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Guillaume Coustou The Younger
Guillaume Coustou the Younger (19 March 1716 – 13 July 1777) was a French sculptor of the late French Baroque or Style Louis XIV, and early neo-classicism. Life and career The son of Guillaume Coustou the Elder and nephew of Nicolas Coustou, he trained in the family atelier and studied at the French Academy in Rome, 1736–39, as winner of the Prix de Rome (1735). He returned to Paris, where he completed the famous "Horse Tamers" (''Chevaux de Marly'') commissioned from his father in 1739 for Marly, when the elder Coustou was too infirm to actively carry out the commissions. They were completed and installed in 1745. He was accepted at the Académie Royale de Peinture et de Sculpture (1742) and pursued a successful official career, working fluently in styles that ranged from the Late Baroque of his ''morceau de réception,'' a ''Seated Vulcan'' (''illustrated'') to the sentimental early neoclassicism of the ''Ganymede'', whose affinities with Roman sculptures of Antinous h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François-Hubert Drouais
François-Hubert Drouais (Paris, 14 December 1727 – Paris, 21 October 1775) was a leading French portrait painter during the latter years of Louis XV's reign.For a history of the Drouais family, see Prosper Dorbec (1904, 1905) and Camille Gabillot (1905, 1906). For an analysis of Drouais's oeuvre, see Catherine Egan 2016 http://hdl.handle.net/1959.9/562512 His clientele included the French royal family and nobility, foreign aristocracy, fermiers-généraux (tax farmers), and the wealthier members of Parisian society and their favourites. But it was his increasing popularity at the French court that expanded his clientele and made his portraits a fashionable necessity. Drouais’s work was admired during his lifetime, and his popularity and clientele did not diminish from the occasional adverse judgement published in Salon reviews. Drouais was apprenticed successively to his father Hubert Drouais, Donat Nonnotte, Charles-André van Loo, Charles-Joseph Natoire, and François Bou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles-Nicolas Cochin
Charles-Nicolas Cochin (22 February 1715 – 29 April 1790) was a French engraver, designer, writer, and art critic. To distinguish him from his father of the same name, he is variously called Charles-Nicolas Cochin le Jeune (the Younger), Charles-Nicolas Cochin le fils (the son), or Charles-Nicolas Cochin II. Early life Cochin was born in Paris, the son of Charles-Nicolas Cochin the Elder (1688–1754), under whom he studied engraving.Charles-Nicolas Cochin the Younger at britannica.com (accessed 11 February 2008) His mother was Louise-Magdeleine Horthemels (1686–1767), who herself was an important engraver in Paris for some fifty years. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
18th-century French Sculptors
The 18th century lasted from January 1, 1701 ( MDCCI) to December 31, 1800 ( MDCCC). During the 18th century, elements of Enlightenment thinking culminated in the American, French, and Haitian Revolutions. During the century, slave trading and human trafficking expanded across the shores of the Atlantic, while declining in Russia, China, and Korea. Revolutions began to challenge the legitimacy of monarchical and aristocratic power structures, including the structures and beliefs that supported slavery. The Industrial Revolution began during mid-century, leading to radical changes in human society and the environment. Western historians have occasionally defined the 18th century otherwise for the purposes of their work. For example, the "short" 18th century may be defined as 1715–1789, denoting the period of time between the death of Louis XIV of France and the start of the French Revolution, with an emphasis on directly interconnected events. To historians who expand t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grove Dictionary Of Art
''Grove Art Online'' is the online edition of ''The Dictionary of Art'', often referred to as the ''Grove Dictionary of Art'', and part of Oxford Art Online, an internet gateway to online art reference publications of Oxford University Press, which also includes the online version of the ''Benezit Dictionary of Artists''. It is a large encyclopedia of art, previously a 34-volume printed encyclopedia first published by Grove in 1996 in art, 1996 and reprinted with minor corrections in 1998. A new edition was published in 2003 by Oxford University Press. Scope Written by 6,700 experts from around the world, its 32,600 pages cover over 45,000 topics about art, artists, art critics, art collectors, or anything else connected to the world of art. According to ''The New York Times Book Review'' it is the "most ambitious art-publishing venture of the late 20th century". Almost half the content covers non-Western subjects, and contributors hail from 120 countries. Topics range from Jul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Place De La Concorde
The Place de la Concorde () is one of the major public squares in Paris, France. Measuring in area, it is the largest square in the French capital. It is located in the city's eighth arrondissement, at the eastern end of the Champs-Élysées. It was the site of many notable public executions, including the executions of King Louis XVI, Marie Antoinette and Maximilien Robespierre in the course of the French Revolution, during which the square was temporarily renamed Place de la Révolution. History Design and construction The place was originally designed to be the site of an equestrian statue of King Louis XV, commissioned in 1748 by the merchants of Paris, to celebrate the recovery of King Louis XV from a serious illness. The site chosen for the statue was the large esplanade or space between the revolving gate the Tuileries Gardens and the Cour-la-Reine, a popular lane for horseback riding at the edge of the city. At the time the Concorde bridge and the Rue de Rivoli d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ange-Jacques Gabriel
Ange-Jacques Gabriel (23 October 1698 – 4 January 1782) was the principal architect of King Louis XV of France. His major works included the Place de la Concorde, the École Militaire, and the Petit Trianon and opera theater at the Palace of Versailles. His style was a careful balance between French Baroque architecture and French neoclassicism. Biography Early life and career Ange-Jacques Gabriel was born on 23 October 1698 to a famous Parisian family of architects, and was connected by marriage with another celebrated architect of the time, François Mansart. His grandfather was an architect, and his father, Jacques Gabriel (1667-1742) received the title of Controller of the Buildings of the King at the age of twenty-one. His father's major projects included the Hotel de Ville of Rennes and the Place Royale (now Place de la Bourse) in Bordeaux. The young Ange-Jacques became a member of the Académie royale d'architecture in 1728, and assisted his father on the Place de la ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
René-Michel Slodtz
René-Michel Slodtz called Michel-Ange Slodtz (1705–1764) was a French sculptor who worked in Baroque style, and active mainly in Paris and Rome for the Menus-Plaisirs du Roi. Biography A Parisian by birth, Slodtz's father, Sébastien Slodtz, was also a sculptor. Slodtz spent seventeen years in Rome, where he was chosen to execute a statue of '' St. Bruno'' (1744) for a niche in the nave of St Peter's. The statue demonstrates the saint's refusal of the bishop's miter and staff offered by a cherub, while his right hand rests on a skull, evoking mortality. The simplicity of the monk's robes and the shaved head adds classical style to the heavily baroque sculpture. He also sculpted the tomb of Marquis Capponi in San Giovanni dei Fiorentini. Other Roman churches showcase his work including San Luigi dei Francesi and Santa Maria della Scala. After his return to France in 1747, Slodtz, in conjunction with his brothers, Antoine-Sebastien and Paul, produced many decorative wor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schloss Sanssouci
Sanssouci () is a historical building in Potsdam, near Berlin. Built by Prussian King Frederick the Great as his summer palace, it is often counted among the German rivals of Versailles. While Sanssouci is in the more intimate Rococo style and is far smaller than its French Baroque counterpart, it, too, is notable for the numerous temples and follies in the surrounding park. The palace was designed and built by Georg Wenzeslaus von Knobelsdorff between 1745 and 1747 to meet Frederick's need for a private residence where he could escape the pomp and ceremony of the royal court. The palace's name is a French phrase (''sans souci'') that translates as "without concerns", meaning "without worries" or "carefree", emphasising that the palace was meant as a place of relaxation, rather than a seat of power. Sanssouci is little more than a large, single-story villa—more like the Château de Marly than Versailles. Containing just ten principal rooms, it was built on the brow of a ter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frederick II Of Prussia
Frederick II (german: Friedrich II.; 24 January 171217 August 1786) was King in Prussia from 1740 until 1772, and King of Prussia from 1772 until his death in 1786. His most significant accomplishments include his military successes in the Silesian wars, his re-organisation of the Prussian Army, the First Partition of Poland, and his patronage of the arts and the Enlightenment. Frederick was the last Hohenzollern monarch titled King in Prussia, declaring himself King of Prussia after annexing Polish Prussia from the Polish–Lithuanian Commonwealth in 1772. Prussia greatly increased its territories and became a major military power in Europe under his rule. He became known as Frederick the Great (german: links=no, Friedrich der Große) and was nicknamed "Old Fritz" (german: links=no, "Der Alte Fritz"). In his youth, Frederick was more interested in music and philosophy than in the art of war, which led to clashes with his authoritarian father, Frederick William I of Prussi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Château De Bellevue
The Château de Bellevue () was a small château built for Madame de Pompadour in 1750. It was constructed on a broad plateau in Meudon, above a slope overlooking the Seine to the east, but was demolished in 1823 and little remains. History At the instigation of Louis XV, Charles François Paul Le Normant de Tournehem, ''directeur général'' of the ''Bâtiments du Roi'', negotiated the purchase of the land from its various owners, located between Louis' châteaux at Meudon and Saint-Cloud. Ange-Jacques Gabriel, ''Premier architecte du Roi'', proposed the construction of a pleasure house to be named "Bellevue", referring to its views over the Seine. In 1749, Louis gave the land to Madame de Pompadour, who delegated the building to her architect, Jean Cailleteau (called "Lassurance the younger"), assisted in the gardens by Jean-Charles Garnier d'Isle. The work was quickly completed, despite the need for deep foundations. 800 workmen were employed, often with Louis in att ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mme De Pompadour
Jeanne Antoinette Poisson, Marquise de Pompadour (, ; 29 December 1721 – 15 April 1764), commonly known as Madame de Pompadour, was a member of the French court. She was the official chief mistress of King Louis XV from 1745 to 1751, and remained influential as court favourite until her death. Pompadour took charge of the king's schedule and was a valued aide and advisor, despite her frail health and many political enemies. She secured titles of nobility for herself and her relatives, and built a network of clients and supporters. She was particularly careful not to alienate the Queen, Marie Leszczyńska. On 8 February 1756, the Marquise de Pompadour was named as the thirteenth lady-in-waiting to the queen, a position considered the most prestigious at the court, which accorded her with honors. Pompadour was a major patron of architecture and decorative arts, especially porcelain. She was a patron of the ''philosophes'' of the Enlightenment, including Voltaire. Hostile cri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bronze Bust Of Marguerite Le Comte, 1750 CE
Bronze is an alloy consisting primarily of copper, commonly with about 12–12.5% tin and often with the addition of other metals (including aluminium, manganese, nickel, or zinc) and sometimes non-metals, such as phosphorus, or metalloids such as arsenic or silicon. These additions produce a range of alloys that may be harder than copper alone, or have other useful properties, such as strength, ductility, or machinability. The archaeological period in which bronze was the hardest metal in widespread use is known as the Bronze Age. The beginning of the Bronze Age in western Eurasia and India is conventionally dated to the mid-4th millennium BCE (~3500 BCE), and to the early 2nd millennium BCE in China; elsewhere it gradually spread across regions. The Bronze Age was followed by the Iron Age starting from about 1300 BCE and reaching most of Eurasia by about 500 BCE, although bronze continued to be much more widely used than it is in modern times. Because historical artworks wer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
