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G Vs. E
''G vs E'' (later retitled ''Good vs Evil'') is an American supernatural comedy-drama television series that had its first season air on USA Network during the summer and autumn of 1999. For the second season the series switched to Sci-Fi Channel in early 2000. The series stars Clayton Rohner, Richard Brooks and Marshall Bell. ''G vs E'' pitted a group of agents who are assigned to "the Corps", a secret agency under the command of Heaven, against the "Morlocks", a group of evildoers from Hell. The series has a 1970s retro-hip style that is similar to Quentin Tarantino's ''Pulp Fiction''. The show is fast-moving and harkens back to the blaxploitation films of the 1970s. It also mixes spy-fi elements with the end of the millennium Zeitgeist of the late 1990s. Plot Chandler Smythe (Clayton Rohner) is murdered on his 35th birthday. He is then recruited as an agent of the Corps and becomes a partner to Henry McNeil (Richard Brooks). Henry was killed in the 1970s and still dresses lik ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Supernatural
Supernatural refers to phenomena or entities that are beyond the laws of nature. The term is derived from Medieval Latin , from Latin (above, beyond, or outside of) + (nature) Though the corollary term "nature", has had multiple meanings since the ancient world, the term "supernatural" emerged in the Middle Ages and did not exist in the ancient world. The supernatural is featured in folklore and religious contexts, but can also feature as an explanation in more secular contexts, as in the cases of superstitions or belief in the paranormal. The term is attributed to non-physical entities, such as angels, demons, gods, and spirits. It also includes claimed abilities embodied in or provided by such beings, including magic, telekinesis, levitation, precognition, and extrasensory perception. The philosophy of naturalism contends that nothing exists beyond the natural world, and as such approaches supernatural claims with skepticism. Etymology and history of the concept Occurr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Supernatural Fiction
Supernatural fiction or supernaturalist fiction is a genre of speculative fiction that exploits or is centered on supernatural themes, often contradicting naturalist assumptions of the real world. Description In its broadest definition, supernatural fiction overlaps with examples of weird fiction, horror fiction, vampire literature, ghost story, and fantasy. Elements of supernatural fiction can be found in writing from the genre of science fiction. Amongst academics, readers and collectors, however, supernatural fiction is often classed as a discrete genre defined by the elimination of "horror", "fantasy", and elements important to other genres. The one genre supernatural fiction appears to embrace in its entirety is the traditional ghost story. The fantasy and supernatural fiction genres would often overlap and may be confused each for each other, though there exist some crucial differences between the two genres. Fantasy usually takes place in another world, where fantast ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deal With The Devil
A deal with the Devil (also called a Faustian bargain or Mephistophelian bargain) is a cultural motif exemplified by the legend of Faust and the figure of Mephistopheles, as well as being elemental to many Christian traditions. According to traditional Christian belief about witchcraft, the pact is between a person and the Devil or another demon, trading a soul for diabolical favours, which vary by the tale, but tend to include youth, knowledge, wealth, fame and power. It was also believed that some people made this type of pact just as a sign of recognising the minion as their master, in exchange for nothing. The bargain is a dangerous one, as the price of the Fiend's service is the wagerer's soul. The tale may have a moralising end, with eternal damnation for the foolhardy venturer. Conversely, it may have a comic twist, in which a wily peasant outwits the devil, characteristically on a technical point. The person making the pact sometimes tries to outwit the devil, but l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Shaft
John Shaft is a fictional character created by author/screenwriter Ernest Tidyman for the 1970 novel of the same name. He was portrayed by Richard Roundtree in the original 1971 film and in its four sequels, ''Shaft's Big Score!'' (1972), ''Shaft in Africa'' (1973), ''Shaft'' (2000) and ''Shaft'' (2019), and the seven 1973–74 ''Shaft'' television films, with Samuel L. Jackson portraying his son (introduced as his nephew), named John Shaft II, in ''Shaft'' (2000) and ''Shaft'' (2019), and Jessie Usher portraying the character's grandson (named John "J.J." Shaft Jr.) in ''Shaft'' (2019). The blurb on the paperback on which the original film is based states Shaft is "Hotter than Bond, cooler than Bullitt." Fictional biography Abilities John Shaft's weapon of choice is a Smith & Wesson Model 36, Beretta 92FS or an M1911 pistol. Shaft is also a practitioner of several styles of martial arts that includes western Boxing, Wing Chun, Judo, Jujitsu, Shotokan, and Kyokushin Karate. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zeitgeist
In 18th- and 19th-century German philosophy, a ''Zeitgeist'' () ("spirit of the age") is an invisible agent, force or Daemon dominating the characteristics of a given epoch in world history. Now, the term is usually associated with Georg W. F. Hegel, contrasting with Hegel's use of ''Volksgeist'' "national spirit" and ''Weltgeist'' "world-spirit". Its coinage and popularization precedes Hegel, and is mostly due to Johann Gottfried Herder, Herder and Goethe. Other philosophers who were associated with such concepts include Herbert Spencer, Spencer and Voltaire. Contemporary use of the term sometimes, more colloquially, refers to a schema of fad, fashions or fads that prescribes what is considered to be acceptable or tasteful for an era: e.g., in the field of architecture. Theory of leadership Hegel in ''Phenomenology of the Spirit'' (1807) uses both ''Weltgeist'' and ''Volksgeist'', but prefers the phrase ''Geist der Zeiten'' "spirit of the times" over the German compound, co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Millennium
A millennium (plural millennia or millenniums) is a period of one thousand years, sometimes called a kiloannum (ka), or kiloyear (ky). Normally, the word is used specifically for periods of a thousand years that begin at the starting point (initial reference point) of the calendar in consideration (typically the year "1") and at later years that are whole number multiples of a thousand years after the start point. The term can also refer to an interval of time beginning on any date. Millennia sometimes have religious or theological implications (see millenarianism). The word ''millennium'' derives from the Latin ', thousand, and ', year. Debate over millennium celebrations There was a public debate leading up to the celebrations of the year 2000 as to whether the beginning of that year should be understood as the beginning of the “new” millennium. Historically, there has been debate around the turn of previous decades, centuries, and millennia. The issue arises from the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spy-fi (neologism)
Spy-fi is a subgenre of spy fiction that includes elements of science fiction, and is often associated with the Cold War. Features of spy-fi include the effects of technology on the espionage trade and the technological gadgets used by the characters, even though the technologies and gadgets portrayed are well beyond current scientific reality. Definition and characteristics Spy-fi can be defined as media that centers around the adventures of a protagonist (or protagonists) working as a secret agent or a spy. Usually, these adventures will revolve around defeating a rival superpower or singular enemy from achieving a nefarious aim. Content may include themes such as world domination, world destruction, weapons in science fiction, futuristic weapons, and gadgets. Settings vary from outright fantasy, such as outer space or under the sea, to real but exotic locations. Spy-fi does not necessarily present espionage as it is practiced in reality but rather glamorizes spy-craft through it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blaxploitation
Blaxploitation is an ethnic subgenre of the exploitation film that emerged in the United States during the early 1970s. The term, a portmanteau of the words "black" and "exploitation", was coined in August 1972 by Junius Griffin, the president of the Beverly Hills-Hollywood NAACP branch. He claimed the genre was "proliferating offenses" to the black community in its perpetuation of stereotypical characters often involved in crime. The genre does rank among the first after the race films in the 1940s and 1960s in which black characters and communities are the protagonists and subjects of film and television, rather than sidekicks, antagonists or victims of brutality. The genre's inception coincides with the rethinking of race relations in the 1970s. Blaxploitation films were originally aimed at an urban African-American audience but the genre's audience appeal soon broadened across racial and ethnic lines. Hollywood realized the potential profit of expanding the audiences of bla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pulp Fiction (film)
''Pulp Fiction'' is a 1994 American crime film written and directed by Quentin Tarantino, who conceived it with Roger Avary.See, e.g., King (2002), pp. 185–7; ; Starring John Travolta, Samuel L. Jackson, Bruce Willis, Tim Roth, Ving Rhames, and Uma Thurman, it tells several stories of crime in Los Angeles, California. The title refers to the pulp magazines and hardboiled crime novels popular during the mid-20th century, known for their graphic violence and punchy dialogue. Tarantino wrote ''Pulp Fiction'' in 1992 and 1993, incorporating scenes that Avary originally wrote for ''True Romance'' (1993). Its plot occurs out of chronological order. The film is also self-referential from its opening moments, beginning with a title card that gives two dictionary definitions of "pulp". Considerable screen time is devoted to monologues and casual conversations with eclectic dialogue revealing each character's perspectives on several subjects, and the film features an ironic combinat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quentin Tarantino
Quentin Jerome Tarantino (; born March 27, 1963) is an American film director, writer, producer, and actor. His films are characterized by stylized violence, extended dialogue, profanity, Black comedy, dark humor, Nonlinear narrative, non-linear storylines, Cameo appearance, cameos, ensemble casts, and references to popular culture. Other List of filmmakers' signatures, directorial tropes associated with Tarantino include the use of songs from the 1960s and 70s, fictional brand parodies, and the prominent Framing (visual arts), framing of women's bare feet. Tarantino began his career as an independent filmmaker with the release of the crime film ''Reservoir Dogs'' in 1992. His second film, ''Pulp Fiction'' (1994), a dark comedy crime thriller, was a major success with critics and audiences winning numerous awards, including the Palme d'Or and the Academy Award for Best Original Screenplay. In 1996, he appeared in ''From Dusk till Dawn'', also writing the screenplay. Tarantino' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hell
In religion and folklore, hell is a location in the afterlife in which evil souls are subjected to punitive suffering, most often through torture, as eternal punishment after death. Religions with a linear divine history often depict hells as eternal destinations, the biggest examples of which are Christianity and Islam, whereas religions with reincarnation usually depict a hell as an intermediary period between incarnations, as is the case in the dharmic religions. Religions typically locate hell in another dimension or under Earth's surface. Other afterlife destinations include heaven, paradise, purgatory, limbo, and the underworld. Other religions, which do not conceive of the afterlife as a place of punishment or reward, merely describe an abode of the dead, the grave, a neutral place that is located under the surface of Earth (for example, see Kur, Hades, and Sheol). Such places are sometimes equated with the English word ''hell'', though a more correct translatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Morlocks
Morlocks are a fictional species created by H. G. Wells for his 1895 novel,''The Time Machine'', and are the main antagonists. Since their creation by H. G. Wells, the Morlocks have appeared in many other works such as sequels, films, television shows, and works by other authors, many of which have deviated from the original description. In choosing the name "Morlocks", Wells may have been inspired by Moloch, the Caananite god of child sacrifice, with the Eloi analogous to children. Alternatively, he may have also been inspired by the Morlachs, an ethnic group in the Balkans which attracted attention from Western travellers as a perceived archetype of barbarism and backwardness. In ''The Time Machine'' The Morlocks are at first a mysterious presence in the book, in so far as the protagonist initially believes the Eloi are the sole descendants of humanity. Later, the Morlocks are made the story's antagonists. They dwell underground in the English countryside of AD 802,701, m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
