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Ghost Trio (play)
''Ghost Trio'' is a television play, written in English by Samuel Beckett. It was written in 1975, taped in October 1976 and the first broadcast was on BBC2 on 17 April 1977 as part of ''The Lively Arts'' programme Beckett himself entitled ''Shades''. Donald McWhinnie directed (supervised by Beckett) with Ronald Pickup and Billie Whitelaw. The play's original title was to be ''wikt:tryst, Tryst''. "On Beckett’s notebook, the word was crossed out vigorously and the new title ''Ghost Trio'' written next to it. On the title page of the BBC script the same handwritten title change can be found, indicating that it must have been corrected at the very last minute." It was first published in ''Journal of Beckett Studies'' 1 (Winter 1976) and then collected in ''Ends and Odds'' (Grove Press, 1976; Faber, 1977). Its three 'acts' reflect Ludwig van Beethoven, Beethoven's Piano Trios Nos. 5 - 6, Opus 70 (Beethoven), Fifth Piano Trio (Opus 70, #1), known as ''The Ghost'' because of the sli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samuel Beckett
Samuel Barclay Beckett (; 13 April 1906 – 22 December 1989) was an Irish novelist, dramatist, short story writer, theatre director, poet, and literary translator. His literary and theatrical work features bleak, impersonal and tragicomic experiences of life, often coupled with black comedy and nonsense. It became increasingly minimalist as his career progressed, involving more aesthetic and linguistic experimentation, with techniques of repetition and self-reference. He is considered one of the last modernist writers, and one of the key figures in what Martin Esslin called the Theatre of the Absurd. A resident of Paris for most of his adult life, Beckett wrote in both French and English. During the Second World War, Beckett was a member of the French Resistance group Gloria SMH (Réseau Gloria). Beckett was awarded the 1969 Nobel Prize in Literature "for his writing, which—in new forms for the novel and drama—in the destitution of modern man acquires its elevation". He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Protagonist
A protagonist () is the main character of a story. The protagonist makes key decisions that affect the plot, primarily influencing the story and propelling it forward, and is often the character who faces the most significant obstacles. If a story contains a subplot, or is a narrative made up of several stories, then each subplot may have its own protagonist. The protagonist is the character whose fate is most closely followed by the reader or audience, and who is opposed by the antagonist. The antagonist provides obstacles and complications and creates conflicts that test the protagonist, revealing the strengths and weaknesses of the protagonist's character, and having the protagonist develop as a result. Etymology The term ''protagonist'' comes , combined of (, 'first') and (, 'actor, competitor'), which stems from (, 'contest') via (, 'I contend for a prize'). Ancient Greece The earliest known examples of a protagonist are found in Ancient Greece. At first, dramatic pe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stretto
In music, the Italian term ''stretto'' (plural: ''stretti'') has two distinct meanings: # In a fugue, ''stretto'' (german: Engführung) is the imitation of the subject in close succession, so that the answer enters before the subject is completed.Apel, Willi, ed. (1969). ''Harvard Dictionary of Music'', Second Edition, Revised and Enlarged. The Belknap Press of Harvard University Press, Cambridge, Massachusetts. . # In non-fugal compositions, a ''stretto'' (also sometimes spelled ''stretta'') is a passage, often at the end of an aria or movement, in faster tempo. Examples include the end of Franz Liszt's transcendental etude No.10, the end of the last movement of Beethoven's Fifth Symphony; measure 227 of Chopin's Ballade No. 3; measures 16, 17 and 18, of his Prelude No. 4 in E minor; and measure 25 of his Etude Op. 10, No. 12, "The Revolutionary." Fugal stretto The term ''stretto'' comes from the Italian past participle of '' stringere'', and means "n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Consonance And Dissonance
In music, consonance and dissonance are categorizations of simultaneous or successive Sound, sounds. Within the Western tradition, some listeners associate consonance with sweetness, pleasantness, and acceptability, and dissonance with harshness, unpleasantness, or unacceptability, although there is broad acknowledgement that this depends also on familiarity and musical expertise. The terms form a structural dichotomy in which they define each other by mutual exclusion: a consonance is what is not dissonant, and a dissonance is what is not consonant. However, a finer consideration shows that the distinction forms a gradation, from the most consonant to the most dissonant. In casual discourse, as German composer and music theorist Paul Hindemith stressed, "The two concepts have never been completely explained, and for a thousand years the definitions have varied". The term ''sonance'' has been proposed to encompass or refer indistinctly to the terms ''consonance'' and ''dissonance' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motif (music)
In music, a motif IPA: ( /moʊˈtiːf/) (also motive) is a short musical phrase, a salient recurring figure, musical fragment or succession of notes that has some special importance in or is characteristic of a composition: "The motive is the smallest structural unit possessing thematic identity". The ''Encyclopédie de la Pléiade'' regards it as a "melodic, rhythmic, or harmonic cell", whereas the 1958 ''Encyclopédie Fasquelle'' maintains that it may contain one or more cells, though it remains the smallest analyzable element or phrase within a subject. It is commonly regarded as the shortest subdivision of a theme or phrase that still maintains its identity as a musical idea. "The smallest structural unit possessing thematic identity". Grove and Larousse also agree that the motif may have harmonic, melodic and/or rhythmic aspects, Grove adding that it "is most often thought of in melodic terms, and it is this aspect of the motif that is connoted by the term 'fig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bar (music)
In musical notation, a bar (or measure) is a segment of time corresponding to a specific number of beats in which each beat is represented by a particular note value and the boundaries of the bar are indicated by vertical bar lines. Dividing music into bars provides regular reference points to pinpoint locations within a musical composition. It also makes written music easier to follow, since each bar of staff symbols can be read and played as a batch. Typically, a piece consists of several bars of the same length, and in modern musical notation the number of beats in each bar is specified at the beginning of the score by the time signature. In simple time, (such as ), the top figure indicates the number of beats per bar, while the bottom number indicates the note value of the beat (the beat has a quarter note value in the example). The word ''bar'' is more common in British English, and the word ''measure'' is more common in American English, although musicians generally u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
That Time
''For the song "That Time" by Regina Spektor see Begin to Hope'' ''That Time'' is a one-act play by Samuel Beckett, written in English between 8 June 1974 and August 1975. The play was specially written for actor Patrick Magee, who delivered its first performance on the occasion of Beckett's seventieth birthday celebration, at London's Royal Court Theatre on 20 May 1976. Synopsis Listener On stage, the audience is confronted with the head of a man in his dotage about ten feet above the stage and slightly off-centre; everything else is in darkness. The man has flaring white hair and remains silent apart from his slow and regular breathing which is amplified. Beckett identified the old man as being inspired by Laozi (“that old Chinaman long before Christ” (B3)). In early drafts Beckett has the head resting on a pillow recalling especially the dying, bedridden Malone. The text requires that Listener open and close his eyes (which stay shut for most of the time) and hold ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film (film)
''Film'' is a 1965 short film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a 40-leaf shooting script followed thereafter. It was filmed in New York City in July 1964. Beckett and Alan Schneider originally wanted Charlie Chaplin, Zero Mostel and Jack MacGowran, however they eventually did not get involved. Beckett then suggested Buster Keaton.Schneider, A., On Directing Samuel Beckett’s Film' Explains Schneider: "During a transatlantic call one day (as I remember) he shattered our desperation over the sudden casting crisis by calmly suggesting Buster Keaton." In print: Schneider, "On Directing ''Film''" (Grove, 1969), 67. James Karen, who was to have a small part in the film, also supported having Keaton.According to Karen, he had urged Schneider to consider the 68-year-old Keaton when MacGowran’s schedule ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oilskin
Oilskin is a waterproof cloth used for making garments typically worn by sailors and by others in wet areas. The modern oilskin garment was developed by a New Zealander, Edward Le Roy, in 1898. Le Roy used worn-out sailcloth painted with a mixture of linseed oil and wax to produce a waterproof garment suitable to be worn on deck in foul-weather conditions. Oilskins are part of the range of protective clothing also known as foul weather gear. History Waterproofed cloth garments were in use from the late 1700s. Various methods of waterproofing were used over the years. Some early sou'westers and rain capes were handmade of sailcloth waterproofed with a thin layer of tar, while other methods involved canvas duck coated with multiple applications of linseed oil and paint. While durable, these methods of waterproofing did not possess the breathable qualities of Le Roy's process. Modern oilskins may be made of flexible PVC-coated synthetic fabric, while advanced materials for extr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ghost Trio - Boy
A ghost is the soul or spirit of a dead person or animal that is believed to be able to appear to the living. In ghostlore, descriptions of ghosts vary widely from an invisible presence to translucent or barely visible wispy shapes, to realistic, lifelike forms. The deliberate attempt to contact the spirit of a deceased person is known as necromancy, or in spiritism as a '' séance''. Other terms associated with it are apparition, haunt, phantom, poltergeist, shade, specter or spectre, spirit, spook, wraith, demon, and ghoul. The belief in the existence of an afterlife, as well as manifestations of the spirits of the dead, is widespread, dating back to animism or ancestor worship in pre-literate cultures. Certain religious practices—funeral rites, exorcisms, and some practices of spiritualism and ritual magic—are specifically designed to rest the spirits of the dead. Ghosts are generally described as solitary, human-like essences, though stories of ghostly a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Point Of View Shot
A point of view shot (also known as POV shot, first-person shot or a subjective camera) is a short film scene that shows what a character (the subject) is looking at (represented through the camera). It is usually established by being positioned between a shot of a character looking at something, and a shot showing the character's reaction (see shot reverse shot). The technique of POV is one of the foundations of film editing. Subjectives A POV shot need not be the strict point-of-view of an actual single character in a film. Sometimes the point-of-view shot is taken over the shoulder of the character (third person), who remains visible on the screen. Sometimes a POV shot is "shared" ("dual" or "triple"), i.e. it represents the joint POV of two (or more) characters. Point-of-view, or simply p.o.v., camera angles record the scene from a particular player's viewpoint. The point-of-view is an objective angle, but since it falls between the objective and subjective angle, it shou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
