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Galliambic Verse
''Versus Galliambicus'' (Latin), or the ''Galliambic Verse'' (English), is a verse built from the Ionic à minore dimeter catalectic verse, as it is a verse added upon an Ionic à minori dimeter base. The ''Galliambic verse'' consists of two iambic dimeters catalectic of which the last one lacks the final syllable. It is structured with four Ionic à minore feet that is varied by resolutio) or contraction. This metre is also meant for the goddess Cybele. In Latin, ''galliambus'' is a song of the priests of Cybele, the ancient nature goddess of Anatolia. The Galliambic metre is constructed as shown below: uu , uu u uu u , – – , , uu , uu u uu u , × * "x" represents an anceps * a "u" represents a short syllable * a "—" represents a long syllable * a "uu" can be either 2 short syllables or 1 long syllable * the ", , " represents the caesura 300px, An example of a caesura in modern western music notation A caesura (, . caesuras or caesurae; Latin for " cutting" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Latin
Latin (, or , ) is a classical language belonging to the Italic branch of the Indo-European languages. Latin was originally a dialect spoken in the lower Tiber area (then known as Latium) around present-day Rome, but through the power of the Roman Republic it became the dominant language in the Italian region and subsequently throughout the Roman Empire. Even after the fall of Western Rome, Latin remained the common language of international communication, science, scholarship and academia in Europe until well into the 18th century, when other regional vernaculars (including its own descendants, the Romance languages) supplanted it in common academic and political usage, and it eventually became a dead language in the modern linguistic definition. Latin is a highly inflected language, with three distinct genders (masculine, feminine, and neuter), six or seven noun cases (nominative, accusative, genitive, dative, ablative, and vocative), five declensions, four verb conjuga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poetic Contraction
Poetic contractions are contractions of words found in poetry but not commonly used in everyday modern English. Also known as elision or syncope, these contractions are usually used to lower the number of syllables in a particular word in order to adhere to the meter of a composition. In languages like French, elision removes the end syllable of a word that ends with a vowel sound when the next begins with a vowel sound, in order to avoid hiatus, or retain a consonant-vowel-consonant-vowel rhythm. Many of these poetic contractions originate from archaic English. By the end of the 18th century, contractions were generally looked down upon in standardized formal writing. This development may have been influenced by the publication of Samuel Johnson's ''A Dictionary of the English Language ''A Dictionary of the English Language'', sometimes published as ''Johnson's Dictionary'', was published on 15 April 1755 and written by Samuel Johnson. It is among the most influential di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred, Lord Tennyson
Alfred Tennyson, 1st Baron Tennyson (6 August 1809 – 6 October 1892) was an English poet. He was the Poet Laureate during much of Queen Victoria's reign. In 1829, Tennyson was awarded the Chancellor's Gold Medal at Cambridge for one of his first pieces, "Timbuktu". He published his first solo collection of poems, ''Poems, Chiefly Lyrical'', in 1830. "Claribel" and "Mariana", which remain some of Tennyson's most celebrated poems, were included in this volume. Although described by some critics as overly sentimental, his verse soon proved popular and brought Tennyson to the attention of well-known writers of the day, including Samuel Taylor Coleridge. Tennyson's early poetry, with its medievalism and powerful visual imagery, was a major influence on the Pre-Raphaelite Brotherhood. Tennyson also excelled at short lyrics, such as "Break, Break, Break", "The Charge of the Light Brigade", "Tears, Idle Tears", and "Crossing the Bar". Much of his verse was based on classical mytho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synaloepha
A synalepha or synaloepha is the merging of two syllables into one, especially when it causes two words to be pronounced as one. The original meaning in Ancient Greek is more general than modern usage and includes coalescence of vowels within a word. Similarly, synalepha most often refers to elision (as in English contraction), but it can also refer to coalescence by other metaplasms: synizesis, synaeresis or crasis.W. Sidney Allen, ''Vox Graeca'', chart of "Types of vowel-junction", p. 98. Examples {{Original research, date=January 2022, section Spanish, Portuguese and Italian use synalepha, which is important in counting syllables in poetry. An example is in this hendecasyllable (11-syllable line) by Garcilaso de la Vega: : ''Los cabellos que al oro oscurecían.'' :: The hair that endarkened the gold. The words ''que'' and ''al'' form one syllable in counting them because of synalepha. The same thing happens with ''-ro'' and ''os-'' and so the line has eleven syllables (sylla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caesura
image:Music-caesura.svg, 300px, An example of a caesura in modern western music notation A caesura (, . caesuras or caesurae; Latin for "cutting"), also written cæsura and cesura, is a Metre (poetry), metrical pause or break in a Verse (poetry), verse where one phrase ends and another phrase begins. It may be expressed by a comma (,), a Check mark, tick (✓), or two lines, either slashed (//) or upright (, , ). In time value, this break may vary between the slightest perception of silence all the way up to a full Pausa, pause. Poetry In classical Greek and Latin poetry a caesura is the juncture where one word ends and the following word begins within a foot. In contrast, a word juncture at the end of a foot (prosody), foot is called a Diaeresis (prosody), diaeresis. Some caesurae are expected and represent a point of articulation between two phrases or clauses. All other caesurae are only potentially places of articulation. The opposite of an obligatory caesura is a bridge wher ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anatolia
Anatolia, tr, Anadolu Yarımadası), and the Anatolian plateau, also known as Asia Minor, is a large peninsula in Western Asia and the westernmost protrusion of the Asian continent. It constitutes the major part of modern-day Turkey. The region is bounded by the Turkish Straits to the northwest, the Black Sea to the north, the Armenian Highlands to the east, the Mediterranean Sea to the south, and the Aegean Sea to the west. The Sea of Marmara forms a connection between the Black and Aegean seas through the Bosporus and Dardanelles straits and separates Anatolia from Thrace on the Balkan peninsula of Southeast Europe. The eastern border of Anatolia has been held to be a line between the Gulf of Alexandretta and the Black Sea, bounded by the Armenian Highlands to the east and Mesopotamia to the southeast. By this definition Anatolia comprises approximately the western two-thirds of the Asian part of Turkey. Today, Anatolia is sometimes considered to be synonymous with Asian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nature Goddess
Nature, in the broadest sense, is the physics, physical world or universe. "Nature" can refer to the phenomenon, phenomena of the physical world, and also to life in general. The study of nature is a large, if not the only, part of science. Although humans are part of nature, human activity is often understood as a separate category from other natural phenomena. The word ''nature'' is borrowed from the Old French ''nature'' and is derived from the Latin word ''natura'', or "essential qualities, innate disposition", and in ancient times, literally meant "birth". In ancient philosophy, ''natura'' is mostly used as the Latin translation of the Greek word ''physis'' (φύσις), which originally related to the intrinsic characteristics of plants, animals, and other features of the world to develop of their own accord. The concept of nature as a whole, the physical universe, is one of several expansions of the original notion; it began with certain core applications of the word ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cybele
Cybele ( ; Phrygian: ''Matar Kubileya/Kubeleya'' "Kubileya/Kubeleya Mother", perhaps "Mountain Mother"; Lydian ''Kuvava''; el, Κυβέλη ''Kybele'', ''Kybebe'', ''Kybelis'') is an Anatolian mother goddess; she may have a possible forerunner in the earliest neolithic at Çatalhöyük, where statues of plump women, sometimes sitting, accompanied by lionesses, have been found in excavations. Phrygia's only known goddess, she was probably its national deity. Greek colonists in Asia Minor adopted and adapted her Phrygian cult and spread it to mainland Greece and to the more distant Magna Graeca, western Greek colonies around the 6th century BC. In Ancient Greece , Greece, Cybele met with a mixed reception. She became partially assimilated to aspects of the Earth-goddess Gaia (mythology) , Gaia, of her possibly Minoan civilization , Minoan equivalent Rhea (mythology) , Rhea, and of the harvest–mother goddess Demeter. Some city-states, notably Athens, evoked her as a pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Resolution (meter)
Resolution is the metrical phenomenon in poetry of replacing a normally long syllable in the meter with two short syllables. It is often found in iambic and trochaic meters, and also in anapestic, dochmiac and sometimes in cretic, bacchiac, and ionic meters. In iambic and trochaic meters, either the first or the second half of the metrical foot can be resolved, or sometimes both. The long syllables of dactylic meter are not usually resolved, and resolution is also not found in the last element of a line. Resolution, when a normally long syllable is replaced by two shorts, is to be distinguished from a biceps element, which is a place in a meter (such as in a dactylic hexameter) where two normally short syllables may be replaced by a single long one. In Ancient Greek Resolution is generally found in Greek lyric poetry and in Greek and Roman drama, most frequently in comedy. It should not be confused with a biceps, which is a point in a meter which can equally be two shorts o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Verse (poetry)
A verse is formally a single metrical line in a poetic composition. However, verse has come to represent any grouping of lines in a poetic composition, with groupings traditionally having been referred to as stanzas. Verse in the uncountable ( mass noun) sense refers to poetry in contrast to prose. Where the common unit of verse is based on meter or rhyme, the common unit of prose is purely grammatical, such as a sentence or paragraph. Verse in the second sense is also used pejoratively in contrast to poetry to suggest work that is too pedestrian or too incompetent to be classed as poetry. Types of verse Rhymed verse Rhymed verse is historically the most commonly used form of verse in English. It generally has a discernible meter and an end rhyme. I felt a Cleaving in my Mind – As if my Brain had split – I tried to match it – Seam by Seam – But could not make them fit. The thought behind, I strove to join Unto the thought before – But S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Foot (prosody)
The foot is the basic repeating rhythmic unit that forms part of a line of verse in most Indo-European traditions of poetry, including English accentual-syllabic verse and the quantitative meter of classical ancient Greek and Latin poetry. The unit is composed of syllables, and is usually two, three, or four syllables in length. The most common feet in English are the iamb, trochee, dactyl, and anapest. The foot might be compared to a bar, or a beat divided into pulse groups, in musical notation. The English word "foot" is a translation of the Latin term ''pes'', plural ''pedes'', which in turn is a translation of the Ancient Greek ποῦς, pl. πόδες. The Ancient Greek prosodists, who invented this terminology, specified that a foot must have both an arsis and a thesis, that is, a place where the foot was raised ("arsis") and where it was put down ("thesis") in beating time or in marching or dancing. The Greeks recognised three basic types of feet, the iambic (where the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anceps
In languages with quantitative poetic metres, such as Ancient Greek, Latin, Arabic, Sanskrit, and classical Persian, an anceps (plural ''ancipitia'' or ''(syllabae) ancipites'') is a position in a metrical pattern which can be filled by either a long or a short syllable. In general, ''anceps'' syllables in words, such as the first syllable of the Greek words (the Greek god of war) or "bitter", which can be treated by poets as either long or short, can be distinguished from ''anceps'' elements or positions in a metrical pattern, which are positions where either a long syllable or a short syllable can be used. Another distinction can be made between the ordinary ''anceps'' positions at the beginning or middle of a line of verse and the phenomenon of ''brevis in longo'', which is when a short syllable at the end of a line counts as long because of the pause which follows. The word ''anceps'' comes from the Latin ''anceps, ancipitis'', meaning "two-headed, uncertain, unfixed". The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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