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Gate Hill Cooperative
Gate Hill Cooperative, also known as The Land, is an experimental artists’ colony and intentional community located in Stony Point, Rockland County, New York. It is often viewed as an extension of Black Mountain College in Western North Carolina. Founding community Gate Hill Cooperative was founded in 1953 by former Black Mountain College (BMC) students Paul and Vera Williams. Its inspiration came from playwright and critic Paul Goodman's publication '' Communitas: Means of Livelihood and Ways of Life'' and his teaching when he served as faculty at the BMC Summer Institute of 1950. The group forming the immediate basis for the Gate Hill Cooperative included BMC instructors Karen Karnes, David Weinrib, John Cage (later joined by Merce Cunningham), David Tudor, and poet and potter M.C. Richards, whose ideas on community living were also a major catalyst for the creation of the cooperative. Among the artists, composers, filmmakers, choreographers, poets, and potters who mo ...
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Art Colony
An art colony, also known as an artists' colony, can be defined two ways. Its most liberal description refers to the organic congregation of artists in towns, villages and rural areas, often drawn by areas of natural beauty, the prior existence of other artists or art schools there, and a lower cost of living. More commonly, the term refers to the guest-host model of a mission-driven planned community, which administers a formal process for awarding artist residencies. In the latter case, a typical mission might include providing artists with the time, space and support to create; fostering community among artists; and providing arts education (lectures, workshops) to the public. Early 20th century American guest-host models include New Hampshire's MacDowell Colony and New York's Yaddo. World-wide, the two primary organizations serving artist colonies and residential centres are Res Artis, in Amsterdam, and the Alliance of Artists Communities, in Providence, Rhode Island. Taiwan' ...
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Paul And Ethel Hultberg
Paul may refer to: * Paul (given name), a given name (includes a list of people with that name) * Paul (surname), a list of people People Christianity *Paul the Apostle (AD c.5–c.64/65), also known as Saul of Tarsus or Saint Paul, early Christian missionary and writer * Pope Paul (other), multiple Popes of the Roman Catholic Church * Saint Paul (other), multiple other people and locations named "Saint Paul" Roman and Byzantine empire * Lucius Aemilius Paullus Macedonicus (c. 229 BC – 160 BC), Roman general * Julius Paulus Prudentissimus (), Roman jurist * Paulus Catena (died 362), Roman notary * Paulus Alexandrinus (4th century), Hellenistic astrologer * Paul of Aegina or Paulus Aegineta (625–690), Greek surgeon Royals *Paul I of Russia (1754–1801), Tsar of Russia * Paul of Greece (1901–1964), King of Greece Other people *Paul the Deacon or Paulus Diaconus (c. 720 – c. 799), Italian Benedictine monk * Paul (father of Maurice), the father of Mau ...
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Karlheinz Stockhausen
Karlheinz Stockhausen (; 22 August 1928 – 5 December 2007) was a German composer, widely acknowledged by critics as one of the most important but also controversial composers of the 20th and early 21st centuries. He is known for his groundbreaking work in electronic music, for introducing controlled chance ( aleatory techniques) into serial composition, and for musical spatialization. He was educated at the Hochschule für Musik Köln and the University of Cologne, later studying with Olivier Messiaen in Paris and with Werner Meyer-Eppler at the University of Bonn. One of the leading figures of the Darmstadt School, his compositions and theories were and remain widely influential, not only on composers of art music, but also on jazz and popular music. His works, composed over a period of nearly sixty years, eschew traditional forms. In addition to electronic music—both with and without live performers—they range from miniatures for musical boxes through works for s ...
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Annette Michelson
Annette Michelson (November 7, 1922 – September 17, 2018) was an American art and film critic and writer. Her work contributed to the fields of cinema studies and the avant-garde in visual culture. Biography Born in 1922, Michelson graduated from Hunter College High School circa 1940 and Brooklyn College in 1948. Between 1956 and 1966, she was art editor and critic for the Paris edition of the ''New York Herald Tribune'' while also writing for ''Arts Magazine'' and ''Art International''. She worked as a writer for Artforum, where she edited the influential issues on 'Eisenstein/Brakhage' in 1973 and the 'Special Film Issue' in 1973. Together with Jay Leyda, she established the Department of Cinema Studies at New York University, where she taught numerous courses, supervised doctoral dissertations, and developed programs until retiring in 2004. Leaving Artforum in 1976, she founded the journal ''October'' together with Rosalind Krauss. ''October'' was formed as a politically cha ...
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Andy Warhol
Andy Warhol (; born Andrew Warhola Jr.; August 6, 1928 – February 22, 1987) was an American visual artist, film director, and producer who was a leading figure in the visual art movement known as pop art. His works explore the relationship between artistic expression, advertising, and celebrity culture that flourished by the 1960s, and span a variety of media, including painting, silkscreening, photography, film, and sculpture. Some of his best-known works include the silkscreen paintings '' Campbell's Soup Cans'' (1962) and ''Marilyn Diptych'' (1962), the experimental films ''Empire'' (1964) and ''Chelsea Girls'' (1966), and the multimedia events known as the '' Exploding Plastic Inevitable'' (1966–67). Born and raised in Pittsburgh, Warhol initially pursued a successful career as a commercial illustrator. After exhibiting his work in several galleries in the late 1950s, he began to receive recognition as an influential and controversial artist. His New York studio, ...
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Agnès Varda
Agnès Varda (; born Arlette Varda; 30 May 1928 – 29 March 2019) was a Belgian-born French film director, screenwriter, photographer, and artist. Her pioneering work was central to the development of the widely influential French New Wave film movement of the 1950s and 1960s. Her films focused on achieving documentary realism, addressing women's issues, and other social commentary, with a distinctive experimental style. Varda's work employed location shooting in an era when the limitations of sound technology made it easier and more common to film indoors, with constructed sets and painted backdrops of landscapes, rather than outdoors, on location. Her use of non-professional actors was also unconventional for 1950s French cinema. Varda's feature film debut was ''La Pointe Courte'' (1955), followed by ''Cléo from 5 to 7'' (1962), one of her most notable narrative films, ''Vagabond'' (1985), and ''Kung Fu Master'' (1988). Varda was also known for her work as a documentarian wit ...
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Ed Emshwiller
Edmund Alexander Emshwiller (February 16, 1925 – July 27, 1990) was an American visual artist notable for his science fiction illustrations and his pioneering experimental films. He usually signed his illustrations as Emsh but sometimes used Ed Emsh, Ed Emsler, Willer and others. Background and early career Born in Lansing, Michigan of Germanic descent, he graduated from the University of Michigan in 1947, and then studied at École des Beaux Arts (1949–50) in Paris with his wife, novelist Carol Emshwiller (née Fries), whom he married on August 30, 1949. He also studied at the Art Students League of New York (1950–51)."Ed Emshwiller, 65; Made Experimental Movies and Videos"
Eleanor Blau. ''The New York Times''. August 2, 1990.

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Shirley Clarke
Shirley Clarke (née Brimberg; October 2, 1919 – September 23, 1997) was an American filmmaker. Life Born Shirley Brimberg in New York City, she was the daughter of a Polish-immigrant father who made his fortune in manufacturing. Her mother was the daughter of a multimillionaire Jewish manufacturer and inventor. The eldest of three daughters, her sister was the writer Elaine Dundy. Her interest in dance began at an early age, but met with the disapproval of her father, a violent bully.Philip PurseObituary of Clarke's sister, Elaine Dundy ''The Guardian'', 8 May 2008. Clarke attended Stephens College, Johns Hopkins University, Bennington College, and University of North Carolina. As a result of dance lessons at each of these schools, she trained under the Martha Graham technique, the Humphrey-Weidman technique, and the Hanya Holm method of modern dance. She married Bert Clarke to escape her father's control, so she could study dance under the masters in New York City. Their ...
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James Broughton
James Broughton (November 10, 1913 – May 17, 1999) was an American poet and poetic filmmaker. He was part of the San Francisco Renaissance, a precursor to the Beat poets. He was an early bard of the Radical Faeries, as well as a member of The Sisters of Perpetual Indulgence, serving the community as Sister Sermonetta. Life and career Born to wealthy parents in Modesto, California, Broughton's father died when he was five years old in the 1918 influenza epidemic, and he spent his childhood in San Francisco. Before he was three, "Sunny Jim" experienced a transformational visit from his muse, Hermy, which he describes in his autobiography, ''Coming Unbuttoned'' (1993): Broughton was kicked out of military school for having an affair with a classmate, and attended Stanford University before dropping out just before his class graduated in 1935. In 1945, he won the Alden Award given by the Stanford Dramatists' Alliance for his original screenplay ''Summer Fury''. He spent tim ...
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Robert Duncan (poet)
Robert Edward Duncan (January 7, 1919 – February 3, 1988) was an American poet and a devotee of Hilda "H.D." Doolittle and the Western esoteric tradition who spent most of his career in and around San Francisco. Though associated with any number of literary traditions and schools, Duncan is often identified with the poets of the New American Poetry and Black Mountain College. Duncan saw his work as emerging especially from the tradition of Pound, Williams and Lawrence. Duncan was a key figure in the San Francisco Renaissance. Overview Not only a poet, but also a public intellectual, Duncan's presence was felt across many facets of popular culture. His name is prominent in the history of pre- Stonewall gay culture and in the emergence of bohemian socialist communities of the 1930s and '40s, in the Beat Generation, and also in the cultural and political upheaval of the 1960s, influencing occult and gnostic circles of the time. During the later part of his life, Duncan's wor ...
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Intermedia
Intermedia is an art theory term coined in the mid-1960s by Fluxus artist Dick Higgins to describe various interdisciplinarity art activities that occur between genres, beginning in the 1960s. It was also used by John Brockman to refer to works in expanded cinema that were associated with Jonas Mekas' Film-Makers’ Cinematheque. Gene Youngblood also described intermedia, beginning in his ''Intermedia'' column for the Los Angeles Free Press beginning in 1967 as a part of a global network of multiple media that was expanding consciousness. Youngblood gathered and expanded upon intermedia ideas from this series of columns in his 1970 book ''Expanded Cinema'', with an introduction by Buckminster Fuller. Over the years, intermedia has been used almost interchangeably with multi-media and more recently with the categories of digital media, technoetics, electronic media and post-conceptualism. Characteristics The areas such as those between drawing and poetry, or between painting a ...
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Expanded Cinema
{{italic title ''Expanded Cinema'' by Gene Youngblood (1970), the first book to consider video as an art form, was influential in establishing the field of media arts.Manovich, Lev. 2002. "Ten Key Texts on Digital Art: 1970–2000". Leonardo. 35 (5): 567–569. In the book he argues that a new, expanded cinema is required for a new consciousness. He describes various types of filmmaking utilizing new technology, including film special effects, computer art, video art, multi-media environments and holography. "Part One: The Audience and the Myth of Entertainment" In the first part of the book, Youngblood attempts to show how ''expanded cinema'' will unite art and life. "Television's elaborate movie-like subjective-camera ''simulation'' of the first moon landing" (p46) showed a generation that reality was not as real as simulation. He says that he is writing "at the end of the era of cinema as we've known it, the beginning of an era of image-exchange between man and man" (p. 49). The ...
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