Garage Punk (fusion Genre)
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Garage Punk (fusion Genre)
Garage punk is a rock music fusion genre combining the influences of garage rock, punk rock, and often other genres, that took shape in the indie rock underground between the late 1980s and early 1990s. Bands drew heavily from 1960s garage rock, stripped-down 1970s punk rock, and Detroit proto-punk, and often incorporated numerous other styles into their approach, such as power pop, 1960s girl groups, hardcore punk, blues and early R&B, and surf rock. The term "garage punk" often also refers to the original 1960s garage rock movement rather than the 1980s-90s fusion style. The 1980s-90s style itself is sometimes referred to interchangeably as "garage rock" or "garage revival". The term "garage punk" dates back as early as 1972 in reference to the original 1960s garage rock style, although "punk" as it is known today was not solidified as its own distinct genre until 1976. Therefore, despite earlier references to 1960s garage rock as "garage punk", the usage of the term "pu ...
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Garage Revival
Garage rock (sometimes called garage punk or 60s punk) is a raw and energetic style of rock and roll that flourished in the mid-1960s, most notably in the United States and Canada, and has experienced a series of subsequent revivals. The style is characterized by basic chord structures played on electric guitars and other instruments, sometimes distorted through a fuzzbox, as well as often unsophisticated and occasionally aggressive lyrics and delivery. Its name derives from the perception that groups were often made up of young amateurs who rehearsed in the family garage, although many were professional. In the US and Canada, surf rock—and later the Beatles and other beat groups of the British Invasion—motivated thousands of young people to form bands between 1963 and 1968. Hundreds of acts produced regional hits, and some had national hits, usually played on AM radio stations. With the advent of psychedelia, numerous garage bands incorporated exotic elements into th ...
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SF Weekly
''SF Weekly'' was a free alternative weekly newspaper founded in the 1970s in San Francisco, California. It was distributed every Thursday, and was published by the San Francisco Print Media Company. The paper has won national journalism awards, and sponsored the SF Weekly Music Awards. History ''SF Weekly'' was founded locally in the late 1970s by Christopher Hildreth and Edward Bachman and originally named ''San Francisco Music Calendar, the Magazine or Poster Art''. Hildreth saw a need for local artists to have a place to advertise performances and articles. The key feature was the centerfold calendar listings for local art events. The paper was bought by Village Voice Media (then New Times Media) in 1995. In September 2012, Village Voice Media executives Scott Tobias, Christine Brennan and Jeff Mars bought Village Voice Media's papers and associated web properties from its founders and formed Voice Media Group. Four months later, ''SF Weekly'' was sold to the San Francisco M ...
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The Sonics
The Sonics are an American garage rock band from Tacoma, Washington, Tacoma, Washington (state), Washington that formed in 1960. Their aggressive, hard-edged sound has been a major influence on Punk rock, punk and Garage rock, garage music worldwide, and they have been named inspirations to the White Stripes, LCD Soundsystem, and other musical artists. The band performed several early rock standards such as "Louie, Louie", and "Skinny Minnie" as well as original compositions like "Strychnine", "Psycho", and "The Witch (song), The Witch". Their catalogue is generally based around simple chord progressions, often performed with a speed and tonal aggression that was novel for the time, making the band a notable influence on later punk rock bands, such as The Stooges and The Cramps. Biography 1960s The Sonics were formed in 1960 in Bremerton, Washington by teen-aged guitarist Larry Parypa, with the encouragement of his music-loving parents. The earliest lineup included Parypa, dru ...
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Riff
A riff is a repeated chord progression or refrain in music (also known as an ostinato figure in classical music); it is a pattern, or melody, often played by the rhythm section instruments or solo instrument, that forms the basis or accompaniment of a musical composition. Though riffs are most often found in rock music, heavy metal music, Latin, funk, and jazz, classical music is also sometimes based on a riff, such as Ravel's Boléro. Riffs can be as simple as a tenor saxophone honking a simple, catchy rhythmic figure, or as complex as the riff-based variations in the head arrangements played by the Count Basie Orchestra. David Brackett (1999) defines riffs as "short melodic phrases", while Richard Middleton (1999) defines them as "short rhythmic, melodic, or harmonic figures repeated to form a structural framework". Rikky Rooksby states: "A riff is a short, repeated, memorable musical phrase, often pitched low on the guitar, which focuses much of the energy and excitement ...
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Distortion (music)
Distortion and overdrive are forms of audio signal processing used to alter the sound of amplified electric musical instruments, usually by increasing their gain, producing a "fuzzy", "growling", or "gritty" tone. Distortion is most commonly used with the electric guitar, but may also be used with other electric instruments such as electric bass, electric piano, synthesizer and Hammond organ. Guitarists playing electric blues originally obtained an overdriven sound by turning up their vacuum tube-powered guitar amplifiers to high volumes, which caused the signal to distort. While overdriven tube amps are still used to obtain overdrive, especially in genres like blues and rockabilly, a number of other ways to produce distortion have been developed since the 1960s, such as distortion effect pedals. The growling tone of a distorted electric guitar is a key part of many genres, including blues and many rock music genres, notably hard rock, punk rock, hardcore punk, acid rock, a ...
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Simon Reynolds
Simon Reynolds (born 19 June 1963) is an English music journalist and author who began his professional career on the staff of ''Melody Maker'' in the mid-1980s. He has since gone on to freelance and publish a number of full-length books on music and popular culture, ranging from historical tomes on rave music, glam rock, and the post-punk era to critical works such as ''Retromania: Pop Culture's Addiction to Its Own Past'' (2011). He has contributed to '' Spin'', ''Rolling Stone'', ''The New York Times'', ''The Village Voice'', ''The Guardian'', ''The Wire'', ''Pitchfork'', and others. Biography Early life and ''Blissed Out'' (1990) Reynolds was born in London in 1963 and grew up in Berkhamsted. Inspired by his younger brother Tim, he became interested in rock and specifically punk in 1978. In the early 1980s, he attended Brasenose College, Oxford University, which dates back to the 1200s. After graduating, in 1984 he co-founded the Oxford-based pop culture journal ''Monitor'' ...
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Sonics
Sonic or Sonics may refer to: Companies *Sonic Drive-In, an American drive-in fast-food restaurant chain *Sonic (ISP), an Internet provider and CLEC, serving more than 100 California communities *Sonic Foundry, a computer software company which develops programs for editing audio and video *Sonic Healthcare, a company that provides laboratory pathology and radiology services *Sonic Solutions, a company operating in digital-media markets *Sonic Team, a developer of video games *SONIC, a brand name of Sega, S.A. SONIC Arts and Entertainment *''Sonic the Hedgehog'', a Sega video game franchise **Sonic the Hedgehog (character), the titular character of the ''Sonic the Hedgehog'' franchise started in 1991 ** ''Sonic the Hedgehog'' (1991 video game), the first video game in the franchise. It was made for the Sega Genesis. ** ''Sonic the Hedgehog'' (film), the 2020 film based on the franchise and its sequel, ''Sonic the Hedgehog 2'' (film). *Sonic screwdriver, a fictional tool in th ...
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The Guardian
''The Guardian'' is a British daily newspaper. It was founded in 1821 as ''The Manchester Guardian'', and changed its name in 1959. Along with its sister papers ''The Observer'' and ''The Guardian Weekly'', ''The Guardian'' is part of the Guardian Media Group, owned by the Scott Trust. The trust was created in 1936 to "secure the financial and editorial independence of ''The Guardian'' in perpetuity and to safeguard the journalistic freedom and liberal values of ''The Guardian'' free from commercial or political interference". The trust was converted into a limited company in 2008, with a constitution written so as to maintain for ''The Guardian'' the same protections as were built into the structure of the Scott Trust by its creators. Profits are reinvested in journalism rather than distributed to owners or shareholders. It is considered a newspaper of record in the UK. The editor-in-chief Katharine Viner succeeded Alan Rusbridger in 2015. Since 2018, the paper's main news ...
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Elektra Records
Elektra Records (or Elektra Entertainment) is an American record label owned by Warner Music Group, founded in 1950 by Jac Holzman and Paul Rickolt. It played an important role in the development of contemporary folk and rock music between the 1950s and 1970s. In 2004, it was consolidated into WMG's Atlantic Records Group. After five years of dormancy, the label was revived as an imprint of Atlantic in 2009. In October 2018, Elektra was detached from the Atlantic Records umbrella and reorganized into Elektra Music Group, once again operating as an independently managed frontline label of Warner Music. In June 2022, Elektra Music Group was merged with 300 Entertainment to create the umbrella label 300 Elektra Entertainment (3EE), though both Elektra and 300 will continue to maintain their separate identities as labels. History 1950–1971: Founding and early history Elektra was formed in 1950, as the ''Elektra-Stratford Record Corporation'', with a singles label called Stratford R ...
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The Shadows Of Knight
The Shadows of Knight were an American rock band from Chicago, Illinois, that played a version of British blues influenced by their native city. When they began recording in 1965, the band's self-description was "the Stones, Animals and the Yardbirds took the Chicago blues and gave it an English interpretation. We've taken the English version of the Blues and re-added a Chicago touch," to which rock critic Richie Unterberger commented: "The Shadows of Knight's self-description was fairly accurate." History 1960s The band was formed in 1964 as simply the Shadows. In the spring of 1965, the band learned of an already existing British group, the Shadows. Whiz Winters, a friend who worked for their manager, Paul Sampson, in his record shop, came up with the name "The Shadows of Knight" to tie into the British Invasion in music of that time, and because all four of the band members attended Prospect High School in Mt. Prospect, Illinois, whose sports team had the name the "Knights" ...
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Original Artyfacts From The First Psychedelic Era, 1965–1968
Originality is the aspect of created or invented works that distinguish them from reproductions, clones, forgeries, or substantially derivative works. The modern idea of originality is according to some scholars tied to Romanticism, by a notion that is often called romantic originality.Smith (1924)Waterhouse (1926)Macfarlane (2007) The validity of "originality" as an operational concept has been questioned. For example, there is no clear boundary between "derivative" and "inspired by" or "in the tradition of." The concept of originality is both culturally and historically contingent. For example, unattributed reiteration of a published text in one culture might be considered plagiarism but in another culture might be regarded as a convention of veneration. At the time of Shakespeare, it was more common to appreciate the similarity with an admired classical work, and Shakespeare himself avoided "unnecessary invention".Royal Shakespeare Company (2007) ''The RSC Shakespeare - Wil ...
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