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Gabriel De Lurieu
Gabriel de Lurieu (real name Gabriel-Zéphirin Gonyn de Lurieu; Paris, 28 October 1799 (7 brumaire year VIII) – Paris, 5 February 1889 ) was a French author and playwright. His brother Jules-Joseph-Gabriel de Lurieu (1792–1869), with whom he is sometimes mistaken, was also a playwright, who used the pseudonym "J. Gabriel", under which he cowrote the libretto for the opera ''La perle du Brésil'' by Félicien David, and the collective pseudonym "Monsieur Sapajou" (with Armand d'Artois and Francis d'Allarde). Biography The son of a captain of Dragons from a family of the minor nobility (squire) of the former Forez province, parallel to its inspector general career in the watch of Benevolent Institutions of the City of Paris, he started writing theatre plays. He authored numerous plays and libretti for opéras comiques, most of them written in collaboration, in particular with Théophile Marion Dumersan, Francis baron d'Allarde, Armand d'Artois, Nicolas Brazier, Eu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gabriel De Lurieu
Gabriel de Lurieu (real name Gabriel-Zéphirin Gonyn de Lurieu; Paris, 28 October 1799 (7 brumaire year VIII) – Paris, 5 February 1889 ) was a French author and playwright. His brother Jules-Joseph-Gabriel de Lurieu (1792–1869), with whom he is sometimes mistaken, was also a playwright, who used the pseudonym "J. Gabriel", under which he cowrote the libretto for the opera ''La perle du Brésil'' by Félicien David, and the collective pseudonym "Monsieur Sapajou" (with Armand d'Artois and Francis d'Allarde). Biography The son of a captain of Dragons from a family of the minor nobility (squire) of the former Forez province, parallel to its inspector general career in the watch of Benevolent Institutions of the City of Paris, he started writing theatre plays. He authored numerous plays and libretti for opéras comiques, most of them written in collaboration, in particular with Théophile Marion Dumersan, Francis baron d'Allarde, Armand d'Artois, Nicolas Brazier, Eu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Élie Sauvage
Élie Sauvage, full name Élie François Victor Sauvage (13 May 1814 – 30 December 1871), was a 19th-century French playwright and novelist. He was the son of Angélique-Renée Rotureau and René Sauvage, a trader in Mayenne. He collaborated to the newspaper ''La Mayenne'' and began his literary career with a volume of verse. He then turned to the theater and produced alone or in collaboration, a dozen plays. A member of the Société des gens de lettres, towards the end of his life he published two novels, ''Mirette'', a spiritist one, and ''La Petite Bohémienne'' which was translated into English as ''The Little Gipsy''. Publications ;Theatre *1833: ''Un matelot'', vaudeville in 1 act, with Gabriel de Lurieu, Paris, Théâtre du Palais-Royal, 6 March *1836: ''Julien l'évangéliste'', drama in 5 acts and in verse *1845: ''Jeanne d'Arc en prison'', monologue in 1 act and in verse, with René Périn, Théâtre du Luxembourg *1844: ''Le Roi Lear'', drama in 4 acts and in vers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre De La Gaîté (boulevard Du Temple)
The Théâtre de la Gaîté, a former Parisian theatre company, was founded in 1759 on the boulevard du Temple by the celebrated Parisian fair-grounds showman Jean-Baptiste Nicolet as the Théâtre de Nicolet, ou des Grands Danseurs.McCormick 1993, p. 16.Whittaker 1827vol. 2, p. 520 The company was invited to perform for the royal court of Louis XV in 1772 and thereafter took the name of Grands-Danseurs du Roi. However, with the fall of the monarchy and the founding of the First French Republic in 1792, the name was changed to the less politically risky Théâtre de la Gaîté."Grands-Danseurs du Roi (Spectacle des)" in Campardon 1877vol. 1, p. 384 The company's theatre on the boulevard du Temple was replaced in 1764 and 1808, and again in 1835 due to a fire. As a result of Haussmann's renovation of Paris, the company relocated to a new theatre on the rue Papin in 1862, and the 1835 theatre (pictured) was subsequently demolished. Nicolet moves from the fair to the boulevard In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Des Variétés
The Théâtre des Variétés is a theatre and "salle de spectacles" at 7–8, boulevard Montmartre, 2nd arrondissement, in Paris. It was declared a monument historique in 1974. History It owes its creation to the theatre director Mademoiselle Montansier (Marguerite Brunet). Imprisoned for debt in 1803 and frowned upon by the government, a decree of 1806 ordered her company to leave the Théâtre du Palais-Royal which then bore the name of "Variétés". The decree's aim was to move out Montansier's troupe to make room for the company from the neighbouring Théâtre-Français, which had stayed empty even as the Variétés-Montansier had enjoyed immense public favour. Strongly unhappy about having to leave the theatre by 1 January 1807, the 77-year-old Montansier gained an audience with Napoleon himself and received his help and protection. She thus reunited the "Société des Cinq", which directed her troupe, in order to found a new theatre, the one which stands at the side of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Achille D'Artois
Louis Charles Achille d'Artois de Bournonville (17 March 1791 - 2 December 1868) was a French writer, libretist and dramatist. Biography A very prolific librettist, his plays have been performed on the most important Parisian stages during his lifetime (Théâtre des Variétés, Théâtre du Vaudeville, Théâtre de la Gaîté, Opéra-Comique, Odéon, Théâtre de la Renaissance...). Works * ''Les maris ont tort'', comédie en vaudevilles in 1 act, 1813 * ''Pauché ou la curiosité des femmes'', comédie anachréontique, in 1 act, mingled with vaudevilles, with Théaulon, 1814 * ''Le Roi et la Ligue'', opéra comique in 2 acts, with Théaulon, 1815 * ''Turenne, ou Un trait de modestie'', with F. de Bury, 1815 * ''Les visites'', tableau vaudeville in 1 act, with Armand d'Artois and Théaulon, 1815 * ''La Rosière de Hartwell'', comedie en vaudevilles on one act, with Armand d'Artois, 1816 * ''Les perroquets de la mère Philippe'', with Armand d'Artois and Emmanuel Théa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comédie En Vaudevilles
The ''comédie en vaudevilles'' () was a theatrical entertainment which began in Paris towards the end of the 17th century, in which comedy was enlivened through lyrics using the melody of popular vaudeville (song), vaudeville songs.Barnes 2001. Evolution The annual fairs of Paris at St. Germain and St. Laurent had developed theatrical variety entertainments, with mixed plays, acrobatics, acrobatic displays, and pantomimes, typically featuring vaudevilles (see Théâtre de la foire). Gradually these features began to invade established theatres. The ''Querelle des Bouffons'' (War of the Clowns), a dispute amongst theatrical factions in Paris in the 1750s, in part reflects the rivalry of this form, as it evolved into ''opéra comique'', with the Italian ''opera buffa''. ''Comédie en vaudevilles'' also seems to have influenced the English ballad opera and the German Singspiel. Vaudeville final One feature of the ''comédie en vaudevilles'' which later found its way into opera w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mélesville
Baron Anne-Honoré-Joseph Duveyrier, pen-name Mélesville (13 December 1787 in Paris – 7 November 1865 in Marly-le-Roi) was a French dramatist. The playwright Mélesville fils was his son. Life The son of Honoré-Nicolas-Marie Duveyrier, Mélesville initially had success at the bar and as a magistrate. He left the legal profession in 1814 to dedicate himself to the theatre, though he had first gained praise in that area in 1811 for his comedy ''l'Oncle rival''. Out of consideration for his father's position, he wrote under the pseudonym Mélesville, by which he is still known. He wrote in all genres - dramas, melodramas, comedies, vaudevilles, opera librettos - and is the sole or collaborative author of more than 340 plays. His collaborators included Eugène Scribe and Delestre-Poirson, with the collective pseudonym of Amédée de Saint-Marc. He collaborated with the more famous authors Brazier, Carmouche, Bayard, Scribe, Léon Laya on over 500 plays, some of which enjoy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Figaro
''Le Figaro'' () is a French daily morning newspaper founded in 1826. It is headquartered on Boulevard Haussmann in the 9th arrondissement of Paris. The oldest national newspaper in France, ''Le Figaro'' is one of three French newspapers of record, along with ''Le Monde'' and ''Libération''. It was named after Figaro, a character in a play by polymath Beaumarchais (1732–1799); one of his lines became the paper's motto: "''Sans la liberté de blâmer, il n'est point d'éloge flatteur''" ("Without the freedom to criticise, there is no flattering praise"). With a centre-right editorial line, it is the largest national newspaper in France, ahead of ''Le Parisien'' and ''Le Monde''. In 2019, the paper had an average circulation of 321,116 copies per issue. The paper is published in Berliner format. Since 2012 its editor (''directeur de la rédaction'') has been Alexis Brézet. The newspaper has been owned by Dassault Group since 2004. Other Groupe Figaro publications include ''Le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
7th Arrondissement Of Paris
The 7th arrondissement of Paris (''VIIe arrondissement'') is one of the 20 Arrondissements of Paris, arrondissements of the capital city of France. In spoken French, this arrondissement is referred to as ''le septième''. The arrondissement, called Palais-Bourbon in a reference to the seat of the National Assembly (France), National Assembly, includes some of the major and well-known tourist attractions of Paris, such as the Eiffel Tower, the Les Invalides, Hôtel des Invalides (Napoleon's resting place), the Chapel of Our Lady of the Miraculous Medal, as well as a concentration of museums such as the Musée d'Orsay, Musée Rodin and the Musée du Quai Branly – Jacques Chirac. Situated on the Rive Gauche—the "Left" bank of the Seine, River Seine—this central arrondissement, which includes the historical aristocratic neighbourhood of Faubourg Saint-Germain, contains a number of French national institutions, among them the National Assembly and numerous Ministry (government ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emmanuel Théaulon
Marie-Emmanuel-Guillaume-Marguerite Théaulon de Lambert (14 August 1787, Aigues-Mortes – 16 November 1841) was a French playwright. A customs inspector, then an inspector of military hospitals, he composed an ''Ode'' on the birth of the King of Rome which brought him thanks from Napoleon himself. In 1814 he sang for the Bourbons and put on his first play, ''Les Clefs de Paris, ou le Dessert d’Henri IV'' (The Keys of Paris, or the Deservings of Henry IV), in their honour. In 1815, he composed and organised the posting of proclamations in honour of Louis XVIII. He collaborated on the royalist journals ''Le Nain rose'', ''La Foudre'', ''L’Apollon''. Selected works Above all during the Bourbon restoration, he wrote and put on a large number (sometimes alone, sometimes with collaborators), 250 according to one account. Written extremely quickly, most of them are only sketches, whose style often leaves something to be desired but which do not lack wit and beauty. He wrote two ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adolphe Charles Adam
Adolphe Charles Adam (; 24 July 1803 – 3 May 1856) was a French composer, teacher and music critic. A prolific composer for the theatre, he is best known today for his ballets ''Giselle'' (1841) and '' Le corsaire'' (1856), his operas ''Le postillon de Lonjumeau'' (1836) and ''Si j'étais roi'' (1852) and his Christmas carol "Minuit, chrétiens!" (Midnight, Christians, 1844, known in English as "O Holy Night"). Adam was the son of a well-known composer and pianist, but his father did not wish him to pursue a musical career. Adam defied his father, and his many operas and ballets earned him a good living until he lost all his money in 1848 in a disastrous bid to open a new opera house in Paris in competition with the Opéra and Opéra-Comique. He recovered, and extended his activities to journalism and teaching. He was appointed as a professor at the Paris Conservatoire, France's principal music academy. Together with his older contemporary Daniel Auber and his teacher Adrien ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
