|
George Belton Moore
George Belton Moore (1806–1875) was an English artist who specialised in landscape, architectural and topographical composition, and often exhibited his work at the Royal Academy and British Institution. He was an influential drawing-master and the author of books on the principles of colour and perspective. Birth and early career He was born in London on 24 March 1806, probably at his parents’ house on the corner of Rathbone Place and Oxford Street. His father, William Moore, was a funeral undertaker whose more noteworthy engagements included the clandestine burial of Joanna Southcott. He became a student at the Royal Academy and was reputedly also a pupil of Augustus Charles Pugin, under whose general direction he drew the interiors of Drury Lane Theatre and Westminster Hall, the western front of the Abbaye aux Hommes, Caen, and the nave of Saint-Ouen Abbey, Rouen, 1826–7. The influence of Pugin may be evident in Moore’s first exhibit at the Royal Academy in 1830 - a view ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Academy
The Royal Academy of Arts (RA) is an art institution based in Burlington House on Piccadilly in London. Founded in 1768, it has a unique position as an independent, privately funded institution led by eminent artists and architects. Its purpose is to promote the creation, enjoyment and appreciation of the visual arts through exhibitions, education and debate. History The origin of the Royal Academy of Arts lies in an attempt in 1755 by members of the Society for the Encouragement of Arts, Manufactures and Commerce, principally the sculptor Henry Cheere, to found an autonomous academy of arts. Prior to this a number of artists were members of the Society for the Encouragement of Arts, Manufactures and Commerce, including Cheere and William Hogarth, or were involved in small-scale private art academies, such as the St Martin's Lane Academy. Although Cheere's attempt failed, the eventual charter, called an 'Instrument', used to establish the Royal Academy of Arts over a decad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Exeter Hall
Exeter Hall was a large public meeting place on the north side of the Strand in central London, opposite where the Savoy Hotel now stands. From 1831 until 1907 Exeter Hall was the venue for many great gatherings by promoters of human betterment, most notably the anti-slavery movement. History London in the 19th century was the most populous city in the world, and yet its indoor meeting places were inadequate. The largest, the Freemasons' Hall, could only fit about 1600 people, so a consortium decided that it was time to build a larger venue. Exeter Hall was erected between 1829 and 1831 to designs by John Peter Gandy, the brother of the visionary architect Joseph Michael Gandy. The hall was built on the site of Exeter Exchange, which had been famous for its menagerie of wild animals; prior to the Exeter 'Change, as it was known, the site had been occupied since the 16th century by part of Exeter House (formerly Burghley House and Cecil House), the London residence of the Ea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Smith (architect)
George Smith (28 September 1782 – 5 January 1869) was an English architect and surveyor of the early 19th century, with strong connections with central and south-east London. Life and work Smith was born on 28 September 1783 at Aldenham in Hertfordshire. He was articled to Robert Furze Brettingham, and later worked for James Wyatt, Daniel Asher Alexander, and then Charles Beazley, before eventually setting up in practice on his own account in the City of London The City of London is a city, ceremonial county and local government district that contains the historic centre and constitutes, alongside Canary Wharf, the primary central business district (CBD) of London. It constituted most of London fr .... He was appointed District Surveyor of the southern division of the City in 1810, and was elected Surveyor to the Mercers' Company in 1814, holding both appointments until his death. He also held the post of Surveyor to the Coopers' Company, and later served as th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Evans (portrait Painter)
Richard Evans (1784–1871), was an English portrait-painter and copyist, a pupil and later assistant of Sir Thomas Lawrence. Early life Evans was born in Shrewsbury. When young he was a close friend of the Birmingham-born artist David Cox, who would lend ink landscape drawings to Evans, who was short of money, so that he could make copies to sell. When Cox moved to London in 1804, Evans and another aspiring artist friend, Charles Barber, followed him there. They both took lodgings near Cox, and all three would go out sketching together. Sir Thomas Lawrence For some years Evans was a pupil and assistant of Sir Thomas Lawrence, for whom he painted drapery and backgrounds and made replicas of his paintings. When Lawrence died in 1830, he left a large number of unfinished paintings, and Evans completed or copied several portraits of George IV and completed a portrait of the Bishop of Durham for the painter's executors. Thomas Campbell, who was at once stage considering a biogr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward I'Anson
Edward I'Anson (25 July 1812 – 30 January 1888) was an English architect who was president of both the Royal Institute of British Architects and the Surveyors' Institution. He was a leading designer of commercial buildings in the City of London. Life Born in St. Laurence Pountney Hill in the City of London, he was the eldest son of the surveyor and architect Edward P. I'Anson (1775–1853). He was educated at the Merchant Taylors' School and at the College of Henri IV in France, and articled to his father at an early age. Subsequently, he entered the office of John Wallen, principal quantity surveyor at that time in the City. At the close of his indentures I'Anson travelled for two years, extending his tour as far as Constantinople. On his return in 1837 he entered into practice, both as assistant to his father and as an independent architect. In 1823, the I'Anson family bought 9, St Laurence Pountney Lane, the house neighbouring their own. The firm of Edward I'Anson a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lewis Cottingham
Lewis Nockalls Cottingham (1787 – 13 October 1847) was a British architect who pioneered the study of Medieval Gothic architecture. He was a restorer and conservator of existing buildings. He set up a Museum of Medieval Art in Waterloo Road, London with a collection of artefacts from demolished buildings and plaster casts of the medieval sculpture. Biography Cottingham was born in 1787 at Laxfield in Suffolk of a respectable family. He showed a talent for science and the arts early and he was apprenticed to a builder at Ipswich. After several years he moved to London and there placed himself with an architect and surveyor. He commenced his professional career in 1814 at his residence near Lincoln's Inn Fields. Cottingham's first public appointment was as architect and surveyor to the Cooks Company in 1822. Soon after this he erected a mansion in the perpendicular style of Gothic architecture for John Harrison at Snelston Hall in Derbyshire. In 1825 he became architect to Roch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Savage (architect)
James Savage (1779–1852) was a British architect, based in London. His works included the Richmond Bridge (now the O'Donovan Rossa Bridge) in Dublin, and St Luke's Church, Chelsea, a pioneering work of the Gothic Revival. He was architect to the Honourable Society of the Middle Temple, and carried out restoration work at Lincoln Cathedral and St Mary-le-Bow. In 1836 he published a pamphlet in which he attacked the slavish imitation of historical styles. Life Savage was born in Hoxton, London, on 10 April 1779. He was educated at a private school in Stockwell and then articled to Daniel Asher Alexander, architect of the London Docks, for whom he worked for several years as clerk of the works. He became a student at the Royal Academy in 1796. In 1800, he won second prize in a competition for a scheme of improvements to the city of Aberdeen and five years later came first in a competition to rebuild the Ormond Bridge over the Liffey in Dublin, which had been swept away by a sto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clarkson Frederick Stanfield
Clarkson Frederick Stanfield (3 December 179318 May 1867) was a prominent English painter (often inaccurately credited as William Clarkson Stanfield) who was best known for his large-scale paintings of dramatic marine subjects and landscapes. He was the father of the painter George Clarkson Stanfield and the composer Francis Stanfield. Early life Stanfield was born in Sunderland, the son of James Field Stanfield (1749–1824) an Irish-born author, actor and former seaman, and Mary Hoad, an artist and actress. Stanfield was likely to have inherited artistic talent from his mother, who is said to have been an accomplished artist, but died in 1801. His father remarried, to Maria Kell, a year later. Stanfield was named after Thomas Clarkson, the slave trade abolitionist, whom his father knew, and this was the only forename he used, although there is reason to believe Frederick was a second one. He was briefly apprenticed to a coach decorator in 1806, but left owing to the drunk ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Solomon Hart
Solomon Alexander Hart (April 1806 – 11 June 1881) was a British painter and engraver. He was the first Jewish member of the Royal Academy in London and was probably the most important Jewish artist working in England in the 19th century. Biography He was born at Plymouth, the son of Samuel Hart (fl. 1785–1830), a Jewish engraver and teacher of Hebrew. After completing his basic education, he was apprenticed to another local engraver. Later, he became the first Jew to enroll at the Royal Academy. While there, he worked in a variety of styles from genre to historical scenes and practiced several engraving and sketching techniques. He especially excelled in miniatures. In 1826, he débuted at one of the Academy's exhibitions with a portrait of his father. By 1840, he was successful enough to be accepted as a member of the Academy. The following year, he embarked on a study trip to Italy and spent a great deal of time in Florence. In 1854, he was appointed a Professor at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daniel Maclise
Daniel Maclise (25 January 180625 April 1870) was an Irish history painter, literary and portrait painter, and illustrator, who worked for most of his life in London, England. Early life Maclise was born in Cork, Ireland, the son of Alexander McLish (also known as McLeish, McLish, McClisse or McLise), a tanner or shoemaker, but formerly a Scottish Highlander soldier. His education was of the plainest kind, but he was eager for culture, fond of reading, and anxious to become an artist. His father, however, placed him in employment, in 1820, in Newenham's Bank, where he remained for two years, before leaving to study at the Cork School of Art. In 1825 it happened that Sir Walter Scott was travelling in Ireland, and young Maclise, having seen him in a bookseller's shop, made a surreptitious sketch of the great man, which he afterwards lithographed. It became very popular, and led to many commissions for portraits, which he executed, in pencil. Various influential friends re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Perronet Briggs
Henry Perronet Briggs RA (1793 – 18 January 1844) was an English painter of portraits and historical scenes. Life Briggs was born at Walworth, County Durham, the son of a post office official. His cousin was Amelia Opie (née Alderson), the wife of artist John Opie (whose portrait was later painted by Briggs). While still at school at Epping he sent two engravings to the ''Gentleman's Magazine'' and in 1811 entered as a student at the Royal Academy, London, where he began to exhibit in 1814. From that time onwards until his death he was a constant exhibitor at the annual exhibitions of the Academy, as well as the British Institution, his paintings being for the most part historical in subject. After his election as a Royal Academician (RA) in 1832 he devoted his attention almost exclusively to portraiture. Briggs died, of tuberculosis in London on 18 January 1844, aged 50/51. The lease to his home in Bruton Street, Berkeley Square was subsequently purchased by portrait p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Etty
William Etty (10 March 1787 – 13 November 1849) was an English artist best known for his history paintings containing nude figures. He was the first significant British painter of nudes and still lifes. Born in York, he left school at the age of 12 to become an apprentice printer in Hull. He completed his apprenticeship seven years later and moved to London, where in 1807 he joined the Royal Academy Schools. There he studied under Thomas Lawrence and trained by copying works by other artists. Etty earned respect at the Royal Academy of Arts for his ability to paint realistic flesh tones, but had little commercial or critical success in his first few years in London. Etty's '' Cleopatra's Arrival in Cilicia'', painted in 1821, featured numerous nudes and was exhibited to great acclaim. Its success prompted several further depictions of historical scenes with nudes. All but one of the works he exhibited at the Royal Academy in the 1820s contained at least one nude ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
