Gian Battista Moroni
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Gian Battista Moroni
Giovanni Battista Moroni ( – 5 February 1579) was an Italian painter of the Late Renaissance period. He also is called Giambattista Moroni. Best known for his elegantly realistic portraits of the local nobility and clergy, he is considered one of the great portrait painters of sixteenth century Italy. Biography Moroni was the son of architect Andrea Moroni. He trained under Alessandro Bonvicino "Il Moretto" in Brescia, where he was the main studio assistant during the 1540s, and worked in Trento, Bergamo and his home town of Albino, near Bergamo, where he was born and died. His two short periods in Trento coincided with the first two sessions of the Council of Trent, 1546–48 and 1551–53. On both occasions Moroni painted a number of religious works (including the altarpiece of the ''Doctors of the Church'' for the church of Santa Maria Maggiore, Bergamo) as well as the series of portraits for which he is remembered. During his stay in Trento he also made con ...
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Giovanni Battista Moroni - Portrait Of A Lady, Perhaps Contessa Lucia Albani Avogadro ('La Dama In Rosso') - Google Art Project
Giovanni may refer to: * Giovanni (name), an Italian male given name and surname * Giovanni (meteorology), a Web interface for users to analyze NASA's gridded data * ''Don Giovanni'', a 1787 opera by Wolfgang Amadeus Mozart, based on the legend of Don Juan * Giovanni (Pokémon), boss of Team Rocket in the fictional world of Pokémon * Giovanni (World of Darkness), a group of vampires in ''Vampire: The Masquerade/World of Darkness'' roleplay and video game * "Giovanni", a song by Band-Maid from the 2021 album ''Unseen World'' * ''Giovanni's Island'', a 2014 Japanese anime drama film * ''Giovanni's Room'', a 1956 novel by James Baldwin * Via Giovanni, places in Rome See also * * *Geovani *Giovanni Battista *San Giovanni (other) *San Giovanni Battista (other) San Giovanni Battista is the Italian translation of Saint John the Baptist. It may also refer to: Italian churches * San Giovanni Battista, Highway A11, a church in Florence, Italy * San Giovanni Battista, P ...
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Savoldo
Giovanni Girolamo Savoldo, also called Girolamo da Brescia (c. 1480–1485 – after 1548), was an Italian High Renaissance painter active mostly in Venice, although he also worked in other cities in northern Italy. He is noted for his subtle use of color and chiaroscuro, and for the sober realism of his works, which are mostly religious subjects, with a few portraits. His portraits are given interest by their accessories or settings; "some even look like extracts from larger narratives". About 40 paintings by Savoldo are known in all, six of them portraits; only a handful of drawings by him are known. He was highly regarded in his own lifetime; several repetitions of works were commissioned from him, and copies of his work made by others. He slipped from general awareness, however, and many of his works were assigned to more famous artists, especially Giorgione, by the art trade. Awareness of his oeuvre revived in the 19th century, though the dating of many paintings remains contr ...
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The Tailor (Moroni)
''The Tailor'' (''Il sarto'', 1565–1570) is a portrait of a member of the Fenaroli family, by Giovanni Battista Moroni, painted in the 16th century. The man represented is a tailor during his working day as an artisan. Portraits of important persons and personages of Italy — merchants, aristocrats, and nobles — were the representational speciality of the artist Giovanni Battista Moroni, given that his influences included Tiziano and Lorenzo Lotto, and painterly tutelage under Moretto da Brescia. In 2008, ''The Tailor'' was displayed in the Museo del Prado, Madrid, in an exposition of Renaissance-era portraits; and currently is at the National Gallery of London The National Gallery is an art museum in Trafalgar Square in the City of Westminster, in Central London, England. Founded in 1824, it houses a collection of over 2,300 paintings dating from the mid-13th century to 1900. The current Director ..., in the United Kingdom. References *Olivar, M., ''Cien obras ...
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National Gallery, London
The National Gallery is an art museum in Trafalgar Square in the City of Westminster, in Central London, England. Founded in 1824, it houses a collection of over 2,300 paintings dating from the mid-13th century to 1900. The current Director of the National Gallery is Gabriele Finaldi. The National Gallery is an exempt charity, and a non-departmental public body of the Department for Digital, Culture, Media and Sport. Its collection belongs to the government on behalf of the British public, and entry to the main collection is free of charge. Unlike comparable museums in continental Europe, the National Gallery was not formed by nationalising an existing royal or princely art collection. It came into being when the British government bought 38 paintings from the heirs of John Julius Angerstein in 1824. After that initial purchase, the Gallery was shaped mainly by its early directors, especially Charles Lock Eastlake, and by private donations, which now account for two-thirds ...
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Pietro Longhi
Pietro Longhi (1702 or November 5, 1701 – May 8, 1785) was a Venetian painter of contemporary genre scenes of life. Biography Pietro Longhi was born in Venice in the parish of Saint Maria, first child of the silversmith Alessandro Falca and his wife, Antonia. He adopted the Longhi last name when he began to paint. He was initially taught by the Veronese painter Antonio Balestra, who then recommended the young painter to apprentice with the Bolognese Giuseppe Maria Crespi, who was highly regarded in his day for both religious and genre painting and was influenced by the work of Dutch painters. Longhi returned to Venice before 1732. He was married in 1732 to Caterina Maria Rizzi, by whom he had eleven children (only three of which reached the age of maturity). Among his early paintings are some altarpieces and religious themes. His first major documented work was an altarpiece for the church of San Pellegrino in 1732. In 1734, he completed frescoes in the walls and ceiling o ...
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Fra' Galgario
Fra’ Galgario (4 March 1655 – December 1743), born Giuseppe Vittore Ghislandi, and also called ''Fra’ Vittore del Galgario'', was an Italian painter, mainly active in Bergamo as a portraitist during the Rococo or late-Baroque period. Biography He was born in Bergamo to an artist father, Domenico Ghislandi. Initially he entered the studio of Giacomo Cotta, then Bartolomeo Bianchi, and finally the studio of Sebastiano Bombelli in Venice of the 1690s. He also reported trained with the German portrait artist Salomon Adler in Milan. In 1702, he entered the religious life in the Order of the Minims of the Monastery of Galgario, in Bergamo. He assumed the name of the saint for whom the monastery is named. He was elected a member of the Milanese Accademia Clementina in 1717. He is said to blend the attention to colorism and glamour that captivates Renaissance-Baroque portraiture of Venice, with the realism of Milanese art such as that of Moroni. Among his pupils were Paolo Bo ...
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Giovanni Paolo Cavagna
Giovanni Paolo Cavagna (c. 1550 – May 20, 1627) was an Italian painter of the late-Renaissance period, active mainly in Bergamo and Brescia. Biography He was born in Borgo di San Leonardo in Bergamo. He is said to have trained in Venice with the studio of an elder Titian, then became a pupil of Giovanni Battista Moroni in Bergamo. Other sources list Cristoforo Baschenis the elder as his tutor. He may have painted in the style of the master's above. His son Francesco, called Cavagnuola, was also a painter. He painted the ''Assumption of the Virgin'', the ''Nativity'', ''Esther and Ahasuerus'' for the church of Santa Maria Maggiore The Basilica of Saint Mary Major ( it, Basilica di Santa Maria Maggiore, ; la, Basilica Sanctae Mariae Maioris), or church of Santa Maria Maggiore, is a Major papal basilica as well as one of the Seven Pilgrim Churches of Rome and the larges ... in Bergamo. He also painted the ''Santa Lucia, the Crucifixion with Saints'' for the church of S ...
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Girolamo Savoldo
Giovanni Girolamo Savoldo, also called Girolamo da Brescia (c. 1480–1485 – after 1548), was an Italian High Renaissance painter active mostly in Venice, although he also worked in other cities in northern Italy. He is noted for his subtle use of color and chiaroscuro, and for the sober realism of his works, which are mostly religious subjects, with a few portraits. His portraits are given interest by their accessories or settings; "some even look like extracts from larger narratives". About 40 paintings by Savoldo are known in all, six of them portraits; only a handful of drawings by him are known. He was highly regarded in his own lifetime; several repetitions of works were commissioned from him, and copies of his work made by others. He slipped from general awareness, however, and many of his works were assigned to more famous artists, especially Giorgione, by the art trade. Awareness of his oeuvre revived in the 19th century, though the dating of many paintings remains contr ...
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Lorenzo Lotto
Lorenzo Lotto (c. 1480 – 1556/57) was an Italian Painting, painter, draughtsman, and illustrator, traditionally placed in the Venetian school (art), Venetian school, though much of his career was spent in other north Italian cities. He painted mainly altarpieces, religious subjects and portraits. He was active during the High Renaissance and the first half of the Mannerism, Mannerist period, but his work maintained a generally similar High Renaissance style throughout his career, although his nervous and eccentric posings and distortions represented a transitional stage to the Florentine and Roman Mannerists. Overview During his lifetime Lotto was a well-respected painter and certainly popular in Northern Italy; he is traditionally included in Venetian school (art), the Venetian School, but his independent career actually places him outside the Venetian art scene. He was certainly not as highly regarded in Venice as in the other towns where he worked, for he had a stylistic ...
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Gorlago
Gorlago (Bergamasque: ) is a ''comune'' (municipality) in the Province of Bergamo in the Italian region of Lombardy, located about northeast of Milan and about southeast of Bergamo. Gorlago borders the following municipalities: Bolgare, Carobbio degli Angeli, Costa di Mezzate, Montello, San Paolo d'Argon, Trescore Balneario. The opera singer Luigi Bolis owned a villa and farm estate on the banks of the Cherio River The Cherio ( lmo, Chere) is a river of the Province of Bergamo in Lombardy in Italy. The river runs for and has a basin area of . Its source is at above sea level at Monte Torrezzo near Lake Endine. From there, it flows into the Oglio at Palos ... in Gorlago in the late 19th century and died there in 1905. References External links www.comune.gorlago.bg.it
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Milan
Milan ( , , Lombard: ; it, Milano ) is a city in northern Italy, capital of Lombardy, and the second-most populous city proper in Italy after Rome. The city proper has a population of about 1.4 million, while its metropolitan city has 3.26 million inhabitants. Its continuously built-up urban area (whose outer suburbs extend well beyond the boundaries of the administrative metropolitan city and even stretch into the nearby country of Switzerland) is the fourth largest in the EU with 5.27 million inhabitants. According to national sources, the population within the wider Milan metropolitan area (also known as Greater Milan), is estimated between 8.2 million and 12.5 million making it by far the largest metropolitan area in Italy and one of the largest in the EU.* * * * Milan is considered a leading alpha global city, with strengths in the fields of art, chemicals, commerce, design, education, entertainment, fashion, finance, healthcar ...
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Pinacoteca Di Brera
The Pinacoteca di Brera ("Brera Art Gallery") is the main public gallery for paintings in Milan, Italy. It contains one of the foremost collections of Italian paintings from the 13th to the 20th century, an outgrowth of the cultural program of the Brera Academy, which shares the site in the Palazzo Brera. History The Palazzo Brera owes its name to the Germanic ''braida'', indicating a grassy opening in the city structure: compare the ''Bra'' of Verona. The convent on the site passed to the Jesuits (1572), then underwent a radical rebuilding by Francesco Maria Richini (1627–28). When the Jesuits were disbanded in 1773, the palazzo remained the seat of the astronomical Observatory and the Braidense National Library founded by the Jesuits. In 1774 the herbarium of the new botanical garden was added. The buildings were extended to designs by Giuseppe Piermarini, who was appointed professor in the Academy when it was formally founded in 1776, with Giuseppe Parini as dean. Pier ...
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