Gerhard Faulstich
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Gerhard Faulstich
Gerhard Faulstich is a German baritone. After voice studies at the , Gerhard Faulstich was active since 1965 as a concert singer. He made his operatic debut at the in as Leonardo in Wolfgang Fortner's opera ''Bluthochzeit''. In 1981, he joined the Staatsoper Hannover and the faculty of the Musikhochschule Hannover where he is a professor. At the Staatsoper Hannover he performed among others Papageno in Mozart's ''Die Zauberflöte'', Tsar Peter in Lortzing's ''Zar und Zimmermann'', Wolfram in ''Tannhäuser'', and the title role in Wolfgang Rihm's ''Jakob Lenz''. In 1982, he sang Bach's ''St Matthew Passion'', conducted by Erhard Egidi at the Neustädter Kirche, performing the words of Jesus with Lutz Michael Harder as the Evangelist. The same year he recorded the work, conducted by Michel Corboz, alongside Kurt Equiluz as the Evangelist. Reviewer Alan Blyth said that Faulstich "takes an unpretentious, conversational approach to the part of Jesus; he is direct and business-like". ...
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University Of Music And Performing Arts, Frankfurt Am Main
The Frankfurt University of Music and Performing Arts (german: Hochschule für Musik und Darstellende Kunst Frankfurt am Main, italic=no, link=no, HfMDK) is a state Hochschule for music, theatre and dance in Frankfurt and is the only one of its kind in the Federal State of Hesse. It was founded in 1938. At present around 900 students are taught by about sixty-five professors and 320 other teaching staff. The study programs include performance in all instruments and voice, the teaching of music, composition, conducting and church music. There are also programs in musical theatre, drama and dance. The university offers doctoral studies in musicology and music education. History Frankfurt had an institute for the teaching of music since 1878. The Hoch Conservatory flourished and had a worldwide reputation in the late 19th and early 20th centuries. Through teachers like the pianist Clara Schumann and composers Joachim Raff, Bernhard Sekles and Engelbert Humperdinck, the Hoch Con ...
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Evangelist (Bach)
The Evangelist in the music of Johann Sebastian Bach is the tenor part in his oratorios and Passions who narrates the exact words of the Bible, translated by Martin Luther, in recitative secco. The part appears in the works ''St John Passion'', ''St Matthew Passion'', and the ''Christmas Oratorio'', as well as the '' St Mark Passion'' and the ''Ascension Oratorio Lobet Gott in seinen Reichen, BWV 11''. Some cantatas also contain recitatives of Bible quotations, assigned to the tenor voice. Bach followed a tradition using the tenor for the narrator of a gospel. It exists (and is also often called ''the Evangelist'') in earlier works setting biblical narration, for example by Heinrich Schütz ('' Weinachtshistorie'', ''Matthäuspassion'', ''Lukaspassion'', ''Johannespassion''). In contrast, the vox Christi, voice of Christ, is always the bass in Bach's works, including several cantatas. Music and sources The Evangelist reports in secco recitatives accompanied by basso continuo ...
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Martin Reimann
Martin Reimann is a psychologist and marketing researcher. He is an associate professor of marketing at the Eller College of Management at the University of Arizona. Research Reimann's research focuses on consumer psychology, especially the role of positive and negative affect in consumption, and is aimed at identifying an overarching framework for how consumers utilize emotional information to arrive at decisions. Specifically, he is interested in reward and reinforcement, food consumption, and relationship management. Reimann's research also deals with accuracy of survey responses and the triangulation of different data forms. Service Reimann helped found (with Oliver Schilke) the '' Journal of Neuroscience, Psychology, and Economics'', an official journal of the American Psychological Association. Selected publications * Reimann, Martin, Judith Zaichkowsky, Carolin Neuhaus, Thomas Bender, and Bernd Weber. "Aesthetic package design: A behavioral, neural, and psychological invest ...
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Diethard Hellmann
Diethard Hellmann (28 December 1928 – 14 October 1999) was a German Kantor and an academic in Leipzig, Mainz and Munich. Professional career Born in Grimma, Dietmann Hellmann was a member of the Thomanerchor. He studied church music in Leipzig with Günther Ramin. Hellmann was the organist for early recordings of Bach cantatas by Ramin. He was Kantor at the Friedenskirche in Leipzig from 1948 to 1955. At the same time, he was a teacher for organ at the Musikhochschule Leipzig, conducting the choir of the Hochschule, and until 1951, a teacher at the Fürstenschule in Grimma. In 1950, he won a prize for organ at the first International Bach Competition. He started teaching choral conducting in 1952 and was appointed vice director of the department for church music in 1954. In 1955, he became Kantor of the Christuskirche in Mainz, where he conducted the Kantorei, which in 1965, was named the Bachchor . In November 1955, he performed a concert of Bach cantatas. In 1958, he was ...
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Gächinger Kantorei
Gächinger Kantorei (Gächingen Chorale) is an internationally known German mixed choir, founded by Helmuth Rilling in 1954 in Gächingen (part of St. Johann close to Reutlingen) and conducted by him until 2013, succeeded by Hans-Christoph Rademann. A "Kantorei" is a choir of high standard dedicated mostly, but not exclusively, to sacred music. The ensemble operates in Stuttgart now and is therefore officially named Gächinger Kantorei Stuttgart. The choir has up to 200 voices, called together for projects from Germany and Switzerland, most of them singers with a degree in music. Since 1965 they have performed music with orchestra as Gächinger Kantorei and Bach-Collegium Stuttgart, including several first performances. History Initially the choir was dedicated to a cappella music of the 16th, 17th and 20th century, later adding works from the period of Romanticism. In 1965 Rilling founded the orchestra Bach-Collegium Stuttgart, and both groups started performing choral music w ...
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Helmuth Rilling
Helmuth Rilling (born 29 May 1933) is a German choral conductor and an academic teacher. He is the founder of the Gächinger Kantorei (1954), the Bach-Collegium Stuttgart (1965), the Oregon Bach Festival (1970), the Internationale Bachakademie Stuttgart (1981) and other Bach Academies worldwide, as well as the "Festival Ensemble Stuttgart" (2001) and the "Junges Stuttgarter Bach Ensemble" (2011). He taught choral conducting at the Frankfurt Musikhochschule from 1965 to 1989 and led the Frankfurter Kantorei from 1969 to 1982. Education Rilling was born into a musical family. He received his early training at the Protestant Seminaries in Württemberg. From 1952 to 1955 he studied organ, composition, and choral conducting at the Stuttgart College of Music. He completed his studies with Fernando Germani in Rome and at the Accademia Musicale Chigiana in Siena. While still a student in 1954, he founded his first choir, the Gächinger Kantorei. Starting in 1957, he was organist and c ...
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Missa (Bach)
Most of Johann Sebastian Bach's extant church music in Latin— settings of (parts of) the Mass ordinary and of the Magnificat canticle—dates from his Leipzig period (1723–50). Bach started to assimilate and expand compositions on a Latin text by other composers before his tenure as Thomaskantor in Leipzig, and he continued to do so after he had taken up that post. The text of some of these examples by other composers was a mixture of German and Latin: also Bach contributed a few works employing both languages in the same composition, for example his early .Bach Digital Work The bulk of Bach's sacred music, many hundreds of compositions such as his church cantatas, motets, Passions, oratorios, four-part chorales and sacred songs, was set to a German text, or incorporated one or more melodies associated with the German words of a Lutheran hymn. His output of music on a Latin text, comprising less than a dozen of known independent compositions, was comparatively small: in Luthe ...
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Internationale Maifestspiele Wiesbaden
The Internationale Maifestspiele Wiesbaden (International May Festival, IMF) is a theater festival in Wiesbaden, Germany. Established in the late 19th century after the Bayreuth Festival, the festival is one of the most distinguished international theatre and music festivals in the world. It is presented annually in May at the Hessisches Staatstheater Wiesbaden, the State Theatre of Hesse in the capital Wiesbaden. The festival currently features performances of operas, ballets, plays and musicals. Visiting companies, mostly from European theaters, present their recent productions along with performances of the Theater Wiesbaden. Concerts from a wide array of music genres are featured as well as artistic circus acts and modern dance presentations. Lectures, recitals, cabaret performances, art showings and readings are also part of the program. Kaiserfestspiele In 1896, the festival was established as "Kaiserfestspiele" (Imperial Festival) by Georg von Hülsen, director of the the ...
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Milan
Milan ( , , Lombard: ; it, Milano ) is a city in northern Italy, capital of Lombardy, and the second-most populous city proper in Italy after Rome. The city proper has a population of about 1.4 million, while its metropolitan city has 3.26 million inhabitants. Its continuously built-up urban area (whose outer suburbs extend well beyond the boundaries of the administrative metropolitan city and even stretch into the nearby country of Switzerland) is the fourth largest in the EU with 5.27 million inhabitants. According to national sources, the population within the wider Milan metropolitan area (also known as Greater Milan), is estimated between 8.2 million and 12.5 million making it by far the largest metropolitan area in Italy and one of the largest in the EU.* * * * Milan is considered a leading alpha global city, with strengths in the fields of art, chemicals, commerce, design, education, entertainment, fashion, finance, healthcar ...
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La Scala
La Scala (, , ; abbreviation in Italian of the official name ) is a famous opera house in Milan, Italy. The theatre was inaugurated on 3 August 1778 and was originally known as the ' (New Royal-Ducal Theatre alla Scala). The premiere performance was Antonio Salieri's ''Europa riconosciuta''. Most of Italy's greatest operatic artists, and many of the finest singers from around the world, have appeared at La Scala. The theatre is regarded as one of the leading opera and ballet theatres globally. It is home to the La Scala Theatre Chorus, La Scala Theatre Ballet, La Scala Theatre Orchestra, and the Filarmonica della Scala orchestra. The theatre also has an associate school, known as the La Scala Theatre Academy ( it, Accademia Teatro alla Scala, links=no), which offers professional training in music, dance, stagecraft, and stage management. Overview La Scala's season opens on 7 December, Saint Ambrose's Day, the feast day of Milan's patron saint. All performances must end befor ...
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Così Fan Tutte
(''All Women Do It, or The School for Lovers''), K. 588, is an opera buffa in two acts by Wolfgang Amadeus Mozart. It was first performed on 26 January 1790 at the Burgtheater in Vienna, Austria. The libretto was written by Lorenzo Da Ponte who also wrote ''Le nozze di Figaro'' and ''Don Giovanni''. Although it is commonly held that was written and composed at the suggestion of the Emperor Joseph II, recent research does not support this idea. There is evidence that Mozart's contemporary Antonio Salieri tried to set the libretto but left it unfinished. In 1994, John Rice uncovered two terzetti by Salieri in the Austrian National Library. The short title, ''Così fan tutte'', literally means "So do they all", using the feminine plural (''tutte'') to indicate women. It is usually translated into English as "Women are like that". The words are sung by the three men in act 2, scene 3, just before the finale; this melodic phrase is also quoted in the overture to the opera. Da P ...
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Agostino Steffani
Agostino Steffani (25 July 165412 February 1728) was an Italian ecclesiastic, diplomat and composer. Biography Steffani was born at Castelfranco Veneto on 25 July 1654. As a boy he was admitted as a chorister at San Marco, Venice. In 1667, the beauty of his voice attracted the attention of Count Georg Ignaz von Tattenbach, who took Steffani to Munich, where Steffani's education was completed at the expense of Ferdinand Maria, Prince-elector, Elector of Bavaria, who appointed him ''Churfürstlicher Kammer- und Hofmusikus'' and granted him a liberal salary. After receiving instruction from Johann Kaspar Kerll, in whose charge he lived, Steffani was sent in 1673 to study in Rome, where Ercole Bernabei was his master, and among other works he composed six motets, the original manuscripts of which are now in the Fitzwilliam Museum at Cambridge. On his return to Munich with Bernabei in 1674, Steffani published his first work, ''Psalmodia vespertina'', a part of which was reprinted ...
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