Greatest Hits (The Who Album)
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Greatest Hits (The Who Album)
''Greatest Hits'' is a greatest hits album by British rock band The Who that was released on 21 December 2009.'The Who Greatest Hits' Out On 21 December In U.S. And Canada
The Who Official Band Website, 2 December 2009
The album was also re-released as ''Greatest Hits & More'' several weeks after the initial release, which featured a second disc of live songs culled from ''''.


Track listing

All songs written by Pete Townshend except where no ...
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The Who
The Who are an English rock band formed in London in 1964. Their classic lineup consisted of lead singer Roger Daltrey, guitarist and singer Pete Townshend, bass guitarist and singer John Entwistle, and drummer Keith Moon. They are considered one of the most influential rock bands of the 20th century, and have sold over 100 million records worldwide. Their contributions to rock music include the development of the Marshall Stack, large PA systems, the use of the synthesizer, Entwistle and Moon's influential playing styles, Townshend's feedback and power chord guitar technique, and the development of the rock opera. They are cited as an influence by many hard rock, punk rock, power pop and mod bands, and their songs are still regularly played. The Who were inducted into the Rock and Roll Hall of Fame in 1990. The Who developed from an earlier group, the Detours, and established themselves as part of the pop art and mod movements, featuring auto-destructive art by d ...
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I Can See For Miles
"I Can See for Miles" is a song by the English rock band the Who, recorded for the band's 1967 album ''The Who Sell Out''. Written by guitarist Pete Townshend, it was the only song from the album to be released as a single. Recording Recorded in several separate sessions in studios across two continents, the recording of "I Can See for Miles" exemplifies the increasingly sophisticated studio techniques of rock bands in the late 1960s, such as those used for the Beatles and the Beach Boys. The backing tracks were recorded at CBS Studios in London, the vocals and overdubbing were performed at Talentmasters Studios in New York, and the single was mixed and mastered at Gold Star Studios in Los Angeles. The initial UK mono pressing (Track Records) and the US Decca single has an overdubbed second bass line mixed upfront, whilst the drums are mixed slightly lower. Critical reception The song is ranked number 40 on Dave Marsh's "The 1001 Greatest Singles Ever Made", number 37 on '' NME ...
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Luigi Creatore
Luigi Federico Creatore (December 21, 1921 – December 13, 2015) was an American songwriter and record producer. Creatore was born in New York City in 1921, the son of noted Italian-born bandleader and composer Giuseppe Creatore. After serving with the United States military during World War II, in the 1950s he became a writer then partnered with his cousin, Hugo Peretti to form the songwriting team of Hugo & Luigi which also produced other records. In 1957, they bought into Roulette Records where they both wrote songs for various artists such as Valerie Carr and produced major hits for Jimmie Rodgers including "Honeycomb" (Billboard #1) and " Kisses Sweeter Than Wine" (Billboard #3), and "Oh-Oh, I'm Falling in Love Again" and "Secretly". Two years later, Creatore and Peretti signed a deal with RCA Victor where they produced pop crooner and NBC television personality Perry Como. In addition, they produced several other RCA Victor recording artists, including Sam Cooke and Ray Pe ...
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Real Good Looking Boy
"Real Good Looking Boy" is a song written by the guitarist of the British rock band The Who, Pete Townshend. It was originally released in 2004 on the compilation album ''Then and Now (The Who album), Then and Now'', and was one of two new songs on that album, the other being "Old Red Wine". Together, they were the first new songs released by the Who for 15 years. It was later released as an edited single backed with the aforementioned song. "Real Good Looking Boy" was later performed in the 2007 rock musical ''The Boy Who Heard Music''. The song peaked at #28 on the Heritage rock chart. Bassist Greg Lake and drummer Zak Starkey, as well as keyboardist John Bundrick, John "Rabbit" Bundrick played on this song. Lyrical meaning The song was a tribute to Elvis Presley. During live performances, Roger Daltrey gives a short introduction to the song, describing it as a song about "a man that changed my life at the age of 11. I saw Elvis Presley live at 11. Thank God I did, I loved him ...
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Eminence Front
"Eminence Front" is a song written and sung by Pete Townshend of the Who. It appears as the sixth track on the group's 1982 studio album, ''It's Hard''. The single reached number 68 on the ''Billboard'' Hot 100. Background and recording In the song, Townshend sings about the delusions and drug use of the wealthy and hedonistic. The lyrics describe a party in which people hide from their problems behind a façade. Townshend has introduced the song in live performances with: "This song is about what happens when you take too much white powder; it's called 'Eminence Front.The Archivist (11 October 2011)"Video Classics: Eminence Front". Wnew.com. Retrieved 29 October 2012. In an interview, Townshend explained: In the originally released version, there is a timing flaw or a syncopation in the first chorus, where Townshend sings "behind an eminence front" at the same time Daltrey sings "it's an eminence front", with Townshend one syllable behind. A more linear-sounding remixed v ...
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You Better You Bet
"You Better You Bet" is a song by British rock band the Who, appearing as the first track on their 1981 album ''Face Dances''. It is sung by frontman Roger Daltrey with backing vocals from Pete Townshend and bassist John Entwistle. Townshend's guitar part is performed on a Rickenbacker 360/12. "You Better You Bet" became a hit and one of the Who's most recognizable songs. It was the last single by the band that reached the top 20 on the ''Billboard'' Hot 100, reaching No. 18. The track was at No. 1 on the ''Billboard'' Top Tracks chart for five weeks beginning 4 April 1981. It was also their last single to hit the top ten in the UK, peaking at No. 9. Background "You Better You Bet" was written by Pete Townshend as a love song for his girlfriend at the time: "I developed You Better You Bet'over several weeks of clubbing and partying. I had gone through a lean period in my marriage and was seeing the daughter of a friend of mine. I wanted it to be a good song because the g ...
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Radio Edit
In music, a radio edit or radio mix is a modification, typically truncated or censored, intended to make a song more suitable for airplay, whether it be adjusted for length, profanity, subject matter, instrumentation, or form. Radio edits may also be used for commercial single versions, which may be denoted as the ''7" version'', as opposed to the '' 12" version'' which are extended versions of a song. Not all "radio edit" tracks are played on radio. Editing for time Radio edits often shorten a long song in order to make it more commercially viable for radio stations. The normal length for songs played on the radio is between 3 and 5 minutes. The amount of cut content differs however, ranging from a few seconds to effectively half of a song being cut. It is common for radio edits to have shortened intros and/or outros. In the intro, any kind of musical buildup is removed, or, if there is no such build-up, an extensive intro is often halved. In the outro, occasionally, the song wil ...
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Who Are You (The Who Song)
"Who Are You" is the title track on The Who's 1978 album, ''Who Are You'', the last album released by the group before Keith Moon's death in September 1978. It was written by Pete Townshend and released as a double-A-sided single with the John Entwistle composition " Had Enough", also featured on the album. The song was one of the band's biggest hits in North America, peaking at number 7 in Canada and at number 14 in the United States, and has become one of the band's signature tunes at their live shows. The piano on the track is played by Rod Argent. Background The lyrics of "Who Are You" were inspired by an incident Townshend experienced. After going out drinking with Steve Jones and Paul Cook of the Sex Pistols, Townshend was found in a "Soho doorway" by a policeman, who recognized him and said he would let him go if he could safely walk away. However, as explained by Townshend in his autobiography '' Who I Am'', the last verse is about an early incident, that happened on ...
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Squeeze Box (song)
"Squeeze Box" is a song by The Who from their album ''The Who by Numbers.'' Written by Pete Townshend, the lyrics are couched in sexual double entendres. Unlike many of the band's other hits, the song features country-like elements, as heard in Townshend's guitar fingerpicking. "Squeeze Box" was a commercial success, peaking at No. 10 on the UK Singles Chart and No. 16 in the US ''Billboard'' Hot 100. The song is also their only international number-one hit, reaching No. 1 in Canada, and No. 2 on the Irish singles chart. Background "Squeeze Box" was originally intended for a Who television special planned in 1974. In the planned performance of the song, the members of the band were to be surrounded by 100 topless women playing accordions. A demo of the song featured a farfisa organ-based arrangement, as well as bluegrass banjos. Authors Steve Grantley and Alan Parker compared this early version to The Beatles' 1968 song, "Ob-La-Di, Ob-La-Da". This demo appeared on Pete Townsh ...
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Love, Reign O'er Me
"Love, Reign o'er Me", subtitled "Pete's Theme", is a song by English rock band The Who. Written and composed by guitarist Pete Townshend, it was released on 27 October 1973 as the second single from the band's sixth studio album and second rock opera, ''Quadrophenia.'' It is the final song on the album, and has been a concert staple for years. The song peaked at number 76 on the US ''Billboard'' Hot 100 and number 54 on ''Cash Box''. Origin and recording "Love, Reign o'er Me," along with "Is It in My Head?" (also from ''Quadrophenia''), date back to 1972. Both songs were originally intended to be part of the unreleased autobiographical album, '' Rock Is Dead—Long Live Rock!'' This later evolved into ''Quadrophenia.'' Lyrics "Love, Reign o'er Me" concerns the main character of ''Quadrophenia,'' Jimmy, having a personal crisis. With nothing left to live for, he finds a spiritual redemption in pouring rain. As Townshend described the song: trefers to Meher Baba's one time comme ...
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Won't Get Fooled Again
"Won't Get Fooled Again" is a song by the English rock band the Who, written by Pete Townshend. It was released as a single in June 1971, reaching the top 10 in the UK, while the full eight-and-a-half-minute version appears as the final track on the band's 1971 album ''Who's Next'', released that August. Townshend wrote the song as a closing number of the '' Lifehouse'' project, and the lyrics criticise revolution and power. The track is known for a staccato keyboard figure, played on a simple home organ with a “rhythm” feature that produced a synth-like effect. The Who tried recording the song in New York in March 1971, but re-recorded a superior take at Stargroves the next month using the organ from Townshend's original demo. Ultimately, ''Lifehouse'' as a project was abandoned in favour of ''Who's Next'', a straightforward album, where it also became the closing track. It has been performed as a staple of the band's setlist since 1971, often as the set closer, and was the ...
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Baba O'Riley
"Baba O'Riley" is a song by the English rock band the Who, and the opening track to their fifth album ''Who's Next'' (1971). It was issued in Europe as a single on 23 October 1971, coupled with "My Wife". Roger Daltrey sings most of the song, with Pete Townshend singing the middle eight: "Don't cry/ don't raise your eye/ it's only teenage wasteland". "Baba O'Riley" appears in ''Time'' magazine's "All-Time 100 Songs" list, ''Rolling Stone''s list of "The 500 Greatest Songs of All Time", and the Rock and Roll Hall of Fame as one of the 500 Songs That Shaped Rock and Roll. It also features on live albums: ''Who's Last'', ''Live from Royal Albert Hall'', ''Live from Toronto'', and ''Greatest Hits Live''. The original recording's violin solo is played on harmonica by Daltrey when performed live. Title The song is often incorrectly referred to as "Teenage Wasteland", due to these oft-repeated words in the song's chorus refrain. "Teenage Wasteland" was in fact a working title for t ...
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