Guangdong Music (genre)
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Guangdong Music (genre)
Guangdong music, also known as '' Cantonese music'' (廣東音樂 "Kwongdong yam ngok",''Guǎngdōng yīnyuè'') is a style of traditional Chinese instrumental music from Guangzhou and surrounding areas in Pearl River Delta of Guangdong Province on the southern coast of China. The name of the music is not an accurate description because ''Guangdong music'' is not the only music of the whole Guangdong area. Cantonese classical music especially were usually much livelier in pace and happier than those of other China provinces which is typical and the very essence of the Cantonese's character. In Guangdong, there are numerous traditional genres of music such as Teochew music and Hakka music (Hakka ''Hanyue'' and ''sixian''). The name of the music originated in the 1920 and 1930s when the music was popular in Shanghai ballrooms in the form of "Spiritual Music" ( 精神音樂, Jīngshěn Yīnyuè; more properly translated as "spirited music"). As the performers were almost entirely fro ...
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Cantonese Music (other)
''Cantonese music'' may refer to: *The music of Cantonese-speaking peoples, especially: **Music of Guangdong **Music of Hong Kong ** Music of Macau *Cantonese language music, especially Cantopop Cantopop (a contraction of "Cantonese pop music") or HK-pop (short for "Hong Kong pop music") is a genre of pop music written in standard Chinese and sung in Cantonese. Cantopop is also used to refer to the cultural context of its production ... *A style of traditional instrumental music known as Guangdong music {{Disambig ...
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Gaohu
The ''gaohu'' ( 高胡; pinyin: ''gāohú'', ; Cantonese: gou1 wu4; also called ''yuehu'' 粤 胡) is a Chinese bowed string instrument developed from the ''erhu'' in the 1920s by the musician and composer Lü Wencheng (1898–1981) and used in Cantonese music and Cantonese opera. It belongs to the ''huqin'' family of instruments, together with the ''zhonghu'', ''erhu'', ''banhu'', '' jinghu'', and '' sihu''; its name means "high-pitched ''huqin''". It is the leading instrument of Cantonese music and opera ensembles. Well known pieces for the ''gaohu'' include ''Bu Bu Gao'' (步步高, Higher Step By Step) and ''Ping Hu Qiu Yue'' (平湖秋月, Autumn Moon on Calm Lake). Construction and design The ''gaohu'' is similar in construction to the ''erhu'' but has a slightly smaller soundbox, commonly circular, and is tuned a fourth higher, to G4 and D5. Whereas most ''huqin'' are placed on top of the left thigh, the traditional ''gaohu'' is played with the soundbox held in betw ...
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He Liutang
He or HE may refer to: Language * He (pronoun), an English pronoun * He (kana), the romanization of the Japanese kana へ * He (letter), the fifth letter of many Semitic alphabets * He (Cyrillic), a letter of the Cyrillic script called ''He'' in Ukrainian * Hebrew language (ISO 639-1 code: he) Places * He County, Anhui, China * He River, or Hejiang (贺江), a tributary of the Xi River in Guangxi and Guangdong * Hebei, abbreviated as ''HE'', a province of China (Guobiao abbreviation HE) * Hesse, abbreviated as ''HE'', a state of Germany People * He (surname), Chinese surname, sometimes transcribed Hé or Ho; includes a list of notable individuals so named * Zheng He (1371–1433), Chinese admiral * He (和) and He (合), collectively known as 和合二仙 ('' He-He er xian'', "Two immortals He"), two Taoist immortals known as the "Immortals of Harmony and Unity" * Immortal Woman He, or He Xiangu, one of the Eight Immortals of Taoism Arts, entertainment, and media * "He" (sh ...
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Alto Saxophone
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in E, smaller than the B tenor but larger than the B soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, and jazz (such as big bands, jazz combos, swing music). The alto saxophone had a prominent role in the development of jazz. Influential jazz musicians who made significant contributions include Don Redman, Jimmy Dorsey, Johnny Hodges, Benny Carter, Charlie Parker, Sonny Stitt, Lee Konitz, Jackie McLean, Phil Woods, Art Pepper, Paul Desmond, and Cannonball Adderley. Although the role of the alto saxophone in classical music has been limited, influential performers include Marcel Mule, Sigurd Raschèr, Jean-Marie Londeix, Eugene Rousseau, and Frederick ...
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Percussion Instrument
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments.''The Oxford Companion to Music'', 10th edition, p.775, In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of ideophone, membranophone, aerophone and cordophone. The percussion section of an orchestra most commonly contains instruments such as the timpani, snare drum, bass drum, tambourine, belonging to the membranophones, and cym ...
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Guan (instrument)
The ''guan'' () is a Chinese double reed wind instrument. The northern Chinese version is called ''guanzi'' ( 管子) or ''bili'' (traditional: 篳篥; simplified: 筚篥) and the Cantonese version is called ''houguan'' ( 喉管). It is classified as a bamboo instrument in the Ba Yin (ancient Chinese instrument classification) system. Unlike other instruments in the double-reed family of woodwinds which mostly have conical bores, such as the Chinese ''suona'' or the Western oboe, the ''guan'' has a cylindrical bore, giving its distinctive mellow, yet piercing buzz-like timbre. History The earliest use of the word ''guan'' can be traced back to Zhou Dynasty records, where it refers to end-blown bamboo flutes such as the '' xiao'' or ''paixiao''. The earliest double-reed instrument appears in the late Zhou Dynasty and is referred as ''hujia'' ( 胡笳; literally "reed pipe of Hu people") because it had been introduced from the northwestern region of China. During that tim ...
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Woodwind Instrument
Woodwind instruments are a family of musical instruments within the greater category of wind instruments. Common examples include flute, clarinet, oboe, bassoon, and saxophone. There are two main types of woodwind instruments: flutes and Reed aerophones, reed instruments (otherwise called reed pipes). The main distinction between these instruments and other wind instruments is the way in which they produce sound. All woodwinds produce sound by splitting the air blown into them on a sharp edge, such as a reed (mouthpiece), reed or a fipple. Despite the name, a woodwind may be made of any material, not just wood. Common examples include brass, silver, cane, as well as other metals such as gold and platinum. The saxophone, for example, though made of brass, is considered a woodwind because it requires a reed to produce sound. Occasionally, woodwinds are made of earthen materials, especially ocarinas. Flutes Flutes produce sound by directing a focused stream of air below the edge ...
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Tiqin
The ''tiqin'' () is a name applied to several two-stringed Chinese bowed string musical instruments in the ''huqin'' family of instruments. Types There are several types of ''tiqin'': *The ''tiqin'' used for ''kunqu'' opera *The ''tiqin'' used for Cantonese music *The ''tiqin'' used in Fujian and Taiwan *An antiquated name for the sihu Overview The ''tiqin'' used in Cantonese music, also known as the ''zhutiqin'' (竹提琴) is a member of the "hard bow" (硬弓) ensemble in Cantonese opera. Its neck is made of hardwood, often ''suanzhi'' ( 酸枝, rosewood) or ''zitan'' ( 紫檀, red sandalwood). The ''zhutiqins sound chamber is made of a very large section of bamboo (larger than that of the '' erxian'', another bowed string instrument used in Cantonese music). Instead of snakeskin, the face is made of a piece of ''tong'' wood ( 桐, ''Firmiana simplex'') or palm wood (like the face of a '' yehu''). The back of the sound chamber is made of the natural joint in bamboo, with sou ...
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Yehu
The ''yehu'' () is a bowed string instrument in the ''huqin'' family of Chinese musical instruments. ''Ye'' means coconut and ''hu'' is short for ''huqin''. It is used particularly in the southern coastal provinces of China and in Taiwan. The instrument's soundbox is made from a coconut shell, which is cut on the playing end and covered with a piece of coconut wood instead of the snakeskin commonly used on other ''huqin'' instruments such as the ''erhu'' or ''gaohu''. As with most ''huqin'' the bow hair passes in between the two strings. Many players prefer to use silk strings rather than the more modern steel strings generally used for the ''erhu'', giving the instrument a distinctly hollow, throaty timbre. The instrument comes in various sizes. In Chaozhou music (where it is called ''pahi'', 冇弦) it is a leading instrument, and is tuned quite high. In Cantonese music it can be quite large and is often tuned to a relatively low pitch, lower than the ''erhu'' (usually one o ...
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Sanxian
The (, literally "three strings") is a three-stringed traditional Chinese lute. It has a long fretless fingerboard, and the body is traditionally made from snake skin stretched over a rounded rectangular resonator. It is made in several sizes for different purposes and in the early 20th century a four-stringed version, the ''jiaxian sanxian'' (加弦三弦), was developed. The northern is generally larger, at about in length, while southern versions of the instrument are usually about in length. History It has been suggested that ''sanxian'', a form of spike lute, may have its origin in the Middle East, and older forms of spike lute were also found in ancient Egypt. Similar instruments may have been present in China as early as the Qin dynasty as ''qin pipa'' ('' pipa'' was used as a generic term in ancient China for many other forms of plucked chordophones) or ''xiantao'' (弦鼗), which the Qinqin and Ruan also come from. Some thought that the instrument may have been re ...
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Yangqin
The trapezoidal yangqin () is a Chinese hammered dulcimer, likely derived from the Iranian santur or the European dulcimer. It used to be written with the characters 洋 琴 (lit. "foreign zither"), but over time the first character changed to 揚 (also pronounced "yáng"), which means "acclaimed". It is also spelled yang quin or yang ch'in. Hammered dulcimers of various types are now very popular not only in China, but also Eastern Europe, the Middle East, India, Iran, and Pakistan. The instruments are also sometimes known by the names "santoor" and "cymbalom". This instrument had an influence on the Thai classical instrument, known as Khim (ขิม). The yangqin was traditionally fitted with bronze strings (though older Chinese stringed instruments used silk strings, resulting in their, and the yangqin's, categorisation as a silk, or "si" instrument), which gave the instrument a soft timbre. This form of instrument is still occasionally heard today in the "hudie qin" ( ...
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Qinqin
The qinqin (wiktionary:秦, 秦wiktionary:琴, 琴; pinyin: qínqín; Vietnamese: Đàn sến) is a plucked China, Chinese lute. It was originally manufactured with a wooden body, a slender fretted neck, and three strings.[ photo 2] Its body can be round, hexagonal (with rounded sides), or octagonal.[ photo] Often, only two strings were used, as in certain regional silk-and-bamboo ensembles. In its hexagonal form (with rounded sides), it is also referred to as ''meihuaqin'' (梅花琴, literally "Prunus mume, plum blossom instrument"). The ''qinqin'' is particularly popular in southern China: in Guangdong, Hong Kong and Macau. A similar instrument, the two-stringed ''đàn sến'', has been adapted from the ''qinqin'' for use in the traditional music of southern Vietnam. The frets on all Chinese lutes are high so that the fingers never touch the fretboard itself—distinctively different from western fretted instruments. This allows for a greater control over timbre and intonat ...
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