Gandolfino Da Roreto
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Gandolfino Da Roreto
Gandolfino d'Asti (before 1493 – after 1518) was an Italian painter, who was active in Piedmont during the early Renaissance. He worked between Asti, Alessandria and Montferrat. He was born at Asti and apprenticed under his father, Giovanni da Roreto, but no works are known from that period. His first documented work is and ''Assumption with Saints'' now at the Galleria Sabauda, Turin (1493). His style was influenced by that of Ligurian and Provençal artists, such as Ludovico Brea. Later he was also influenced by Milanese painters such as Bergognone and Bernardino Zenale. Works by his workshop in Asti include the Pelletta Polyptych in the Cathedral, and ''Adoration of the Magi'' in the Collegiata of San Secondo and ''Madonna Enthroned with Saints'' in church of Santa Maria Nuova. Outside his native city, he painted works such as the St. Peter's Polyptych in Savigliano and a ''Holy Parents'' in the Turin City Museum of Ancient Art The Museo Civico d'Arte Antica is an art m ...
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Asti Cathedral
Asti Cathedral ( it, Cattedrale di Santa Maria Assunta e San Gottardo; Cattedrale di Asti), the episcopal seat of the Diocese of Asti, is a Roman Catholic cathedral in Asti, Piedmont, Italy. It is dedicated to the Assumption of the Blessed Virgin Mary and to Saint Gotthard, and at 82m long and 24m in height and width, is one of the largest churches in Piedmont, the highest expression of Gothic architecture of the region, and among the best examples of Lombard Romanesque appreciable in northern Italy. History It is likely that the first construction of the cathedral started around the fifth or sixth century, and tradition has it that it replaced series of earlier buildings including a primitive church built on the crypt of the martyred saint, Secundus of Asti. Among other of these buildings still apparent is St. John's Church, used today for baptisms. Around 1070, the building collapsed, partly as a result of a fire that set by Adelaide of Susa in her dispute with the bishops. In ...
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Painters From Piedmont
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ...
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16th-century Italian Painters
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion o ...
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Italian Male Painters
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * ...
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15th-century Italian Painters
The 15th century was the century which spans the Julian dates from 1 January 1401 ( MCDI) to 31 December 1500 ( MD). In Europe, the 15th century includes parts of the Late Middle Ages, the Early Renaissance, and the early modern period. Many technological, social and cultural developments of the 15th century can in retrospect be seen as heralding the "European miracle" of the following centuries. The architectural perspective, and the modern fields which are known today as banking and accounting were founded in Italy. The Hundred Years' War ended with a decisive French victory over the English in the Battle of Castillon. Financial troubles in England following the conflict resulted in the Wars of the Roses, a series of dynastic wars for the throne of England. The conflicts ended with the defeat of Richard III by Henry VII at the Battle of Bosworth Field, establishing the Tudor dynasty in the later part of the century. Constantinople, known as the capital of the world ...
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16th-century Deaths
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion ...
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15th-century Births
The 15th century was the century which spans the Julian dates from 1 January 1401 ( MCDI) to 31 December 1500 ( MD). In Europe, the 15th century includes parts of the Late Middle Ages, the Early Renaissance, and the early modern period. Many technological, social and cultural developments of the 15th century can in retrospect be seen as heralding the "European miracle" of the following centuries. The architectural perspective, and the modern fields which are known today as banking and accounting were founded in Italy. The Hundred Years' War ended with a decisive French victory over the English in the Battle of Castillon. Financial troubles in England following the conflict resulted in the Wars of the Roses, a series of dynastic wars for the throne of England. The conflicts ended with the defeat of Richard III by Henry VII at the Battle of Bosworth Field, establishing the Tudor dynasty in the later part of the century. Constantinople, known as the capital of the wo ...
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Turin City Museum Of Ancient Art
The Museo Civico d'Arte Antica is an art museum located in the Palazzo Madama in Turin, Italy. It has a renowned collection of paintings from the medieval, Renaissance and Baroque periods. It reopened in 2006 after several years of restorations. History The museum was founded in 1934, as the heir of the Pinacoteca Regia and the Galleria Reale, which had been established in Palazzo Madama by King Charles Albert of Savoy in 1832. A Civic Museum had been founded in 1860 in the wake of the unification of Italy although, three years later, the collections were moved to another location in Turin, in Via Gaudenzio Ferrari. These were increased gradually with acquisitions from private collectors, from closed residences of the House of Savoy, or from donations by the same family. In 1898 the collections of "ancient art" were separated from those of "modern art". The former were moved to the current location in 1934 by the director Vittorio Viale. The collection of Asian art, including ...
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Savigliano
Savigliano (Savijan in Piedmontese) is a ''comune'' of Piedmont, northern Italy, in the Province of Cuneo, about south of Turin by rail. It is home to ironworks, foundries, locomotive works (once owned by Fiat Ferroviaria, now by Alstom) and silk manufactures, as well as sugar factories, printing works and cocoon-raising establishments. Main sights Savigliano retains some traces of its ancient walls, demolished in 1707, and has a collegiate church (S. Andrea, in its present form comparatively modern), and a triumphal arch erected in honour of the marriage of Charles Emmanuel I with Infanta Catherine of Austrian Spain. There is also a train museum exhibiting numerous Italian past trains and locomotives. Notable people * Elena Busso, volleyball player *Giovanni Schiaparelli, astronomer *Santorre di Santarosa, an Italian Philhellene *Luca Filippi, racing driver Twin towns * Pylos, Greece, since 1962 * Mormanno, Italy, since 1962 * Villa María, Argentina Argent ...
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Bernardino Zenale
Bernardo (or Bernardino) Zenale (c. 1460 – 1526) was an Italian painter and architect. Biography Zenale was born in Treviglio, Lombardy, where in 1485 he finished the great polyptych for the church of St. Martin, together with his fellow Bernardino Butinone. Like Butinone, he is said to have trained with Vincenzo Civerchio. Later he collaborated to the decoration of the Certosa di Pavia. Subsequently, he was engaged by Ludovico Sforza, Duke of Milan, to paint a room in the Castello Sforzesco of that city. Also with Butinone, he frescoed the Grifi Chapel in the church of San Pietro in Gessate. After circa 1500, Zenale seemed to abandon the Ferrarese-expressionist style of Butinone, a strong influence from Leonardo da Vinci starting to appear in his works. This is manifest in the polyptych that he painted for the Confraternity of the Immaculate Conception of Cantù (1502Now divided between the J. Paul Getty Museum of
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