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Gertrude Kingston
Gertrude Kingston (24 September 1862 – 7 November 1937) (born Gertrude Angela Kohnstamm) was an actress, an English actor-manager and artist. Early life Kingston was born in Islington in London, the daughter of merchant Heiman Kohnstamm and his wife, Teresina (née Friedmann), who were Jewish. She was the sister of legal author and county court judge Edwin Max Konstam (1870–1956), born as Edwin Max Kohnstamm. Kingston was privately educated and travelled extensively with her mother and governess. She studied painting in Berlin and Paris and later published three illustrated books. Her first theatrical experience was as a child, performing amateur impersonations of famous actors of the day such as Henry Irving and Sarah Bernhardt. Aged fifteen W. S. Gilbert selected her to play the lead in an amateur production of ''Broken Hearts''. On her marriage in 1889 to Captain George Silver (1858/9–1899) of the East Surrey Regiment, Kingston decided to become a professional actress ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emilia (Othello)
Emilia is a character in the tragedy ''Othello'' by William Shakespeare. The character's origin is traced to the 1565 tale, "Un capitano Moro" from Giovanni Battista Giraldi Cinthio's ''Gli Hecatommithi''. There, the character is described as young and virtuous, is referred to simply as the ensign's wife, and becomes Desdemona's companion in Cyprus. In Shakespeare, she is named Emilia, is the wife of Othello's ensign, Iago, and is an attendant to Othello's wife, Desdemona. While considered a minor character in the drama, she has been portrayed by several notable actresses on film, with Joyce Redman receiving an Academy Award nomination for her performance. Sources ''Othello'' has its source in the 1565 tale, "Un Capitano Moro" from ''Gli Hecatommithi'' by Giovanni Battista Giraldi Cinthio. While no English translation of Cinthio was available in Shakespeare's lifetime, it is probable that Shakespeare knew both the Italian original and Gabriel Chappuy's 1584 French translat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Court Theatre
The Royal Court Theatre, at different times known as the Court Theatre, the New Chelsea Theatre, and the Belgravia Theatre, is a non-commercial West End theatre in Sloane Square, in the Royal Borough of Kensington and Chelsea, London, England. In 1956 it was acquired by and remains the home of the English Stage Company, which is known for its contributions to contemporary theatre and won the Europe Prize Theatrical Realities in 1999. History The first theatre The first theatre on Lower George Street, off Sloane Square, was the converted Nonconformist Ranelagh Chapel, opened as a theatre in 1870 under the name The New Chelsea Theatre. Marie Litton became its manager in 1871, hiring Walter Emden to remodel the interior, and it was renamed the Court Theatre. Several of W. S. Gilbert's early plays were staged here, including ''Randall's Thumb'', ''Creatures of Impulse'' (with music by Alberto Randegger), ''Great Expectations'' (adapted from the Dickens novel), and ''On Gu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Second Boer War
The Second Boer War ( af, Tweede Vryheidsoorlog, , 11 October 189931 May 1902), also known as the Boer War, the Anglo–Boer War, or the South African War, was a conflict fought between the British Empire and the two Boer Republics (the South African Republic and the Orange Free State) over the Empire's influence in Southern Africa from 1899 to 1902. Following the discovery of gold deposits in the Boer republics, there was a large influx of "foreigners", mostly British from the Cape Colony. They were not permitted to have a vote, and were regarded as "unwelcome visitors", invaders, and they protested to the British authorities in the Cape. Negotiations failed and, in the opening stages of the war, the Boers launched successful attacks against British outposts before being pushed back by imperial reinforcements. Though the British swiftly occupied the Boer republics, numerous Boers refused to accept defeat and engaged in guerrilla warfare. Eventually, British scorched eart ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clotilde Graves
Clotilde Augusta Inez Mary Graves (3 June 1863 – 3 December 1932), known as Clo. Graves, was an Irish author who wrote under the pseudonym of Richard Dehan, becoming a successful playwright in London and New York City. Biography Graves was born on 3 June 1863 at Buttevant Castle, Co. Cork, the third daughter of Major William Henry Graves (1825–1892) of the 18th Royal Irish Regiment and Antoinette, daughter of Captain George Anthony Deane of Harwich. She was a second cousin of Alfred Perceval Graves (1846–1931) – son of Rt. Rev. Charles Graves (1812–1899), the mathematician Anglican Bishop of Limerick, Ardfert and Ahadoe- father of the poet Robert Graves (1895–1985), and his brother Charles Patrick Graves (1899–1971). At the age of nine, she moved with her family to England from their Irish home. She had seen a good deal of barrack life, and at Alvington Lodge, Granada Street, Southsea, where they went to live, she acquired a large knowledge of both services in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herbert Beerbohm Tree
Sir Herbert Beerbohm Tree (17 December 1852 – 2 July 1917) was an English actor and theatre manager. Tree began performing in the 1870s. By 1887, he was managing the Haymarket Theatre in the West End, winning praise for adventurous programming and lavish productions, and starring in many of its productions. In 1899, he helped fund the rebuilding, and became manager, of His Majesty's Theatre. Again, he promoted a mix of Shakespeare and classic plays with new works and adaptations of popular novels, giving them spectacular productions in this large house, and often playing leading roles. His wife, actress Helen Maud Holt, often played opposite him and assisted him with management of the theatres. Although Tree was regarded as a versatile and skilled actor, particularly in character roles, by his later years his technique was seen as mannered and old-fashioned. He founded the Royal Academy of Dramatic Art in 1904 and was knighted for his contributions to theatre in 1909 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haymarket Theatre
The Theatre Royal Haymarket (also known as Haymarket Theatre or the Little Theatre) is a West End theatre on Haymarket in the City of Westminster which dates back to 1720, making it the third-oldest London playhouse still in use. Samuel Foote acquired the lease in 1747, and in 1766 he gained a royal patent to play legitimate drama (meaning spoken drama, as opposed to opera, concerts or plays with music) in the summer months. The original building was a little further north in the same street. It has been at its current location since 1821, when it was redesigned by John Nash. It is a Grade I listed building, with a seating capacity of 888. The freehold of the theatre is owned by the Crown Estate. The Haymarket has been the site of a significant innovation in theatre. In 1873, it was the venue for the first scheduled matinée performance, establishing a custom soon followed in theatres everywhere. Its managers have included Benjamin Nottingham Webster, John Baldwin Buckstone, S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agamemnon (play)
The ''Oresteia'' ( grc, Ὀρέστεια) is a trilogy of Greek tragedies written by Aeschylus in the 5th century BCE, concerning the murder of Agamemnon by Clytemnestra, the murder of Clytemnestra by Orestes, the trial of Orestes, the end of the curse on the House of Atreus and the pacification of the Erinyes. The trilogy—consisting of ''Agamemnon'' (), '' The Libation Bearers'' (), and ''The Eumenides'' ()—also shows how the Greek gods interacted with the characters and influenced their decisions pertaining to events and disputes. The only extant example of an ancient Greek theatre trilogy, the ''Oresteia'' won first prize at the Dionysia festival in 458 BCE. The principal themes of the trilogy include the contrast between revenge and justice, as well as the transition from personal vendetta to organized litigation. ''Oresteia'' originally included a satyr play, ''Proteus'' (), following the tragic trilogy, but all except a single line of ''Proteus'' has been lost. ''Ag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aeschylus
Aeschylus (, ; grc-gre, Αἰσχύλος ; c. 525/524 – c. 456/455 BC) was an ancient Greek tragedian, and is often described as the father of tragedy. Academic knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them. Formerly, characters interacted only with the chorus.The remnant of a commemorative inscription, dated to the 3rd century BC, lists four, possibly eight, dramatic poets (probably including Choerilus, Phrynichus, and Pratinas) who had won tragic victories at the Dionysia before Aeschylus had. Thespis was traditionally regarded the inventor of tragedy. According to another tradition, tragedy was established in Athens in the late 530s BC, but that may simply reflect an absence of records. Major innovations in dramatic form, credited to Aeschylus by Aristotle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clytemnestra
Clytemnestra (; grc-gre, Κλυταιμνήστρα, ''Klytaimnḗstrā'', ), in Greek mythology, was the wife of Agamemnon, king of Mycenae, and the twin sister of Helen of Troy. In Aeschylus' ''Oresteia'', she murders Agamemnon – said by Euripides to be her second husband – and the Trojan princess Cassandra, whom Agamemnon had taken as a war prize following the sack of Troy; however, in Homer's ''Odyssey'', her role in Agamemnon's death is unclear and her character is significantly more subdued. Name Her Greek name ''Klytaimnḗstra'' is also sometimes Latinized as Clytaemnestra. It is commonly glossed as "famed for her suitors". However, this form is a later misreading motivated by an erroneous etymological connection to the verb ''mnáomai'' (, "woo, court"). The original name form is believed to have been ''Klytaimḗstra'' () without the ''-n-''. The present form of the name does not appear before the middle Byzantine period. Homeric poetry shows an awareness of bot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Penelope
Penelope ( ; Ancient Greek: Πηνελόπεια, ''Pēnelópeia'', or el, Πηνελόπη, ''Pēnelópē'') is a character in Homer's ''Odyssey.'' She was the queen of Ithaca and was the daughter of Spartan king Icarius and naiad Periboea. Penelope is known for her fidelity to her husband Odysseus, despite the attention of more than a hundred suitors during his absence. In one source, Penelope's original name was Arnacia or Arnaea. Etymology Glossed by Hesychius as "some kind of bird" (today arbitrarily identified with the Eurasian wigeon, to which Linnaeus gave the binomial ''Anas penelope''), where () is a common Pre-Greek suffix for predatory animals; however, the semantic relation between the proper name and the gloss is not clear. In folk etymology, () is usually understood to combine the Greek word (), "weft", and (), "face", which is considered the most appropriate for a cunning weaver whose motivation is hard to decipher. Robert S. P. Beekes believed the name ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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