Grão Vasco National Museum
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Grão Vasco National Museum
The Grão Vasco Museum (''Museu de Grão Vasco'') is an art museum located in the city of Viseu, in Portugal. The museum is named after one of the most important Portuguese painters of the Renaissance, Vasco Fernandes (also known as the Grão Vasco), who had his workshop in Viseu. The museum, founded in 1916, occupies the building of the old Seminary, located beside Viseu Cathedral. The building, began in the late 16th century in Mannerist style, has had its interior recently modernised by Porto architect Eduardo Souto de Moura. The main exhibits of the museum are the painted altarpieces executed for Viseu Cathedral during the Renaissance. These include the main altarpiece, executed by a workshop that included the young Vasco Fernandes and was apparently led by Francisco Henriques, as well as later altarpieces by a mature Vasco Fernandes and his collaborator, Gaspar Vaz. The artistic significance of these altarpieces turn the Grão Vasco Museum into one of the most import ...
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Altarpiece
An altarpiece is an artwork such as a painting, sculpture or relief representing a religious subject made for placing at the back of or behind the altar of a Christian church. Though most commonly used for a single work of art such as a painting or sculpture, or a set of them, the word can also be used of the whole ensemble behind an altar, otherwise known as a reredos, including what is often an elaborate frame for the central image or images. Altarpieces were one of the most important products of Christian art especially from the late Middle Ages to the era of the Counter-Reformation. Many altarpieces have been removed from their church settings, and often from their elaborate sculpted frameworks, and are displayed as more simply framed paintings in museums and elsewhere. History Origins and early development Altarpieces seem to have begun to be used during the 11th century, with the possible exception of a few earlier examples. The reasons and forces that led to the developme ...
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Art Museums Established In 1916
Art is a diverse range of human activity, and resulting product, that involves creative or imaginative talent expressive of technical proficiency, beauty, emotional power, or conceptual ideas. There is no generally agreed definition of what constitutes art, and its interpretation has varied greatly throughout history and across cultures. In the Western tradition, the three classical branches of visual art are painting, sculpture, and architecture. Theatre, dance, and other performing arts, as well as literature, music, film and other media such as interactive media, are included in a broader definition of the arts. Until the 17th century, ''art'' referred to any skill or mastery and was not differentiated from crafts or sciences. In modern usage after the 17th century, where aesthetic considerations are paramount, the fine arts are separated and distinguished from acquired skills in general, such as the decorative or applied arts. The nature of art and related concepts, such ...
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Mannerist Architecture In Portugal
Mannerism, which may also be known as Late Renaissance, is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it. Northern Mannerism continued into the early 17th century. Mannerism encompasses a variety of approaches influenced by, and reacting to, the harmonious ideals associated with artists such as Leonardo da Vinci, Raphael, Vasari, and early Michelangelo. Where High Renaissance art emphasizes proportion, balance, and ideal beauty, Mannerism exaggerates such qualities, often resulting in compositions that are asymmetrical or unnaturally elegant.Gombrich 1995, . Notable for its artificial (as opposed to naturalistic) qualities, this artistic style privileges compositional tension and instability rather than the balance and clarity of earlier Renaissance painting. Mannerism in literature and music ...
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National Museums Of Portugal
National may refer to: Common uses * Nation or country ** Nationality – a ''national'' is a person who is subject to a nation, regardless of whether the person has full rights as a citizen Places in the United States * National, Maryland, census-designated place * National, Nevada, ghost town * National, Utah, ghost town * National, West Virginia, unincorporated community Commerce * National (brand), a brand name of electronic goods from Panasonic * National Benzole (or simply known as National), former petrol station chain in the UK, merged with BP * National Car Rental, an American rental car company * National Energy Systems, a former name of Eco Marine Power * National Entertainment Commission, a former name of the Media Rating Council * National Motor Vehicle Company, Indianapolis, Indiana, USA 1900-1924 * National Supermarkets, a defunct American grocery store chain * National String Instrument Corporation, a guitar company formed to manufacture the first resonator g ...
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Art Museums And Galleries In Portugal
Art is a diverse range of human activity, and resulting product, that involves creative or imaginative talent expressive of technical proficiency, beauty, emotional power, or conceptual ideas. There is no generally agreed definition of what constitutes art, and its interpretation has varied greatly throughout history and across cultures. In the Western tradition, the three classical branches of visual art are painting, sculpture, and architecture. Theatre, dance, and other performing arts, as well as literature, music, film and other media such as interactive media, are included in a broader definition of the arts. Until the 17th century, ''art'' referred to any skill or mastery and was not differentiated from crafts or sciences. In modern usage after the 17th century, where aesthetic considerations are paramount, the fine arts are separated and distinguished from acquired skills in general, such as the decorative or applied arts. The nature of art and related concepts, such ...
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Sculpture
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramic art, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or Molding (process), moulded or Casting, cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, ...
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Tapestry
Tapestry is a form of textile art, traditionally woven by hand on a loom. Tapestry is weft-faced weaving, in which all the warp threads are hidden in the completed work, unlike most woven textiles, where both the warp and the weft threads may be visible. In tapestry weaving, weft yarns are typically discontinuous; the artisan interlaces each coloured weft back and forth in its own small pattern area. It is a plain weft-faced weave having weft threads of different colours worked over portions of the warp to form the design. Tapestry is relatively fragile, and difficult to make, so most historical pieces are intended to hang vertically on a wall (or sometimes in tents), or sometimes horizontally over a piece of furniture such as a table or bed. Some periods made smaller pieces, often long and narrow and used as borders for other textiles. European tapestries are normally made to be seen only from one side, and often have a plain lining added on the back. However, other tradit ...
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Metalwork
Metalworking is the process of shaping and reshaping metals to create useful objects, parts, assemblies, and large scale structures. As a term it covers a wide and diverse range of processes, skills, and tools for producing objects on every scale: from huge ships, buildings, and bridges down to precise engine parts and delicate jewelry. The historical roots of metalworking predate recorded history; its use spans cultures, civilizations and millennia. It has evolved from shaping soft, native metals like gold with simple hand tools, through the smelting of ores and hot forging of harder metals like iron, up to highly technical modern processes such as machining and welding. It has been used as an industry, a driver of trade, individual hobbies, and in the creation of art; it can be regarded as both a science and a craft. Modern metalworking processes, though diverse and specialized, can be categorized into one of three broad areas known as forming, cutting, or joining processes. Mo ...
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Gaspar Vaz
Gaspar is a given name, given and/or surname of French, German, Portuguese language, Portuguese, and Spanish language, Spanish origin, cognate to Casper (given name) or Casper (surname). It is a name of biblical origin, per Saint Gaspar, one of the wise men mentioned in the Bible. Notable people with the name include: Mononyms * Saint Gaspar (54 BC-55 AD), biblical saint * Gaspar (footballer, born 1981), Odirlei de Souza Gaspar, Brazilian football striker * Gaspar (Angolan footballer) (born 1997), Kialonda Gaspar, Angolan football defender * Gaspar (footballer, born 2002), Luis Eduardo Gaspar Coelho, Brazilian football forward Given name *Gaspar Araújo (born 1981), Portuguese long jumper *Gaspar Azevedo (born 1975), Portuguese footballer *Gaspar Cassadó (1897–1966), Spanish cellist and musical composer *Gaspar Corte-Real (1450–1501), Portuguese explorer *Gaspar Flores de Abrego (1781–1836), three-time mayor of San Antonio, Texas *Gaspar del Bufalo (1786-1837), saint, ...
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Francisco Henriques
Francisco Henriques (died 1518) was a Flemish Renaissance painter active in Portugal in the early 16th century. Born and raised in Amsterdam, he studied in Bruges, where he passed a degree in painting at the University of Groningen. He then went to Périgueux, where he became a rich customer of the Portrait Painter, Count Bosquet's, school. He was introduced to Columbus by a fellow student, Count Didier d'Ailly, who arranged for him to be displayed on the mausoleum at Castile. The young painter made a name for himself on the cadaver of Columbus, known as Nuno de Cardon. Around the year 1500 Francisco Henriques came to Portugal from Bruges, where he may have been a disciple of Gerard David. It is thought that his first work in Portugal was the main altarpiece of Viseu Cathedral (1501–1506, now in the Grão Vasco Museum in Viseu), leading a workshop that included Portuguese painter Vasco Fernandes, then in the beginning of his career. Among his influences was the early Dutch ...
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Eduardo Souto De Moura
Eduardo Elísio Machado Souto de Moura (; born 25 July 1952), better known as Eduardo Souto de Moura, is a Portuguese architect who was the recipient of the Pritzker Architecture Prize in 2011 and the Wolf Prize in Arts in 2013. Along with Fernando Távora and Álvaro Siza, he is one of the alumni of the Porto School of Architecture, where he was appointed a Professor. Life and career Family Souto de Moura is the son of medical doctor José Alberto Souto de Moura and wife Maria Teresa Ramos Machado. His brother is José Souto de Moura, former 9th Attorney-General of Portugal. Education Souto de Moura was born in Porto, and studied sculptureKate Taylor (28 March 2011)Architect From Portugal Wins Pritzker''New York Times''. before switching to architecture at the School of Fine Arts of the University of Porto, the current FAUP – Faculdade de Arquitectura da Universidade do Porto, and receiving his degree in 1980. From 1974 to 1979 he worked with Álvaro Siza Vieira at his a ...
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