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Gallus Dreßler
Gallus Dressler (16 October 1533 – 1580/9) was a German composer and music theorist who served as Kantor in the church school at Magdeburg. Though a few of his works have remained in the choral repertoire, he is best known for his theoretical writings, especially his ''Praecepta musicae poeticae'' (MS, 1563), which contains some of the earliest detailed description of the compositional process of the Renaissance motet. Life Dressler was born in Nebra in Thuringia, but probably received most of his musical education in the Netherlands. He seems particularly influenced by Clemens non papa, and a perusal of the musical examples he cites in his theoretical writings shows that he was strongly influenced by the Franco-Flemish generation immediately following Josquin des Prez. After a brief tenure at Jena in 1558, Dressler succeeded Martin Agricola as Kantor of the church school in Magdeburg, where most of his career was spent. His compositions were almost entirely in the genre o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Magdeburg
Magdeburg (; nds, label=Low Saxon, Meideborg ) is the capital and second-largest city of the German state Saxony-Anhalt. The city is situated at the Elbe river. Otto I, the first Holy Roman Emperor and founder of the Archdiocese of Magdeburg, was buried in the city's cathedral after his death. Magdeburg's version of German town law, known as Magdeburg rights, spread throughout Central and Eastern Europe. In the Late Middle Ages, Magdeburg was one of the largest and most prosperous German cities and a notable member of the Hanseatic League. One of the most notable people from the city is Otto von Guericke, famous for his experiments with the Magdeburg hemispheres. Magdeburg has been destroyed twice in its history. The Catholic League sacked Magdeburg in 1631, resulting in the death of 25,000 non-combatants, the largest loss of the Thirty Years' War. During the World War II the Allies bombed the city in 1945 and destroying much of it. After World War II the city belonged t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Pontio
Pietro Pontio (or Ponzio; March 25, 1532 – December 27, 1596) was an Italian theorist and composer. Pontio was born and died in Parma. He is best known for his 1588 treatise ''Ragionamento di Musica'', which is thought to have influenced Claudio Monteverdi Claudio Giovanni Antonio Monteverdi (baptized 15 May 1567 – 29 November 1643) was an Italian composer, choirmaster and string player. A composer of both secular and sacred music, and a pioneer in the development of opera, he is considered .... External links * Ragionamento di Musica Further reading The Voice of the Composer: Theory and Practices in the works of Pietro PontioRussell Eugene Murray Jr. 1989 * 16th-century Italian composers Italian male composers 1532 births 1596 deaths Italian music theorists {{music-theory-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
German Music Theorists
German(s) may refer to: * Germany (of or related to) **Germania (historical use) * Germans, citizens of Germany, people of German ancestry, or native speakers of the German language ** For citizens of Germany, see also German nationality law **Germanic peoples (Roman times) * German language **any of the Germanic languages * German cuisine, traditional foods of Germany People * German (given name) * German (surname) * Germán, a Spanish name Places * German (parish), Isle of Man * German, Albania, or Gërmej * German, Bulgaria * German, Iran * German, North Macedonia * German, New York, U.S. * Agios Germanos, Greece Other uses * German (mythology), a South Slavic mythological being * Germans (band), a Canadian rock band * "German" (song), a 2019 song by No Money Enterprise * ''The German'', a 2008 short film * "The Germans", an episode of ''Fawlty Towers'' * ''The German'', a nickname for Congolese rebel André Kisase Ngandu See also * Germanic (other) * Germa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
People From Nebra (Unstrut)
A person ( : people) is a being that has certain capacities or attributes such as reason, morality, consciousness or self-consciousness, and being a part of a culturally established form of social relations such as kinship, ownership of property, or legal responsibility. The defining features of personhood and, consequently, what makes a person count as a person, differ widely among cultures and contexts. In addition to the question of personhood, of what makes a being count as a person to begin with, there are further questions about personal identity and self: both about what makes any particular person that particular person instead of another, and about what makes a person at one time the same person as they were or will be at another time despite any intervening changes. The plural form "people" is often used to refer to an entire nation or ethnic group (as in "a people"), and this was the original meaning of the word; it subsequently acquired its use as a plural form of per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1580s Deaths
Year 158 ( CLVIII) was a common year starting on Saturday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Tertullus and Sacerdos (or, less frequently, year 911 ''Ab urbe condita''). The denomination 158 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * The earliest dated use of Sol Invictus, in a dedication from Rome. * A revolt against Roman rule in Dacia is crushed. China * Change of era name from ''Yongshou'' to ''Yangxi'' of the Chinese Han Dynasty. Births * Gaius Caesonius Macer Rufinianus, Roman politician (d. 237) Deaths * Wang Yi, Chinese librarian and poet (d. AD 89 AD 89 (LXXXIX) was a common year starting on Thursday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Fulvus an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1533 Births
__NOTOC__ Year 1533 ( MDXXXIII) was a common year starting on Wednesday (link will display the full calendar) of the Julian calendar. Events January–June * January 25 – King Henry VIII of England formally but secretly marries Anne Boleyn, who becomes his second queen consort. * January 26 – Thomas Audley, 1st Baron Audley of Walden, is appointed Lord Chancellor of England. * March 30 – Thomas Cranmer becomes Archbishop of Canterbury. * April – The Statute in Restraint of Appeals in England declares the king to be the supreme sovereign and forbids judicial appeals to the papacy. * May 23 – King Henry VIII of England's marriage with Catherine of Aragon is declared annulled by Archbishop Cranmer. Since Pope Clement VII had rejected Henry's petition for annulment in 1530, Catherine continues to believe herself Henry's wife until her death. * June 1 – Cranmer crowns Anne Boleyn as queen consort of England, in Westminster Abbey. July ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guillaume Dufay
Guillaume Du Fay ( , ; also Dufay, Du Fayt; 5 August 1397(?) – 27 November 1474) was a French composer and music theorist of the early Renaissance. Considered the leading European composer of his time, his music was widely performed and reproduced. Du Fay was well-associated with composers of the Burgundian School, particularly his colleague Gilles Binchois, but was never a regular member of the Burgundian chapel himself. While he is among the best-documented composers of his time, Du Fay's birth and family is shrouded with uncertainty, though he was probably the illegitimate child of a priest. He was educated at Cambrai Cathedral, where his teachers included Nicolas Grenon and Richard Loqueville, among others. For the next decade, Du Fay worked throughout Europe: as a subdeacon in Cambrai, under Carlo I Malatesta in Rimini, for the House of Malatesta in Pesaro, and under Louis Aleman in Bologna, where he was ordained priest. As his fame began to spread, he settled in Rome ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Dunstaple
John Dunstaple (or Dunstable, – 24 December 1453) was an English composer whose music helped inaugurate the transition from the Medieval music, medieval to the Renaissance music, Renaissance periods. The central proponent of the ''Contenance angloise'' style (), Dunstaple was the leading English composer of his time, and is often coupled with William Byrd and Henry Purcell as England's most important early music composers. His surviving music is exclusively vocal, and frequently uses isorhythms, while pioneering the prominent use of harmonies with thirds and sixths. His style would have an immense influence on the subsequent music of continental Europe, inspiring composers such as Guillaume Du Fay, Du Fay, Gilles Binchois, Binchois, Johannes Ockeghem, Ockeghem and Antoine Busnois, Busnois. Information on Dunstaple's life is largely non-existent or speculative, with the only certain date of his activity being his death on Christmas Eve of 1453. Probably born in Dunstable, Bedf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Mode
In music theory, the term mode or ''modus'' is used in a number of distinct senses, depending on context. Its most common use may be described as a type of musical scale coupled with a set of characteristic melodic and harmonic behaviors. It is applied to major and minor keys as well as the seven diatonic modes (including the former as Ionian and Aeolian) which are defined by their starting note or tonic. (Olivier Messiaen's modes of limited transposition are strictly a scale type.) Related to the diatonic modes are the eight church modes or Gregorian modes, in which authentic and plagal forms of scales are distinguished by ambitus and tenor or reciting tone. Although both diatonic and gregorian modes borrow terminology from ancient Greece, the Greek ''tonoi'' do not otherwise resemble their mediaeval/modern counterparts. In the Middle Ages the term modus was used to describe both intervals and rhythm. Modal rhythm was an essential feature of the modal notation system o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cadence (music)
In Western musical theory, a cadence (Latin ''cadentia'', "a falling") is the end of a phrase in which the melody or harmony creates a sense of full or partial resolution, especially in music of the 16th century onwards.Don Michael Randel (1999). ''The Harvard Concise Dictionary of Music and Musicians'', pp. 105-106. . A harmonic cadence is a progression of two or more chords that concludes a phrase, section, or piece of music. A rhythmic cadence is a characteristic rhythmic pattern that indicates the end of a phrase. A cadence can be labeled "weak" or "strong" depending on the impression of finality it gives. While cadences are usually classified by specific chord or melodic progressions, the use of such progressions does not necessarily constitute a cadence—there must be a sense of closure, as at the end of a phrase. Harmonic rhythm plays an important part in determining where a cadence occurs. Cadences are strong indicators of the tonic or central pitch of a passage or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motet
In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the pre-eminent polyphonic forms of Renaissance music. According to Margaret Bent, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond.Margaret Bent,The Late-Medieval Motet in ''Companion to Medieval & Renaissance Music'', edited by Tess Knighton and David Fallows, 114–19 (Berkeley, California: University of California Press, 1992): 114. . The late 13th-century theorist Johannes de Grocheo believed that the motet was "not to be celebrated in the presence of common people, because they do not notice its subtlety, nor are they delighted in hearing it, but in the presence of the educated and of those who are seeking out subtleties in the arts". Etymology In the early 20th century, it was generally believed the name ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musica Poetica
''Musica poetica'' was a term commonly applied to the art of composing music in sixteenth- and seventeenth-century German schools and universities. Its first known use was in the ''Rudimenta Musicae Planae'' (Wittenberg: 1533) of . Previously, music had been divided into '' musica theoretica'' and '' musica practica'', which were categorised with the quadrivium and trivium, respectively. Since music of the time primarily meant vocal music, it was natural for theorists to make analogies between the composition of music and the composition of oratory or poetry. Hence, the term ''musica poetica''. Analogies between music and the rhetorical arts were made on several levels. Gallus Dressler (1563) suggested to liken the structure of a musical composition with that of a speech, as outlined in classical sources, dividing it into such sections as exordium, medium, and finis (literally, "beginning", "middle", and "end"). Another kind of analogy was to liken the rules or grammar of compo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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