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Georges Duthuit
Georges Duthuit (1891–1973) was a French writer, art critic and historian. Duthuit was a key commentator on Matisse, Nicolas de Staël, Jean-Paul Riopelle, and Bram van Velde. He maintained a close association with the surrealists, particularly André Masson. In 1939, he was among the intellectuals convened for George Bataille's College of Sociology. Part of his correspondences on contemporary art with Samuel Beckett form the text ''Three Dialogues Originally published in ''transition'' 49 in 1949, ''Three Dialogues'' represents a small part (fewer than 3000 words) of a correspondence between Samuel Beckett and Georges Duthuit about the nature of contemporary art, with particular reference t ...'', originally published in the literary journal, '' transition''. Sources George Duthuit on Dumbarton Oaks website 1891 births 1973 deaths 20th-century French non-fiction writers French art historians {{France-art-historian-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
People Of France
The French people (french: Français) are an ethnic group and nation primarily located in Western Europe that share a common Culture of France, French culture, History of France, history, and French language, language, identified with the country of France. The French people, especially the native speakers of langues d'oïl from northern and central France, are primarily the descendants of Gauls (including the Belgae) and Roman people, Romans (or Gallo-Romans, western European Celts, Celtic and Italic peoples), as well as Germanic peoples such as the Franks, the Visigoths, the Suebi and the Burgundians who settled in Gaul from east of the Rhine after the fall of the Roman Empire, as well as various later waves of lower-level irregular migration that have continued to the present day. The Norsemen, Norse also settled in Normandy in the 10th century and contributed significantly to the ancestry of the Normans. Furthermore, regional ethnic minorities also exist within France that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matisse
Henri Émile Benoît Matisse (; 31 December 1869 – 3 November 1954) was a French visual artist, known for both his use of colour and his fluid and original draughtsmanship. He was a draughtsman, printmaker, and sculptor, but is known primarily as a painter. Matisse is commonly regarded, along with Pablo Picasso, as one of the artists who best helped to define the revolutionary developments in the visual arts throughout the opening decades of the twentieth century, responsible for significant developments in painting and sculpture. The intense colourism of the works he painted between 1900 and 1905 brought him notoriety as one of the Fauves ( French for "wild beasts"). Many of his finest works were created in the decade or so after 1906, when he developed a rigorous style that emphasised flattened forms and decorative pattern. In 1917, he relocated to a suburb of Nice on the French Riviera, and the more relaxed style of his work during the 1920s gained him critical acclaim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolas De Staël
Nicolas de Staël (; January 5, 1914 – March 16, 1955) was a French painter of Russian origin known for his use of a thick impasto and his highly abstract landscape painting. He also worked with collage, illustration and textiles. Early life Nicolas de Staël was born Nikolai Vladimirovich Stael von Holstein (russian: Николай Владимирович Шталь фон Гольштейн) in Saint Petersburg, into the family of a Russian Lieutenant General, Baron Vladimir Stael von Holstein, (a member of the Staël von Holstein family, and the last Commandant of the Peter and Paul Fortress) and his second wife, Lubov Vladimirovna Berednikova (his first wife was Olga Sakhanskaya). De Staël's family was forced to emigrate to Poland in 1919 because of the Russian Revolution; both his father and stepmother died in Poland and the orphaned Nicolas de Staël was sent with his older sister Marina to Brussels to live with a Russian family (1922). Career beginnings He eventually ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Paul Riopelle
Jean-Paul Riopelle, (October 7, 1923 – March 12, 2002) was a Canadian painter and sculptor from Quebec. He had one of the longest and most important international careers of the sixteen signatories of the ''Refus Global'', the 1948 manifesto that announced the Quebecois artistic community's refusal of clericalism and provincialism. He is best known for his abstract painting style, in particular his "mosaic" works of the 1950s when he famously abandoned the paintbrush, using only a palette knife to apply paint to canvas, giving his works a distinctive sculptural quality. He became the first Canadian painter since James Wilson Morrice to attain widespread international recognition. Biography Born in Montreal, Riopelle began drawing lessons in 1933 and continued through 1938. His parents encouraged his interest in art and allowed the young Riopelle to take classes with Henri Bisson (1900–1973), who taught drawing and painting out of his home on weekends. Bisson was a well- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bram Van Velde
Bram (Abraham Gerardus) van Velde (19 October 1895 – 28 December 1981) was a Dutch painter known for an intensely colored and geometric semi-representational painting style related to Tachisme, and Lyrical Abstraction. He is often seen as member of the School of Paris but his work resides somewhere between expressionism and surrealism, and evolved in the 1960s into an expressive abstract art. His paintings from the 1950s are similar to the contemporary work of Matisse, Picasso and the abstract expressionist Adolph Gottlieb. He was championed by a number of French-speaking writers, including Samuel Beckett and the poet André du Bouchet. Early life Bram van Velde was born in Zoeterwoude, near Leiden, into an intensely poor family, and this would mark him profoundly for life. His mother, Catharina von der Voorst (1867–1949) was the illegitimate daughter of a Count. His father, Willem van Velde (1868–1914) owned a small company engaged in water transportation on the Rhin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Surrealists
Surrealism is a cultural movement that developed in Europe in the aftermath of World War I in which artists depicted unnerving, illogical scenes and developed techniques to allow the unconscious mind to express itself. Its aim was, according to leader André Breton, to "resolve the previously contradictory conditions of dream and reality into an absolute reality, a super-reality", or ''surreality.'' It produced works of painting, writing, theatre, filmmaking, photography, and other media. Works of Surrealism feature the element of surprise, unexpected juxtapositions and ''Non sequitur (literary device), non sequitur''. However, many Surrealist artists and writers regard their work as an expression of the philosophical movement first and foremost (for instance, of the "pure psychic automatism" Breton speaks of in the first Surrealist Manifesto), with the works themselves being secondary, i.e. artifacts of surrealist experimentation. Leader Breton was explicit in his assertion that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
André Masson
André-Aimé-René Masson (4 January 1896 – 28 October 1987) was a French artist. Biography Masson was born in Balagny-sur-Thérain, Oise, but when he was eight his father's work took the family first briefly to Lille and then to Brussels. He began his study of art at the age of eleven at the Académie Royale des Beaux-Arts in Brussels, under the guidance of Constant Montald, and later he studied in Paris. He fought for France during World War I and was seriously injured.McCloskey, Barbara. ''Artists of World War II''. London: Greenwood Press, 2005, , page 34. Artistic works His early works display an interest in cubism. He later became associated with surrealism, and he was one of the most enthusiastic employers of automatic drawing, making a number of automatic works in pen and ink. Masson experimented with altered states of consciousness with artists such as Antonin Artaud, Michel Leiris, Joan Miró, Georges Bataille, Jean Dubuffet and Georges Malkine, who were neig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georges Bataille
Georges Albert Maurice Victor Bataille (; ; 10 September 1897 – 9 July 1962) was a French philosopher and intellectual working in philosophy, literature, sociology, anthropology, and history of art. His writing, which included essays, novels, and poetry, explored such subjects as eroticism, mysticism, surrealism, and transgression. His work would prove influential on subsequent schools of philosophy and social theory, including poststructuralism. Early life Georges Bataille was the son of Joseph-Aristide Bataille (b. 1851), a tax collector (later to go blind and be paralysed by neurosyphilis), and Antoinette-Aglaë Tournarde (b. 1865). Born on 10 September 1897 in Billom in the region of Auvergne, his family moved to Reims in 1898, where he was baptized. He went to school in Reims and then Épernay. Although brought up without religious observance, he converted to Catholicism in 1914, and became a devout Catholic for about nine years. He considered entering the priesthood and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
College Of Sociology
The College of Sociology (French: ''Collège de Sociologie'') was a loosely-knit group of French intellectuals, named after the informal discussion series that they held in Paris between 1937 and 1939, when it was disrupted by the war. Its main objective was to find out signs of the sacred in everyday social life. History Founding members include some of France's most well-known intellectuals of the interwar period, including Georges Bataille, Roger Caillois, Pierre Klossowski, Jules Monnerot, Pierre Libra and Georges Ambrosino. Participants also included Hans Mayer, Jean Paulhan, Jean Wahl, Michel Leiris, Alexandre Kojève and André Masson. Walter Benjamin was invited to give lectures, but these never materialized.Esther Leslie, Walter Benjamin (London, UK; Reaktion Books, 2007). The members of the College were united in their dissatisfaction with surrealism. They believed that surrealism's focus on the unconscious privileged the individual over society, and obscured the social ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samuel Beckett
Samuel Barclay Beckett (; 13 April 1906 – 22 December 1989) was an Irish novelist, dramatist, short story writer, theatre director, poet, and literary translator. His literary and theatrical work features bleak, impersonal and tragicomic experiences of life, often coupled with black comedy and nonsense. It became increasingly minimalist as his career progressed, involving more aesthetic and linguistic experimentation, with techniques of repetition and self-reference. He is considered one of the last modernist writers, and one of the key figures in what Martin Esslin called the Theatre of the Absurd. A resident of Paris for most of his adult life, Beckett wrote in both French and English. During the Second World War, Beckett was a member of the French Resistance group Gloria SMH (Réseau Gloria). Beckett was awarded the 1969 Nobel Prize in Literature "for his writing, which—in new forms for the novel and drama—in the destitution of modern man acquires its elevation". He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Three Dialogues
Originally published in ''transition'' 49 in 1949, ''Three Dialogues'' represents a small part (fewer than 3000 words) of a correspondence between Samuel Beckett and Georges Duthuit about the nature of contemporary art, with particular reference to the work of Pierre Tal-Coat, André Masson and Bram van Velde. It might more accurately be said that beneath these surface references may be found an invaluable commentary on Beckett's own struggle with expression at a particularly creative and pivotal period of his life. A frequently quoted example is the following recommendation, ostensibly for what Tal Coat's work should strive towards: "The expression that there is nothing to express, nothing with which to express, nothing from which to express, no power to express, no desire to express, together with the obligation to express." A great strength of these dialogues is the wit of both participants, combined with Duthuit's persistent and intelligent challenges to Beckett's pessimism, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Transition (literary Journal)
''transition'' was an experimental literary journal that featured surrealist, expressionist, and Dada art and artists. It was founded in 1927 by Maria McDonald and her husband Eugene Jolas and published in Paris. They were later assisted by editors Elliot Paul (April 1927 – March 1928), Robert Sage (October 1927 – Fall 1928), and James Johnson Sweeney (June 1936 – May 1938). Origins The literary journal was intended as an outlet for experimental writing and featured modernist, surrealist and other linguistically innovative writing and also contributions by visual artists, critics, and political activists. It ran until spring 1938. A total of 27 issues were produced. It was distributed primarily through Shakespeare and Company, the Paris bookstore run by Sylvia Beach. While it originally almost exclusively featured poetic experimentalists, it later accepted contributions from sculptors, civil rights activists, carvers, critics, and cartoonists. Editors who joined the jour ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_by_Erling_Mandelmann.jpg "Click for more on -> Bram Van Velde")
