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Guiraut De Cabreira
Guerau III de Cabrera (died 1160/61), also called Guiraut (or Giraut) de Cabreira, was a Catalan nobleman and Occitan troubadour. He was the viscount of Àger and Cabrera from 1145. He was the son of Ponç II de Cabrera and Sancha. Guerau is today most famous for his ''ensenhamen'', a long didactic poem written for his jongleur, Cabra. Cabra's name, which means goat and is related to the name of his master's viscounty (Cabrera), probably indicates that he was Guerau's herald, since heralds often took the names of the arms of their lords. Guerau's arms bore a goat. The ''ensenhamen'' is divided into 216 lines. The rhyme scheme is of two four-syllable rhyming lines followed by an octosyllabic line ending in ''-on'', repeated. The entire poem is basically a disorderly and wordy catalogue the things (names, songs, and stories) which Cabra ought to know in his capacity as public entertainer, but which in fact he does not know. The eruditeness of the work is impressive, giving evidenc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Catalan People
Catalans (Catalan, French and Occitan: ''catalans''; es, catalanes, Italian: ''catalani'', sc, cadelanos) are a Romance ethnic group native to Catalonia, who speak Catalan. The current official category of "Catalans" is that of the citizens of Catalonia, an autonomous community in Spain and the inhabitants of the Roussillon historical region in southern France, today the Pyrénées Orientales department, also called Northern Catalonia and ''Pays Catalan'' in French. Some authors also extend the word "Catalans" to include all people from areas in which Catalan is spoken, namely those from Andorra, Valencia, the Balearic islands, eastern Aragon, Roussillon, and the city of Alghero in Sardinia. The Catalan government regularly surveys its population regarding its "sentiment of belonging". As of July 2019, the results point out that 46.7% of the Catalans and other people living in Catalonia would like independence from Spain, 1.3% less than the year before. Historical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Breton People
The Bretons (; br, Bretoned or ''Vretoned,'' ) are a Celtic ethnic group native to Brittany. They trace much of their heritage to groups of Brittonic speakers who emigrated from southwestern Great Britain, particularly Cornwall and Devon, mostly during the Anglo-Saxon settlement of Britain. They migrated in waves from the 3rd to 9th century (most heavily from 450 to 600) into Armorica, which was subsequently named Brittany after them. The main traditional language of Brittany is Breton (''Brezhoneg''), spoken in Lower Brittany (i.e., the western part of the peninsula). Breton is spoken by around 206,000 people as of 2013. The other principal minority language of Brittany is Gallo; Gallo is spoken only in Upper Brittany, where Breton is less dominant. As one of the Brittonic languages, Breton is related closely to Cornish and more distantly to Welsh, while the Gallo language is one of the Romance '' langues d'oïl''. Currently, most Bretons' native language is standard French. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
People From Catalonia
A person ( : people) is a being that has certain capacities or attributes such as reason, morality, consciousness or self-consciousness, and being a part of a culturally established form of social relations such as kinship, ownership of property, or legal responsibility. The defining features of personhood and, consequently, what makes a person count as a person, differ widely among cultures and contexts. In addition to the question of personhood, of what makes a being count as a person to begin with, there are further questions about personal identity and self: both about what makes any particular person that particular person instead of another, and about what makes a person at one time the same person as they were or will be at another time despite any intervening changes. The plural form "people" is often used to refer to an entire nation or ethnic group (as in "a people"), and this was the original meaning of the word; it subsequently acquired its use as a plural form of per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1160s Deaths , synthetic chemical element with atomic number 116
{{Numberdis ...
116 (''one hundred and sixteen'') may refer to: * 116 (number) *AD 116 * 116 BC * 116 (Devon and Cornwall) Engineer Regiment, Royal Engineers, a military unit * 116 (MBTA bus) * 116 (New Jersey bus) * 116 (hip hop group), a Christian hip hop collective *116 emergency number, see List of emergency telephone numbers ** 116 emergency telephone number in California * 116 helplines in Europe *Route 116, see list of highways numbered 116 See also * 11/6 (other) * *Livermorium Livermorium is a synthetic chemical element with the symbol Lv and has an atomic number of 116. It is an extremely radioactive element that has only been created in a laboratory setting and has not been observed in nature. The element is named afte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martín De Riquer
Martin may refer to: Places * Martin City (other) * Martin County (other) * Martin Township (other) Antarctica * Martin Peninsula, Marie Byrd Land * Port Martin, Adelie Land * Point Martin, South Orkney Islands Australia * Martin, Western Australia * Martin Place, Sydney Caribbean * Martin, Saint-Jean-du-Sud, Haiti, a village in the Sud Department of Haiti Europe * Martin, Croatia, a village in Slavonia, Croatia * Martin, Slovakia, a city * Martín del Río, Aragón, Spain * Martin (Val Poschiavo), Switzerland England * Martin, Hampshire * Martin, Kent * Martin, East Lindsey, Lincolnshire, hamlet and former parish in East Lindsey district * Martin, North Kesteven, village and parish in Lincolnshire in North Kesteven district * Martin Hussingtree, Worcestershire * Martin Mere, a lake in Lancashire ** WWT Martin Mere, a wetland nature reserve that includes the lake and surrounding areas * Martin Mill, Kent North America Canada * Rural Municipality of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenso
A ''tenso'' (; french: tençon) is a style of troubadour song. It takes the form of a debate in which each voice defends a position; common topics relate to love or ethics. Usually, the tenso is written by two different poets, but several examples exist in which one of the parties is imaginary, including God (Peire de Vic), the poet's horse (Gui de Cavalhon) or his cloak (Bertran Carbonel). Closely related, and sometimes overlapping, genres include: * the ''partimen'', in which more than two voices discuss a subject * the ''cobla esparsa'' or ''cobla exchange'', a tenso of two stanzas only * the ''contenson'', where the matter is eventually judged by a third party. Notable examples *Marcabru and Uc Catola''Amics Marchabrun, car digam'' possibly the earliest known example. *Cercamon and Guilhalmi''Car vei finir a tot dia'' another candidate for the earliest known example. *Raimbaut d'Aurenga and Giraut de Bornelh''Ara·m platz, Giraut de Borneill'' where major exponents of the two ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Retroencha
In the Middle Ages, the ''rotrouenge'' (Old French) or ''retroencha'' (Old Occitan) was a recognised type of lyric poetry, although no existing source defines the genre clearly. There are four conserved troubadour poems, all with refrains and three by Guiraut Riquier with music, that are labelled ''retronchas'' in the chansonniers. Six ''rotrouenges'' survive, but only one with music, and four of them are attributed to one trouvère, Gontier de Soignies. Medieval Occitan treatises state that the ''retroencha'' always has a refrain, but modern scholars have found no other distinguishing characteristic. Pioneering work in singling out and identifying the ''rotroencha'' was made by Alfred Jeanroy. In the twentieth century, the German scholars Friedrich Gennrich and Hans Spanke developed two distinct theories about the textual and melodic form of the ''rotrouenge'', implicitly suggesting in the process that some of the few specimens of lyric labelled as such in the manuscripts are in f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Balaresc
A ''dansa'' (), also spelt ''dança'', was an Old Occitan form of lyric poetry developed in the late thirteenth century among the troubadours. It is related to the English term "dance" and was often accompanied by dancing. A closely related form, the ''balada'' or ''balaresc'', had a more complex structure, and is related to the ballade but unrelated to the ballad. Both terms derive from Occitan words for "to dance": ''dansar'' and ''balar/ballar''. A ''dansa'' begins with a ''respos'' of one or two lines, whose rhyme scheme matches that of the first line or two of each subsequent stanza. The actual ''respos'' may have been repeated between stanzas, of which there were usually three, as a refrain. The few surviving melodies of ''dansas'' seem like incipient virelais. The verses of the ''dansa'' were sung by a soloist while the refrain was sung by a choir. A ''dansa'' lacking a vuelta is called a ''danseta''. In a ''balada'' each stanza is divided into three parts. The first part ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sirventesc
The ''sirventes'' or ''serventes'' (), sometimes translated as "service song", was a genre of Old Occitan lyric poetry practiced by the troubadours. The name comes from ''sirvent'' ('serviceman'), from whose perspective the song is allegedly written. Sirventes usually (possibly, always) took the form of parodies, borrowing the melody, metrical structure and often even the rhymes of a well-known piece to address a controversial subject, often a current event. The original piece was usually a canso, but there are sirventes written as contrafacta of (at least) sestinas and pastorelas. They were always opinionated, being either highly complimentary or, more often, oozing with vitriol; however, these features are not unique to the sirventes, so a piece can be positively identified as one only if its nature is explicitly stated in the text (which it often is) or the original piece it is based on has been preserved (which is also often the case: for a parody to work, it had to target a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cadence (music)
In Western musical theory, a cadence (Latin ''cadentia'', "a falling") is the end of a phrase in which the melody or harmony creates a sense of full or partial resolution, especially in music of the 16th century onwards.Don Michael Randel (1999). ''The Harvard Concise Dictionary of Music and Musicians'', pp. 105-106. . A harmonic cadence is a progression of two or more chords that concludes a phrase, section, or piece of music. A rhythmic cadence is a characteristic rhythmic pattern that indicates the end of a phrase. A cadence can be labeled "weak" or "strong" depending on the impression of finality it gives. While cadences are usually classified by specific chord or melodic progressions, the use of such progressions does not necessarily constitute a cadence—there must be a sense of closure, as at the end of a phrase. Harmonic rhythm plays an important part in determining where a cadence occurs. Cadences are strong indicators of the tonic or central pitch of a passage or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viol
The viol (), viola da gamba (), or informally gamba, is any one of a family of bowed, fretted, and stringed instruments with hollow wooden bodies and pegboxes where the tension on the strings can be increased or decreased to adjust the pitch of each of the strings. Frets on the viol are usually made of gut, tied on the fingerboard around the instrument's neck, to enable the performer to stop the strings more cleanly. Frets improve consistency of intonation and lend the stopped notes a tone that better matches the open strings. Viols first appeared in Spain in the mid-to-late 15th century, and were most popular in the Renaissance and Baroque (1600–1750) periods. Early ancestors include the Arabic '' rebab'' and the medieval European vielle,Otterstedt, Annette. ''The Viol: History of an Instrument. ''Kassel: Barenreiter;-Verlag Karl Votterle GmbH & Co; 2002. but later, more direct possible ancestors include the Venetian ''viole'' and the 15th- and 16th-century Spanish ''vihue ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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