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Garrangali Band
The Garrangali Band, also known as Garrangali, is an Aboriginal Australian musical group from the tiny homeland community, or outstation, of Baniyala in East Arnhem Land in the Northern Territory of Australia. Garrangali means "home of the crocodile" in the Yolngu language, in which they sing some lyrics. Their musical style has been variously described as reggae, saltwater reggae and saltwater ska. The band came on to the scene in 2009, when they were nominated for the Emerging Artist award at the National Indigenous Music Awards 2009. At the ceremony in 2010 they won two categories: album of the year with their debut, ''Crocodile Nest'', and song of the year for "Sea Rights". Their lyrics focus on their land, Aboriginal culture and Indigenous rights. The group first performed in Sydney in mid-2010 at the Old Manly Boatshed, Manly. The line-up included Community Development Employment Projects (CDEP) participants and/or Yirralka Rangers. In 2018 they performed at the 20th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arnhem Land
Arnhem Land is a historical region of the Northern Territory of Australia, with the term still in use. It is located in the north-eastern corner of the territory and is around from the territory capital, Darwin. In 1623, Dutch East India Company captain Willem Joosten van Colster (or Coolsteerdt) sailed into the Gulf of Carpentaria and Cape Arnhem is named after his ship, the ''Arnhem'', which itself was named after the city of Arnhem in the Netherlands. The area covers about and has an estimated population of 16,000, of whom 12,000 are Aboriginal and Torres Strait Islander people. Two regions are often distinguished as East Arnhem (Land) and West Arnhem (Land), and North-east Arnhem Land is known to the local Yolŋu people as Miwatj. The region's service hub is Nhulunbuy, east of Darwin, set up in the early 1970s as a mining town for bauxite. Other major population centres are Yirrkala (just outside Nhulunbuy), Gunbalanya (formerly Oenpelli), Ramingining, and Maningrida. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Garma Festival Of Traditional Cultures
The Garma Festival of Traditional Cultures (Garma) is Australia's largest Indigenous cultural gathering, taking place over four days each August in northeast Arnhem Land, in the Northern Territory, Australia. Hosted by the Yothu Yindi Foundation, Garma is a celebration of the cultural traditions of the Yolngu people, and a major community gathering for the clans and families of the Arnhem Land region. The event showcases traditional ''miny'tji'' (art), ancient story-telling, manikay (song), and bunggul (dance). It is held at Gulkula, a significant Gumatj ceremonial site about from the township of Nhulunbuy, attracts more than 2500 guests each year and is often sold out months in advance. In recent years, Garma has become an important fixture on the political calendar, attracting business, political, academic, and philanthropic leaders to help shape Indigenous affairs policy through the Key Forum conference. It is run during the Darwin Festival. History The first Garma was he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ramingining
Ramingining is an Aboriginal Australian community of mainly Yolngu people in the Northern Territory, Australia, east of Darwin. It is on the edge of the Arafura Swamp in Arnhem Land. Wulkabimirri is a tiny outstation (homeland) nearby, and Murwangi, further south, is part of the Ramingining Homelands. Marwuyu Gulparil, also known as Gulparil Marwuyu or just Marwuyu, is another remote community to the south of Ramingining. History The community was established in the early 1970s, and became recognised as Aboriginal land with the passage of the ''Aboriginal Land Rights Act 1976''. The place name was registered as an administrative area in 2007. The village, along with nearby Murwangi (formerly Arafura Station, now part of Ramingining Homelands), was the source for many of the actors in the 2006 film ''Ten Canoes''. After the film sparked worldwide interest in Yolngu and Australian Aboriginal culture, a spin-off educational project known as ''Twelve Canoes'' was created, in coll ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maningrida
Maningrida, also known as Manayingkarírra and Manawukan, is an Aboriginal community in the heart of the Arnhem Land region of Australia's Northern Territory. Maningrida is east of Darwin, and north east of Jabiru. It is on the North Central Arnhem Land coast of the Arafura Sea, on the estuary of the Liverpool River. The Kunibídji (Ndjebbana) people are the traditional owners of this country. Major players in the town's economic and political life include the West Arnhem Regional Council, the Bawinanga Aboriginal Corporation, the Maningrida Progress Association, and Mala'la Health Service Aboriginal Corporation. Maningrida Arts & Culture, with its Djómi Museum, is a major art centre, known both nationally and internationally. At the 2021 census, Maningrida had a population of 2,518. History The Kunibídji (Ndjebbana) people are the traditional owners of this country. The name Maningrida is an Anglicised version of the Kunibídji name Manayingkarírra, which comes from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blue Mud Bay
Blue Mud Bay is a large, shallow, partly enclosed bay on the eastern coast of Arnhem Land, in the Northern Territory of Australia, facing Groote Eylandt on the western side of the Gulf of Carpentaria. It lies east-south-east of Darwin in the Arnhem Coast bioregion. Its name was given to a landmark court ruling affirming that the Aboriginal traditional owners of much of the Northern Territory's coastline have exclusive rights over commercial and recreational fishing in tidal waters overlying their land. Description The bay is about 90 km in length and up to 35 km in width. Its 45 km wide mouth stretches from Cape Shield in the north-east to Cape Barrow in the south-west, with Woodah Island in between. It has a diverse inner coastline of many small bays, inlets, headlands and islands, bordered by intertidal mudflats and mangroves merging into freshwater floodplains. The bay and the adjoining floodplains are held by the Arnhem Land Aboriginal Land Trust as Ab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Songline
A songline, also called dreaming track, is one of the paths across the land (or sometimes the sky) within the animist belief systems of the Aboriginal cultures of Australia which mark the route followed by localised "creator-beings" in the Dreaming. The paths of the songlines are recorded in traditional song cycles, stories, dance, and art, and are often the basis of ceremonies. They are a vital part of Aboriginal culture, connecting people to their land. Description The Dreaming, or the Dreamtime, has been described as "a sacred narrative of Creation that is seen as a continuous process that links traditional Aboriginal people to their origins". Ancestors are believed to play a large role in the establishment of sacred sites as they traversed the continent long ago. Animals were created in the Dreaming, and also played a part in creation of the lands and heavenly bodies. Songlines connect places and Creation events, and the ceremonies associated with those places. Oral histor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manikay
Indigenous music of Australia comprises the music of the Aboriginal and Torres Strait Islander peoples of Australia, intersecting with their cultural and ceremonial observances, through the millennia of their individual and collective histories to the present day. The traditional forms include many aspects of performance and musical instrumentation that are unique to particular regions or Aboriginal Australian groups; and some elements of musical tradition are common or widespread through much of the Australian continent, and even beyond. The music of the Torres Strait Islanders is related to that of adjacent parts of New Guinea. Music is a vital part of Indigenous Australians' cultural maintenance. In addition to these Indigenous traditions and musical heritage, ever since the 18th-century European colonisation of Australia began, Indigenous Australian musicians and performers have adopted and interpreted many of the imported Western musical styles, often informed by and in c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indigenous Music Of Australia
Indigenous music of Australia comprises the music of the Aboriginal and Torres Strait Islander peoples of Australia, intersecting with their cultural and ceremonial observances, through the millennia of their individual and collective histories to the present day. The traditional forms include many aspects of performance and musical instrumentation that are unique to particular regions or Aboriginal Australian groups; and some elements of musical tradition are common or widespread through much of the Australian continent, and even beyond. The music of the Torres Strait Islanders is related to that of adjacent parts of New Guinea. Music is a vital part of Indigenous Australians' cultural maintenance. In addition to these Indigenous traditions and musical heritage, ever since the 18th-century European colonisation of Australia began, Indigenous Australian musicians and performers have adopted and interpreted many of the imported Western musical styles, often informed by and in c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clapsticks
Clapsticks, also spelt clap sticks and also known as bilma, bimli, clappers, musicstick or just stick, are a traditional Australian Aboriginal instrument. They serve to maintain rhythm in voice chants, often as part of an Aboriginal ceremony. They are a type of drumstick, percussion mallet or claves that belongs to the idiophone category. Unlike drumsticks, which are generally used to strike a drum, clapsticks are intended for striking one stick on another. Origin and nomenclature In northern Australia, clapsticks would traditionally accompany the didgeridoo, and are called bimli or bilma by the Yolngu people of north-east Arnhem Land in the Northern Territory of Australia. Boomerang clapsticks Boomerang clapsticks are similar to regular clapsticks but they can be shaken for a rattling sound or be clapped together. Technique The usual technique employed when using clapsticks is to clap the sticks together to create a rhythm that goes along with the song. See also * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yidaki
The didgeridoo (; also spelt didjeridu, among other variants) is a wind instrument, played with vibrating lips to produce a continuous drone while using a special breathing technique called circular breathing. The didgeridoo was developed by Aboriginal peoples of northern Australia at least 1,000 years ago, and is now in use around the world, though still most strongly associated with Indigenous Australian music. In the Yolŋu languages of the indigenous people of northeast Arnhem Land the name for the instrument is the ''yiḏaki'', or more recently by some, ''mandapul''. In the Bininj Kunwok language of West Arnhem Land it is known as ''mako''. A didgeridoo is usually cylindrical or conical, and can measure anywhere from long. Most are around long. Generally, the longer the instrument, the lower its pitch or key. Flared instruments play a higher pitch than unflared instruments of the same length. History There are no reliable sources of the exact age of the didgeridoo. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electric Fields
Electric Fields are an Aboriginal Australian electronic music duo made up of vocalist Zaachariaha Fielding and keyboard player and producer Michael Ross. Electric Fields combine modern electric-soul music with Aboriginal culture and sing in Pitjantjatjara, Yankunytjatjara and English. The duo have released an EP and several singles. Career 2011–2020: Formation and ''Inma'' In 2011, Zaachariaha Fielding auditioned for the third season of The X Factor Australia, performing Tracy Chapman's " Talkin Bout a Revolution". In 2013, Michael Ross auditioned for the fifth season performing Phil Collins' "You Can't Hurry Love". Since 2015, the duo have been performing as Electric Fields. Their repertoire moves across pop, soul and electronica, while being described as "Daft Punk meets Nina Simone in the Deep Forest". In June 2016, the duo released their debut EP ''Inma'' (which derives its name from the cultural ceremony of Aṉangu women known as inma). Daniel Browning, a presen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
