Gaze
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Gaze
In critical theory, sociology, and psychoanalysis, the gaze (French ''le regard''), in the philosophical and figurative sense, is an individual's (or a group's) awareness and perception of other individuals, other groups, or oneself. The concept and the social applications of the gaze have been defined and explained by existentialist and phenomenologist philosophers. Jean-Paul Sartre described the gaze (or "the look") in '' Being and Nothingness'' (1943). Michel Foucault, in '' Discipline and Punish: The Birth of the Prison'' (1975), developed the concept of the gaze to illustrate the dynamics of socio-political power relations and the social dynamics of society's mechanisms of discipline. Jacques Derrida, in ''The Animal that Therefore I Am (More to Come)'' (1997), elaborated upon the inter-species relations that exist among human beings and other animals, which are established by way of the gaze. Psychoanalysis In Lacanian psychoanalytic theory, Lacan's view on the gaze chang ...
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Feminist Film Theory
Feminist film theory is a theoretical film criticism derived from feminist politics and feminist theory influenced by Second Wave Feminism and brought about around the 1970s in the United States. With the advancements in film throughout the years feminist film theory has developed and changed to analyse the current ways of film and also go back to analyse films past. Feminists have many approaches to cinema analysis, regarding the film elements analyzed and their theoretical underpinnings. History The development of feminist film theory was influenced by second wave feminism and women's studies in the 1960s and 1970s. Initially in the United States in the early 1970s feminist film theory was generally based on sociological theory and focused on the function of female characters in film narratives or genres. Feminist film theory, such as Marjorie Rosen's '' Popcorn Venus: Women, Movies, and the American Dream'' (1973) and Molly Haskell’s ''From Reverence to Rape: The Treatment ...
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