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Ghettotech
Ghettotech (also known as Detroit club) is a genre of electronic music originating from Detroit. It combines elements of Chicago's ghetto house with electro, Detroit techno, Miami bass. Overview Former Detroit music journalist for the ''Detroit Metro Times'', Hobey Echlin describes ghettotech as a genre that combines "techno's fast beats with rap's call-and-response." It features four-on-the-floor rhythms and is usually faster than most other dance music genres, at roughly 145 to 160 BPM. Vocals are often repetitive, crude, and pornographic. As DJ Godfather puts it, "the beats are really gritty, really raw, nothing polished."XLR8R TV Episode 13: Detroit Ghettotech. 14 Aug. 2007. . Ghettotech was born as a DJing style in the late 1980s, inspired by the eclecticism of The Electrifying Mojo and the fast-paced mixing and turntablism of Jeff "The Wizard" Mills. DJs would mix multiple genres including jungle, ghetto house, hip hop, R&B, electro and Detroit techno. The music of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
GhettoTech DJs
Ghettotech (also known as Detroit club) is a genre of electronic dance music, electronic music originating from Detroit, Michigan, Detroit. It combines elements of Chicago's ghetto house with Electro (music), electro, Detroit techno, Miami bass. Overview Former Detroit music journalist for the Metro Times, ''Detroit Metro Times'', Hobey Echlin describes ghettotech as a genre that combines "techno's fast beats with rap's call-and-response." It features four-on-the-floor rhythms and is usually faster than most other dance music genres, at roughly 145 to 160 BPM. Vocals are often repetitive, crude, and pornographic. As DJ Godfather puts it, "the beats are really gritty, really raw, nothing polished."XLR8R TV Episode 13: Detroit Ghettotech. 14 Aug. 2007. . Ghettotech was born as a DJing style in the late 1980s, inspired by the eclecticism of The Electrifying Mojo and the fast-paced mixing and turntablism of Jeff Mills, Jeff "The Wizard" Mills. DJs would mix multiple genres includi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ghetto House
Ghetto house or booty house is a subgenre of house music which started being recognized as a distinct style from around 1992 onwards. It features minimal 808 and 909 drum machine-driven tracks and sometimes sexually explicit lyrics. The template of classic Chicago house music (primarily, "It's Time for the Percolator" by Cajmere) was used with the addition of sexual lyrics. It has usually been made on minimal equipment with little or no effects. It usually features either a " 4-to-the-floor" kick drum or beat-skipping kick drums such as those found in the subgenre "juke" (full sounding, but not too long or distorted) along with Roland 808 and 909 synthesized tom-tom sounds, minimal use of analogue synths, and short, slightly dirty sounding (both sonically and lyrically) vocals samples, often repeated in various ways. Also common are 808 and 909 clap sounds, and full " rapped" verses and choruses. Ghetto house music artists include: DJ Deeon, Jammin' Gerald, DJ Funk, DJ Milt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ghetto House
Ghetto house or booty house is a subgenre of house music which started being recognized as a distinct style from around 1992 onwards. It features minimal 808 and 909 drum machine-driven tracks and sometimes sexually explicit lyrics. The template of classic Chicago house music (primarily, "It's Time for the Percolator" by Cajmere) was used with the addition of sexual lyrics. It has usually been made on minimal equipment with little or no effects. It usually features either a " 4-to-the-floor" kick drum or beat-skipping kick drums such as those found in the subgenre "juke" (full sounding, but not too long or distorted) along with Roland 808 and 909 synthesized tom-tom sounds, minimal use of analogue synths, and short, slightly dirty sounding (both sonically and lyrically) vocals samples, often repeated in various ways. Also common are 808 and 909 clap sounds, and full " rapped" verses and choruses. Ghetto house music artists include: DJ Deeon, Jammin' Gerald, DJ Funk, DJ Milt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miami Bass
Miami bass (booty music or booty bass) is a subgenre of hip hop music that became popular in the 1980s and 1990s. The use of drums from the Roland TR-808, sustained kick drum, heavy bass, raised dance tempos, and frequently sexually explicit lyrical content differentiate it from other hip hop subgenres. Music author Richie Unterberger has characterized Miami bass as using rhythms with a "stop-start flavor" and "hissy" cymbals with lyrics that "reflected the language of the streets, particularly Miami's historically black neighborhoods such as Liberty City, Goulds and Overtown". Despite Miami bass never having consistent mainstream acceptance, early national media attention in the 1980s resulted in a profound impact on the development of hip hop, dance music, and pop. History 1980s (origins) During the 1980s, the focus of Miami bass tended to be on DJs and record producers, rather than individual performers. Record labels such as Pandisc, HOT Records, 4-Sight Record ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jeff Mills
Jeff Mills (born June 18, 1963, in Detroit, Michigan) is an American DJ, record producer, and composer. Thanks to his technical abilities as a DJ, Mills became known as ''The Wizard'' in the early to mid 1980s. In the late 1980s Mills founded the techno collective Underground Resistance with fellow Detroit techno producers 'Mad' Mike Banks and Robert Hood but left the group to pursue a career as a solo artist in the early 90s. Mills founded Axis Records in 1992. The label is based in Chicago, Illinois and is responsible for the release of much of his solo work. Mills has received international recognition for his work both as a DJ and producer. Mills was also featured in ''Man From Tomorrow'', a documentary about techno music that he produced along with French filmmaker Jacqueline Caux. He continued working in film, releasing ''Life to Death and Back'', a film he shot in the Egyptian wing of the Louvre Museum where he also had a four-month residency. In 2017 the president of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Chicago
Chicago, Illinois is a major center for music in the midwestern United States where distinctive forms of blues (greatly responsible for the future creation of rock and roll), and house music, a genre of electronic dance music, were developed. The "Great Migration (African American), Great Migration" of poor black workers from the South into the industrial cities brought traditional jazz and blues music to the city, resulting in Chicago blues and "Chicago-style" Dixieland jazz. Notable blues artists included Muddy Waters, Junior Wells, Howlin' Wolf and both Sonny Boy Williamson II, Sonny Boy Williamsons; jazz greats included Nat King Cole, Gene Ammons, Benny Goodman and Bud Freeman. Chicago is also well known for its soul music. In the early 1930s, Gospel music began to gain popularity in Chicago due to Thomas A. Dorsey's contributions at Pilgrim Baptist Church. In the 1980s and 1990s, Hard rock, heavy rock, punk rock, punk and Hip hop music, hip hop also became popular in Chica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Detroit
Detroit, Michigan, is a major center in the United States for the creation and performance of music, and is best known for three developments: Motown, early punk rock (or proto-punk), and techno. The Metro Detroit area has a rich musical history spanning the past century, beginning with the revival of the world-renowned Detroit Symphony Orchestra in 1918. The major genres represented in Detroit music include classical, blues, jazz, gospel, R&B, rock and roll, pop, punk, soul, electronica and hip-hop. The greater Detroit area has been the birthplace and/or primary venue for numerous platinum-selling artists, whose total album sales, according to one estimate, had surpassed 40 million units by 2000. The success of Detroit-based hip-hop artists quadrupled that figure in the first decade of the 2000s. Historical background The Detroit area's diverse population includes residents of European, Middle Eastern, Latino, Asian and African descent, with each group adding its rich ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Detroit Electronic Music Festival
Movement Electronic Music Festival is an annual electronic dance music event held in the birthplace of Techno, Detroit, each Memorial Day weekend since 2006. Previous electronic music festivals held at Hart Plaza on Memorial Day weekend include Detroit Electronic Music Festival (2000–2002), Movement (2003–2004) and Fuse-In (2005). The four different festival names reflect completely separate and distinct producers, brands and directions. All of these festivals presented performances by musicians and DJs that emphasized the progressive qualities of the culture surrounding electronic music including the celebration of Detroit being the birthplace of the popular electronic music subgenre Techno. In late 2013, the original DEMF management announced plans for the return of the Detroit Electronic Music Festival as a free-admission event at Campus Martius Park on Independence Day weekend, 2014, along with the paid-admission Federation of Electronic Music Technology (FEMT), a con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jitterbug
Jitterbug is a generalized term used to describe swing dancing. It is often synonymous with the lindy hop dance but might include elements of the jive, east coast swing, collegiate shag, charleston, balboa and other swing dances. Swing dancing originated in the African-American communities of New York City in the early 20th century. Many nightclubs had a whites-only or blacks-only policy due to racial segregation, however the Savoy Ballroom in Harlem had a no-discrimination policy which allowed whites and blacks to dance together and it was there that the lindy hop dance flourished, started by dancers such as George Snowden and Frank Manning. The term jitterbug was originally a ridicule used by black patrons to describe whites who started to dance the lindy hop, as they were dancing faster and jumpier than was intended, like "jittering bugs", although it quickly lost its negative connotation as the more erratic version caught on. Both the lindy hop and the "jitterbug" became ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2 Live Crew
2 Live Crew is an American hip hop music, hip hop group from Miami, Florida, which had its greatest commercial success from the late 1980s to the early 1990s. The group's most well-known line up was composed of Luther Campbell, Luke Campbell, Fresh Kid Ice, Mr. Mixx, and Brother Marquis. They were considerably controversial in the U.S. due to the sexually explicit content in their songs, particularly on their 1989 album ''As Nasty as They Wanna Be''. History 1984–1986: Group formation and breakthrough The 2 Live Crew, although seen as a main fixture in the Miami hip-hop scene, actually got their start in California and was created by DJ Mr. Mixx (David Hobbs) with fellow rappers Fresh Kid Ice (Chris Wong Won), and Amazing Vee (Yuri Vielot). The group released its first single, "Revelation", on its own label "Fresh Beat Records" in 1984. The A-side of "Revelation" contained a song where the only rapper featured was Amazing Vee. The B-side contained a song named "2 Live" whe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electro Music
Electro (or electro- funk)Rap meets Techno, with a short history of Electro Globaldarkness.com. Retrieved on July 18, 2011. is a of and early hip hop directly influenced by the use of the Roland TR-808 drum machines, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contemporary R&B
Contemporary R&B (or simply R&B) is a popular music genre that combines rhythm and blues with elements of pop, soul, funk, hip hop, and electronic music. The genre features a distinctive record production style, drum machine-backed rhythms, pitch corrected vocals, and a smooth, lush style of vocal arrangement. Electronic influences are becoming an increasing trend and the use of hip hop or dance-inspired beats are typical, although the roughness and grit inherent in hip hop may be reduced and smoothed out. Contemporary R&B vocalists often use melisma, and since the mid-1980s, R&B rhythms have been combined with elements of hip hop culture and music and pop culture and pop music. Pre-history According to Geoffrey Himes speaking in 1989, the progressive soul movement of the early 1970s "expanded the musical and lyrical boundaries of &Bin ways that haven't been equaled since". This movement was led by soul singer-songwriter/producers such as Curtis Mayfield, Marvin Gaye, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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