Galerie Der Gegenwart, Hamburg
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Galerie Der Gegenwart, Hamburg
The Hamburger Kunsthalle is the art museum of the Free and Hanseatic City of Hamburg, Germany. It is one of the largest art museums in the country. The museum consists of three connected buildings, dating from 1869 (main building), 1921 (Kuppelsaal) and 1997 (Galerie der Gegenwart), located in the Altstadt district between the Hauptbahnhof (central train station) and the two Alster lakes. The name ''Kunsthalle'' indicates the museum's history as an 'art hall' when it was founded in 1850. Today, the museum houses one of the few art collections in Germany that cover seven centuries of European art, from the Middle Ages to the present day. The Kunsthalle's permanent collections focus on North German painting of the 14th century, paintings by Dutch, Flemish and Italian artists of the 16th and 17th centuries, French and German drawings and paintings of the 19th century, and international modern and contemporary art. History The museum collection traces its origin to 1849, wh ...
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Glockengießerwall
The Wallring () is a semi-circular urban ensemble encircling the inner city of Hamburg. It consists of a four-lane ring road with a total length of and a continuous built-up street front on its inner side. The outer perimeter is – for the largest part – made up by a string of parks. The Wallring follows the outline of Hamburg's old city wall, and was developed in the first half of the 19th century, when the defensive wall, the (Wallanlagen), was razed. The wall that defined the city's edge from the 1620s until the 1840s has had a strong impact on shaping the modern city. The Wallring park consists of several differently named sections, which — based on their common historical development — are characterized by a certain unity, but also by a number of dissimilarities. It also offers the inner city's largest network of parks, and forms a sort of connection to Hamburg's green and open spaces along Elbe and Alster. Terminology Etymologically, "Wallring" is derived f ...
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