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Get The Message (song)
"Get the Message" is a song by Electronic, the English band formed by Bernard Sumner of New Order and ex- Smiths guitarist Johnny Marr. "Get the Message" was the second single from their 1991 debut album, ''Electronic'', and was a commercial success around the world. It is an example of Marr and Sumner's original concept of mixing the synthesizers of New Order with the Smiths' guitar sound. Composition Marr composed the music then Sumner wrote the lyric as engineer Owen Morris played him the song every four bars.'' Select'', November 1997 Marr was reluctant to layer multiple guitar parts as he was wary of treading ground, but Sumner convinced him otherwise. During recording, Primal Scream vocalist Denise Johnson added a vocal at the end of the song. She went on to provide additional vocals on a number of songs on Electronic's second album '' Raise the Pressure'' five years later. Artwork The first releases were packaged by Johnson/Panas (the moniker of Trevor Johnson), who a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic (band)
Electronic were an English alternative dance supergroup formed by singer/guitarist Bernard Sumner (of New Order) and guitarist Johnny Marr (of The Smiths). They co-wrote the majority of their output between 1989 and 1998, collaborating with Neil Tennant and Chris Lowe, of Pet Shop Boys, on three tracks in their early years, and former Kraftwerk member Karl Bartos on nine songs in 1995. History The two first met in 1984 when the Smiths guitarist contributed to a Quando Quango track that Sumner was producing. Later in 1988, Sumner was frustrated because his New Order bandmates were not receptive to his desire to add synth programming to their music. He decided to produce a solo album but found that he did not enjoy working alone, so he called Marr for help.''Q'', July 1991 Inspired by contemporary dance music like Italo house and acts such as Technotronic, their initial concept was to release white label records on Factory and remain an anonymous entity, in contrast to their ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trevor Johnson (designer)
Trevor Johnson (born in Salford, Lancashire) is a Manchester-based graphic designer. He started his career as a commercial illustrator and went on to become a freelance graphic designer, designing record sleeves and branding for Factory Records and Hacienda Nightclub Fac 51 which was instrumental in the creation of the Madchester music scene of the late 1980s and early 1990s. His designs created as Trevor Johnson and with his partner business Johnson/Panas for Factory Records are documented in the Factory Records Catalogue of sleeves A sleeve ( ang, slīef, a word allied to '' slip'', cf. Dutch ) is the part of a garment that covers the arm, or through which the arm passes or slips. The sleeve is a characteristic of fashion seen in almost every country and time period, ac ... and merchandise and company promotional material. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A-side And B-side
The A-side and B-side are the two sides of phonograph records and cassettes; these terms have often been printed on the labels of two-sided music recordings. The A-side usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay and hopefully become a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides. Use of this language has largely declined in the 21st century as the music industry has transitioned away from analog recordings towards digital formats without physical sides, such as CDs, downloads and streaming. Nevertheless, some artists and labels continue to employ the terms ''A-side'' and ''B-side'' metaphorically to describe the type of content a particular release features, with ''B-side'' sometimes representing a "bonus" track or other material. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Promotional Recording
A promotional recording, or promo, or plug copy, is an audio or video recording distributed free, usually in order to promote a recording that is or soon will be commercially available. Promos are normally sent directly to broadcasters, such as music radio and music television, television stations, and to tastemakers, such as DJs, music journalism, music journalists, and music criticism, critics, in advance of the release of commercial editions, in the hope that airplay, reviews, and other forms of exposure will result and stimulate the public's interest in the commercial release. Promos are often distributed in plain packaging, without the text or artwork that appears on the commercial version. Typically a promo is marked with some variation of the following text: "Licensed for promotional use only. Sale is prohibited." It may also state that the promo is still the property of the distributor and is to be "returned upon demand." However, it is not illegal to sell promotional re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Video
A music video is a video of variable duration, that integrates a music song or a music album with imagery that is produced for promotion (marketing), promotional or musical artistic purposes. Modern music videos are primarily made and used as a music marketing device intended to promote the sale of Music Recording, music recordings. Although the origins of music videos date back to musical short, musical short films that first appeared, they again came into prominence when Paramount Global's MTV based its format around the medium. These kinds of videos were described by various terms including "illustrated song", "filmed insert", "promotional (promo) film", "promotional clip", "promotional video", "song video", "song clip", "film clip" or simply "video". Music videos use a wide range of styles and contemporary video-making techniques, including animation, live action, live-action, documentary film, documentary, and non-narrative approaches such as Non-narrative film, abstract fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Radio Edit
In music, a radio edit or radio mix is a modification, typically truncated or censored, intended to make a song more suitable for airplay, whether it be adjusted for length, profanity, subject matter, instrumentation, or form. Radio edits may also be used for commercial single versions, which may be denoted as the ''7" version'', as opposed to the '' 12" version'' which are extended versions of a song. Not all "radio edit" tracks are played on radio. Editing for time Radio edits often shorten a long song in order to make it more commercially viable for radio stations. The normal length for songs played on the radio is between 3 and 5 minutes. The amount of cut content differs however, ranging from a few seconds to effectively half of a song being cut. It is common for radio edits to have shortened intros and/or outros. In the intro, any kind of musical buildup is removed, or, if there is no such build-up, an extensive intro is often halved. In the outro, occasionally, the song wil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maxi Single
A maxi single or maxi-single (sometimes abbreviated to MCD or CDM) is a music single release with more than the usual two tracks of an A-side song and a B-side song. The first maxi singles Mungo Jerry's first single, "In the Summertime" was the first maxi single in the world. The term came into wide use in the 1970s, where it usually referred to 7-inch vinyl singles featuring one track on the A-side and two on the B-side. The 1975 reissue of David Bowie's "Space Oddity", where the featured song is coupled with "Changes" and "Velvet Goldmine", is a typical example. By the mid-1970s, it was used to refer to 12" vinyl singles with three or four tracks (or an extended or remixed version of the lead single/song) on the A-side, with an additional two or three tracks on the B-side; the B-side was initially used by DJs. Later, in the 1980s, a typical practice was to release a two-song single on 7" vinyl and cassette, and a maxi-single on 12" vinyl. These first 12" maxi-singles were prom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Remix
A remix (or reorchestration) is a piece of media which has been altered or contorted from its original state by adding, removing, or changing pieces of the item. A song, piece of artwork, book, video, poem, or photograph can all be remixes. The only characteristic of a remix is that it appropriates and changes other materials to create something new. Most commonly, remixes are a subset of audio mixing in music and song recordings. Songs may be remixed for a large variety of reasons: * to adapt or revise a song for radio or nightclub play * to create a stereo or surround sound version of a song where none was previously available * to improve the fidelity of an older song for which the original master has been lost or degraded * to alter a song to suit a specific music genre or radio format * to use some of the original song's materials in a new context, allowing the original song to reach a different audience * to alter a song for artistic purposes * to provide additional version ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cassette Single
A cassette single (CS), also known by the trademark cassingle, or capitalised as the trademark Cassette Single, is a music single supplied in the form of a Compact Cassette. The cassette single was first introduced in 1980. History The debut single "C·30 C·60 C·90 Go" from Bow Wow Wow (catalogue number TCEMI 5088) was the first cassette single released worldwide, issued by EMI in the United Kingdom in 1980. In the United States of America, the first cassette single was released by A&M and I.R.S. Records in 1982 with the Go-Go's "Vacation", which contained two songs available on both sides of the tape. Initially, the cassette single was supplied containing two or three versions of the primary single, sometimes also together with a B-side song. Typically, between 4 and 20 minutes of music were available on the early cassette singles, though later offerings would be available with five or six different versions of songs. The British independent record label ZTT Re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
CD Single
A CD single (sometimes abbreviated to CDS) is a music single in the form of a compact disc. The standard in the Red Book for the term ''CD single'' is an 8 cm (3-inch) CD (or Mini CD). It now refers to any single recorded onto a CD of any size, particularly the CD5, or 5-inch CD single. The format was introduced in the mid-1980s but did not gain its place in the market until the early 1990s. With the rise in digital downloads in the early 2010s, sales of CD singles have decreased. Commercially released CD singles can vary in length from two songs (an A side and B side, in the tradition of 7-inch 45-rpm records) up to six songs like an EP. Some contain multiple mixes of one or more songs (known as remixes), in the tradition of 12-inch vinyl singles, and in some cases, they may also contain a music video for the single itself (this is an enhanced CD) as well as occasionally a poster. Depending on the nation, there may be limits on the number of songs and total length for s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
12-inch Single
The twelve-inch single (often written as 12-inch or 12″) is a type of vinyl ( polyvinyl chloride or PVC) gramophone record that has wider groove spacing and shorter playing time with a 'single' or a few related sound tracks on each surface, compared to LPs (long play) which have several songs on each side. This allows for louder levels to be cut on the disc by the mastering engineer, which in turn gives a wider dynamic range, and thus better sound quality. This record type is commonly used in disco and dance music genres, where DJs use them to play in clubs. They are played at either or 45 . The conventional 7‐inch single usually holds three or four minutes of music at full volume. The 12‐inch LP sacrifices volume for extended playing time. Technical features Twelve-inch singles typically have much shorter playing time than full-length LPs, and thus require fewer grooves per inch. This extra space permits a broader dynamic range or louder recording level as the gr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gramophone Record
A phonograph record (also known as a gramophone record, especially in British English), or simply a record, is an analog sound storage medium in the form of a flat disc with an inscribed, modulated spiral groove. The groove usually starts near the periphery and ends near the center of the disc. At first, the discs were commonly made from shellac, with earlier records having a fine abrasive filler mixed in. Starting in the 1940s polyvinyl chloride became common, hence the name vinyl. The phonograph record was the primary medium used for music reproduction throughout the 20th century. It had co-existed with the phonograph cylinder from the late 1880s and had effectively superseded it by around 1912. Records retained the largest market share even when new formats such as the compact cassette were mass-marketed. By the 1980s, digital media, in the form of the compact disc, had gained a larger market share, and the record left the mainstream in 1991. Since the 1990s, records con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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