Gerlinde Sämann
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Gerlinde Sämann
Gerlinde Sämann (born 1969) is a German soprano known for her performances in concerts and operas. She is particularly associated with the works of Johann Sebastian Bach. Her concert repertoire also includes lieder, oratorio, early music, and contemporary music. Career Born in Nuremberg, Gerlinde Sämann studied the piano and singing at the Richard Strauss Conservatory in Munich with Karl-Heinz Jarius, Henriette Meyer-Ravenstein and Selma Aykan. She also completed a course as a Respiratory therapist according to the method of Ilse Middendorf. In 2000 she received a scholarship from the city of Munich. In 1999 she performed Poulenc's opera ''La voix humaine'', at the Opernfestspiele Schloß Rheinsberg and in 2000 at the Stadttheater Aachen. She has collaborated with Dresdner Kreuzchor. In the 2002–2003 season Sämann appeared in Pergolesi's ''Stabat mater'' at the Theater Neumarkt, Zürich, and also performed in St. Petersburg and Moscow. In 2004 she appeared as Euridice in G ...
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Nuremberg
Nuremberg ( ; german: link=no, Nürnberg ; in the local East Franconian dialect: ''Nämberch'' ) is the second-largest city of the German state of Bavaria after its capital Munich, and its 518,370 (2019) inhabitants make it the 14th-largest city in Germany. On the Pegnitz River (from its confluence with the Rednitz in Fürth onwards: Regnitz, a tributary of the River Main) and the Rhine–Main–Danube Canal, it lies in the Bavarian administrative region of Middle Franconia, and is the largest city and the unofficial capital of Franconia. Nuremberg forms with the neighbouring cities of Fürth, Erlangen and Schwabach a continuous conurbation with a total population of 800,376 (2019), which is the heart of the urban area region with around 1.4 million inhabitants, while the larger Nuremberg Metropolitan Region has approximately 3.6 million inhabitants. The city lies about north of Munich. It is the largest city in the East Franconian dialect area (colloquially: "F ...
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Orfeo Ed Euridice
' (; French: '; English: ''Orpheus and Eurydice'') is an opera composed by Christoph Willibald Gluck, based on Orpheus, the myth of Orpheus and set to a libretto by Ranieri de' Calzabigi. It belongs to the genre of the ''azione teatrale'', meaning an opera on a mythological subject with choruses and dancing. The piece was first performed at the Burgtheater in Vienna on 5 October 1762, in the presence of Empress Maria Theresa. ''Orfeo ed Euridice'' is the first of Gluck's "reform" operas, in which he attempted to replace the abstruse plots and overly complex music of ''opera seria'' with a "noble simplicity" in both the music and the drama. The opera is the most popular of Gluck's works, and was one of the most influential on subsequent Opera in German, German operas. Variations on its plot—the underground rescue mission in which the hero must control, or conceal, his emotions—can be found in Wolfgang Amadeus Mozart, Mozart's ''The Magic Flute'', Ludwig van Beethoven, Beetho ...
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Messiah (Handel)
''Messiah'' (HWV 56) is an English-language oratorio composed in 1741 by George Frideric Handel. The text was compiled from the King James Bible and the Coverdale Bible, Coverdale Psalter by Charles Jennens. It was first performed in Dublin on 13 April 1742 and received its London premiere nearly a year later. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western culture#Music, Western music. Handel's reputation in England, where he had lived since 1712, had been established through his compositions of Italian opera. He turned to English oratorio in the 1730s in response to changes in public taste; ''Messiah'' was his sixth work in this genre. Although its Structure of Handel's Messiah, structure resembles that of Opera#The Baroque era, opera, it is not in dramatic form; there are no impersonations of characters and no direct speech. Instead, Jennens's text ...
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Ode For St
An ode (from grc, ᾠδή, ōdḗ) is a type of lyric poetry. Odes are elaborately structured poems praising or glorifying an event or individual, describing nature intellectually as well as emotionally. A classic ode is structured in three major parts: the ''strophe'', the ''antistrophe'', and the ''epode''. Different forms such as the ''homostrophic ode'' and the ''irregular ode'' also enter. Greek odes were originally poetic pieces performed with musical accompaniment. As time passed on, they gradually became known as personal lyrical compositions whether sung (with or without musical instruments) or merely recited (always with accompaniment). The primary instruments used were the aulos and the lyre (the latter was the most revered instrument to the ancient Greeks). There are three typical forms of odes: the Pindaric, Horatian, and irregular. Pindaric odes follow the form and style of Pindar. Horatian odes follow conventions of Horace; the odes of Horace deliberately imitat ...
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Alexander's Feast (Handel)
''Alexander's Feast'' ( HWV 75) is an ode with music by George Frideric Handel set to a libretto by Newburgh Hamilton. Hamilton adapted his libretto from John Dryden's ode '' Alexander's Feast, or the Power of Music'' (1697) which had been written to celebrate Saint Cecilia's Day. Jeremiah Clarke (whose score is now lost) set the original ode to music. Handel composed the music in January 1736, and the work received its premiere at the Covent Garden Theatre, London, on 19 February 1736. In its original form it contained three concertos: a concerto in B flat major in 3 movements for "Harp, Lute, Lyrichord and other Instruments" HWV 294 for performance after the recitative ''Timotheus, plac'd on high'' in Part I; a concerto grosso in C major in 4 movements for oboes, bassoon and strings, now known as the "Concerto in Alexander's Feast" HWV 318, performed between Parts I and II; and an organ concerto HWV 289 in G minor and major in 4 movements for chamber organ, oboes, bassoon and st ...
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Hercules (Handel)
''Hercules'' ( HWV 60) is a ''Musical Drama'' in three acts by George Frideric Handel, composed in July and August 1744. The English language libretto was by the Reverend Thomas Broughton, based on Sophocles's ''Women of Trachis'' and the ninth book of Ovid's ''Metamorphoses''. Performance history ''Hercules'' was first given at the King's Theatre in London on 5 January 1745 in concert style. There were only two performances in the original run. The role of Lichas was written first as a small one for tenor, but it was greatly expanded before the premiere to provide Susanna Cibber with six airs. She was too ill to sing on the first night, and the music was either omitted or redistributed on that occasion. She sang in the second performance on 12 January. The music for the chorus "Wanton God" and the air "Cease, ruler of the day" was never given in this opera: the latter was adapted for the final chorus of ''Theodora''. The work was a total failure and caused Handel to suspend h ...
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Georg Frideric Handel
George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque composer well known for his operas, oratorios, anthems, concerti grossi, and organ concertos. Handel received his training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age. Handel started three commercial opera companies to supply the English nobility with Italian opera. In 1737, he had a physical break ...
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Eberbach Abbey
Eberbach Abbey (German: Kloster Eberbach) is a former Cistercian monastery in Eltville in the Rheingau, Germany. On account of its Romanesque and early Gothic buildings it is considered one of the most significant architectural heritage sites in Hesse. In the winter of 1985/86 some of the interior scenes of ''The Name of the Rose'' were filmed here. The abbey is a main venue of the annual Rheingau Musik Festival. History Abbey The first monastic house at the site was founded in 1116 by Archbishop Adalbert of Mainz, as a house of Augustinian canons. It was then bestowed by him in 1131 upon the Benedictines. This foundation failed to establish itself, and the successor, ''Kloster Eberbach'', was founded in 1136 by Bernard of Clairvaux as the first Cistercian monastery on the east bank of the Rhine. Eberbach soon became one of the largest and most active monasteries of Germany. From it a number of other foundations were made: Schönau Abbey near Heidelberg in 1142; Otterberg Ab ...
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Junge Kantorei
Junge Kantorei is a German choir established in 1968 by Joachim Carlos Martini. The choir is noted for its performances of Handel's works. It is based in Frankfurt, Heidelberg, and Marburg Marburg ( or ) is a university town in the German federal state (''Bundesland'') of Hesse, capital of the Marburg-Biedenkopf district (''Landkreis''). The town area spreads along the valley of the river Lahn and has a population of approximate ... and has released a number of recordings. Among them are the first-time recordings of Handel's pasticci oratorios ''Gideon'', ''Nabal'' und ''Tobit.'' Since 2014, Jonathan Hofmann is acting as the conductor of the choir. References {{Authority control 1968 establishments in Germany German choirs Musical groups established in 1968 ...
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Historically Informed Performance
Historically informed performance (also referred to as period performance, authentic performance, or HIP) is an approach to the performance of Western classical music, classical music, which aims to be faithful to the approach, manner and style of the musical era in which a work was originally conceived. It is based on two key aspects: the application of the stylistic and technical aspects of performance, known as performance practice; and the use of #Early instruments, period instruments which may be reproductions of historical instruments that were in use at the time of the original composition, and which usually have different timbre and temperament (music), temperament from their modern equivalents. A further area of study, that of changing listener expectations, is increasingly under investigation. Given no Sound recording and reproduction, sound recordings exist of music before the late 19th century, historically informed performance is largely derived from Musicology, music ...
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Vox Christi
Vox (Latin for 'voice') may refer to: Arts, entertainment and media Fictional characters * Vox (DC Universe character), Mal Duncan * Vox, several characters in the anime series '' Lagrange: The Flower of Rin-ne'' * Gleeman Vox, from the ''Ratchet & Clank'' video game series * Vox, a character in the animated web series ''Hazbin Hotel''; see List of Hazbin Hotel and Helluva Boss characters Literature * ''Vox'' (Nicholson Baker novel), 1992 * ''Vox'' (Stewart and Riddell novel), 2003 Music * "Vox" (song), by Sarah McLachlan, 1988 * Vox Records (Germany), a German record label * Vox Records, an American record label Television and radio * VOX (Norwegian TV channel) * VOX (German TV channel) * MAtv, formerly Vox, a Canadian TV channel * Vox, a former satellite radio channel * Radio Vox T, a Romanian radio station * WVOX, a radio station licensed to New Rochelle, New York, U.S. Other uses in arts, entertainment and media * Vox Media, an American digital media company ** ''Vox ...
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Klaus Mertens
Klaus Mertens (born 25 March 1949, in Kleve) is a German bass and bass-baritone singer who is known especially for his interpretation of the complete works of Johann Sebastian Bach for bass voice. Career Klaus Mertens took singing lessons while attending school. He studied music and pedagogy, and had his vocal training with Else Bischof-Bornes and Jakob Stämpfli (song, concert, oratorio) and with Peter Massmann (opera). After graduating with distinction he worked first as a school teacher.Klaus Mertens
on bach-cantatas, 2009
In the field of
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