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Georg Pittrich
George Washington Pittrich (22 February 1870 – 17 March 1934) was a German composer and ''Kapellmeister''. Life Born in Dresden, Pittrich attended the Hochschule für Musik Carl Maria von Weber from 1884 to 1890, whose curriculum included theoretical subjects and keyboard, string and wind instruments. In addition, the students were taught oratory and singing. The curriculum also included stage training. The conservatory was founded in 1856 as a private teaching institution and on its 25th anniversary in 1881 the King of Saxony awarded it the title of "Royal Conservatory". His teachers at the Conservatoire were Ferdinand Braunroht (1856–1913) for harmony, counterpoint and piano; Felix Draeseke (1835–1913) for theory of form and higher composition; Adolf Hagen (1851–1926), for orchestral, compositional and directorial theory and practice in direction; Emil Robert Höpner, (1846–1903) from 1885 (retired in 1902) and teacher at the Conservatory for piano since 1874 and si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kapellmeister
(, also , ) from German ''Kapelle'' (chapel) and ''Meister'' (master)'','' literally "master of the chapel choir" designates the leader of an ensemble of musicians. Originally used to refer to somebody in charge of music in a chapel, the term has evolved considerably in its meaning and is today used for denoting the leader of a musical ensemble, often smaller ones used for TV, radio, and theatres. Historical usage In German-speaking countries during the approximate period 1500–1800, the word often designated the director of music for a monarch or nobleman. For English speakers, it is this sense of the term that is most often encountered, since it appears frequently in biographical writing about composers who worked in German-speaking countries. During that period, in Italy, the position (Italian: ''maestro di capella'') largely referred to directors of music assigned to cathedrals and sacred institutions rather than those under royal or aristocratic patronage. A Kapellmeister ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Études (Chopin)
The Études by Frédéric Chopin are three sets of études (solo studies) for the piano published during the 1830s. There are twenty-seven compositions overall, comprising two separate collections of twelve, numbered Op. 10 and Op. 25, and a set of three without opus number. History Composition Chopin's Études formed the foundation for what was then a revolutionary playing style for the piano. They are some of the most challenging and evocative pieces of all the works in concert piano repertoire. Because of this, the music remains popular and often performed in both concert and private stages. Some are so popular they have been given nicknames; among the most popular are Op. 10, No. 3, sometimes identified by the names ''Tristesse'' ("Sadness") or "Farewell" (''L'Adieu''), as well as the "Revolutionary Étude" ( Op. 10, No. 12), “Black Keys” ( Op. 10, No. 5), and "Winter Wind" ( Op. 25, No. 11). No nicknames are of Chopin's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Midsummer Night's Dream (Mendelssohn)
At two separate times, Felix Mendelssohn composed music for William Shakespeare's play ''A Midsummer Night's Dream'' (in German ''Ein Sommernachtstraum''). First in 1826, near the start of his career, he wrote a concert overture ( Op. 21). Later, in 1842, only a few years before his death, he wrote incidental music (Op. 61) for a production of the play, into which he incorporated the existing overture. The incidental music includes the famous "Wedding March". Overture The overture in E major, Op. 21, was written by Mendelssohn at 17 years and 6 months old (it was finished on 6 August 1826).''Grove's Dictionary of Music and Musicians'', 5th ed., 1954 Contemporary music scholar George Grove called it "the greatest marvel of early maturity that the world has ever seen in music". It was written as a concert overture, not associated with any performance of the play. The overture was written after Mendelssohn had read a German translation of the play in 1826. The translation was by A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mass In B Minor
The Mass in B minor (), BWV 232, is an extended setting of the Mass ordinary by Johann Sebastian Bach. The composition was completed in 1749, the year before the composer's death, and was to a large extent based on earlier work, such as a Sanctus Bach had composed in 1724. Sections that were specifically composed to complete the Mass in the late 1740s include the "Et incarnatus est" part of the Credo. As usual for its time, the composition is formatted as a Neapolitan mass, consisting of a succession of choral movements with a broad orchestral accompaniment, and sections in which a more limited group of instrumentalists accompanies one or more vocal soloists. Among the more unusual characteristics of the composition is its scale: a total performance time of around two hours, [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sheet Music
Sheet music is a handwritten or printed form of musical notation that uses List of musical symbols, musical symbols to indicate the pitches, rhythms, or chord (music), chords of a song or instrumental Musical composition, musical piece. Like its analogs – printed Book, books or Pamphlet, pamphlets in English, Arabic, or other languages – the medium of sheet music typically is paper (or, in earlier centuries, papyrus or parchment). However, access to musical notation since the 1980s has included the presentation of musical notation on computer screens and the development of scorewriter Computer program, computer programs that can notate a song or piece electronically, and, in some cases, "play back" the notated music using a synthesizer or virtual instrumentation, virtual instruments. The use of the term "sheet" is intended to differentiate written or printed forms of music from sound recordings (on vinyl record, compact cassette, cassette, Compact disc, CD), radio or Telev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Semperoper
The Semperoper () is the opera house of the Sächsische Staatsoper Dresden (Saxon State Opera) and the concert hall of the Staatskapelle Dresden (Saxon State Orchestra). It is also home to the Semperoper Ballett. The building is located on the Theaterplatz near the Elbe River in the historic centre of Dresden, Germany. The opera house was originally built by the architect Gottfried Semper in 1841. After a devastating fire in 1869, the opera house was rebuilt, partly again by Semper, and completed in 1878. The opera house has a long history of premieres, including major works by Richard Wagner and Richard Strauss. History The first opera house at the location of today's Semperoper was built by the architect Gottfried Semper. It opened on 13 April 1841 with an opera by Carl Maria von Weber. The building style itself is debated among many, as it has features that appear in three styles: early Renaissance and Baroque, with Corinthian style pillars typical of Greek classical r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernst Wachter
Ernst Wachter (19 May 1872 – August 1931) was a German operatic bass and music educator. Life and career Born in Mülhouse, Wachter, real name Wächter, attended school in Leipzig, where his parents, the engineer Adolph Julius Carl Wächter and his wife Emma ''Marie'' Caroline, had moved from Alsace because of the father's job. After attending school, Wachter became a trainee in a Leipzig shop, as he was to take up a commercial profession. After the death of the shop owner and the dissolution of the company, the aspiring merchant reoriented himself professionally. Vocal training in Leipzig Following on from his low voice, with which he had "attracted attention in family and club circles" as a youth, he now endeavoured to give it "an artistic education". He became a pupil of the Kammersänger and chief director of the Leipzig Stadttheater Albert Goldberg (1847-1905), who was also a "teacher of the art of singing", and trained with him to become a bass. On 12 April 1893, he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Archduchess Louise Of Austria
Archduchess Louise of Austria (2 September 1870, in Salzburg – 23 March 1947, in Brussels) was by marriage Crown Princess of Saxony as the wife of the future King Frederick Augustus III. Life Crown Princess of Saxony Louise was born on 2 September 1870, the second child of Ferdinand IV, the last Grand Duke of Tuscany and his second wife, Princess Alice of Bourbon-Parma. Through her mother, she was a great-great-granddaughter of Charles X of France. At 17 she attracted the attention of potential suitors, among them Prince Pedro Augusto of Saxe-Coburg and Gotha (grandson of Emperor Pedro II of Brazil) or Prince Ferdinand of Bulgaria, but none appealed to her. In the summer of 1887 at Pillnitz Castle she met Prince Frederick Augustus of Saxony (eldest son of Prince George, who became King of Saxony in June 1902). They married at Vienna on 21 November 1891, in a lavish ceremony which cost the groom the sum of 20,000 marks. In return, Louise fulfilled her royal duties, and bor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Einstein
Alfred Einstein (December 30, 1880February 13, 1952) was a German-American musicologist and music editor. He was born in Munich and fled Nazi Germany after Hitler's ''Machtergreifung'', arriving in the United States by 1939. He is best known for being the editor of the first major revision of the Köchel catalogue, which was published in the year 1936. The Köchel catalogue is the extensive catalogue of the works of Wolfgang Amadeus Mozart. Biography Einstein was born in Munich. Though he originally studied law, he quickly realized his principal love was music, and he acquired a doctorate at Munich University, focusing on instrumental music of the late Renaissance and early Baroque eras, in particular music for the viola da gamba. In 1918 he became the first editor of the ''Zeitschrift für Musikwissenschaft''; slightly later he became music critic for the ''Münchner Post''; and in 1927 became music critic for the ''Berliner Tageblatt''. In this period he was also a friend of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hugo Riemann
Karl Wilhelm Julius Hugo Riemann (18 July 1849 – 10 July 1919) was a German musicologist and composer who was among the founders of modern musicology. The leading European music scholar of his time, he was active and influential as both a music theorist and music historian. Many of his contributions are now termed as Riemannian theory, a variety of related ideas on many aspects of music theory. Biography Riemann was born at Grossmehlra, Schwarzburg-Sondershausen. His first musical training came from his father Robert Riemann, a land owner, bailiff and, to judge from locally surviving listings of his songs and choral works, an active music enthusiast. Hugo Riemann was educated by Heinrich Frankenberger, the Sondershausen Choir Master, in Music theory. He was taught the piano by August Barthel and Theodor Ratzenberger (who had once studied under Liszt). He studied law, and finally philosophy and history at Berlin and Tübingen. After participating in the Franco-Prussian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Accompaniment
Accompaniment is the musical part which provides the rhythmic and/or harmonic support for the melody or main themes of a song or instrumental piece. There are many different styles and types of accompaniment in different genres and styles of music. In homophonic music, the main accompaniment approach used in popular music, a clear vocal melody is supported by subordinate chords. In popular music and traditional music, the accompaniment parts typically provide the "beat" for the music and outline the chord progression of the song or instrumental piece. The accompaniment for a vocal melody or instrumental solo can be played by a single musician playing an instrument such as piano, pipe organ, or guitar. While any instrument can in theory be used as an accompaniment instrument, keyboard and guitar-family instruments tend to be used if there is only a single instrument, as these instruments can play chords and basslines simultaneously (chords and a bassline are easier to pla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Semper Opera
The Semperoper () is the opera house of the Sächsische Staatsoper Dresden (Saxon State Opera) and the concert hall of the Staatskapelle Dresden (Saxon State Orchestra). It is also home to the Semperoper Ballett. The building is located on the Theaterplatz near the Elbe River in the historic centre of Dresden, Germany. The opera house was originally built by the architect Gottfried Semper in 1841. After a devastating fire in 1869, the opera house was rebuilt, partly again by Semper, and completed in 1878. The opera house has a long history of premieres, including major works by Richard Wagner and Richard Strauss. History The first opera house at the location of today's Semperoper was built by the architect Gottfried Semper. It opened on 13 April 1841 with an opera by Carl Maria von Weber. The building style itself is debated among many, as it has features that appear in three styles: early Renaissance and Baroque, with Corinthian style pillars typical of Greek classica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
