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Gesang Der Verklärten
' (Chant of the Transfigured), Op. 71, is a composition by Max Reger for a mixed five-part choir and orchestra, a late Romantic setting of a poem by Carl Busse. Reger composed the work in 1903. He dedicated it to "Meiner geliebten Frau Elsa" (My beloved wife Elsa). It was published in 1905 and first performed in Aachen on 18 January 1906 by the municipal choir and orchestra, conducted by Eberhard Schwickerath. History Reger composed ' in Munich and Berchtesgaden in 1903. He had no interest in setting great literature to music because he thought it was complete without adding music. He rather turned to contemporary writers, such as '' Jugendstil'' poets. In a letter to Ella Kerndl he wrote on 1 October 1900 that he was interested in lyrics that "unveils infinitively many glimpses into practically 'uncharted' mental states and conflicts" (unendlich viel Ausblicke in bisher fast „unentdeckte“ seelische Zustände und Conflicte eröffnet). He found the poem by Carl Busse in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Reger
Johann Baptist Joseph Maximilian Reger (19 March 187311 May 1916) was a German composer, pianist, organist, conductor, and academic teacher. He worked as a concert pianist, as a musical director at the Paulinerkirche, Leipzig, Leipzig University Church, as a professor at the Leipzig Conservatory, Royal Conservatory in Leipzig, and as a music director at the court of Duke Georg II of Saxe-Meiningen. Reger first composed mainly ''Lieder'', chamber music, choral music and works for piano and organ. He later turned to orchestral compositions, such as the popular ''Variations and Fugue on a Theme by Mozart'' (1914), and to works for choir and orchestra such as ''Gesang der Verklärten'' (1903), ' (1909), ''Der Einsiedler'' and the ''Requiem (Reger), Hebbel Requiem'' (both 1915). Biography Born in Brand, Bavaria, Brand, Kingdom of Bavaria, Bavaria, Reger was the first child of Josef Reger, a school teacher and amateur musician, and his wife Katharina Philomena. The devout Catholic fa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elsa Reger
Margarete Ulrike Augusta Marie Karoline Elsa Reger (née von Bagenski; previously von Bercken, 25 October 1870 – 3 May 1951) was a German writer, the wife of the pianist and composer Max Reger, whose memory she kept alive by founding an archive, the Max-Reger-Institute and a foundation, all dedicated to him and his work. The foundation is now named after her. Life Born as Margarete Ulrike Augusta Marie Karoline Elsa von Bagenski in Kolberg the daughter of Captain Ernst Hugo Robert von Bagenski (or von Bagensteg or von Bagensky) and his wife Auguste (or Augusta) Karoline Josepha Marie Theresia Fanny Olga (née Baroness von Seckendorff-Aberdar zur Welt), she married in 1887 Franz von Bercken. She met Max Reger in 1893, when she spent a summer vacation in Wiesbaden, where she took voice lessons with him. In 1899 she divorced her husband, but first rejected Reger's courting. He composed many songs between 1899 and 1902. They married on 7 December 1902 in Bad Boll and lived in Muni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aachen
Aachen ( ; ; Aachen dialect: ''Oche'' ; French and traditional English: Aix-la-Chapelle; or ''Aquisgranum''; nl, Aken ; Polish: Akwizgran) is, with around 249,000 inhabitants, the 13th-largest city in North Rhine-Westphalia, and the 28th-largest city of Germany. It is the westernmost city in Germany, and borders Belgium and the Netherlands to the west, the triborder area. It is located between Maastricht (NL) and Liège (BE) in the west, and Bonn and Cologne in the east. The Wurm River flows through the city, and together with Mönchengladbach, Aachen is the only larger German city in the drainage basin of the Meuse. Aachen is the seat of the City Region Aachen (german: link=yes, Städteregion Aachen). Aachen developed from a Roman settlement and (bath complex), subsequently becoming the preferred medieval Imperial residence of Emperor Charlemagne of the Frankish Empire, and, from 936 to 1531, the place where 31 Holy Roman Emperors were crowned Kings of the Germans. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opus Number
In musicology, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's production. Opus numbers are used to distinguish among compositions with similar titles; the word is abbreviated as "Op." for a single work, or "Opp." when referring to more than one work. To indicate the specific place of a given work within a music catalogue, the opus number is paired with a cardinal number; for example, Beethoven's Piano Sonata No. 14 in C-sharp minor (1801, nicknamed ''Moonlight Sonata'') is "Opus 27, No. 2", whose work-number identifies it as a companion piece to "Opus 27, No. 1" ( Piano Sonata No. 13 in E-flat major, 1800–01), paired in same opus number, with both being subtitled ''Sonata quasi una Fantasia'', the only two of the kind in all of Beethoven's 32 piano sonatas. Furthermore, the ''Piano Sonata, Op. 27 No. 2, in C-sharp minor'' is also catalogued as "Sonata No. 14", ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Reger Works
Max Reger was a German composer of the late-Romantic period. His works are initially listed by Opus number (Op.), followed by works without Op. number (WoO). Other features shown are translation of titles, key, scoring, year of composition, genre, information about texts and their authors, a link to the Max-Reger-Institute, which provides detailed information about times of composition, performance and publishing, and a link to the free score when available. History Reger was a German composer, born in Brand in 1873. He studied music theory in Sondershausen, then piano and theory, in Wiesbaden. The first compositions to which he assigned opus numbers were chamber music and ''Lieder''. A pianist himself, he composed works for both piano and organ. Reger returned to his parental home in 1898, where he composed his first work for choir and orchestra, ' (Hymn to singing), Op. 21. He moved to Munich in 1901. In 1907 he was appointed musical director at the Leipzig University and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
SATB
SATB is an initialism that describes the scoring of compositions for choirs, and also choirs (or consorts) of instruments. The initials are for the voice types: S for soprano, A for alto, T for tenor and B for bass. Choral music Four-part harmony using soprano, alto, tenor and bass is a common scoring in classical music, including chorales and most Bach cantatas.Shrock, DennisChoral Repertoire''Oxford University Press'', 2009, p. 298, The letters of the abbreviation are also used by publishers to describe different scorings for soloists and choirs other than four-part harmony. For example, the listing "STB solos, SATB choir", of Bach's ''Wachet auf, ruft uns die Stimme'', BWV 140, indicates that a performance needs three soloists: soprano, tenor and bass, and a four-part choir. "SATB/SATB" is used when a double choir is required, as in Penderecki's ''Polish Requiem''. or SSATB, with divided sopranos, which is a typical scoring in English church music. A listing for Bach's ''M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
20th-century Classical Music
20th-century classical music describes art music that was written nominally from 1901 to 2000, inclusive. Musical style diverged during the 20th century as it never had previously. So this century was without a dominant style. Modernism, impressionism, and post-romanticism can all be traced to the decades before the turn of the 20th century, but can be included because they evolved beyond the musical boundaries of the 19th-century styles that were part of the earlier common practice period. Neoclassicism and expressionism came mostly after 1900. Minimalism started much later in the century and can be seen as a change from the modern to post-modern era, although some date post-modernism from as early as about 1930. Aleatory, atonality, serialism, '' musique concrète'', electronic music, and concept music were all developed during the century. Jazz and ethnic folk music became important influences on many composers during this century. History At the turn of the century, music was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Hermann Busse
Carl (Hermann) Busse (12 November 1872 – 3 December 1918) was a German lyric poet. He worked as a literary critic and published his own poetry and prose, occasionally under the pseudonym ''Fritz Döring''. Life Busse was born in Lindenstadt near Birnbaum (today Międzychód) in the Prussian Province of Posen (Poznań). He received his secondary education in Wągrowiec (German: Wongrowitz). From 1893 he lived in Berlin and received a military education. In 1894 he studied philology, history, and philosophy at the Humboldt University of Berlin and in 1898 earned a doctorate from the University of Rostock where he wrote a thesis on the poetry of Novalis advised by Wolfgang Golthier. Upon graduation, he was active as a freelance author and literary critic in Berlin. He was an associate editor of the ''Deutschen Wochenblatt'', a journal for politics, art, and literature, and contributed to Leipzig publisher Velhagen & Klasings ''Monatsheften''. Busse was a founding member of the "Ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jugendstil
''Jugendstil'' ("Youth Style") was an artistic movement, particularly in the decorative arts, that was influential primarily in Germany and elsewhere in Europe to a lesser extent from about 1895 until about 1910. It was the German counterpart of Art Nouveau. The members of the movement were reacting against the historicism and neo-classicism of the official art and architecture academies. It took its name from the art journal '' Jugend'', founded by the German artist Georg Hirth. It was especially active in the graphic arts and interior decoration. Its major centers of activity were Munich and Weimar and the Darmstadt Artists' Colony founded in Darmstadt in 1901. Important figures of the movement included the Swiss graphic artist Hermann Obrist, Otto Eckmann, and the Belgian architect and decorator Henry van de Velde. In its earlier years, the style was influenced by Modern Style (British Art Nouveau style). It was also influenced by Japanese prints. Later, under the Secessio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theodor Kroyer
Theodor Kroyer (9 September 1873 – 12 January 1945) was a German musicologist. Life Kroyer was born in Munich. After he won his Abitur in 1893 at the Wilhelmsgymnasium (Munich) he studied at the University of Munich and at the Akademie für Tonkunst in Munich. He received his doctorate in 1897 and habilitated in 1902 at the University of Munich, where he taught from 1907 as a non-permanent associate professor. From 1920 to 1923 he was professor of musicology at the Ruprecht-Karls-Universität Heidelberg, where he devoted himself particularly to the study of early music. He was then full professor of music at the University of Leipzig, where he was instrumental in establishing the Museum of Musical Instruments. In 1932 he became professor for musicology at the University of Cologne, where he worked until his retirement in 1938. He founded the musicological series ' and was editor of the first three volumes.Kölner Beiträge zur Musikforschung. Herausgegeben von T. Kroyer. 1938â ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max-Reger-Institute
The Max-Reger-Institute (MRI) is a musicological research institute and archive in Karlsruhe, Germany, dedicated to the work of the composer Max Reger, a representative of German music around the turn of the 20th century. An associated foundation, the Elsa-Reger-Stiftung, is named after his wife, Elsa Reger, who founded the foundation and the institute. It has a substantial archive of manuscripts and documents related to Reger. History Reger's widow and biographer, Elsa Reger, installed in 1947 a foundation, run by the Max-Reger-Institut in Bonn. A main objective was to collect the autographs which had been dispersed during two world wars, and to establish an archive as a base for research. The institute moved to Karlsruhe in 1996, first to the building of the . The state Baden-Württemberg and the town Karlsruhe have funded the institute since. In 1998 it moved to the Karlsburg in Durlach. It collaborates with the Musikhochschule and with the Baden State Library. Archive The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1903 Compositions
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album '' 63/19'' by Kool A.D. * '' Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album ''Refugee A refugee, conventionally speaking, is a displaced person who has crossed national borders and who cannot or is unwilling to return home due to well-founded fear of persecution. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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