Galliano Masini
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Galliano Masini
Galliano Masini (7 February 1896 – 15 February 1986) was a leading Italian operatic tenor, particularly associated with the ''spinto'' (lyric-dramatic) roles of the Italian repertory. Masini was born in Livorno in humble circumstances. He studied singing in Milan. Some sources say that his teacher was Angelo Bendinelli, while others suggest another teacher, Giovanni Laura. He made his debut in his native Livorno, as Cavaradossi in Giacomo Puccini's ''Tosca'' in 1923. He sang as first tenor at the Rome Opera from 1930 to 1950, and was also a regular guest artist at La Scala, Milan, and the Verona Arena. Outside Italy, he appeared at the Paris Opéra, the Lyric Opera of Chicago (1937–38), the Metropolitan Opera in New York (1938–39), and the Teatro Colón in Buenos Aires (various years). Masini was particularly acclaimed in roles such as Alvaro, Radames, Loris and Calaf, although he also enjoyed success in more lyrical parts, notably as Edgardo, Rodolfo and Pinkerton. H ...
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Galliano Masini
Galliano Masini (7 February 1896 – 15 February 1986) was a leading Italian operatic tenor, particularly associated with the ''spinto'' (lyric-dramatic) roles of the Italian repertory. Masini was born in Livorno in humble circumstances. He studied singing in Milan. Some sources say that his teacher was Angelo Bendinelli, while others suggest another teacher, Giovanni Laura. He made his debut in his native Livorno, as Cavaradossi in Giacomo Puccini's ''Tosca'' in 1923. He sang as first tenor at the Rome Opera from 1930 to 1950, and was also a regular guest artist at La Scala, Milan, and the Verona Arena. Outside Italy, he appeared at the Paris Opéra, the Lyric Opera of Chicago (1937–38), the Metropolitan Opera in New York (1938–39), and the Teatro Colón in Buenos Aires (various years). Masini was particularly acclaimed in roles such as Alvaro, Radames, Loris and Calaf, although he also enjoyed success in more lyrical parts, notably as Edgardo, Rodolfo and Pinkerton. H ...
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Teatro Colón
The Teatro Colón (Spanish: ''Columbus Theatre'') is the main opera house in Buenos Aires, Argentina. It is considered one of the ten best opera houses in the world by National Geographic. According to a survey carried out by the acoustics expert Leo Beranek among leading international opera and orchestra directors, the Teatro Colón has the room with the best acoustics for opera and the second best for concerts in the world. The present Colón replaced an original theatre which opened in 1857. Towards the end of the century it became clear that a new theatre was needed and, after a 20-year process, the present theatre opened on 25 May 1908, with Giuseppe Verdi's ''Aïda''. The Teatro Colón was visited by the foremost singers and opera companies of the time, who would sometimes go on to other cities including Montevideo, Rio de Janeiro and São Paulo. After this period of huge international success, the theatre's decline became clear and plans were made for massive ren ...
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Italian Operatic Tenors
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1986 Deaths
The year 1986 was designated as the International Year of Peace by the United Nations. Events January * January 1 **Aruba gains increased autonomy from the Netherlands by separating from the Netherlands Antilles. **Spain and Portugal enter the European Community, which becomes the European Union in 1993. *January 11 – The Sir Leo Hielscher Bridges, Gateway Bridge in Brisbane, Australia, at this time the world's longest prestressed concrete free-cantilever bridge, is opened. *January 13–January 24, 24 – South Yemen Civil War. *January 20 – The United Kingdom and France announce plans to construct the Channel Tunnel. *January 24 – The Voyager 2 space probe makes its first encounter with Uranus. *January 25 – Yoweri Museveni's National Resistance Army Rebel group takes over Uganda after leading a five-year guerrilla war in which up to half a million people are believed to have been killed. They will later use January 26 as the official date to avoid a coincidence of ...
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1896 Births
Events January–March * January 2 – The Jameson Raid comes to an end, as Jameson surrenders to the Boers. * January 4 – Utah is admitted as the 45th U.S. state. * January 5 – An Austrian newspaper reports that Wilhelm Röntgen has discovered a type of radiation (later known as X-rays). * January 6 – Cecil Rhodes is forced to resign as Prime Minister of the Cape of Good Hope, for his involvement in the Jameson Raid. * January 7 – American culinary expert Fannie Farmer publishes her first cookbook. * January 12 – H. L. Smith takes the first X-ray photograph. * January 17 – Fourth Anglo-Ashanti War: British redcoats enter the Ashanti capital, Kumasi, and Asantehene Agyeman Prempeh I is deposed. * January 18 – The X-ray machine is exhibited for the first time. * January 28 – Walter Arnold, of East Peckham, Kent, England, is fined 1 shilling for speeding at (exceeding the contemporary speed limit of , the first spee ...
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Cetra Records
Cetra was an Italian record company, active between 1933 and 1957, the year in which, by merging with Fonit (Fonodisco Italiano Trevisan), it gave birth to Fonit Cetra. Its roster of artists included Maria Callas, Renata Tebaldi, Lina Pagliughi, Ebe Stignani, Carlo Bergonzi (tenor), Carlo Bergonzi, Galliano Masini, Giovanni Malipiero, Ferruccio Tagliavini, Carlo Tagliabue, Rolando Panerai, Italo Tajo, Giuseppe Taddei, Tancredi Pasero and Cesare Siepi, among other leading Italian opera singers. The company was notable for issuing many recordings of obscure or seldom heard operas and the more obscure operas of Giuseppe Verdi to coincide with the 50th anniversary of the composer's 1901 death in 1951. Cetra recordings are often now reissued by the company Fonit Cetra. Cetra opera albums were first distributed in the United States on the Cetra-Soria label (founded by Dario and Dorle Soria, who later founded Angel Records). Beginning in 1966, several Cetra opera recordings were distribut ...
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Gino Marinuzzi
Gino Marinuzzi (24 March 188217 August 1945) was an Italian conductor and composer, particularly associated with the operas of Wagner and the Italian repertory. Biography Marinuzzi was born and studied in Palermo, and began his career there as well, conducting the local premieres of ''Tristan und Isolde'' in 1909, and ''Parsifal'' in 1914. He then appeared in Rome and Milan, where he conducted several local premieres (mostly Wagner operas) and many revivals of rarely performed operas such as '' Lucrezia Borgia'', ''La straniera'', '' Beatrice di Tenda'' and ''L'incoronazione di Poppea''. In 1930 he conducted the world premiere of Ildebrando Pizzetti's '' Lo straniero''. He made guest appearances at the Paris Opéra, the Royal Opera House in London, and the Monte Carlo Opera, where he conducted the world premiere of Puccini's '' La rondine'' in 1917. He was artistic director of the Chicago Opera Association from 1919 to 1921, and the Rome Opera from 1928 to 1934. He conducted ...
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La Bohème
''La bohème'' (; ) is an opera in four acts,Puccini called the divisions ''quadri'', ''tableaux'' or "images", rather than ''atti'' (acts). composed by Giacomo Puccini between 1893 and 1895 to an Italian libretto by Luigi Illica and Giuseppe Giacosa, based on ''Scènes de la vie de bohème'' (1851) by Henri Murger. The story is set in Paris around 1830 and shows the Bohemian lifestyle (known in French as "") of a poor seamstress and her artist friends. The world premiere of ''La bohème'' was in Turin on 1 February 1896 at the Teatro Regio, conducted by the 28-year-old Arturo Toscanini. Since then, ''La bohème'' has become part of the standard Italian opera repertory and is one of the most frequently performed operas worldwide. In 1946, fifty years after the opera's premiere, Toscanini conducted a commemorative performance of it on radio with the NBC Symphony Orchestra. A recording of the performance was later released by RCA Victor on vinyl record, tape and compact disc. ...
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Lucia Di Lammermoor
''Lucia di Lammermoor'' () is a (tragic opera) in three acts by Italian composer Gaetano Donizetti. Salvadore Cammarano wrote the Italian-language libretto loosely based upon Sir Walter Scott's 1819 historical novel ''The Bride of Lammermoor''. Donizetti wrote ''Lucia di Lammermoor'' in 1835, when he was reaching the peak of his reputation as an opera composer. Gioachino Rossini had recently retired and Vincenzo Bellini had died shortly before the premiere of ''Lucia'' leaving Donizetti as "the sole reigning genius of Italian opera".Mackerras, p. 29 Not only were conditions ripe for Donizetti's success as a composer, but there was also a widespread interest in the history and culture of Scotland. The perceived romance of its violent wars and feuds, as well as its folklore and mythology, intrigued 19th century readers and audiences. Sir Walter Scott dramatized these elements in his novel ''The Bride of Lammermoor'', which inspired several musical works including ''Lucia''.Mackerra ...
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Turandot
''Turandot'' (; see below) is an opera in three acts by Giacomo Puccini, posthumously completed by Franco Alfano in 1926, and set to a libretto in Italian by Giuseppe Adami and Renato Simoni. ''Turandot'' best-known aria is "Nessun dorma", which became globally popular in the 1990s following Luciano Pavarotti's performance of it for the 1990 FIFA World Cup. Though Puccini first became interested in the subject matter when reading Friedrich Schiller's 1801 adaptation,. ''Freely translated from Schiller by Sabilla Novello:'' . he based his work more closely on the earlier play ''Turandot'' (1762) by Count Carlo Gozzi. The original story is one of the seven stories in the epic ''Haft Peykar''—a work by twelfth-century Persian poet Nizami ( 1141–1209). Nizami aligned his seven stories with the seven days of the week, the seven colors, and the seven planets known in his era. This particular narrative is the story of Tuesday, as told to the king of Iran, Bahram V (), by his c ...
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Fedora (opera)
''Fedora'' is an opera in three acts by Umberto Giordano to an Italian libretto by Arturo Colautti, based on the 1882 play ''Fédora'' by Victorien Sardou. Along with ''Andrea Chénier'' and ''Siberia'', it is one of the most notable works of Giordano. It was first performed at the Teatro Lirico in Milan on 17 November 1898 conducted by the composer; Gemma Bellincioni created the role of Fedora with Enrico Caruso as her lover, Loris Ipanov. Composition history In 1889, Umberto Giordano saw Sardou's play ''Fédora'' at the Teatro Bellini di Napoli, with Sarah Bernhardt (for whom the play was written) in the title role. He immediately asked Sardou for permission to base an opera on the play, and Sardou initially refused because, at the time, Giordano was a relatively unknown composer. Following the premiere of his 1894 ''Regina Diaz'', Giordano's publisher, Edoardo Sonzogno, asked Sardou again. However, Sardou demanded what Sozogno considered an exorbitant fee. It was only on the ...
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Aida
''Aida'' (or ''Aïda'', ) is an opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni. Set in the Old Kingdom of Egypt, it was commissioned by Cairo's Khedivial Opera House and had its première there on 24 December 1871, in a performance conducted by Giovanni Bottesini. Today the work holds a central place in the operatic canon, receiving performances every year around the world; at New York's Metropolitan Opera alone, ''Aida'' has been sung more than 1,100 times since 1886. Ghislanzoni's scheme follows a scenario often attributed to the French Egyptologist Auguste Mariette, but Verdi biographer Mary Jane Phillips-Matz argues that the source is actually Temistocle Solera. Elements of the opera's genesis and sources Isma'il Pasha, Khedive of Egypt, commissioned Verdi to write an opera to celebrate the opening of the Suez Canal, but Verdi declined. However, Auguste Mariette, a French Egyptologist, proposed to Khedive Pasha a plot for a celebratory ...
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