|
Gero Codex
The Gero Codex or Gero-Codex is an Ottonian illuminated manuscript probably produced at Reichenau Abbey in Germany between 950 and 970. It is one of the first and most splendid of the Eburnant group of early Ottonian manuscripts. It contains miniatures of the four evangelists, the monk-scribe Anno handing it to Gero (probably of Cologne) and Gero handing it to Saint Peter. The manuscripts illuminations bear similarities with those of the ninth-century Lorsch Gospels, particularly the Christ in Majesty Christ in Majesty or Christ in Glory ( la, Maiestas Domini) is the Western Christian image of Christ seated on a throne as ruler of the world, always seen frontally in the centre of the composition, and often flanked by other sacred figures, whos ... which is copied from a Carolingian model. It is closely related to the contemporaneous Petershausen Sacramentary, which borrows from the Gero Codex's Christ in Majesty and Ecclesia (personification of the church), and the Hornbach ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gero Codex Maiesta Domini
Gero I ( – 20 May 965), sometimes called the Great ( la, magnus),Thompson, 486. Also se was a German nobleman who ruled an initially modest march centred on Merseburg in the south of the present German state of Saxony-Anhalt, which he expanded into a vast territory named after him: the ''marca Geronis''.Thompson, 639–640. During the mid-10th century, he was the leader of the Saxon '' Ostsiedlung''. Succession and early conflicts Gero was the son of Count Thietmar, tutor of Henry I. He was appointed by King Otto I to succeed his brother, Siegfried, as count and margrave in the district fronting the Wends on the lower Saale in 937. His appointment frustrated Thankmar, the king's half-brother and Siegfried's cousin, and together with Eberhard of Franconia and Wichmann the Elder, he revolted against the king (938). Thankmar was dead within a year and his accomplices came to terms with Otto. Gero was kept in his march. During the insurrection of his opponents, Gero had been ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ottonian Art
Ottonian art is a style in pre-romanesque German art, covering also some works from the Low Countries, northern Italy and eastern France. It was named by the art historian Hubert Janitschek after the Ottonian dynasty which ruled Germany and northern Italy between 919 and 1024 under the kings Henry I, Otto I, Otto II, Otto III and Henry II. With Ottonian architecture, it is a key component of the Ottonian Renaissance (circa 951–1024). However, the style neither began nor ended to neatly coincide with the rule of the dynasty. It emerged some decades into their rule and persisted past the Ottonian emperors into the reigns of the early Salian dynasty, which lacks an artistic "style label" of its own.Suckale-Redlefsen, 524 In the traditional scheme of art history, Ottonian art follows Carolingian art and precedes Romanesque art, though the transitions at both ends of the period are gradual rather than sudden. Like the former and unlike the latter, it was very largely a styl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reichenau Abbey
Reichenau Abbey was a Benedictine Order, Benedictine monastery on Reichenau Island (known in Latin as Augia Dives). It was founded in 724 by the itinerant Saint Pirmin, who is said to have fled Spain ahead of the Moorish invaders, with patronage that included Charles Martel, and, more locally, Count Berthold of the Ahalolfinger and the Duke of Swabia, Alemannian Duke Hnabi, Santfrid I (Nebi). Pirmin's conflict with Santfrid resulted in his leaving Reichenau in 727. Under his later successor Haito the monastery began to flourish. It gained influence in the Carolingian dynasty, under Abbot Waldo of Reichenau (740–814), by educating the Clerk (municipal official), clerks who staffed Imperial and ducal chanceries. Abbot Reginbert of Reichenau (died 846) built up the important book collection. Abbot Walahfrid Strabo (842–849), who was educated at Reichenau, was renowned as a poet and Latin scholar. The Abbey stood along a main north–south highway between Germany and Italy, where ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint Peter
Saint Peter; he, שמעון בר יונה, Šimʿōn bar Yōnāh; ar, سِمعَان بُطرُس, translit=Simʿa̅n Buṭrus; grc-gre, Πέτρος, Petros; cop, Ⲡⲉⲧⲣⲟⲥ, Petros; lat, Petrus; ar, شمعون الصفـا, Sham'un al-Safa, Simon the Pure.; tr, Aziz Petrus (died between AD 64 and 68), also known as Peter the Apostle, Peter the Rock, Simon Peter, Simeon, Simon, or Cephas, was one of the Twelve Apostles of Jesus Christ, and one of the first leaders of the Jewish Christian#Jerusalem ekklēsia, early Christian Church. He is traditionally counted as the first bishop of Romeor List of popes, popeand also as the first bishop of Antioch. Based on contemporary historical data, his papacy is estimated to have spanned from AD 30 to his death, which would make him the longest-reigning pope, at anywhere from 34 to 38 years; however, the length of his reign has never been verified. According to Apostolic Age, Christian tradition, Peter was crucified in Rome und ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorsch Gospels
The ''Codex Aureus of Lorsch'' or Lorsch Gospels (Biblioteca Apostolica Vaticana, Pal. lat. 50, and Alba Iulia, Biblioteca Documenta Batthyaneum, s.n.) is an illuminated Gospel Book written in Latin between 778 and 820, roughly coinciding with the period of Charlemagne's rule over the Frankish Empire. Both the manuscript and the carved ivory panels from the cover are rare and important survivals from the art of this period. The current location of the various original parts is: *Batthyaneum Library, Alba Iulia, Romania: Gospels of Matthew and Mark, and canon tables and preliminary matter *Vatican Library: Gospels of Luke and John, and the ivory panels from the rear cover *Victoria and Albert Museum, London: the ivory panels from the front cover (Inv.-Nr. 138–1866) History It was first recorded in Lorsch Abbey (Germany), for which it was presumably written, and where it was mentioned as ''Evangelium scriptum cum auro pictum habens tabulas eburneas'' in the catalogue of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christ In Majesty
Christ in Majesty or Christ in Glory ( la, Maiestas Domini) is the Western Christian image of Christ seated on a throne as ruler of the world, always seen frontally in the centre of the composition, and often flanked by other sacred figures, whose membership changes over time and according to the context. The image develops from Early Christian art, as a depiction of the Heavenly throne as described in 1 Enoch, Daniel 7, and The Apocalypse of John. In the Byzantine world, the image developed slightly differently into the half-length Christ Pantocrator, "Christ, Ruler of All", a usually unaccompanied figure, and the Deesis, where a full-length enthroned Christ is entreated by Mary and St. John the Baptist, and often other figures. In the West, the evolving composition remains very consistent within each period until the Renaissance, and then remains important until the end of the Baroque, in which the image is ordinarily transported to the sky. Development From the latter part ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carolingian Art
Carolingian art comes from the Frankish Empire in the period of roughly 120 years from about 780 to 900—during the reign of Charlemagne and his immediate heirs—popularly known as the Carolingian Renaissance. The art was produced by and for the court circle and a group of important monasteries under Imperial patronage; survivals from outside this charmed circle show a considerable drop in quality of workmanship and sophistication of design. The art was produced in several centres in what are now France, Germany, Austria, northern Italy and the Low Countries, and received considerable influence, via continental mission centres, from the Insular art of the British Isles, as well as a number of Byzantine artists who appear to have been resident in Carolingian centres. There was for the first time a thoroughgoing attempt in Northern Europe to revive and emulate classical Mediterranean art forms and styles, that resulted in a blending of classical and Northern elements in a sumptuo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Petershausen Sacramentary
The Petershausen Sacramentary is an Ottonian illuminated manuscript of around 960–980, produced in the scriptorium of Reichenau Abbey and containing the sacramentary and liturgical calendar. It is now held in the Heidelberg University library. The miniature on folio 40 originally opened the manuscript and has been the subject of much debate. It displays attributes of the Virgin Mary and Ecclesia (personifications of the church), but differs from usual representations of either. Her regalia does not follow Northern iconography, being closer to Roman depictions of the Maria Regina. Her necklace and earrings recall the prependoulia of Byzantine crowns, while her patterned tunic and mantle give the appearance of Byzantine silks. Consistent with earlier depictions of Byzantine empresses, interpreted the image as an "Imperial Virgin" and suggested it may have been inspired by Theophanu, the Byzantine princess who married Otto II Otto II (955 – 7 December 983), called the Red ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hornbach Sacramentary
{{disamb ...
Hornbach may refer to: * Hornbach, Germany, municipality in the Südwestpfalz district * Hornbach (retailer), German DIY chain * Hornbach, German name for the river Horn (Schwarzbach) The river Horn ( French: ''Horn''; German: ''Hornbach'') is a left tributary of Schwarzbach flowing through the department of Moselle, in northeastern France, and the state of Rhineland-Palatinate, in southwestern Germany. The Horn's headwater ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
University And State Library Darmstadt
The University and State Library Darmstadt (german: link=no, Universitäts- und Landesbibliothek Darmstadt (ULB)) supplies literature and information for members of the Technische Universität Darmstadt and the population of Darmstadt and southern Hesse. Purposes of the institution include education, research and teaching. , the library has a stock of 4,756,277 publications with an annual circulation of 354,200; ULB has 220,000 visitors and employs a staff of 103.66 FTE. The ULB offers at three locations learning rooms and spaces for over 1000 people. , the City Centre library opened 24 hours per day. Director is Thomas Stäcker. ULB Darmstadt is member of the (hebis) (Hessian library information system). History Basis of the library was the book collection of George I, Landgrave of Hesse-Darmstadt in 1567, the year the landgrave moved to Darmstadt. In 1595, the collection comprised 750 works. The had been located in the Residential Palace Darmstadt (). Louis VI, Landgrave ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Reichenau Abbey")
