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Gainsborough Pictures
Gainsborough Pictures was a British film studio based on the south bank of the Regent's Canal, in Poole Street, Hoxton in the former Metropolitan Borough of Shoreditch, north London. Gainsborough Studios was active between 1924 and 1951. The company was initially based at Islington Studios, which were built as a power station for the Northern City Line, Great Northern & City Railway and later converted to studios. Other films were made at Lime Grove Studios, Lime Grove and Pinewood Studios. The former Islington studio was converted to flats in 2004 and a London Borough of Hackney historical plaque is attached to the building. The studio is best remembered for the Gainsborough melodramas it produced in the 1940s. Gainsborough Pictures is now owned by Gregory Motton. History Gainsborough was founded in 1924 by Michael Balcon and, from 1927, was a sister company to the Gaumont British, with Balcon as Director of Production for both studios. Whilst Gaumont-British, based at Lime ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gainsborough Pictures
Gainsborough Pictures was a British film studio based on the south bank of the Regent's Canal, in Poole Street, Hoxton in the former Metropolitan Borough of Shoreditch, north London. Gainsborough Studios was active between 1924 and 1951. The company was initially based at Islington Studios, which were built as a power station for the Northern City Line, Great Northern & City Railway and later converted to studios. Other films were made at Lime Grove Studios, Lime Grove and Pinewood Studios. The former Islington studio was converted to flats in 2004 and a London Borough of Hackney historical plaque is attached to the building. The studio is best remembered for the Gainsborough melodramas it produced in the 1940s. Gainsborough Pictures is now owned by Gregory Motton. History Gainsborough was founded in 1924 by Michael Balcon and, from 1927, was a sister company to the Gaumont British, with Balcon as Director of Production for both studios. Whilst Gaumont-British, based at Lime ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Germany
Germany,, officially the Federal Republic of Germany, is a country in Central Europe. It is the second most populous country in Europe after Russia, and the most populous member state of the European Union. Germany is situated between the Baltic and North seas to the north, and the Alps to the south; it covers an area of , with a population of almost 84 million within its 16 constituent states. Germany borders Denmark to the north, Poland and the Czech Republic to the east, Austria and Switzerland to the south, and France, Luxembourg, Belgium, and the Netherlands to the west. The nation's capital and most populous city is Berlin and its financial centre is Frankfurt; the largest urban area is the Ruhr. Various Germanic tribes have inhabited the northern parts of modern Germany since classical antiquity. A region named Germania was documented before AD 100. In 962, the Kingdom of Germany formed the bulk of the Holy Roman Empire. During the 16th ce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
MGM-British Studios
MGM-British was a subsidiary of Metro-Goldwyn-Mayer initially established (as MGM London Films Denham) at Denham Film Studios in 1936. It was in limbo during the Second World War; however, following the end of hostilities, a facility was acquired in Borehamwood (one of several known as Elstree Studios), which remained in use until it was closed in 1970. Pre-war MGM London Films Denham Ltd was formed in 1936. The films produced during the initial period at Denham Film Studios were ''A Yank at Oxford'' (1938), ''The Citadel'' (1938), ''Goodbye, Mr. Chips'' (1939) and ''Busman's Honeymoon'' (US: ''Haunted Honeymoon'', 1940). The first production head was Michael Balcon. However, he left after a single film and was replaced by Victor Saville. The subsidiary was in abeyance during the war. Meanwhile, Amalgamated Studios Ltd constructed a large studio on the north side of Elstree Way, Borehamwood, between 1935 and 1937. A January 1937 deal for eight films to be made for the American st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Gainsborough
Thomas Gainsborough (14 May 1727 (baptised) – 2 August 1788) was an English portrait and landscape painter, draughtsman, and printmaker. Along with his rival Sir Joshua Reynolds, he is considered one of the most important British artists of the second half of the 18th century. He painted quickly, and the works of his maturity are characterised by a light palette and easy strokes. Despite being a prolific portrait painter, Gainsborough gained greater satisfaction from his landscapes. He is credited (with Richard Wilson) as the originator of the 18th-century British landscape school. Gainsborough was a founding member of the Royal Academy. Youth and training He was born in Sudbury, Suffolk, the youngest son of John Gainsborough, a weaver and maker of woollen goods, and his wife Mary, the sister of the Reverend Humphry Burroughs. One of Gainsborough's brothers, Humphrey, had a faculty for mechanics and was said to have invented the method of condensing steam in a separate ve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sarah Siddons
Sarah Siddons (''née'' Kemble; 5 July 1755 – 8 June 1831) was a Welsh actress, the best-known tragedienne of the 18th century. Contemporaneous critic William Hazlitt dubbed Siddons as "tragedy personified". She was the elder sister of John Philip Kemble, Charles Kemble, Stephen Kemble, Ann Hatton, and Elizabeth Whitlock, and the aunt of Fanny Kemble. She was most famous for her portrayal of the Shakespearean character, Lady Macbeth, a character she made her own, as well as for fainting at the sight of the Elgin Marbles in London. The Sarah Siddons Society, founded in 1952, continues to present the Sarah Siddons Award annually in Chicago to a distinguished actress. Background The 18th-century marked the 'emergence of a recognisably modern celebrity culture' and Siddons was at the heart of it. Portraits depicted actresses in aristocratic dress, the recently industrialised newspapers spread actresses' names and images and gossip about their private lives spread through the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georgian Era
The Georgian era was a period in British history from 1714 to , named after the Hanoverian Kings George I, George II, George III and George IV. The definition of the Georgian era is often extended to include the relatively short reign of William IV, which ended with his death in 1837. The subperiod that is the Regency era is defined by the regency of George IV as Prince of Wales during the illness of his father George III. The transition to the Victorian era was characterized in religion, social values, and the arts by a shift in tone away from rationalism and toward romanticism and mysticism. The term ''Georgian'' is typically used in the contexts of social and political history and architecture. The term ''Augustan literature'' is often used for Augustan drama, Augustan poetry and Augustan prose in the period 1700–1740s. The term ''Augustan'' refers to the acknowledgement of the influence of Latin literature from the ancient Roman Republic. The term ''Georgian era'' is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glennis Lorimer
Glennis Lorimer (''Glennis Dorothy Browne''; 27 April 1913 – 17 November 1968) was a British people, British actress, who appeared in a number of films during the 1930s. She also appeared in the Gainsborough Pictures logo before the opening credits of films by that studio. She made her debut in the 1933 film ''Britannia of Billingsgate''. Her last film appearance was in the 1939 Will Hay comedy ''Ask a Policeman''. She died of cancer of the esophagus at Guy's Hospital, London. Selected filmography * ''Britannia of Billingsgate'' (1933) * ''Orders is Orders'' (1934) * ''My Old Dutch (1934 film), My Old Dutch'' (1934) * ''Old Faithful (film), Old Faithful'' (1935) * ''Car of Dreams'' (1935) * ''Strictly Illegal'' (1935) * ''It's Love Again'' (1936) * ''All In (film), All In'' (1936) * ''The Interrupted Honeymoon'' (1936) * ''Farewell to Cinderella'' (1937) * ''Alf's Button Afloat'' (1938) * ''Ask a Policeman'' (1939) References External links * 1913 births 1968 deaths ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Berthold Viertel
Berthold Viertel (28 June 1885 – 24 September 1953) was an Austrian screenwriter and film director, known for his work in Germany, the UK and the US. Early career Viertel was born in Vienna, the capital of the Austro-Hungarian Empire, but later went to work in Berlin. Viertel developed a reputation as a poet and theatre director, before moving into film work from 1922. As a screenwriter and director, he collaborated with some of the leading figures of the silent era of German cinema and worked on several influential films. '' Uneasy Money'' (1926) is a work of New Objectivity film movement. He was married to screenwriter and actress Salka Viertel from 30 April 1918 to 20 December 1947. Arrival in America Following the collapse of Viertel's theatre troupe, he faced severe financial difficulties and accepted an offer from the Fox Film Corporation. He came to Los Angeles in 1928 planning to stay for just three years. Viertel wanted to gain experience working for the booming Hollyw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mutz Greenbaum
Mutz Greenbaum (3 February 1896 – 5 July 1968), sometimes credited as Max Greene or Max Greenbaum, was a German film cinematographer. He was the son of the pioneering film producer Jules Greenbaum who had founded Deutsche Bioscope. He began as a cameraman in 1915 working on German silent movies, especially in association with directors Urban Gad, Max Mack, and Franz Hofer. Most of the time he worked for his father's company Greenbaum-Film GmbH in Berlin, even directing some detective films around 1920. His career continued into the sound era and he moved to England working on such films as '' The Stars Look Down'' (1940), '' Hatter's Castle'' (1942), '' Thunder Rock'' (1942), '' So Evil My Love'' (1948), ''Night and the City'' (1950) and ''I'm All Right Jack'' (1959), usually credited as Max Greene. Mutz Greenbaum left Germany in the early 30's, signing with Gaumont-British as director of photography. During the succeeding decades, he worked on many classic films by leading ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Junge
Alfred Junge (29 January 1886, Görlitz, Silesia (now Saxony), Germany – 16 July 1964, London) was a German-born production designer who spent a large part of his career working in the British film industry. Junge had wanted to be an artist from childhood. Dabbling in theatre in his teenage years, he joined the Görlitz Stadttheater at eighteen and was involved in all areas of production. He worked in the theatre for over fifteen years. Junge began his career in film at Berlin's UFA studios, working there as an art director from 1920 until 1926, when he joined the production team of director E.A. Dupont who was relocating to British International Pictures. He remained with BIP at Elstree Studios until 1930 when he returned briefly to the continent to work in Germany and then in France with Marcel Pagnol. From 1932 he remained in Britain. Michael Balcon placed him in charge of the new Gaumont British art department where his organisational skills as well as talent came in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conrad Veidt
Hans Walter Conrad Veidt (; 22 January 1893 – 3 April 1943) was a German film actor who attracted early attention for his roles in the films ''Different from the Others'' (1919), '' The Cabinet of Dr. Caligari'' (1920), and ''The Man Who Laughs'' (1928). After a successful career in German silent films, where he was one of the best-paid stars of UFA, he and his new Jewish wife Ilona Prager left Germany in 1933 after the Nazis came to power. The couple settled in Britain, where he took British citizenship in 1939. He appeared in many British films, including '' The Thief of Bagdad'' (1940), before emigrating to the United States around 1941, which led to his being cast in what may be his best remembered role as Major Strasser in ''Casablanca'' (1942). This was Veidt's last film role to be released during his lifetime. Early life Hans Walter Conrad Veidt was born on 22 January 1893 in his parents' home at Tieckstraße 39 in Berlin to Amalie Marie (née Gohtz) and Philipp Heinri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elisabeth Bergner
Elisabeth Bergner (22 August 1897 – 12 May 1986) was an Austrian-British actress. Primarily a stage actress, her career flourished in Berlin and Paris before she moved to London to work in films. Her signature role was Gemma Jones in '' Escape Me Never'', a play written for her by Margaret Kennedy. She played Gemma first in London and then in the Broadway debut, and in a film version for which she was nominated for the Academy Award for Best Actress. In 1943, Bergner returned to Broadway in the play ''The Two Mrs. Carrolls'', for which she won the Distinguished Performance Medal from the Drama League. Life and career She was born Ella (Ettel) Bergner in Drohobych, Austro-Hungarian Empire (present-day Ukraine) to Sara (née Wagner) and Emil (Schmelke Juda) Bergner, a merchant. She grew up in a secular Jewish home. The Hebrew she heard in her childhood was associated with Yom Kippur and Pesach, and on her visits to Israel, she apologized for not knowing the language. She fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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