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George Gordon (scenic Artist)
George Cameron Gordon (11 June 1839 – 12 June 1899) was a Scottish-born scenic designer and artist in Australia. His father was in the same line of business and his son John "Jack" Gordon ( – 24 November 1911) following the family tradition, was head the scenic department of J. C. Williamson's theatrical management company for ten years. Early years in Scotland George Cameron Gordon was born on 11 June 1839 in Edinburgh, Scotland, the son of William Gordon and Jane (''née'' Stephens). He learned the craft of scene painting from his father at the Theatre Royal in Edinburgh. He was working professionally as a scenic artist by age fourteen. Gordon's first pieces were for the Prince of Wales Theatre in London, where he made the acquaintance of the actor George Rignold, through the mutual friendship of their fathers.Dea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edinburgh, Scotland
Edinburgh ( ; gd, Dùn Èideann ) is the capital city of Scotland and one of its 32 council areas. Historically part of the county of Midlothian (interchangeably Edinburghshire before 1921), it is located in Lothian on the southern shore of the Firth of Forth. Edinburgh is Scotland's second-most populous city, after Glasgow, and the seventh-most populous city in the United Kingdom. Recognised as the capital of Scotland since at least the 15th century, Edinburgh is the seat of the Scottish Government, the Scottish Parliament and the highest courts in Scotland. The city's Palace of Holyroodhouse is the official residence of the British monarchy in Scotland. The city has long been a centre of education, particularly in the fields of medicine, Scottish law, literature, philosophy, the sciences, and engineering. It is the second-largest financial centre in the United Kingdom, and the city's historical and cultural attractions have made it the UK's second-most visited tourist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Royal, Adelaide
The Theatre Royal on Hindley Street, Adelaide was a significant venue in the history of the stage and cinema in South Australia. After a small predecessor of the same name in Franklin Street, Adelaide (built 1838), the Theatre Royal in Hindley Street was built in 1868. It hosted both stage performances and movies, passing through several changes of ownership before it was eventually demolished to make way for a multi-storey car park in 1962. History 19th century The first "Theatre Royal" in Adelaide was a small venue above the Adelaide Tavern in Franklin Street, managed by a Mr. Bonnar, and was opened in May 1838. The first production staged there was ''Mountaineers, or, Love and Madness'' ( Colman). Bonnar was succeeded as manager by Sampson Marshall. This was eclipsed in 1841 by the opening of the Queen's Theatre on Gilles Arcade, off Currie Street, and the old theatre was remodelled as a Commercial Exchange. In December 1850 the Royal Victoria Theatre (later Queen's) ope ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Argus (Melbourne)
''The Argus'' was an Australian daily morning newspaper in Melbourne from 2 June 1846 to 19 January 1957, and was considered to be the general Australian newspaper of record for this period. Widely known as a conservative newspaper for most of its history, it adopted a left-leaning approach from 1949. ''The Argus''s main competitor was David Syme's more liberal-minded newspaper, ''The Age''. History The newspaper was originally owned by William Kerr, who was also Melbourne's town clerk from 1851–1856 and had been a journalist at the '' Sydney Gazette'' before moving to Melbourne in 1839 to work on John Pascoe Fawkner's newspaper, the ''Port Phillip Patriot''. The first edition was published on 2 June 1846. The paper soon became known for its scurrilous abuse and sarcasm, and by 1853, after he had lost a series of libel lawsuits, Kerr was forced to sell the paper's ownership to avoid financial ruin. The paper was then published by Edward Wilson. By 1855, it had a daily ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Silver King (play)
''The Silver King'' is an 1882 melodramatic play, by Henry Arthur Jones and Henry Herman. It was "so well known that criticism is superfluous" and played to record-breaking audiences. It was adapted for films in 1919 and 1929. The play featured stars such as Mary Pickford, with Phoebe Carlo playing Ned in the original production. References External links * The Silver King' (Internet Archive The Internet Archive is an American digital library with the stated mission of "universal access to all knowledge". It provides free public access to collections of digitized materials, including websites, software applications/games, music, ...) Plays by Henry Arthur Jones 1882 plays {{1880s-play-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phil Goatcher
Phillip William Goatcher (23 November 1851 – 8 October 1931), often spelled "Philip", signing his work "Phil. W. Goatcher", was an English-born theatre scene painter who had a considerable career in America and Australia. His American-born son James Goatcher followed in his father's footsteps in Sydney, then both left for Perth, Western Australia, where they set up in business as painters and decorators. In later life James Goatcher was a highly regarded watercolor artist. Phil W. Goatcher Goatcher was born in London, a son of Phil Goatcher (died 22 December 1897), who may have been a scenic painter. After leaving school, he signed on as an apprentice on the sailing ship ''True Briton''. Australia ''True Briton'' docked at Melbourne in 1866, and he had a brief reunion with his aunt and uncle Boxall in Ballarat, and despite their entreaties returned to the ship. He again made port in Melbourne a year later, aboard ''Dover Castle'' and this time decamped and returned to Ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Lights O' London
''The Lights o' London'' is a melodramatic play, by George R. Sims, first produced in London on 10 September 1881 at the Princess's Theatre, produced by and starring Wilson Barrett. The play was a hit, running for 226 nights, and was frequently revived thereafter. It also opened in New York at the Union Square Theatre in December 1881 and was revived twice on Broadway.In August 1883 at the Grand Opera House (formerly Pike's). The play was twice made into silent films, both titled ''Lights of London'', in 1914, directed by Bert Haldane and 1923, directed by Charles Calvert. Synopsis Harold Armytage and Bess Marks elope. Harold's father is rich but after the elopement disowns him. Clifford Armytage, Harold's scheming cousin, and Seth Preene, a friend of Harold's father, frame innocent Harold for a crime so that Clifford will inherit the father's money instead of Harold. Seth aids Clifford because he hopes that his daughter, Hetty (who declares "I hate poor people"), would ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Hennings
John Hennings (c. 1833 – 13 October 1898) was a theatrical scene painter and theatre manager in Melbourne, Australia. He has been identified as Johann Friederich Hennings, probably born on 6 July 1835, son of Danish-born parents Johann Hennings, merchant, and his wife Caroline, née Schutze. His mother died 22 March 1894. He is not to be confused with (1838 Bremen – 1899 München), landscape painter with a considerable career in Europe. History Hennings was born in Bremen, of Danish extraction, He learned to paint in the studio of a decorative artist and received further artistic training in Düsseldorf and Vienna. He arrived in Australia in 1855 contracted to George Coppin for his new Olympic Theatre on Lonsdale Street, Melbourne, and soon was transferred to his Theatre Royal, later worked in other playhouses. He illustrated curtains, backdrops and scenery, notably architectural settings, for the great theatre managers of the age: Barry Sullivan, G. V. Brooke, and W. S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Brough (actor)
Robert Brough (1857 – 21 April 1906) was born in England to a family prominent in literature and the theatre. He had a notable career as actor and manager in Australia. History Brough was born Lionel Barnabas Brough in England, son of Robert Barnabas Brough (1828–1860) journalist, poet and librettist, and Elizabeth Brough, nḗe Romer. Actress Fanny Brough was a sister. His parents had ambitions for him in the world of commerce, but he soon decided on a stage career, and Edward Saker found a part for him in his show '' Little Em'ly'', an adaptation of ''David Copperfield'', in Glasgow in 1870. Brough was introduced to Florence Trevelyan when he started working with the D'Oyley Carte No. 2 Company, and shortly after they married he was put on a three-year contract at the Gaiety. They moved to Australia under contract to J. C. Williamson, first appearing in Melbourne in the Australian première of '' Iolanthe''. His first Sydney appearance was in July 1885 under contract to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John F
John is a common English name and surname: * John (given name) * John (surname) John may also refer to: New Testament Works * Gospel of John, a title often shortened to John * First Epistle of John, often shortened to 1 John * Second Epistle of John, often shortened to 2 John * Third Epistle of John, often shortened to 3 John People * John the Baptist (died c. AD 30), regarded as a prophet and the forerunner of Jesus Christ * John the Apostle (lived c. AD 30), one of the twelve apostles of Jesus * John the Evangelist, assigned author of the Fourth Gospel, once identified with the Apostle * John of Patmos, also known as John the Divine or John the Revelator, the author of the Book of Revelation, once identified with the Apostle * John the Presbyter, a figure either identified with or distinguished from the Apostle, the Evangelist and John of Patmos Other people with the given name Religious figures * John, father of Andrew the Apostle and Saint Peter * Pop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samuel Lazar
Samuel Lazar (1838 – 14 November 1883) was an Australian theatre manager, producer of pantomimes and operas, and occasional actor. History Lazar was a son of theatre manager John Lazar, and as a child frequently appeared on stage in his father's productions, as did his sister Rachel (c. 1827–1897), who married Andrew Moore, and was mother of theatrical agent John Moore. He served as clerk to Burnett Nathan, then for Gabriel Bennett of the firm Bennett & Fisher. In 1867 he and Bennett had a third share (with J. M. Wendt and John Temple Sagar) in building Adelaide's Theatre Royal in Hindley Street, which he managed. He faced insolvency in 1871. His big break came in March 1875 when he took J. C. Williamson and Maggie Moore's play '' Struck Oil'' to the Queen's Theatre, Sydney, which he enlarged and refurbished, then back to Adelaide's Theatre Royal. He returned to Sydney, where he was involved in building the new Theatre Royal, of which he was lessee and manager from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Williamson, Garner And Musgrove
James Cassius Williamson (26 August 1845 – 6 July 1913) was an American actor and later Australia's foremost impresario, founding the J. C. Williamson's theatrical and production company. Born in Pennsylvania, Williamson moved with his family to Milwaukee, Wisconsin. His father died when he was eleven years old. He acted in amateur theatricals and joined a local theatre company as a call-boy at the age of 15, soon taking roles and eventually moving to New York where he played for several years at Wallack's Theatre and then other New York theatres. In 1871, he became the leading comedian at the California Theatre in San Francisco and the next year married comedian and actress Maggie Moore. The two found success touring in Australia, and then playing in London, the U.S. and elsewhere in a melodrama called '' Struck Oil''. In 1879, Williamson obtained the right to present ''H.M.S. Pinafore'' and then other Gilbert and Sullivan operas in Australia. He soon formed his Roy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Lorgnette
''The Lorgnette'', subtitled "Theatrical Journal and Programme" (later "A journal for Amusements"), was a weekly magazine in Melbourne, Australia, devoted to theatre, opera and the concert stage. The magazine was published Saturdays and sold for 2d (two pence) at the major entertainment venues ( Theatre Royal, Opera House, Academy of Music, Princess' Theatre, St George's Hall and Town Hall) where it had exclusive rights, and elsewhere. For much of its existence, a four-page supplement was issued with the Saturday two pence (from 1890 one penny) paper. The supplement was available ''gratis'' as a separate publication every other day of the week. This supplement was printed (and contents updated) daily, and datestamped. In order to promote forthcoming productions as well as providing up-to-date theatre news and current programmes, a great deal of its content was reprinted from one issue to the next, perhaps a unique characteristic of this magazine, while some features changed wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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