Giacomo Sannesio
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Giacomo Sannesio
Giacomo Sannesio (c. 1557/1560 – 19 February 1621) was and Italian Catholic cardinal, prominent art collector and patron of early 17th-century artists. Early life Sanessio was born in Belforte del Chienti to a "very humble" family. He studied law and then, assisted by his brother, he went to Rome and entered the service of Cardinal Pietro Aldobrandini. He was appointed to a number of administrative church positions. Cardinalate In 1604 Sannesio was elevated to cardinal by Pope Clement VIII and was appointed cardinal-priest of Santo Stefano Rotondo. He was elected Bishop of Orvieto in 1605. He was appointed Camerlengo of the Sacred College of Cardinals in 1620 but died early the following year on 19 February 1621 and was buried at the church of San Silvestro al Quirinale Art patronage and collection As cardinal, Sannesio became a renowned art collector and patron.
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Guido Reni - Portrait Of Giacomo Sannesio
Guido is a given name Latinised from the Old High German name Wido. It originated in Medieval Italy. Guido later became a male first name in Austria, Germany, the Low Countries, Scandinavia, Spain, Portugal, Latin America and Switzerland. The meaning of the name is debated, with various sources indicating the Germanic "Wido" means "wood" and others connecting the Italian form "Guido" to the latinate root for "guide". The slang term ''Guido'' is used in American culture to refer derogatorily to an urban working-class Italian or Italian-American male who is overly aggressive or macho with a tendency for certain conspicuous behavior. It may also be used as a more general ethnic slur for working-class urban Italian Americans. People Given name ;Medieval times *Guido of Acqui (–1070), bishop of Acqui, Italy * Guido of Anderlecht (–1012), Belgian saint *Guido of Arezzo (–after 1033), Italian music theorist *Guido da Velate, (died 1071) bishop of Milan *Guido Bonatti (died ), Ita ...
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San Silvestro Al Quirinale
San Silvestro al Quirinale (or ''St. Sylvester on Quirinal Hill'') is a historic church in central Rome, Italy. It is located near Via XXIV Maggio corner with Via Mazzarino, a few blocks south of the Piazza del Quirinale. History The first mentions of a church on the site are from 1039, when it was called ''Santo Stefano in Cavallo'' in recognition of its site on Monte Cavallo, a small hill in the Campo Marzio. In 1507, the church was granted to the Dominicans of the Florentine Congregation of St Mark by Pope Julius II. It was rebuilt in 1524-1584, when it was taken over by the Theatine Order. The high altar was consecrated in 1584 by Bishop Thomas Goldwell of St. Asaph's in North Wales, the last Catholic bishop in England under Queen Mary Tudor's reign. In 1801, San Silvestro was granted to the Lazarists, having been abandoned by the Theatines some years before. In the period when conclaves to elect a new Pope were held at the Quirinal Palace, the inaugural procession of the ...
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1621 Deaths
Sixteen or 16 may refer to: *16 (number), the natural number following 15 and preceding 17 *one of the years 16 BC, AD 16, 1916, 2016 Films * '' Pathinaaru'' or ''Sixteen'', a 2010 Tamil film * ''Sixteen'' (1943 film), a 1943 Argentine film directed by Carlos Hugo Christensen * ''Sixteen'' (2013 Indian film), a 2013 Hindi film * ''Sixteen'' (2013 British film), a 2013 British film by director Rob Brown Music *The Sixteen, an English choir *16 (band), a sludge metal band * Sixteen (Polish band), a Polish band Albums * ''16'' (Robin album), a 2014 album by Robin * 16 (Madhouse album), a 1987 album by Madhouse * ''Sixteen'' (album), a 1983 album by Stacy Lattisaw *''Sixteen'' , a 2005 album by Shook Ones * ''16'', a 2020 album by Wejdene Songs * "16" (Sneaky Sound System song), 2009 * "Sixteen" (Thomas Rhett song), 2017 * "Sixteen" (Ellie Goulding song), 2019 *"16", by Craig David from ''Following My Intuition'', 2016 *"16", by Green Day from ''39/Smooth'', 1990 *"16", by ...
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16th-century Births
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion ...
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17th-century Italian Cardinals
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily k ...
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Orazio Gentileschi
Orazio Lomi Gentileschi (1563–1639) was an Italian painter. Born in Tuscany, he began his career in Rome, painting in a Mannerist style, much of his work consisting of painting the figures within the decorative schemes of other artists. After 1600, he came under the influence of the more naturalistic style of Caravaggio. He received important commissions in Fabriano and Genoa before moving to Paris to the court of Marie de Medici. He spent the last part of his life at the court of Charles I of England. He was the father of the painter Artemisia Gentileschi. Life Gentileschi was born in Tuscany, the son of a Florentine goldsmith called Giovanni Battista Lomi, and baptised at Pisa on 9 July 1563. He later took the name Gentileschi from an uncle with whom he lived after moving to Rome in either 1576 or 1578. Early years in Rome Much of Gentileschi's early work in Rome was collaborative in nature. He painted the figures for Agostino Tassi's landscapes in the Palazzo Rospiglios ...
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Odescalchi
The House of Erba-Odescalchi () and the House of Odescalchi are branches of an Italian noble family formed by the union of the Erba and Odescalchi families. The Odescalchi family was, since the election of Benedetto Odescalchi as Pope Innocent XI in 1676, part of the highest Roman aristocracy. Odescalchi family The Odescalchi family were entrepreneurs from the minor nobility of Como. They trace their family line to Giorgio Odescalchi of Como, born around 1290. Pietro Giorgio Odescalchi was Bishop of Alessandria (1598–1610) and then Bishop of Vigevano (1610–1620). In 1619, Benedetto's brother and three uncles founded a bank in Genoa, which grew into a successful money-lending business. After completing his studies in grammar and letters, the 15-year-old Benedetto moved to Genoa to take part in the family business as an apprentice. The family established lucrative financial transactions with clients in major Italian and European cities, such as Nuremberg, Milan, Krakà ...
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Conversion On The Way To Damascus
The ''Conversion on the Way to Damascus'' (''Conversione di San Paolo'') is a work by Caravaggio, painted in 1601 for the Cerasi Chapel of the church of Santa Maria del Popolo, in Rome. Across the chapel is a second Caravaggio depicting the '' Crucifixion of Saint Peter''. On the altar between the two is the ''Assumption of the Virgin Mary'' by Annibale Carracci. History The two lateral paintings of the Cerasi Chapel were commissioned in September 1600 by Monsignor Tiberio Cerasi, Treasurer-General to Pope Clement VIII who purchased the chapel from the Augustinian friars on 8 July 1600 and entrusted Carlo Maderno to rebuild the small edifice in Baroque style. The contract for the altarpiece with Carracci has not been preserved but it is generally assumed that the document had been signed somewhat earlier, and Caravaggio had to take into consideration the other artist's work and the overall iconographic programme of the chapel. Although much has been said about the supposed r ...
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Crucifixion Of St
Crucifixion is a method of capital punishment in which the victim is tied or nailed to a large wooden cross or beam and left to hang until eventual death from exhaustion and asphyxiation. It was used as a punishment by the Persians, Carthaginians and Romans, among others. Crucifixion has been used in parts of the world as recently as the twentieth century. The crucifixion of Jesus of Nazareth is central to Christianity, and the cross (sometimes depicting Jesus nailed to it) is the main religious symbol for many Christian churches. Terminology Ancient Greek has two verbs for crucify: (), from (which in today's Greek only means "cross" but which in antiquity was used of any kind of wooden pole, pointed or blunt, bare or with attachments) and () "crucify on a plank", together with ( "impale"). In earlier pre-Roman Greek texts usually means "impale". The Greek used in the Christian New Testament uses four verbs, three of them based upon (), usually translated "cross". Th ...
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Random House
Random House is an American book publisher and the largest general-interest paperback publisher in the world. The company has several independently managed subsidiaries around the world. It is part of Penguin Random House, which is owned by German media conglomerate Bertelsmann. History Random House was founded in 1927 by Bennett Cerf and Donald Klopfer, two years after they acquired the Modern Library imprint from publisher Horace Liveright, which reprints classic works of literature. Cerf is quoted as saying, "We just said we were going to publish a few books on the side at random," which suggested the name Random House. In 1934 they published the first authorized edition of James Joyce's novel ''Ulysses'' in the Anglophone world. ''Ulysses'' transformed Random House into a formidable publisher over the next two decades. In 1936, it absorbed the firm of Smith and Haas—Robert Haas became the third partner until retiring and selling his share back to Cerf and Klopfer in 19 ...
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Santa Maria Del Popolo
it, Basilica Parrocchiale Santa Maria del Popolo , image = 20140803 Basilica of Santa Maria del Popolo Rome 0191.jpg , caption = The church from Piazza del Popolo , coordinates = , image_size = 270 , mapframe-frame-width = 270 , mapframe = yes , mapframe-caption = Click on the map for a fullscreen view , mapframe-zoom = 13 , mapframe-marker = religious-christian , mapframe-wikidata = yes , location = Rome , country = Italy , denomination = Catholic , tradition = Latin Church , religious order = Order of Saint Augustine , website = , founded date = 1099 , founder = Pope Paschal II , dedication = Blessed Virgin Mary , consecrated date = 1477 , status = Basilica minor, parish church (1561), titular church (1587) , functional status ...
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Caravaggio
Michelangelo Merisi (Michele Angelo Merigi or Amerighi) da Caravaggio, known as simply Caravaggio (, , ; 29 September 1571 – 18 July 1610), was an Italian painter active in Rome for most of his artistic life. During the final four years of his life he moved between Naples, Malta, and Sicily until his death. His paintings have been characterized by art critics as combining a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, which had a formative influence on Baroque painting. Caravaggio employed close physical observation with a dramatic use of chiaroscuro that came to be known as tenebrism. He made the technique a dominant stylistic element, transfixing subjects in bright shafts of light and darkening shadows. Caravaggio vividly expressed crucial moments and scenes, often featuring violent struggles, torture, and death. He worked rapidly with live models, preferring to forgo drawings and work directly onto the canvas. His ...
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