Get Used To It (Brand New Heavies Album)
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Get Used To It (Brand New Heavies Album)
''Get Used to It'' is a funk album by the Brand New Heavies released 27 June 2006 via Starbucks and more traditional music retail outlets. Background ''Get Used to It'' is the first album with lead singer N'Dea Davenport since she departed the band after the release of their 1994 album ''Brother Sister'' for a solo career. Following the band's reunion with Davenport. They also reunited with their former record label Delicious Vinyl. The album was recorded in New York and London. In early May, they released the lead single " I Don't Know Why (I Love You)," a cover of the Stevie Wonder song that was the B-side to his 1968 hit single "My Cherie Amour." The band toured at the end of 2006. Tom Moulton mixes " I Don't Know Why (I Love You)" was notable for being one of very few late releases to feature the trademarked A Tom Moulton Mix, as the legendary disco pioneer had been asked to contribute mixes. Impressed with the Heavies, the pioneering engineer eventually took on the ta ...
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The Brand New Heavies
The Brand New Heavies is an acid jazz and funk group formed in 1985 in Ealing in west London. Centered around songwriters/multi-instrumentalists Simon Bartholomew and Andrew Levy, the core members of the group since its founding, Brand New Heavies are best known for a string of successful singles in the early 1990s featuring N'Dea Davenport as lead vocalist. Biography 1980s–1990s The Brand New Heavies began in the 1980s as an instrumental acid jazz group called Brothers International. The group came up with the Heavies name after signing their first record contract, borrowing from a liner note on a James Brown single declaring the artist "Minister of New Super Heavy Funk". As The Brand New Heavies they gained a cult following in the London club scene and soon signed to Cooltempo as acid jazz replaced rare groove in clubs. The band issued a debut recording for Eddie Piller's Acid Jazz label in 1990 with Jay Ella Ruth as lead singer. A single, "Got to Give", came out o ...
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Funk
Funk is a music genre that originated in African American communities in the mid-1960s when musicians created a rhythmic, danceable new form of music through a mixture of various music genres that were popular among African Americans in the mid-20th century. It de-emphasizes melody and chord progressions and focuses on a strong rhythmic groove of a bassline played by an electric bassist and a drum part played by a percussionist, often at slower tempos than other popular music. Funk typically consists of a complex percussive groove with rhythm instruments playing interlocking grooves that create a "hypnotic" and "danceable" feel. Funk uses the same richly colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, or dominant seventh chords with altered ninths and thirteenths. Funk originated in the mid-1960s, with James Brown's development of a signature groove that emphasized the downbeat—with a heavy emphasis on the first bea ...
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Delicious Vinyl
Delicious Vinyl is an American independent record label founded by Matt Dike and Michael Ross in 1987 and based in Los Angeles, California. History Michael Ross was a student at the University of California, Los Angeles when he met Matt Dike, a DJ from New York, in 1983. Dike was working at the Rhythm Lounge in Hollywood. They discovered that they were both members of Impact Record Pool, a service that provided new 12" records to club DJs, and that they shared an interest in soul, funk, and hip-hop. Soon Dike became the top DJ at Power Tools, a club in Los Angeles. In 1987, they founded Delicious Vinyl, an independent record label. Almost immediately the label was a success. Delicious Vinyl's first release was "Crackerjack" by Master Rhyme and "On Fire"/"Cheeba Cheeba" by Tone Loc, a Los Angeles gang member. "Cheeba Cheeba" and "Crackerjack" got played on L.A.'s rap radio station KDAY. It caused controversy for criticizing N.W.A. The label really took off after Tone Loc's "Wi ...
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Allabouthefunk
''All About the Funk'' (stylised as ''Allabouthefunk'') is a funk album released by the Brand New Heavies. After their most identifiable lead singer N'Dea Davenport left the band to pursue a solo career in the mid-1990s, the band rotated in several African-American singer/songwriters Siedah Garrett, Carleen Anderson, and Sy Smith as lead vocalists on previous projects. This independent follow-up release features British singer Nicole Russo on vocals for the entire project. The band covers Jimmy Cliff's "Many Rivers to Cross", as well as covering their own "What Do You Take Me For", which previously featured N'Dea Davenport on their 2003 album ''We Won't Stop The Brand New Heavies is an acid jazz and funk group formed in 1985 in Ealing in west London. Centered around songwriters/multi-instrumentalists Simon Bartholomew and Andrew Levy, the core members of the group since its founding, Brand New Hea ...''. Though ''Allabouthefunk'' was initially only released to UK and inter ...
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Live In London (Brand New Heavies Album)
''Live in London'' is a live album by the Brand New Heavies released in October 2009. Track listing CD 1 #"Intro" (This track later became the title track of their next studio album released in 2013, ''Forward'') #"People Get Ready" #"BNH" #"All Fired Up" (S. Bartholomew/J. Kincaid/A. Levy) #"Never Stop" #"Dream On Dreamer" ( N. Davenport/ D. Austin) #"Midnight at the Oasis" ( D. Nichtern) #"Sometimes" #"Back to Love" #"Sex God" (S. Bartholomew/N. Davenport/A. Levy) #"I Don't Know Why (I Love You)" ( S. Wonder) #"Ride in the Sky" #"Day Break" CD 2 #"Brother Sister" #"Jump and Move" #"Let's Do It Again" (S. Bartholomew/N. Davenport/J. Kincaid/A. Levy) #"Spend Some Time" (A. Levy/A. Cheung) #"You Are the Universe "You Are the Universe" is a song by British acid jazz and funk group the Brand New Heavies, released in June 1997. The composition was issued as the third single taken from their fourth album, ''Shelter'' (1997), which remains the only Brand Ne ..." #"F ...
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I Don't Know Why
"I Don't Know Why" (sometimes listed as "Don't Know Why I Love You") is a song by American singer-songwriter Stevie Wonder, from the 1968 album ''For Once in My Life''. It was released as a single on January 28, 1969, with " My Cherie Amour" on the B-side. A few months later, the single was re-issued with sides reversed because of the growing popularity of "My Cherie Amour", which became a Top Ten hit. ''Cash Box'' stated that "Wonder is softened just a trifle on this slower and more dramatically developing ballad." Personnel *Stevie Wonder – vocals, clavinet *The Funk Brothers – all other instruments Charts The single peaked at No. 39 on the US ''Billboard'' Hot 100. The song was recorded when Wonder was 18 years old, and became a moderate hit single, together with "You Met Your Match", another song from the album. It also showcases Wonder's talents on the clavinet. Rolling Stones version A rendition of "I Don't Know Why" by the Rolling Stones is included on th ...
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Allmusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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The Brand New Heavies
The Brand New Heavies is an acid jazz and funk group formed in 1985 in Ealing in west London. Centered around songwriters/multi-instrumentalists Simon Bartholomew and Andrew Levy, the core members of the group since its founding, Brand New Heavies are best known for a string of successful singles in the early 1990s featuring N'Dea Davenport as lead vocalist. Biography 1980s–1990s The Brand New Heavies began in the 1980s as an instrumental acid jazz group called Brothers International. The group came up with the Heavies name after signing their first record contract, borrowing from a liner note on a James Brown single declaring the artist "Minister of New Super Heavy Funk". As The Brand New Heavies they gained a cult following in the London club scene and soon signed to Cooltempo as acid jazz replaced rare groove in clubs. The band issued a debut recording for Eddie Piller's Acid Jazz label in 1990 with Jay Ella Ruth as lead singer. A single, "Got to Give", came out o ...
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N'Dea Davenport
N'Dea Davenport (born September 22, 1966) is an American singer, songwriter, dancer and producer. She was the lead vocalist in the UK acid jazz band the Brand New Heavies and made pioneering contributions to the genre of acid jazz. Career Her diverse projects include collaborations with music producers and artists, such as Mark Ronson, Louie Vega, Roger Sanchez, Guru’s Jazzmatazz, Madonna, Natalie Merchant, Mos Def, Sly and Robbie, J Dilla, and Malcolm McLaren. Dance scholarships, acting and music were the core of her developments as an artist and entertainer. Immediately after finishing college, she left her then home of Atlanta, Georgia, en route to Los Angeles. There she engaged in theatrical productions and commercial music video and was embraced by artists in both art, music and popular culture. Her legacy as an artist began also with her involvement in the burgeoning Los Angeles underground club and rave scene in the late 1980s and early 1990s. Working simultaneously ...
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Brother Sister
''Brother Sister'' is an album by British acid jazz and funk group the Brand New Heavies, released on March 22, 1994 by Delicious Vinyl. It spawned several singles, including "Spend Some Time" which spent two weeks at number two on the American dance charts. A cover of Maria Muldaur's "Midnight at the Oasis" became popular in the UK, but was not included in the US version of the album. ''Brother Sister'' was lead singer N'Dea Davenport's last album with the Brand New Heavies before leaving to complete her solo album (which she had put on hold to join the Heavies). She returned to join the band ten years later. Critical reception Pan-European magazine ''Music & Media'' wrote, "Still punch drunk from the single Dream On Dreamer, the heavy weights of acid jazz hit you knock out with this 15-track album. It can be divided into three rounds--a strong opening and end with some shadow boxing inbetween. In "round 1" N'Dea Davenport powerlifts the title track with its electric p ...
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Stevie Wonder
Stevland Hardaway Morris ( Judkins; May 13, 1950), known professionally as Stevie Wonder, is an American singer-songwriter, who is credited as a pioneer and influence by musicians across a range of genres that include rhythm and blues, Pop music, pop, Soul music, soul, Gospel music, gospel, funk, and jazz. A virtual one-man band, Wonder's use of synthesizers and other electronic musical instruments during the 1970s reshaped the conventions of Contemporary R&B, R&B. He also helped drive such genres into the album era, crafting his LP record, LPs as cohesive and consistent, in addition to socially conscious statements with complex compositions. Visual impairment, Blind since shortly after his birth, Wonder was a child prodigy who signed with Motown's Tamla label at the age of 11, where he was given the professional name Little Stevie Wonder. Wonder's single "Fingertips" was a No. 1 hit on the Billboard Hot 100, ''Billboard'' Hot 100 in 1963, at the age of 13, making him the List o ...
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B-side
The A-side and B-side are the two sides of phonograph records and cassettes; these terms have often been printed on the labels of two-sided music recordings. The A-side usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay and hopefully become a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides. Use of this language has largely declined in the 21st century as the music industry has transitioned away from analog recordings towards digital formats without physical sides, such as CDs, downloads and streaming. Nevertheless, some artists and labels continue to employ the terms ''A-side'' and ''B-side'' metaphorically to describe the type of content a particular release features, with ''B-side'' sometimes representing a "bonus" track or other material. The ...
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