. 60, is a 1912 opera by Richard Strauss with a German libretto by Hugo von Hofmannsthal. The opera's unusual combination of elements of low commedia dell'arte with those of high opera seria points up one of the work's principal themes: the competition between high and low art for the public's attention. First version (1912) The opera was originally conceived as a 30-minute divertissement to be performed at the end of Hofmannsthal's adaptation of Molière's play ''Le Bourgeois gentilhomme.'' Besides the opera, Strauss provided incidental music to be performed during the play. In the end, the opera occupied ninety minutes, and the performance of play plus opera occupied over six hours. It was first performed at the Hoftheater Stuttgart on 25 October 1912, directed by Max Reinhardt. The combination of the play and opera proved to be unsatisfactory to the audience: those who had come to hear the opera resented having to wait until the play finished. ...
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La Sonnambula
''La sonnambula'' (''The Sleepwalker'') is an opera semiseria in two acts, with music in the '' bel canto'' tradition by Vincenzo Bellini set to an Italian libretto by Felice Romani, based on a scenario for a ''ballet-pantomime'' written by Eugène Scribe and choreographed by Jean-Pierre Aumer called ''La somnambule, ou L'arrivée d'un nouveau seigneur''. The ballet had premiered in Paris in September 1827 at the height of a fashion for stage works incorporating somnambulism. The role of Amina was originally written for the soprano sfogato Giuditta Pasta and the tenor Giovanni Battista Rubini, but during Bellini's lifetime another soprano sfogato, Maria Malibran, was a notable exponent of the role. The first performance took place at the Teatro Carcano in Milan on 6 March 1831. The majority of twentieth-century recordings have been made with a soprano cast as Amina, usually with added top-notes and other changes according to tradition, although it was released in soprano sfogat ...
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Robert Merrill
Robert Merrill (June 4, 1917 – October 23, 2004) was an American operatic baritone and actor, who was also active in the musical theatre Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting and dance. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through words, music, movemen ... circuit. He received the National Medal of Arts in 1993. Early life Merrill was born Moishe Miller, later known as Morris Miller, in the Williamsburg, Brooklyn, Williamsburg section of Brooklyn, New York. He was the son of tailor Abraham Miller, originally Milstein, and his wife, Lillian (née Balaban), Jewish immigrants from Pultusk, Poland, near Warsaw. His paternal grandparents were Berl Milstein and Chana (née Mlawski), both from Pultusk, Poland. His mother claimed to have had an operatic and concert career in Poland (a fact denied by her son in his biographies) and encouraged her son ...
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Metropolitan Opera
The Metropolitan Opera (commonly known as the Met) is an American opera company based in New York City, resident at the Metropolitan Opera House at Lincoln Center, currently situated on the Upper West Side of Manhattan. The company is operated by the non-profit Metropolitan Opera Association, with Peter Gelb as general manager. As of 2018, the company's current music director is Yannick Nézet-Séguin. The Met was founded in 1883 as an alternative to the previously established Academy of Music opera house, and debuted the same year in a new building on 39th and Broadway (now known as the "Old Met"). It moved to the new Lincoln Center location in 1966. The Metropolitan Opera is the largest classical music organization in North America. Until 2019, it presented about 27 different operas each year from late September through May. The operas are presented in a rotating repertory schedule, with up to seven performances of four different works staged each week. Performances are ...
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