|
Galop
In dance, the galop, named after the fastest running gait of a horse (see Gallop), a shortened version of the original term galoppade, is a lively country dance, introduced in the late 1820s to Parisian society by the Duchesse de Berry and popular in Vienna, Berlin and London. In the same closed position familiar in the waltz, the step combined a glissade with a chassé on alternate feet, ordinarily in a fast time. The galop was a forerunner of the polka, which was introduced in Prague ballrooms in the 1830s and made fashionable in Paris when Raab, a dancing teacher of Prague, danced the polka at the Odéon Theatre in 1840. In Australian bush dance, the dance is often called galopede. An even livelier, faster version of the galop called the can-can developed in Paris around 1830. The galop was particularly popular as the final dance of the evening. The " Post Horn Galop", written by the cornet virtuoso Herman Koenig, was first performed in London in 1844; it remains a signa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Galop Dance Pattern
In dance, the galop, named after the fastest running gait of a horse (see Horse gait#Gallop, Gallop), a shortened version of the original term galoppade, is a lively country dance, introduced in the late 1820s to Parisian society by the Princess Caroline Ferdinande of Bourbon-Two Sicilies, Duchesse de Berry and popular in Vienna, Berlin and London. In the same closed position familiar in the waltz, the step combined a glissade (dance move), glissade with a chassé on alternate feet, ordinarily in a fast time. The galop was a forerunner of the polka, which was introduced in Prague ballrooms in the 1830s and made fashionable in Paris when Raab, a dancing teacher of Prague, danced the polka at the Odéon Theatre in 1840. In Australian bush dance, the dance is often called galopede. An even livelier, faster version of the galop called the can-can developed in Paris around 1830. The galop was particularly popular as the final dance of the evening. The "Post horn#Post Horn Galop, Pos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orpheus In The Underworld
''Orpheus in the Underworld'' and ''Orpheus in Hell'' are English names for (), a comic opera with music by Jacques Offenbach and words by Hector Crémieux and Ludovic Halévy. It was first performed as a two-act " opéra bouffon" at the Théâtre des Bouffes-Parisiens, Paris, on 21 October 1858, and was extensively revised and expanded in a four-act " opéra féerie" version, presented at the Théâtre de la Gaîté, Paris, on 7 February 1874. The opera is a lampoon of the ancient legend of Orpheus and Eurydice. In this version Orpheus is not the son of Apollo but a rustic violin teacher. He is glad to be rid of his wife, Eurydice, when she is abducted by the god of the underworld, Pluto. Orpheus has to be bullied by Public Opinion into trying to rescue Eurydice. The reprehensible conduct of the gods of Olympus in the opera was widely seen as a veiled satire of the court and government of Napoleon III, Emperor of the French. Some critics expressed outrage at the librettists' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Champagne Galop
The ''Champagne Galop'' ( da, Champagnegaloppen) is a piece of orchestral music by the Danish composer Hans Christian Lumbye (1810–1874) which was written to celebrate the second anniversary of Copenhagen's Tivoli in 1845. Together with Lumbye's ''Telegraph Galop'' and ''Copenhagen Steam Railway Galop'', it was included in the 2006 Danish Culture Canon as a masterpiece of Danish classical music."Telegraph-Galop, 1844, Champagne-Galop, 1845, Kjöbenhavns Jernbane-Damp-Galop, 1847, H.C. Lumbye (1810–1874)" , in Kulturkontacten 20, 2006. Retrieved 13 February 2013. Background The ''Champagne Galop'' was composed for the second anniversary of Copenhage ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polka
Polka is a dance and genre of dance music originating in nineteenth-century Bohemia, now part of the Czech Republic. Though associated with Czech culture, polka is popular throughout Europe and the Americas. History Etymology The term ''polka'' referring to the dance is derived from the Czech word ''Polka'' meaning "Polish woman" (feminine form corresponding to ''Polák'', a Pole)."polka, n.". Oxford University Press. (accessed 11 July 2012). Czech cultural historian ÄŒenÄ›k ZÃbrt also attributes the term to the Czech word ''půlka'' (half), referring to both the half-tempo and the half-jump step of the dance.ÄŒenÄ›k ZÃbrt, "Jak se kdy v ÄŒechách tancovalo: dÄ›jiny tance v ÄŒechách, na MoravÄ›, ve Slezsku a na Slovensku z vÄ›ků nejstarÅ¡Ãch až do nové doby se zvláštnÃm zÅ™etelem k dÄ›jinám tance vůbec", Prague, 189(Google eBook)/ref> The word was widely introduced into the major European languages in the early 1840s. Origin and popularity The pol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Émile Waldteufel
Charles Émile Waldteufel (9 December 1837 – 12 February 1915) was a French pianist, conductor and composer known for his numerous popular salon pieces. Life Émile Waldteufel (German for ''forest devil'') was born at 84 Grand'Rue in the centre of Strasbourg. His grandfather and father were both musicians; his mother Flora Neubauer, originally from Bavaria, had been a student of Hummel and had met Haydn; she was also a keen singer and dancer.Hering, Pierre. Emile Waldteufel (1837-1915). In: ''La Musique en Alsace hier et aujourd'hui'' (Strasbourg: Librairie Istra, 1970, p. 157–162. From a Jewish Alsatian family of musicians, the original family surname had been '' Lévy''. His father Louis led a respected orchestra, and his brother Léon was a successful performer. When Léon won a place to study violin at the Conservatoire de Paris, the family followed him there. Waldteufel received his first lessons from his father and from the local musician Joseph Heyberger. After h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Devil's Galop
"Devil's Galop" is a piece of light music composed by Charles Williams. It became famous as the theme tune to the radio serial '' Dick Barton – Special Agent''. The word "galop" in the title refers to the galop dance (which, in turn, refers to a horse's gallop). In popular culture It has since been used in a number of productions, often to give a sense of dramatic urgency to a chase scene. As well as being the theme for the BBC Light Programme's serial ''Dick Barton'' and its 1979 Southern Television revival, its other appearances include ''Dad's Army'', '' Danger Mouse'', ''The Goodies'', and the ''Goon Show'' (the original theme music for which is called "Goons Gallop" and is reminiscent of "Devil's Galop"). '' Monty Python's Flying Circus'' used this theme throughout its run on television, including in the famous "The Spanish Inquisition" sketch. Excerpts from the piece form part of the opening theme to the video game '' Monty on the Run''. The music has featured more rec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Ballet Class (Gershwin)
''French Ballet Class'' is a six-minute piece written by George Gershwin in 1937 for two pianos for the movie ''Shall We Dance''. This sequence was meant to accompany a scene of dozens of ballet dancers practicing their positions. It is written in the style of the galop In dance, the galop, named after the fastest running gait of a horse (see Gallop), a shortened version of the original term galoppade, is a lively country dance, introduced in the late 1820s to Parisian society by the Duchesse de Berry and popul .... Only two minutes of this music was used in the final film. Compositions by George Gershwin 1937 compositions Compositions for two pianos {{1930s-song-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horse Gait
Horses can use various gaits (patterns of leg movement) during locomotion across solid ground, either naturally or as a result of specialized training by humans.Ensminger, M. E. ''Horses and Horsemanship'' 6th edition USA: Interstate Publishers 1990 pp. 65–66 Classification Gaits are typically categorized into two groups: the "natural" gaits that most horses will use without special training, and the " ambling" gaits that are various smooth-riding four-beat footfall patterns that may appear naturally in some individuals. Special training is often required before a horse will perform an ambling gait in response to a rider's command. Another system of classification that applies to quadrupeds uses three categories: walking and ambling gaits, running or trotting gaits, and leaping gaits.Tristan David Martin Roberts (1995) ''Understanding Balance: The Mechanics of Posture and Locomotion'', Nelson Thornes, The British Horse Society Dressage Rules require competitors to p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Christian Lumbye
Hans Christian Lumbye (; 2 May 1810 – 20 March 1874) was a Danish composer of waltzes, polkas, mazurkas and galops, among other things. Beginnings As a child, he studied music in Randers and Odense, and by age 14 he was playing the trumpet in a military band. In 1829, he joined the Horse Guards in Copenhagen, still continuing his music education. In 1839, he heard a Viennese orchestra play music by Johann Strauss I, after which he composed in the style of Strauss, eventually earning the nickname "The Strauss of the North". Career From 1843 to 1872, he served as the music director and in-house composer for Tivoli Gardens, Copenhagen. Such was his popularity in the Danish capital that many Danes revered him and considered Johann Strauss II as the "Lumbye of the South". Works Lumbye is best known for his light compositions, many of which evoke non-musical sources. The ''Champagne Galop'', for example, begins with the "pop" of a champagne cork, and the ''Copenhagen Steam Railway ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Lanner
Joseph Franz Karl Lanner (12 April 1801 – 14 April 1843) was an Austrian dance music composer and dance orchestra conductor. He is best remembered as one of the earliest Viennese composers to reform the waltz from a simple peasant dance to something that even the highest society could enjoy, either as an accompaniment to the dance, or for the music's own sake. He was just as famous as his friend and musical rival Johann Strauss I, who was better known outside of Austria in their day because of his concert tours abroad, in particular, to France and England. Lanner had a lesser-known son, August Lanner, who was just as musically gifted and prodigious as his father, but whose budding career was cut short by his early death at age 20. His daughter Katharina became a well known international ballet dancer, settling in London where she became an influential choreographer and teacher. Biography Lanner was born in St. Ulrich in Vienna (today the district of Neubau). Largely self-t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shall We Dance (1937 Film)
''Shall We Dance'', released in 1937, is the seventh of the ten Fred Astaire-Ginger Rogers musical comedy films. The story follows an American ballet dancer (Astaire) who falls in love with a tap dancer (Rogers); the tabloid press concocts a story of their marriage, after which life imitates art. George Gershwin wrote the symphonic underscore and Ira Gershwin the lyrics, for their second Hollywood musical. Plot Peter P. Peters (Fred Astaire) is an amiable American ballet dancer billed as "Petrov", who cultivates a public image of being a serious, demanding and temperamental Russian, though his employer knows the truth. Peters dances for a ballet company in Paris owned by the bumbling Jeffrey Baird ( Edward Everett Horton), and secretly never wants to blend classical ballet with modern jazz dancing because they think it does not look very professional. When Peters sees a photo of famous tap dancer Linda Keene (Ginger Rogers), he falls in love with her. He contrives to meet her ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Gershwin
George Gershwin (; born Jacob Gershwine; September 26, 1898 – July 11, 1937) was an American composer and pianist whose compositions spanned popular, jazz and classical genres. Among his best-known works are the orchestral compositions ''Rhapsody in Blue'' (1924) and ''An American in Paris'' (1928), the songs " Swanee" (1919) and "Fascinating Rhythm" (1924), the jazz standards " Embraceable You" (1928) and "I Got Rhythm" (1930), and the opera '' Porgy and Bess'' (1935), which included the hit " Summertime". Gershwin studied piano under Charles Hambitzer and composition with Rubin Goldmark, Henry Cowell, and Joseph Brody. He began his career as a song plugger but soon started composing Broadway theater works with his brother Ira Gershwin and with Buddy DeSylva. He moved to Paris, intending to study with Nadia Boulanger, but she refused him, afraid that rigorous classical study would ruin his jazz-influenced style; Maurice Ravel voiced similar objections when Gershw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Polka")
_-_Archivio_Storico_Ricordi_ICON010736_B.jpg "Click for more on -> Émile Waldteufel")
