Günter Neubert
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Günter Neubert
Günter Neubert (born 11 March 1936) is a German composer and tonmeister. Life Born in Crimmitschau, Saxony, after his Abitur at a secondary school in Crimmitschau in 1954, Neubert studied school music at the University of Music and Theatre Leipzig from 1954 to 1955 and from 1955 to 1960 sound engineering at the Hochschule für Musik "Hanns Eisler". He completed his studies in 1960 with the Staatsexamen and diploma. From 1959 to 1965 he was a guest auditor with Rudolf Wagner-Régeny. From 1965 to 1967 he was its aspirant and acquired the teaching qualification for music theory at the Berlin Musikhochschule. From 1968 to 1971 he was for musical composition with Wagner-Régeny and Paul Dessau at the Academy of Arts, Berlin. Von 1960 bis 1961, Neubert was assistant Tonmeister at the Rundfunk der DDR in Berlin. From 1961 to 1991 he worked as sound director at the radio station in Leipzig. From 1978 to 1989 and from 1999 to 2006 he was Lecturer at the Leipzig Academy of Musi ...
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Tonmeister
Tonmeister is most often found as a job description in the music and recording industries. It describes a person who is a sound master (a literal translation of the German word): a person who creates recordings or broadcasts of music who is both deeply musically trained (in 'classical' and non-classical genres) and also who has a detailed theoretical and practical knowledge of virtually all aspects of sound recording, music mixing and mastering. Both competencies have equal importance in a tonmeister's work. A Tonmeister spans both art and technology: Working with musicians on a musical level to help them achieve the best Performance's and interpretation; and utilizing or directing the use of appropriate technology to produce the most communicative experience for the listener, including appropriate editing, sound balance and other post-production skills. One may say that a Tonmeister would utilize the techniques of scientific measurement (microphones, digital recorders, accurate ...
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Private Docent
''Privatdozent'' (for men) or ''Privatdozentin'' (for women), abbreviated PD, P.D. or Priv.-Doz., is an academic title conferred at some European universities, especially in German-speaking countries, to someone who holds certain formal qualifications that denote an ability (''facultas docendi'') and permission to teach (''venia legendi'') a designated subject at the highest level. To be granted the title Priv.-Doz. by a university, a recipient has to fulfill the criteria set by the university which usually require excellence in research, teaching, and further education. In its current usage, the title indicates that the holder has completed their habilitation and is therefore granted permission to teach and examine students independently without having a professorship. Conferment and roles A university faculty can confer the title to an academic who has a higher doctoral degree - usually in the form of a habilitation. The title, ''Privatdozent'', as such does not imply a sala ...
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Ernst Barlach
Ernst Heinrich Barlach (2 January 1870 – 24 October 1938) was a German expressionist sculptor, medallist, printmaker and writer. Although he was a supporter of the war in the years leading to World War I, his participation in the war made him change his position, and he is mostly known for his sculptures protesting against the war. This created many conflicts during the rise of the Nazi Party, when most of his works were confiscated as degenerate art. Stylistically, his literary and artistic work would fall between the categories of twentieth-century Realism and Expressionism. Biography Youth Barlach was born in Wedel, Holstein, the oldest of the four sons of Johanna Luise Barlach (née Vollert, 1845–1920) and the physician Dr. Georg Barlach (1839–1884). His early childhood was spent in Schönberg (Mecklenburg), where his father had practiced since 1872. In the fall of 1876, the family moved to Ratzeburg, where Barlach attended primary school. When his father died, early ...
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Matthias Claudius
Matthias Claudius (15 August 1740 – 21 January 1815) was a German poet and journalist, otherwise known by the pen name of “Asmus”. Life Claudius was born at Reinfeld, Holstein, Reinfeld, near Lübeck, and studied at Jena. He spent the greater part of his life in the town of Wandsbek (quarter), Wandsbeck, where he earned his first literary reputation by editing from 1771 to 1775, a newspaper called ''Der Wandsbecker Bote'' (The Wandsbeck Messenger) (''Wandsbeck'' until the year 1879 still written with "ck". Today only with "k".), in which he published a large number of prose essays and poems. They were written in pure and simple German, and appealed to the popular taste; in many there was a vein of extravagant humour or even burlesque, while others were full of quiet meditation and solemn sentiment. In his later days, perhaps through the influence of Friedrich Gottlieb Klopstock, Klopstock, with whom he had formed an intimate acquaintance, Claudius became strongly pietistic, ...
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Der Rosenkavalier
(''The Knight of the Rose'' or ''The Rose-Bearer''), Op. 59, is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. It is loosely adapted from the novel ''Les amours du chevalier de Faublas'' by Louvet de Couvrai and Molière's comedy ''Monsieur de Pourceaugnac''. It was first performed at the Königliches Opernhaus in Dresden on 26 January 1911 under the direction of Max Reinhardt, Ernst von Schuch conducting. Until the premiere, the working title was ''Ochs auf Lerchenau''. (The choice of the name Ochs is not accidental, for in German "Ochs" means "ox", which describes the character of the Baron throughout the opera.) The opera has four main characters: the aristocratic Marschallin; her very young lover, Count Octavian Rofrano; her brutish cousin Baron Ochs; and Ochs' prospective fiancée, Sophie von Faninal, the daughter of a rich bourgeois. At the Marschallin's suggestion, Octavian acts as Ochs' ''Rosenkavalier'' by pre ...
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Peter Damm
Peter Damm (born 27 July 1937, Meiningen, Thüringen) is a German horn player. He began his musical education aged eleven, on the violin, and started playing the horn in 1951 and graduated from the Franz Liszt Academy in 1957. In 1959 he was appointed as principal horn of the Leipzig Gewandhaus Orchestra, and from 1969 to 2002 he was principal horn at the Dresden Staatskapelle. On his retiring, the orchestra made him an honorary member. He is professor of horn at the Carl Maria von Weber music conservatoire (Hochschule für Musik) in Dresden. He was awarded the title "Kammermusiker" in 1969, and "Kammervirtuose" in 1971. His professional career saw him touring extensively in Europe, as well as Japan and North America. He has also given many masterclasses and seminars. Peter Damm performed the Richard Strauss Hornkonzert Op.11 over 150 times. Since 1986, Peter Damm has been president of the International Competition for Wind Instruments in Markneukirchen. He is an honorary memb ...
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Evangelische Kirche In Deutschland
The Evangelical Church in Germany (german: Evangelische Kirche in Deutschland, abbreviated EKD) is a federation of twenty Lutheran, Reformed (Calvinist) and United (e.g. Prussian Union) Protestant regional churches and denominations in Germany, which collectively encompasses the vast majority of Protestants in that country. In 2020, the EKD had a membership of 20,236,000 members, or 24.3% of the German population. It constitutes one of the largest national Protestant bodies in the world. Church offices managing the federation are located in Hannover-Herrenhausen, Lower Saxony. Many of its members consider themselves Lutherans. Historically, the first formal attempt to unify German Protestantism occurred during the Weimar Republic era in the form of the German Evangelical Church Confederation, which existed from 1922 until 1933. Earlier, there had been successful royal efforts at unity in various German states, beginning with Prussia and several minor German states (e.g. Duchy ...
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Kunstpreis Der Stadt Leipzig
From 1959 to 1989, the city of Leipzig awarded the Kunstpreis der Stadt Leipzig, which was given for outstanding merits in the artistic field to persons who promoted the reputation of the city beyond the region: architects, visual artists, composers, musicians, singers, actors and writers as well as literary and art critics. Prize winners * 1959 Walter Arnold, "Neuland unterm Pflug"-Schauspielerkollektiv, Heinz Rusch and Rudolf Fischer * 1960 Fritz Geißler, Paul Joachim Schneider, Walter Münze, Hanns Maaßen and the Kollektiv Architekt Berthold Schneider * 1961 Heinrich Witz, Emmy Köhler-Richter, Ferdinand May and Wilhelm Weismann * 1962 Gabriele Meyer-Dennewitz * 1963 Hildegard Maria Rauchfuß * 1964 Georg Maurer * 1965 Hans Pfeiffer, Ottmar Gerster, Ingeborg Ottmann and Kollektiv Kurt Nowotny, Alfred Rammler, Rudolf Rohrer * 1966 Annerose Schmidt, Georg Kretzschmar * 1967 Gerhard W. Menzel * 1968 Carlernst Ortwein, Hans Sandig, Wolfgang Mattheuer, Hans-Joac ...
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Hanns Eisler Prize
The Hanns Eisler Prize was an East-German music award, named after the composer Hanns Eisler. It was awarded by Radio DDR – with advisory participation of the music section of the Akademie der Künste der DDR in Berlin (East) and the (VDK) – and on the occasion of his 70th birthday on 6 July 1968, the first time in the ballroom of the . The Hanns Eisler Prize was endowed with 10,000 marks and was one of the most renowned music prizes in the German Democratic Republic. Statute The statutes stated: "The Hanns Eisler Prize shall be awarded for new compositions and musicological works which make outstanding contributions to the socialist musical culture of the GDR". Thus, one or more composers (in the category "composition") and musicology were honoured (from 1971 in the category "scientific papers"). The prize-winning pieces were then premiered in a special concert. Among the first prize winners in 1968 were Peter Dorn, Gerhard Rosenfeld and Ruth Zechlin. The composers Rein ...
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Isaiah
Isaiah ( or ; he, , ''Yəšaʿyāhū'', "God is Salvation"), also known as Isaias, was the 8th-century BC Israelite prophet after whom the Book of Isaiah is named. Within the text of the Book of Isaiah, Isaiah himself is referred to as "the prophet", but the exact relationship between the Book of Isaiah and the actual prophet Isaiah is complicated. The traditional view is that all 66 chapters of the book of Isaiah were written by one man, Isaiah, possibly in two periods between 740 BC and c. 686 BC, separated by approximately 15 years, and that the book includes dramatic prophetic declarations of Cyrus the Great in the Bible, acting to restore the nation of Israel from Babylonian captivity. Another widely held view is that parts of the first half of the book (chapters 1–39) originated with the historical prophet, interspersed with prose commentaries written in the time of King Josiah a hundred years later, and that the remainder of the book dates from immediately before an ...
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Karl May
Karl Friedrich May ( , ; 25 February 1842 – 30 March 1912) was a German author. He is best known for his 19th century novels of fictitious travels and adventures, set in the American Old West with Winnetou and Old Shatterhand as main protagonists and in the Orient and Middle East with fictional characters Kara Ben Nemsi and Hadschi Halef Omar. May also wrote novels set in Latin America, China and Germany, poetry, a play, and composed music; he was a proficient player of several musical instruments. Many of his works were adapted for film, theatre, audio dramas and comics. Later in his career, May turned to philosophical and spiritual genres. He is one of the best-selling German writers of all time, with about 200,000,000 copies sold worldwide. Life and career Early life May was the fifth child of a poor family of weavers in Ernstthal, Schönburgische Rezessherrschaften (then part of the Kingdom of Saxony). He had 13 siblings, of whom nine died in infancy. His ...
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Oratorio
An oratorio () is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is musical theatre, while oratorio is strictly a concert piece – though oratorios are sometimes staged as operas, and operas are sometimes presented in concert form. In an oratorio, the choir often plays a central role, and there is generally little or no interaction between the characters, and no props or elaborate costumes. A particularly important difference is in the typical subject matter of the text. Opera tends to deal with history and mythology, including age-old devices of romance, deception, and murder, whereas the plot of an oratorio often deals with sacred topics, making it appropriate for performance in the church. Protestant composers took their stories from the Bible, while Catholic composers looked to the lives of saints, as w ...
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