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George W. Anson
George W. Anson (25 November 1847 – 2 August 1920) was a British actor. He specialised in comedy roles, and appeared in New York and Sydney, Australia. He appeared in plays of Shakespeare, particularly in productions by Herbert Beerbohm Tree. Early life and career Anson was born in Montrose in Scotland; his father was actor John W. Anson, whose early career was with theatrical companies of Dundee, Perth, Montrose and Inverness. His mother was the actress Barbara Johnson, the sister of Samuel Johnson who played the low-comedy roles in the Henry Irving Company at the Lyceum Theatre, London. George Anson first appeared on stage at the Theatre Royal, Edinburgh in December 1865. During the next few years he gained a reputation as a character actor. He appeared in New York in 1872, in the burlesque ''La Belle Sauvage'' by John Brougham at the Broadway theatre Niblo's Garden; later the same year he was in the burlesque ''Poll and Partner Joe'' by F. C. Burnand at the same th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Montrose, Angus
Montrose ( , gd, Monadh Rois) is a town and former royal burgh in Angus, Scotland. Situated north of Dundee and south of Aberdeen, Montrose lies between the mouths of the North and South Esk rivers. It is the northernmost coastal town in Angus and developed as a natural harbour that traded in skins, hides, and cured salmon in medieval times. With a population of approximately 12,000, the town functions as a port, but the major employer is GlaxoSmithKline, which was saved from closure in 2006. The skyline of Montrose is dominated by the steeple of Old and St Andrew's Church, designed by James Gillespie Graham and built between 1832 and 1834. Montrose is a town with a wealth of architecture, and is a centre for international trade. It is an important commercial port for the oil and gas industry. It is known for its wide thoroughfare and high street, which leads to picturesque closes containing secluded gardens. The town has a view of a tidal lagoon, Montrose Basin, which is c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Ticket-of-Leave Man (play)
''The Ticket-of-Leave Man'' is an 1863 stage melodrama in four acts by the British writer Tom Taylor, based on a French drama, ''Le Retour de Melun''. It takes its name from the Ticket of Leave issued to convicts when they were released from jail on parole. A recently returned convict is blackmailed by another man into committing a robbery, but is rescued thanks to the intervention of a detective. It has been described as probably being the first play about a detective. The play introduced the character of Hawkshaw the Detective, with "Hawkshaw" becoming a synonym for a detective. It was not well received by critics, but proved very popular with audiences and was constantly revived, becoming one of the standard works of Victorian melodrama. First production The play was first produced in March 1863 at the Olympic Theatre in London. The cast included Henry Gartside Neville as Robert Brierly, Horace Wigan as Hawkshaw, Robert Soutar as Green Jones and Kate Saville as May Edward ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Olympia Theatre (New York City)
The Olympia Theatre (1514–16 Broadway at 44th Street), also known as Hammerstein's Olympia, was a theatre complex built by impresario Oscar Hammerstein I in Longacre Square (later Times Square), New York City, opening in 1895. It consisted of a theatre, a music hall, a concert hall, and a roof garden. Later, sections of the structure were substantially remodeled and used for both live theatre and for motion pictures. As a cinema, it was also known at various times as the Vitagraph Theatre and the Criterion Theatre. History According to ''The New York Times'', the Olympia was a "massive gray stone building", and extended on Longacre Square, on 45th Street, and on 44th Street. It was made from Indiana limestone, featured an imposing façade, and followed French Renaissance designs. It was designed by J. B. McElfatrick & Son. The building opened on November 25, 1895 with the Broadway debut of '' Excelsior, Jr.'', with over 30 performers from Europe appearing. It was the second ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oscar Hammerstein I
Oscar Hammerstein I (8 May 18461 August 1919) was a German-born businessman, theater impresario, and composer in New York City. His passion for opera led him to open several opera houses, and he rekindled opera's popularity in America. He was the grandfather of American playwright/lyricist Oscar Hammerstein II and the father of theater manager William Hammerstein and American producer Arthur Hammerstein. Early life Oscar Hammerstein I was born in Stettin (capital of the province of Pomerania), Kingdom of Prussia (now Szczecin, Poland), to German Jewish parents Abraham and Berthe Hammerstein. He took up the flute, piano, and violin at an early age. His mother died when he was fifteen years old. During his youth, Hammerstein's father wanted him to continue with his education and to specialize in subjects such as algebra, but Hammerstein wanted to pursue music. After Oscar went skating in a park one day, his father found out and whipped him as punishment, goading Hammerstein to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas William Robertson
Thomas William Robertson (9 January 1829 – 3 February 1871) was an English dramatist and stage director. Born to a theatrical family, Robertson began as an actor, but he was not a success and gave up acting in his late 20s. After earning a modest living writing articles for the press, translating and adapting foreign plays and writing several of his own plays he achieved success in 1865 with his play ''Society (play), Society'', which the actor-manager Marie Wilton presented at a small London theatre, the Scala Theatre, Prince of Wales's. Over the next five years Robertson wrote five more plays for the Prince of Wales's. Their naturalistic style and treatment of contemporary social issues was in strong contrast to the melodramas and exaggerated theatricality to which the public had been accustomed, and Robertson's plays were box-office and critical successes. Robertson supervised their productions and was a pioneer of modern stage directing. Among later theatrical figures inf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
