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Georg Philipp Telemann's Passions
Between 1716 and 1767, Georg Philipp Telemann wrote a series of ''Passions'', musical compositions reflecting on Christ's Passion – the physical, spiritual and mental suffering of Jesus from the hours prior to his trial through to his crucifixion. The works were written for performance in German churches in the days before Easter. A prolific composer, Telemann wrote over 40 ''Passions'' for the churches of Hamburg alone, of which 22 have survived according to the present state of research. He also wrote several Passion oratorios. Unlike the ''Passions'' intended for liturgical performance, they were not closely set to the literal text of the Gospels. History In his dissertation ''The Rise of Lyricism and the Decline of Biblical Narration in the Late Liturgical Passions of Georg Philipp Telemann'' (University of Pittsburgh, 2005), Jason Benjamin Grant describes the three basic periods of Telemann's Passion composition as follows: Style Stylistically, there are many di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Telemann Lukas-Passion
Georg Philipp Telemann (; – 25 June 1767) was a German Baroque composer and multi-instrumentalist. Almost completely self-taught in music, he became a composer against his family's wishes. After studying in Magdeburg, Zellerfeld, and Hildesheim, Telemann entered the University of Leipzig to study law, but eventually settled on a career in music. He held important positions in Leipzig, Sorau, Eisenach, and Frankfurt before settling in Hamburg in 1721, where he became musical director of that city's five main churches. While Telemann's career prospered, his personal life was always troubled: his first wife died less than two years after their marriage, and his second wife had extramarital affairs and accumulated a large gambling debt before leaving him. Telemann is one of the most prolific composers in history, at least in terms of surviving oeuvre. He was considered by his contemporaries to be one of the leading German composers of the time, and he was compared favourably bo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recitative
Recitative (, also known by its Italian name "''recitativo''" ()) is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repeat lines as formally composed songs do. It resembles sung ordinary speech more than a formal musical composition. Recitative can be distinguished on a continuum from more speech-like to more musically sung, with more sustained melodic lines. The mostly syllabic ''recitativo secco'' ("dry", accompanied only by continuo, typically cello and harpsichord) is at one end of the spectrum, through ''recitativo accompagnato'' (using orchestra), the more melismatic arioso, and finally the full-blown aria or ensemble, where the pulse is entirely governed by the music. Secco recitatives can be more improvisatory and free for the singer, since the accompaniment is so sparse; in contrast, when recitative is accompanied by orchestra, the singer must per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ulrich Leisinger
Ulrich Leisinger (born 1964 in Baden-Baden) is a German musicologist and director of the research department of the Mozarteum University Salzburg in Salzburg. Life Leisinger received his doctorate from the University of Heidelberg in 1992. The subject of his dissertation was a paper on Joseph Haydn and the development of the classical piano style. He then went to the Bach Archive Leipzig until 2004, first as a research assistant and later as deputy director of research. In 2004/2005 Leisinger was a visiting professor at Cornell University in Ithaca. Since July 2005, Leisinger has been editor of the New Mozart Edition and the Digital Mozart Edition, published by the Mozarteum Foundation and funded by the Packard Humanities Institute, Los Altos, California. Leisinger is also the editor of new editions of major works of choral literature published by Carus-Verlag Carus-Verlag is a German music publisher founded in 1972 and based in Stuttgart. Carus was founded by choral conduc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oculi Sunday
Lent ( la, Quadragesima, 'Fortieth') is a solemn religious observance in the liturgical calendar commemorating the 40 days Jesus spent fasting in the desert and enduring temptation by Satan, according to the Gospels of Matthew, Mark and Luke, before beginning his public ministry. Lent is observed in the Anglican, Eastern Orthodox, Lutheran, Methodist, Moravian, Oriental Orthodox, Persian, United Protestant and Roman Catholic traditions. Some Anabaptist, Baptist, Reformed (including certain Continental Reformed, Presbyterian and Congregationalist churches), and nondenominational Christian churches also observe Lent, although many churches in these traditions do not. Which days are enumerated as being part of Lent differs between denominations (see below), although in all of them Lent is described as lasting for a total duration of 40 days. In Lent-observing Western Churches, Lent begins on Ash Wednesday and ends approximately six weeks later; depending on the Christian denom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vespers
Vespers is a service of evening prayer, one of the canonical hours in Eastern Orthodox, Oriental Orthodox, Catholic Church, Catholic (both Latin liturgical rites, Latin and Eastern Catholic Churches, Eastern), Lutheranism, Lutheran, and Anglican liturgies. The word for this fixed prayer times, fixed prayer time comes from the Latin , meaning "evening". Vespers typically follows a set order that focuses on the performance of psalms and other biblical canticles. Eastern Orthodox services advertised as 'vespers' often conclude with compline, especially the all-night vigil. Performing these services together without break was also a common practice in medieval Europe, especially secular churches and cathedrals. Old English speakers translated the Latin word as , which became evensong in modern English. The term is now usually applied to the Anglican variant of the service that combines vespers with compline, following the conception of early sixteenth-century worshippers that conce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Good Friday
Good Friday is a Christian holiday commemorating the crucifixion of Jesus and his death at Calvary. It is observed during Holy Week as part of the Paschal Triduum. It is also known as Holy Friday, Great Friday, Great and Holy Friday (also Holy and Great Friday), and Black Friday. Members of many Christian denominations, including the Catholic, Eastern Orthodox, Lutheran, Anglican, Methodist, Oriental Orthodox, United Protestant and some Reformed traditions (including certain Continental Reformed, Presbyterian and Congregationalist churches), observe Good Friday with fasting and church services. In many Catholic, Lutheran, Anglican and Methodist churches, the Service of the Great Three Hours' Agony is held from noon until 3 pm, the time duration that the Bible records as darkness covering the land to Jesus' sacrificial death on the cross. Communicants of the Moravian Church have a Good Friday tradition of cleaning gravestones in Moravian cemeteries. The date of Good Fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Passions Of C
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Passions (Bach)
As Thomaskantor, Johann Sebastian Bach provided Passion music for Good Friday services in Leipzig. The extant ''St Matthew Passion'' and ''St John Passion'' are Passion oratorios composed by Bach. Passions composed and/or staged by Bach According to his "", the 1754 obituary written by Johann Friedrich Agricola and the composer's son Carl Philipp Emanuel, Bach wrote "five Passions, of which one is for double chorus". The double chorus one is easily identified as the ''St Matthew Passion''. The ''St John Passion'' is the only extant other one that is certainly composed by Bach. The libretto of the '' St Mark Passion'' was published in Bach's time, allowing reconstruction based on the pieces Bach is known to have parodied for its composition, while the extant '' St Luke Passion'' likely contains little or no music composed by Bach. Which Bach compositions, apart from the known ones, may have been meant in the obituary remains uncertain. The ''St John Passion'' is shorter and has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brockes-Passion
The ''Brockes Passion'', or ' (title in English: ''The Story of Jesus, Suffering and Dying for the Sins of the World''), is a German oratorio libretto by Barthold Heinrich Brockes, first published in 1712 and going through 30 or so editions in the next 15 years. Text Barthold Heinrich Brockes was an influential German poet who re-worked the traditional form of a Passion oratorio, adding reflective and descriptive poetry, sometimes of a highly-wrought and emotional kind, into the texture of his Passion. The Brockes Passion was much admired and set to music numerous times in Baroque Germany, although to other ages and in other countries some of Brockes' poetry has seemed in poor taste. In Brockes' version of a passion, a tenor Evangelist narrates, in recitative passages, events from all four Gospels' accounts of Jesus' suffering and death. Persons of the Gospel story (Jesus, Peter, Pilate, etc.) have dialogue passages, also in recitative; a chorus sings passages depicting the decl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barthold Heinrich Brockes
Barthold Heinrich Brockes (September 22, 1680 – January 16, 1747) was a German poet. He was born in Hamburg and educated at the Gelehrtenschule des Johanneums. He studied jurisprudence at Halle, and after extensive travels in Italy, France and the Netherlands, settled in Hamburg in 1704. In 1720 he was appointed a member of the Hamburg senate, and entrusted with several important offices. Six years (from 1735 to 1741) he spent as ''Amtmann'' (bailiff) at Ritzebüttel. He died in Hamburg. Brockes' poetic works were published in a series of nine volumes under the fantastic title ''Irdisches Vergnügen in Gott'' (1721–1748); he also translated Giambattista Marino's ''La Strage degli innocenti'' (1715), Alexander Pope's ''Essay on Man'' (1740) and James Thomson's '' The Seasons'' (1745). His poetry has small intrinsic value, but it is symptomatic of the change which came over German literature at the beginning of the 18th century. His libretto ''Der für die Sünden der Welt g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Messias
''Der Messias'', K. 572, is Wolfgang Amadeus Mozart's 1789 German-language version of ''Messiah'', George Frideric Handel's 1741 oratorio. On the initiative of Gottfried van Swieten, Mozart adapted Handel's work for performances in Vienna. The libretto of Mozart's adaptation was largely based on Luther's translation of the Bible. Mozart re-orchestrated about three-fifths of Handel's composition, primarily providing additional parts for an extended section of wind instruments, which was called ''Harmonie'' at the time. In general, a half-century after the inception of the work, Mozart adapted an English-language work conceived for a baroque orchestra in a public venue, to accommodate the constraints of private performances and the musical tastes of Vienna. Mozart's arrangement, first published in 1803, was instrumental in making ''Messiah'' Handel's most widely known oratorio. However, the adaptation has had few supporters amongst Mozart or Handel scholars. History Moza ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Friedrich Gottlieb Klopstock
Friedrich Gottlieb Klopstock (; 2 July 1724 – 14 March 1803) was a German poet. His best known work is the epic poem ''Der Messias'' ("The Messiah"). One of his major contributions to German literature was to open it up to exploration outside of French models. Biography Early life Klopstock was born at Quedlinburg, the eldest son of a lawyer. Both in his birthplace and on the estate of Friedeburg on the Saale, which his father later rented, he spent a happy childhood. Having been given more attention to his physical than to his mental development, he grew up strong and healthy and was considered an excellent horseman. In his thirteenth year, he returned to Quedlinburg and attended the gymnasium there, and in 1739 went on to the famous classical school named Schulpforta. Here he soon became adept in Greek and Latin versification, and wrote some meritorious idylls and odes in German. His original intention of making Henry the Fowler the hero of an epic was abandoned in favor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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