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German Underground Horror
German underground horror is a subgenre of the horror film, which has achieved cult popularity since first appearing in the mid-1980s. Horror films produced by the German underground scene are usually trademarked by their intensity, taking on topics that are culturally taboo such as rape, necrophilia, and extreme violence. Films that glorify violence are not technically illegal in Germany, but certain titles are banned by the government and Zollkriminalamt. Distribution, import, or creation of specific films can constitute steep fines. History of German underground horror In an attempt to shed its violent image, horror films were very rarely made in Germany after the fall of the Third Reich. Movies such as ''Horrors of Spider Island'', ''The Blood Demon'', and '' The Head'' were filmed and released in the decades following World War II, but to very little success. In 1987, filmmaker Jörg Buttgereit wrote and directed ''Nekromantik''. Two years later, amateur filmmaker Andre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horror Film
Horror is a film genre that seeks to elicit fear or disgust in its audience for entertainment purposes. Horror films often explore dark subject matter and may deal with transgressive topics or themes. Broad elements include monsters, apocalyptic events, and religious or folk beliefs. Cinematic techniques used in horror films have been shown to provoke psychological reactions in an audience. Horror films have existed for more than a century. Early inspirations from before the development of film include folklore, religious beliefs and superstitions of different cultures, and the Gothic and horror literature of authors such as Edgar Allan Poe, Bram Stoker, and Mary Shelley. From origins in silent films and German Expressionism, horror only became a codified genre after the release of ''Dracula'' (1931). Many sub-genres emerged in subsequent decades, including body horror, comedy horror, slasher films, supernatural horror and psychological horror. The genre has been produ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Olaf Ittenbach
Olaf Ittenbach (born 1 April 1969) is a German horror movie director, actor and special effects artist. Filmography *''Black Past'' (1989) *'' The Burning Moon'' (1992) *'' Premutos: The Fallen Angel'' (1997) *''Riverplay'' (2000) *''Legion of the Dead'' (2001) *''Evil Rising'' (2002) *''Beyond the Limits ''Beyond the Limits'' is a 1992 book continuing the modeling of the consequences of a rapidly growing global population that was started in the 1972 report ''Limits to Growth''. Donella Meadows, Dennis Meadows, and Jørgen Randers are the authors ...'' (2003) *'' Garden of Love'' (2003) *''Chain Reaction'' (2006) *''Familienradgeber'' (2006) *'' Dard Divorce'' (2007) *''Familienradgeber 2'' (2009) *''No Reason'' (2010) *''Legend of Hell'' (2012) *''Savage Love'' (2013) *''5 Seasons'' (2014) References External links * {{DEFAULTSORT:Ittenbach, Olaf 1969 births Living people People from Fürstenfeldbruck (district) Film directors from Bavaria Horror film directors ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Braindead (film)
''Braindead'' (also known as ''Dead Alive'' in North America) is a 1992 New Zealand zombie comedy film directed by Peter Jackson, produced by Jim Booth, and written by Jackson, along with Fran Walsh and Stephen Sinclair. It stars Timothy Balme, Diana Peñalver, Elizabeth Moody and Ian Watkin. The plot follows Lionel, a young man living in South Wellington with his strict mother Vera. After Lionel becomes romantically entangled with a girl named Paquita, Vera is bitten by a hybrid rat-monkey creature and begins to transform into a zombie, while also infecting swathes of the city's populace. Made on a budget of $3 million, ''Braindead'' was Jackson's most expensive film up to that point. Although it received positive reviews from critics, it was a box office bomb. It has since received a cult following, and is now widely regarded as one of the goriest films of all time. Plot In 1957, zoo official Stewart McAlden and his team smuggle a captured Sumatran rat-monkey, a hybr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Profondo Rosso
''Deep Red'' ( it, Profondo rosso), also known as ''The Hatchet Murders'', is a 1975 Italian Thriller film, thriller- giallo film directed by Dario Argento and co-written by Argento and Bernardino Zapponi. It stars David Hemmings as a musician who investigates a series of murders performed by a mysterious figure wearing black leather gloves. The cast also stars Daria Nicolodi, Gabriele Lavia, Macha Méril, and Clara Calamai. The film's score was composed and performed by Goblin (band), Goblin, the first in a long-running collaboration with Argento. The film was released during the height of the "giallo craze" of Italian popular cinema, and was a critical and commercial success. Retrospective reviews have been equally positive, and the film is considered one of the genre's definitive entries, as well as one of Argento's best works. Plot During Christmas at a family home, one figure stabs another to death. A bloody knife falls to the floor at a child's feet. Twenty years later in T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dario Argento
Dario Argento (; born 7 September 1940) is an Italian film director, producer, screenwriter, actor and film critic, critic. His influential work in the horror film, horror genre during the 1970s and 1980s, particularly in the subgenre known as ''giallo'', has led him to being referred to as the "Master of the Thrill" and the "Master of Horror". His films as director include his "Animal Trilogy", consisting of ''The Bird with the Crystal Plumage'' (1970), ''The Cat o' Nine Tails'' (1971) and ''Four Flies on Grey Velvet'' (1971); his "The Three Mothers, Three Mothers" trilogy, consisting of ''Suspiria'' (1977), ''Inferno (1980 film), Inferno'' (1980) and ''The Mother of Tears'' (2007); and his stand-alone films ''Deep Red'' (1975), ''Tenebrae (film), Tenebrae'' (1982), ''Phenomena (film), Phenomena'' (1985) and ''Opera (1987 film), Opera'' (1987). He co-wrote the screenplay for Sergio Leone's ''Once Upon a Time in the West'' (1968) and served as George A. Romero's script consultan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
From Dusk Till Dawn
''From Dusk till Dawn'' is a 1996 American action horror film directed by Robert Rodriguez and written by Quentin Tarantino from a concept and story by Robert Kurtzman. Starring Harvey Keitel, George Clooney, Quentin Tarantino, Ernest Liu, and Juliette Lewis, the plot follows a pair of American criminal brothers (Clooney and Tarantino) who take a family as hostages (Keitel, Liu, and Lewis) in order to cross into Mexico, but ultimately find themselves trapped in a saloon frequented by vampires. The film was released on January 17, 1996, and received mixed reviews from critics, who described the film as well-made if overly violent. After enjoying financial success at the box office, ''From Dusk till Dawn'' has since become a cult film and spawned a media franchise of sequel films, a video game and other media adaptations. Plot Fugitive bank robber brothers Seth and Richie Gecko hold up a liquor store, killing clerk Pete Bottoms and Texas Ranger Earl McGraw in a shootout. They ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Last House On The Left (1972 Film)
''The Last House on the Left'' is a 1972 American exploitation horror film written and directed by Wes Craven in his directorial debut and produced by Sean S. Cunningham. It stars Sandra Peabody, Lucy Grantham, and David Hess. The film is about Mari Collingwood, a hippie teenager who gets abducted, raped, and tortured by a fugitive family on her seventeenth birthday. When they unwittingly seek refuge in her home, the killers face the vengeance of her parents. The film was controversial upon release for its marketing—with a tagline "Can a movie go too far?," advertising its violence. Craven based the film on a Swedish film, ''The Virgin Spring'' (1960), directed by Ingmar Bergman, which in turn is an adaptation of a Swedish ballad, " Töres döttrar i Wänge." Craven developed the film with producer Sean S. Cunningham after working with him on ''Together'' (1971) and once the filmmakers obtained small funding from Hallmark Releasing to make another feature film. Craven wro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cannibal Holocaust
''Cannibal Holocaust'' is a 1980 Italian found footage cannibal horror film directed by Ruggero Deodato and written by Gianfranco Clerici. It stars Robert Kerman as Harold Monroe, an anthropologist from New York University who leads a rescue team into the Amazon rainforest to locate a crew of filmmakers. Played by Carl Gabriel Yorke, Francesca Ciardi, Perry Pirkanen, and Luca Barbareschi, the crew had gone missing while filming a documentary on local cannibal tribes. When the rescue team is only able to recover the crew's lost cans of film, an American television station wishes to broadcast the footage as a sensationalized television special. Upon viewing the reels, Monroe is appalled by the team's actions and objects to the station's intent to air the documentary. Produced as part of the contemporary cannibal trend of Italian exploitation cinema, ''Cannibal Holocaust'' was inspired by Italian media coverage of Red Brigades terrorism. The coverage included news reports that De ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cannibal Ferox
''Cannibal Ferox'', also known as ''Make Them Die Slowly'' in the US and as ''Woman from Deep River'' in Australia, is a 1981 Italian cannibal exploitation horror film written and directed by Umberto Lenzi. Upon its release, the film's US distributor claimed it was "the most violent film ever made". ''Cannibal Ferox'' was also claimed to be " banned in 31 countries", although this claim is dubious. The title derives from the Latin ''ferox'', meaning cruel, wild or ferocious. Plot In Colombia, siblings Rudy and Gloria and their friend Pat prepare for a journey into the rainforest. They plan to prove Gloria's theory that cannibalism is a myth. The trio encounters a drug dealer named Mike and his business partner Joe. Joe is badly wounded; Mike explains that cannibals attacked them. Gloria goes missing during the night, and Rudy finds a native village while looking for her. Due to Joe's injuries, the travelers decide to stay in the nearly deserted village. Mike seduces the naive Pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
NC-17
The Motion Picture Association film rating system is used in the United States and its territories to rate a motion picture's suitability for certain audiences based on its content. The system and the ratings applied to individual motion pictures are the responsibility of the Motion Picture Association (MPA), previously known as the Motion Picture Association of America (MPAA) from 1945 to 2019. The MPA rating system is a voluntary scheme that is not enforced by law; films can be exhibited without a rating, although most theaters refuse to exhibit non-rated or NC-17 rated films. Non-members of the MPA may also submit films for rating. Other media, such as television programs, music and video games, are rated by other entities such as the TV Parental Guidelines, the RIAA and the ESRB, respectively. Introduced in 1968, following the Hays Code of the classical Hollywood cinema era, the MPA rating system is one of various motion picture rating systems that are used to help parents ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
MPAA
The Motion Picture Association (MPA) is an American trade association representing the five major film studios of the United States, as well as the video streaming service Netflix. Founded in 1922 as the Motion Picture Producers and Distributors of America (MPPDA) and known as the Motion Picture Association of America (MPAA) from 1945 until September 2019, its original goal was to ensure the viability of the American film industry. In addition, the MPA established guidelines for film content which resulted in the creation of the Motion Picture Production Code in 1930. This code, also known as the Hays Code, was replaced by a voluntary film rating system in 1968, which is managed by the Classification and Rating Administration (CARA). The MPA has advocated for the motion picture and television industry, with the goals of promoting effective copyright protection, reducing piracy, and expanding market access. It has worked to curb copyright infringement, including attempts to l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motion Picture Association Of America Film Rating System
The Motion Picture Association film rating system is used in the United States and its territories to rate a motion picture's suitability for certain audiences based on its content. The system and the ratings applied to individual motion pictures are the responsibility of the Motion Picture Association (MPA), previously known as the Motion Picture Association of America (MPAA) from 1945 to 2019. The MPA rating system is a voluntary scheme that is not enforced by law; films can be exhibited without a rating, although most theaters refuse to exhibit non-rated or NC-17 rated films. Non-members of the MPA may also submit films for rating. Other media, such as television programs, music and video games, are rated by other entities such as the TV Parental Guidelines, the RIAA and the ESRB, respectively. Introduced in 1968, following the Hays Code of the classical Hollywood cinema era, the MPA rating system is one of various motion picture rating systems that are used to help parents d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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