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Gaetano Martinelli
Gaetano Martinelli (? – 1802) was an Italian librettist active in the court theatres of Charles Eugene, Duke of Württemberg from 1766 to 1769 and in Lisbon as the court poet to Joseph I of Portugal and his daughter Maria I from 1769 until his death in 1802. He was one of a group of reforming Italian librettists which also included Calzabigi, Verazi, and Migliavacca, who moved away from the traditional Metastasian plot structures that had dominated opera during the first half of the 18th century. The majority of his early libretti were for comic (''opera buffa'') or semi-comic (''dramma giocoso'') operas.Armellini, Mario (2008"Martinelli, Gaetano" ''Dizionario Biografico degli Italiani'', vol. 71. Treccani. Online version retrieved 10 December 2016 . Martinelli was described on his early libretti as "Romano" (Roman) but nothing is known of the exact date and place of his birth or of his parentage and early life. His first appearance as a librettist was at the Teatro San Moisè ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Librettist
A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or musical. The term ''libretto'' is also sometimes used to refer to the text of major liturgical works, such as the Mass, requiem and sacred cantata, or the story line of a ballet. ''Libretto'' (; plural ''libretti'' ), from Italian, is the diminutive of the word '' libro'' ("book"). Sometimes other-language equivalents are used for libretti in that language, ''livret'' for French works, ''Textbuch'' for German and ''libreto'' for Spanish. A libretto is distinct from a synopsis or scenario of the plot, in that the libretto contains all the words and stage directions, while a synopsis summarizes the plot. Some ballet historians also use the word ''libretto'' to refer to the 15 to 40 page books which were on sale to 19th century ballet audiences in Paris and contained a very detailed description of the ballet's story, scene by s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro San Moisè
The Teatro San Moisè was a theatre and opera house in Venice, active from 1620 to 1818. It was in a prominent location near the Palazzo Giustinian and the church of San Moisè at the entrance to the Grand Canal. History Built by the San Bernaba branch of the Giustiniani family c.1620, it was originally a prose theatre. Its first opera production was Claudio Monteverdi's (now lost) opera ''L'Arianna'' in 1640 by which time the ownership had passed to the Zane family who had long intermarried with the Giustiniani. It was used by the Ferrari company, and the librettist Giovanni Faustini was one of the theatre's first impresarios.Rosand, Ellen (1990''Opera in Seventeenth-Century Venice: The Creation of a Genre'' pp. 88–124. University of California Press. From the outset it was one of the smaller theatres of Venice, but also one of the most influential. In 1668 it was enlarged to 800 seats, although this did not result in a significant increase on the size of the stage which limi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Opera Librettists
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1802 Deaths
Eighteen or 18 may refer to: * 18 (number), the natural number following 17 and preceding 19 * one of the years 18 BC, AD 18, 1918, 2018 Film, television and entertainment * ''18'' (film), a 1993 Taiwanese experimental film based on the short story ''God's Dice'' * ''Eighteen'' (film), a 2005 Canadian dramatic feature film * 18 (British Board of Film Classification), a film rating in the United Kingdom, also used in Ireland by the Irish Film Classification Office * 18 (''Dragon Ball''), a character in the ''Dragon Ball'' franchise * "Eighteen", a 2006 episode of the animated television series ''12 oz. Mouse'' Music Albums * ''18'' (Moby album), 2002 * ''18'' (Nana Kitade album), 2005 * '' 18...'', 2009 debut album by G.E.M. Songs * "18" (5 Seconds of Summer song), from their 2014 eponymous debut album * "18" (One Direction song), from their 2014 studio album ''Four'' * "18", by Anarbor from their 2013 studio album '' Burnout'' * "I'm Eighteen", by Alice Cooper commonly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
18th-century Births
The 18th century lasted from January 1, 1701 ( MDCCI) to December 31, 1800 ( MDCCC). During the 18th century, elements of Enlightenment thinking culminated in the American, French, and Haitian Revolutions. During the century, slave trading and human trafficking expanded across the shores of the Atlantic, while declining in Russia, China, and Korea. Revolutions began to challenge the legitimacy of monarchical and aristocratic power structures, including the structures and beliefs that supported slavery. The Industrial Revolution began during mid-century, leading to radical changes in human society and the environment. Western historians have occasionally defined the 18th century otherwise for the purposes of their work. For example, the "short" 18th century may be defined as 1715–1789, denoting the period of time between the death of Louis XIV of France and the start of the French Revolution, with an emphasis on directly interconnected events. To historians who expand ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexis Soriano
'' Alexis Soriano is a Spanish- Lithuanian orchestral conductor and composer. A pupil of Ilya Musin, and later of Valery Gergiev, he has been Principal Associate Conductor of The Hermitage Orchestra for ten years and is Artistic Director of the "Spanish Evenings Festival" in Saint Petersburg. On the invitation of Gergiev, he made his debut at the Mariinsky Theater, conducting Mozart's '' The Marriage of Figaro''. Since 2009 he has been Artistic Director and principal conductor of the chamber opera company, "Opera Incognita" and conducted the company's first fully staged opera, ''The letters of Van Gogh'' by Grigory Frid, at the Hermitage Theatre. The production was nominated for the Golden Mask Award. His repertoire also includes contemporary and rarely performed music, especially Spanish. He was chief conductor of INSO Lviv Symphony Orchestra between 2010 and 2012. He has conducted the first recording of José Lidón's 1792 opera, ''Glaura y Cariolano''. Since 2012 he has bee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
João De Sousa Carvalho
João de Sousa Carvalho (22 February 1745c. 1798) was the foremost Portuguese composer of his generation. Born in Estremoz, he studied music from 1753 at the Colégio dos Santos Reis in Vila Viçosa, then from 1761 at the Conservatório di Sant' Onofrio a Porta Capuana in Naples. In 1766 his setting of Metastasio’s operatic libretto ''La Nitteti'' was performed in Rome. The following year, he joined the Irmandade de Santa Cecília at Lisbon and was appointed professor of counterpoint in the Seminário da Patriarcal, where he later served as ''mestre'' (1769–1773) and ''mestre de capela'' (1773–1798). In 1778, he became music teacher to the royal family. He died in 1798 in Alentejo at the age of 53. His numerous church works are written in a style similar to that of Niccolò Jommelli and, sometimes, Haydn. Several of his ''opere serie'' and serenatas were performed at the royal palaces of Ajuda and Queluz. Some of his keyboard music survives and is occasionally play ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Paisiello
Giovanni Paisiello (or Paesiello; 9 May 1740 – 5 June 1816) was an Italian composer of the Classical era, and was the most popular opera composer of the late 1700s. His operatic style influenced Mozart and Rossini. Life Paisiello was born in Taranto in the Apulia region and educated by the Jesuits there. He became known for his beautiful singing voice and in 1754 was sent to the Conservatorio di S. Onofrio at Naples, where he studied under Francesco Durante, and eventually became assistant master. For the theatre of the Conservatorio, which he left in 1763, he wrote some intermezzi, one of which attracted so much notice that he was invited to write two operas, ''La Pupilla'' and ''Il Mondo al Rovescio'', for Bologna, and a third, ''Il Marchese di Tidipano'', for Rome. His reputation now firmly established, he settled for some years at Naples, where, despite the popularity of Niccolò Piccinni, Domenico Cimarosa and Pietro Guglielmi, of whose triumphs he was bitterly jealous, h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Alessandro Guglielmi
Pietro Alessandro Guglielmi (9 December 1728 – 19 November 1804) was an Italian opera composer of the classical period. Biography Guglielmi was born into the Guglielmi family of musicians in Massa. His father, Jacopo Guglielmi, was a composer and conductor of the orchestra in the court of the Duke of Massa. Pietro received his first musical education from his father who taught him to play bassoon and the viola; eventually becoming a musician under his father at court while still a boy. Pietro's brother, Abate Domenico, was the maestro di cappella at the Massa Cathedral, and Pietro studied the organ under him. A child prodigy, Guglielmi's talent as a musician earned him the favor of the Duke of Massa who took an interest in supporting his musical development. The Duke initially paid for Guglielmi to have formal musical training with Jacopo Puccini in Massa, and afterwards paid his tuition for his education at the Conservatorio di Santa Maria di Loreto in Naples which he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lo Spirito Di Contradizione
''Lo spirito di contradizione'' (''The Spirit of Contradiction'') is an opera buffa in three acts by Pietro Alessandro Guglielmi. Guglielmi contributed a large part of the music to Pasquale Anfossi's 1763 opera ''Lo sposo di tre e marito di nessuna'', which had a Neapolitan libretto by Antonio Palomba. Much of this work was reused by Guglielmi for ''Lo spirito di contradizione'', with the text revised for the Venetian audience by Gaetano Martinelli. Performance history It was first performed at the Teatro San Moisè in Venice during carnival 1766. Roles Synopsis Don Cesarino is scheming to marry three women (Lisetta, Cecchina and the Countess Flaminia) for their dowries and then disappear, but other men also interested in the women, thwart his plan. References *Hunter, Mary (1992), 'Spirito di contradizione, Lo' in ''The New Grove Dictionary of Opera ''The New Grove Dictionary of Opera'' is an encyclopedia of opera, considered to be one of the best general reference source ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Ratto Della Sposa
''Il ratto della sposa'' (''The Kidnapped Fiancée'') is an ''opera buffa'' in three acts by Pietro Alessandro Guglielmi. The Italian libretto was by Gaetano Martinelli. Performance history It was first performed at the Teatro San Moisè in Venice in the autumn of 1765. A revised version was staged in London in 1768. The opera was successful and there were productions in succeeding decades, some entitled ''Lo sposo rapita'' or ''Il vecchio deluso''. Roles References *Hunter, Mary (1992), 'Ratto della sposa, ll' in ''The New Grove Dictionary of Opera ''The New Grove Dictionary of Opera'' is an encyclopedia of opera, considered to be one of the best general reference sources on the subject. It is the largest work on opera in English, and in its printed form, amounts to 5,448 pages in four volu ...'', ed. Stanley Sadie (London) {{DEFAULTSORT:Ratto della sposa Operas Italian-language operas Opera buffa Operas by Pietro Alessandro Guglielmi 1765 operas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Treccani
The ''Enciclopedia Italiana di Scienze, Lettere e Arti'' (Italian for "Italian Encyclopedia of Science, Letters, and Arts"), best known as ''Treccani'' for its developer Giovanni Treccani or ''Enciclopedia Italiana'', is an Italian-language encyclopaedia. The publication ''Encyclopaedias: Their History Throughout The Ages'' regards it as one of the greatest encyclopaedias along with the ''Encyclopædia Britannica'' and others. History The first edition was published serially between 1929 and 1936. In all, 35 volumes were published, plus one index volume. The set contained 60,000 articles and 50 million words. Each volume is approximately 1,015 pages, and 37 supplementary volumes were published between 1938 and 2015. The director was Giovanni Gentile and redactor-in-chief . Most of the articles are signed with the initials of the author. An essay credited to Benito Mussolini entitled "The Doctrine of Fascism" was included in the 1932 edition of the encyclopedia, although it w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
