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Geração De Orpheu
The Geração de Orpheu (Orpheus's Generation) or Grupo de Orfeu were a Portuguese literary movement, largely responsible for the introduction of Modernism to the arts and letters of Portugal through their tri-monthly publication, ' (1915). Following the lead of other European vanguard movements of the early twentieth century, and inspired by the Futurist Vladimir Maiakovsky's urgings, the poets Fernando Pessoa, Mário de Sá-Carneiro and Almada Negreiros, and the painters Amadeo de Souza-Cardoso and Guilherme de Santa-Rita formed a journal of art and literature based in Lisbon's Baixa district, with the principal aim of agitating, subverting and scandalizing the Portuguese bourgeoisie and social conventions. ''Orpheu'' The journal was named ''Orpheu'' after the Greek mythological character Orpheus, the musician who had to travel from the world of the living without looking back to save his wife Eurydice from Hades. This metaphor inspired the Geração de Orpheu, who aspir ...
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Infobox writer may be used to summarize information about a person who is a writer/author (includes screenwriters). If the writer-specific fields here are not needed, consider using the more general ; other infoboxes there can be found in :People and person infobox templates. This template may also be used as a module (or sub-template) of ; see WikiProject Infoboxes/embed for guidance on such usage. Syntax The infobox may be added by pasting the template as shown below into an article. All fields are optional. Any unused parameter names can be left blank or omitted. Parameters Please remove any parameters from an article's infobox that are unlikely to be used. All parameters are optional. Unless otherwise specified, if a parameter has multiple values, they should be comma-separated using the template: : which produces: : , language= If any of the individual values contain commas already, add to use semi-colons as separators: : which produces: : , ps ...
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Orpheus
Orpheus (; Ancient Greek: Ὀρφεύς, classical pronunciation: ; french: Orphée) is a Thracian bard, legendary musician and prophet in ancient Greek religion. He was also a renowned poet and, according to the legend, travelled with Jason and the Argonauts in search of the Golden Fleece, and even descended into the Underworld of Hades, to recover his lost wife Eurydice. Ancient Greek authors as Strabo and Plutarch note Orpheus's Thracian origins. The major stories about him are centered on his ability to charm all living things and even stones with his music (the usual scene in Orpheus mosaics), his attempt to retrieve his wife Eurydice from the underworld, and his death at the hands of the maenads of Dionysus, who tired of his mourning for his late wife Eurydice. As an archetype of the inspired singer, Orpheus is one of the most significant figures in the reception of classical mythology in Western culture, portrayed or alluded to in countless forms of art an ...
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Mário Saa
Mario is the Italian, French, Croatian, Spanish, Portuguese, Bulgarian, Greek, and English form of the Latin Roman name Marius. In Croatia, the name Mario was among the most common masculine given names in the decades between 1970 and 1999, and was the most common name in the 1970s. The Portuguese version of the name is spelled Mário (to highlight the pronunciation of the "a"). It is also associated with the highly popular and beloved Nintendo franchise Super Mario and its eponymous character Mario. Notable people and characters named Mario include: Given name Artists and musicians *Mario (American singer) (born 1986), Mario Dewar Barrett, an American R&B singer *Mario Adorf (born 1930), German actor *Mario Amaya (1933–1986), American art critic *Mario Cantone (born 1959), American comedian and actor * Mario Chicot, also simply Mario, zouk singer from Guadeloupe *Mario Domm (born 1977), Mexican singer and member of Camila *Mario Frangoulis (born 1967), Greek tenor *Mario ...
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António Ferro
António Joaquim Tavares Ferro (17 August 1895, Lisbon - 11 November 1956, Lisbon) was a Portuguese writer, journalist and politician, associated with the Estado Novo. Biography In 1915, when he was barely 19, his friend, Mário de Sá Carneiro, appointed him as editor of the magazine '' Orpheu'', precisely because he was still a minor. This position did not last long, however, as Sá Carneiro's father withdrew his financial support after only two issues. During the 1920s, he became a reporter for '' O Século'' and the ''Diário de Lisboa'', was briefly Director of the ''Illustração Portugueza'' and served as an international correspondent for ''Diário de Notícias''. He also contributed prose and poetry to several literary journals. In 1920, he published one of his best known works, a collection of aphorisms and "paradoxes" called the ''Teoria da Indiferença'' (Theory of Indifference). He also produced a self-described " fragmentary novel", ''Leviana'' (Frivolous) and, i ...
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Álvaro De Campos
Álvaro de Campos (; October 15, 1890 – November 30, 1935) was one of the poet Fernando Pessoa's various heteronyms, widely known by his powerful and wrathful writing style. According to his author, this ''alter ego'' was born in Tavira, Portugal, studied mechanical engineering and finally graduated in ship engineering in Glasgow. After a journey in Ireland, Campos sailed to the Orient and wrote his poem "Opiario" in the Suez Canal "onboard". He worked in ' Barrow-on-Furness' ( sic) (of which Pessoa wrote a poem about) and Newcastle-on-Tyne (1922). Unemployed, Campos returned to Lisbon in 1926 (he wrote then the poem "Lisbon Revisited"), where he lived ever since. He was born in October, 1890, but Pessoa didn't put an end to the life of Campos, so he would have survived his author who died in November, 1935. Campos' works may be split in three phases: the decadent phase, the futuristic phase and the decadent (sad) phase. He chose Whitman and Marinetti as masters, showing some ...
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Heteronym (literature)
The literary concept of the heteronym refers to one or more imaginary character(s) created by a writer to write in different styles. Heteronyms differ from pen names (or pseudonyms, from the Greek words for "false" and "name") in that the latter are just false names, while the former are characters that have their own supposed physiques, biographies, and writing styles.ZENITH, Richard (2002), ''The Book of Disquiet'', Penguin Classics, 2002. Heteronyms were named and developed by the Portuguese writer and poet Fernando Pessoa in the early 20th century, but they were thoroughly explored by the Danish philosopher Kierkegaard in the 19th century and have also been used by other writers. Pessoa's heteronyms In Pessoa's case, there are at least 70 heteronyms (according to the latest count by Pessoa's editor Teresa Rita Lopes). Some of them are relatives or know each other; they criticise and translate each other's works. Pessoa's three chief heteronyms are Alberto Caeiro, Ricardo Re ...
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Santa-Rita Pintor
Santa-Rita Pintor, born Guilherme Augusto Cau da Costa de Santa-Rita (18891918), was a Portuguese Futurist painter, known for his eccentricities, which included his signature mode of dressing: work clothes with striped rectangles. Life He first attended the Academy of Fine Arts (now part of the University of Lisbon), then went to Paris on a state scholarship in 1910.Brief biography
@ Infopédia.
There, he studied at the . He also shared a studio with and was introduced to Futurism by

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Hades
Hades (; grc-gre, ᾍδης, Háidēs; ), in the ancient Greek religion and myth, is the god of the dead and the king of the underworld, with which his name became synonymous. Hades was the eldest son of Cronus and Rhea, although this also made him the last son to be regurgitated by his father. He and his brothers, Zeus and Poseidon, defeated their father's generation of gods, the Titans, and claimed rulership over the cosmos. Hades received the underworld, Zeus the sky, and Poseidon the sea, with the solid earth, long the province of Gaia, available to all three concurrently. In artistic depictions, Hades is typically portrayed holding a bident and wearing his helm with Cerberus, the three-headed guard dog of the underworld, standing to his side. The Etruscan god Aita and the Roman gods Dis Pater and Orcus were eventually taken as equivalent to Hades and merged into Pluto, a Latinisation of Plouton ( grc-gre, , Ploútōn), itself a euphemistic title often given ...
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Eurydice
Eurydice (; Ancient Greek: Εὐρυδίκη 'wide justice') was a character in Greek mythology and the Auloniad wife of Orpheus, who tried to bring her back from the dead with his enchanting music. Etymology Several meanings for the name ''Eurydice'' have been proposed such as "true judgement" or "profound judgement" from the Greek: ''eur dike''. Fulgentius, a mythographer of the late 5th to early 6th century AD, gave the latter etymological meaning. Adriana Cavarero, in the book ''Relating Narratives: Storytelling and Selfhood'', wrote that "the etymology of Eurydice seems rather to indicate, in the term ''eurus'', a vastness of space or power, which, joining to ''dike'' nd thus ''deiknumi'', to show designates her as 'the one who judges with breadth' or, perhaps, 'she who shows herself amply'". In some accounts, she was instead called Agriope, which means "savage face". Mythology Marriage to Orpheus, death and afterlife Eurydice was the Auloniad wife of musicia ...
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Modernism
Modernism is both a philosophy, philosophical and arts movement that arose from broad transformations in Western world, Western society during the late 19th and early 20th centuries. The movement reflected a desire for the creation of new forms of art, philosophy, and social organization which reflected the newly emerging industrial society, industrial world, including features such as urbanization, architecture, new technologies, and war. Artists attempted to depart from traditional forms of art, which they considered outdated or obsolete. The poet Ezra Pound's 1934 injunction to "Make it New" was the touchstone of the movement's approach. Modernist innovations included abstract art, the stream-of-consciousness novel, montage (filmmaking), montage cinema, atonal and twelve-tone music, divisionist painting and modern architecture. Modernism explicitly rejected the ideology of Realism (arts), realism and made use of the works of the past by the employment of reprise, incorpor ...
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