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Garsenda De Proensa
Garsenda (french: Garsende; c. 1180 – c. 1242/1257) was the Countess of Provence as the wife of Alfonso II from 1193 and the Countess of Forcalquier in her own right from 1209 and subsequently united with Provence. She was also a patron of Occitan literature, especially the troubadours, and herself wrote some lyric poetry and is counted among the trobairitz as ''Garsenda de Proensa''. She was, in the words of her most recent editors, "one of the most powerful women in Occitan history". Early life and marriage Garsenda was the daughter of Rainou (or Rénier), lord of Caylar and Ansouis of the House of Sabran, and Garsenda, daughter of William IV of Forcalquier. She was named after her mother, who was the heiress of William IV, but predeceased him. Garsenda therefore inherited Forcalquier from her grandfather. She was only thirteen years of age when, in 1193, her grandfather William IV and Alfonso II signed the Treaty of Aix whereby Garsenda would inherit William's county a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Rulers Of Provence
The land of Provence has a history quite separate from that of any of the larger nations of Europe. Its independent existence has its origins in the frontier nature of the dukedom in Merovingian Gaul. In this position, influenced and affected by several different cultures on different sides, the Provençals maintained a unity which was reinforced when the region was made a separate kingdom during the Carolingian decline of the later ninth century. Provence was eventually joined to the other Burgundian kingdom, but it remained ruled by its own powerful, and largely independent, counts. In the eleventh century, Provence became disputed between the traditional line and the counts of Toulouse, who claimed the title of "Margrave of Provence". In the High Middle Ages, the title of Count of Provence belonged to local families of Frankish origin, to the House of Barcelona, to the House of Anjou and to a cadet branch of the House of Valois. After 1032, the county was part of the Holy Rom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raymond Berengar IV Of Provence
Ramon Berenguer IV (french: Raimond-Bérenger; 1198 – 19 August 1245) was a member of the House of Barcelona who ruled as count of Provence and Forcalquier. He was the first count of Provence to live in the county in more than one hundred years. During the minority of a previous count, the regency was exercised by Ramon Berenguer IV de Barcelona, who is sometimes counted among the counts of Provence. Family Ramon Berenguer was the son of Alfonso II, Count of Provence, and Garsenda, Countess of Forcalquier. After his father's death (1209), Ramon's mother sent him to the Templar castle of Monzón in Aragon. He was accompanied by his cousin James, whose life was also under threat. He left Monzon in 1216 to claim his inheritance, which included the county of Forcalquier—inherited from his mother. On 5 June 1219, Ramon Berenguer married Beatrice of Savoy, daughter of Thomas, Count of Savoy. She was a shrewd and politically astute woman, whose beauty was likened by Matthew Paris to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raimon Vidal
Raimon Vidal de Bezaudu(n) (Catalan: ''Ramon Vidal de Besalú'') (flourished early 13th century) was a Catalan troubadour from Besalù. He is notable for authoring the first tract in a Romance language (Occitan) on the subject of grammar and poetry, the ''Razós de trobar'' (c. 1210),The similar ''Donatz proensals'' of Uc Faidit was also produced around this time. a title which translates as "Reasons (or Guidelines) of troubadour composition". He began his career as a joglar and he spent his formative years at the court of Hug de Mataplana, which he often recalls fondly in his poems and songs. In the ''Razós'', Raimon distinguishes the "parladura francesa" (French) from the "cella de Lemosin" (Occitan). He also discusses the art of the listener (''li auzidor'') and his responsibility to understand the troubadour works. Raimon's insistence that the audience understand what is sung and that they keep silent during its singing has been regarded as seminal in the history of classica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gui De Cavaillon
Gui de Cavalhon, Cavaillo, or Gavaillo ( fl. 1200–1229) was a Provençal nobleman: a diplomat, warrior, and man of letters. He was probably also the Guionet who composed ''tensos'' and ''partimens'' with Cadenet, Raimbaut de Vaqueiras, Mainart Ros, Pomairol, and a certain Guillem. Knight and nobleman Gui was born at Cavaillon in the Valclusa, though there is no evidence of him residing there. He is first encountered at the court of Alfonso II of Provence in 1200–07. In 1204 he was present at the marriage of Alfonso's elder brother, Peter II of Aragon, and Maria of Montpellier. Beginning in 1209 he was in the service of Raymond VI of Toulouse fighting the Albigensian Crusade. In 1215 he accompanied Raymond to the Fourth Lateran Council. In 1216–17 he was fighting in Provence, where he was a counsellor of Raymond Berengar IV.Egan, 43 n1. In 1220 he was besieged in ''Castel-Nou'', now Castèlnòu d'Arri (Castelnaudary), by Amaury de Montfort. He later entered the Templar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coblas
A ''cobla esparsa'' ( literally meaning "scattered stanza") in Old Occitan is the name used for a single-stanza poem in troubadour poetry. They constitute about 15% of the troubadour output, and they are the dominant form among late (after 1220) authors like Bertran Carbonel and Guillem de l'Olivier.Simon Gaunt and Sarah Kay, edd. (1999), ''The Troubadours: An Introduction'' (Cambridge: Cambridge University Press, ). The term ''cobla triada'' is used by modern scholars to indicate a ''cobla'' taken from a longer poem and let stand on its own, but its original medieval meaning was a ''cobla esparsa'' taken from a larger collection of such poems, since ''coblas esparsas'' were usually presented in large groupings. Sometimes, two authors would write a cobla esparsa each, in a ''cobla'' exchange; this corresponds, in a shorter form, to the earlier ''tenso'' or ''partimen''.Martín de Riquer (1964), Història de la Literatura Catalana, vol. 1 (Barcelona: Ariel), 509ff. Whether such excha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chansonnier
A chansonnier ( ca, cançoner, oc, cançonièr, Galician and pt, cancioneiro, it, canzoniere or ''canzoniéro'', es, cancionero) is a manuscript or printed book which contains a collection of chansons, or polyphonic and monophonic settings of songs, hence literally " song-books"; however, some manuscripts are called chansonniers even though they preserve the text but not the music, for example, the Cancioneiro da Vaticana and Cancioneiro da Biblioteca Nacional, which contain the bulk of Galician-Portuguese lyrics. The most important chansonniers contain lyrics, poems and songs of the troubadours and trouvères used in the medieval music. Prior to 1420, many song-books contained both sacred and secular music, one exception being those containing the work of Guillaume de Machaut. Around 1420, sacred and secular music was segregated into separate sources, with large choirbooks containing sacred music, and smaller chansonniers for more private use by the privileged. Chansonniers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenso
A ''tenso'' (; french: tençon) is a style of troubadour song. It takes the form of a debate in which each voice defends a position; common topics relate to love or ethics. Usually, the tenso is written by two different poets, but several examples exist in which one of the parties is imaginary, including God (Peire de Vic), the poet's horse (Gui de Cavalhon) or his cloak (Bertran Carbonel). Closely related, and sometimes overlapping, genres include: * the ''partimen'', in which more than two voices discuss a subject * the ''cobla esparsa'' or ''cobla exchange'', a tenso of two stanzas only * the ''contenson'', where the matter is eventually judged by a third party. Notable examples *Marcabru and Uc Catola''Amics Marchabrun, car digam'' possibly the earliest known example. *Cercamon and Guilhalmi''Car vei finir a tot dia'' another candidate for the earliest known example. *Raimbaut d'Aurenga and Giraut de Bornelh''Ara·m platz, Giraut de Borneill'' where major exponents of the two ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elias De Barjols
Elias de Barjols (floruit, fl. 1191–1230Gaunt and Kay, 283.) was a bourgeois Aquitainian troubadour who established himself in Provence and retired a monk. Eleven of his Lyric poetry, lyrics survive, but none of his music. According to his ''Vida (Occitan literary form), vida'' Elias was the son of a merchant and came from Agenais. The name of his birthplace is in the manuscripts, but such a name can not be found in Agenais nor elsewhere: the most recent edition suggests that is a scribal error for , ancient name of Pujols, Lot-et-Garonne, Pujols, castle placed in Agenais, about 25 km from Agen. The identification of as Pérols-sur-Vézère, as Stronski proposed in 1906, is untenable, because this place was not a castle and was not in Agenais, but in Limousin. According to his he was the greatest singer of his age (but such a statement is very frequent in the ') and he travelled widely from court to court as a jongleur with a fellow jongleur named Oliver.Egan, 30. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vida (Occitan Literary Form)
''Vida'' () is the usual term for a brief prose biography, written in Old Occitan, of a troubadour or trobairitz. The word ''vida'' means "life" in Occitan languages; they are short prose biographies of the troubadours, and they are found in some chansonniers, along with the works of the author they describe. Vidas are notoriously unreliable: Mouzat, while complaining that some scholars still believe them, says they represent the authors as "ridiculous bohemians, and picaresque heroes"; Alfred Jeanroy calls them "the ancestors of modern novels". Most often, they are not based on independent sources, and their information is deduced from literal readings of details of the poems. Most of the ''vidas'' were composed in Italy, many by Uc de Saint Circ. Additionally, some individual poems are accompanied by ''razo A ''razo'' (, literally "cause", "reason") was a short piece of Occitan prose detailing the circumstances of a troubadour composition. A ''razo'' normally introduced an in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blason Famille Fr Sabran
Blason is a form of poetry. The term originally comes from the heraldic term "blazon" in French heraldry, which means either the codified description of a coat of arms or the coat of arms itself. The Dutch term is Blazoen, and in either Dutch or French, the term is often used to refer to the coat of arms of a chamber of rhetoric. History The term forms the root of the modern words "emblazon", which means to celebrate or adorn with heraldic markings, and "blazoner", one who emblazons. The terms "blason", "blasonner", "blasonneur" were used in 16th-century French literature by poets who, following Clément Marot in 1536, practised a genre of poems that praised a woman by singling out different parts of her body and finding appropriate metaphors to compare them with. It is still being used with that meaning in literature and especially in poetry. One famous example of such a celebratory poem, ironically rejecting each proposed stock metaphor, is William Shakespeare's Sonnet 130: :' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nuño Sánchez
Nuño Sánchez ( ca, Nunó, ''Nunyó'', or'' Nunyo Sanç'', french: Nuno Sanche) ( 1185 – 1242) was a nobleman and statesman in the Crown of Aragon. Nuño was the son of Sancho, Count of Provence, Roussillon, and Cerdagne, and Sancha Núñez of the House of Lara. His father was dispossessed of Provence in 1185 but maintained Roussillon and Cerdagne until his death in 1223, handing control of them over to his son as early as 1212. He was formally invested with them by Peter II of Aragon later that year. His full Latin title was ''Nunus Sancii, Dei gratia dominus de Rossillionis, Vallis de Asperii, Conflent et Cerritane'' ("Nuño Sánchez, by the grace of God lord of Roussillon, Vallespir, Conflent and Cerdagne"). His investment was of little help to Peter, for Nuño arrived too late to be of any service at the Battle of Muret (1213), where Peter died. Subsequently he and his father served as regents for Peter's minor heir, James I. In 1215 his father married him to Peronell ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crown Of Aragon
The Crown of Aragon ( , ) an, Corona d'Aragón ; ca, Corona d'Aragó, , , ; es, Corona de Aragón ; la, Corona Aragonum . was a composite monarchy ruled by one king, originated by the dynastic union of the Kingdom of Aragon and the County of Barcelona and ended as a consequence of the War of the Spanish Succession. At the height of its power in the 14th and 15th centuries, the Crown of Aragon was a thalassocracy controlling a large portion of present-day eastern Spain, parts of what is now southern France, and a Mediterranean empire which included the Balearic Islands, Sicily, Corsica, Sardinia, Malta, Southern Italy (from 1442) and parts of Greece (until 1388). The component realms of the Crown were not united politically except at the level of the king, who ruled over each autonomous polity according to its own laws, raising funds under each tax structure, dealing separately with each ''Corts'' or ''Cortes'', particularly the Kingdom of Aragon, the Principality of Catalonia, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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