Greatest Hits (The Moody Blues Album)
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Greatest Hits (The Moody Blues Album)
''Greatest Hits'' is a compilation album by the progressive rock band the Moody Blues, released in 1989. The band recorded new versions of " Isn't Life Strange" and " Question" with orchestration by the London Symphony Orchestra. The arrangements were overseen by Anne Dudley, who also produced the recordings with Justin Hayward and John Lodge.''Greatest Hits / Legend of a Band'' liner notes, 1989, 1990 In 1990, only a year after it's original release, the album was re-released as ''Legend of a Band: The Story of the Moody Blues'' with different artwork to coincide with the release of the home video documentary of the same name. Original track listing All songs written by Justin Hayward except where noted. Side one # " Your Wildest Dreams" – 4:51 # " The Voice" – 5:14 # "Gemini Dream" (Hayward, John Lodge) – 4:06 # " The Story in Your Eyes" – 3:03 # "Tuesday Afternoon" – 4:41 # " Isn't Life Strange (1988 version)" (Lodge, orch. arr. by Anne Dudley) – 6:36 ...
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The Moody Blues
The Moody Blues were an English rock band formed in Birmingham in 1964, initially consisting of keyboardist Mike Pinder, multi-instrumentalist Ray Thomas, guitarist Denny Laine, drummer Graeme Edge and bassist Clint Warwick. The group came to prominence playing rhythm and blues. They made some changes in musicians but settled on a line-up of Pinder, Thomas, Edge, guitarist Justin Hayward and bassist John Lodge, who stayed together for most of the band's "classic era" into the early 1970s. Edge was the group’s sole continuous member throughout their entire history. Their second album, ''Days of Future Passed'', which was released in 1967, was a fusion of rock with classical music which established the band as pioneers in the development of art rock and progressive rock. It has been described as a "landmark" and "one of the first successful concept albums". The group toured extensively through the early 1970s, then took an extended hiatus from 1974 until 1977. Founder Mike Pi ...
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Your Wildest Dreams
"Your Wildest Dreams" is a 1986 single by the progressive rock band the Moody Blues, written by Justin Hayward. The song was first released as a single, and later released on the Moody Blues' 1986 album '' The Other Side of Life''. Written by Hayward as a lookback toward his first love, the song features a synth-pop style that marked a stylistic departure from the band's standard lush pop sound. When released as a single, "Your Wildest Dreams" became the band's second biggest US hit, reaching number nine on the American charts. Background Moody Blues singer and guitarist Justin Hayward was inspired to write "Your Wildest Dreams" after reminiscing about his first love. Of the song's lyrics, he stated, "For me, wanting to know about the first girl you ever fell in love with, really fell in love with and broke her heart, you always want to know, I wonder what happened. I wonder where they are. Hop in to that time machine." According to Hayward, the song set off a "personal journey" t ...
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I'm Just A Singer (In A Rock And Roll Band)
"I'm Just a Singer (In a Rock and Roll Band)" is a 1973 hit single by the English progressive rock band the Moody Blues, written by the band's bassist, John Lodge. It was first released in 1972 as the final track on the album ''Seventh Sojourn'' and was later released as a single in 1973, with "For My Lady" as its B-side. It was the second single released from ''Seventh Sojourn'', with the first being "Isn't Life Strange", which was also written by Lodge. The song reached number 12 on the ''Billboard'' Hot 100 in the US, becoming one of their highest-charting hits in that country, but fared less well in their native UK, where it managed number 36. It was also the final single released by the Moody Blues prior to their five-year hiatus, which was agreed upon so each of the band members could pursue their own solo careers. Their next single would not be until 1978, with "Steppin' in a Slide Zone". ''Billboard'' regarded the song as a change of pace for the Moody Blues, stating th ...
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Ride My See-Saw
__NOTOC__ "Ride My See-Saw" is a 1968 single by the English progressive rock band the Moody Blues. It was written by the band's bassist John Lodge, and was first released on the Moody Blues' 1968 album ''In Search of the Lost Chord''. It was the second of two singles from that album, the other being " Voices in the Sky". On the album, the song is preceded by a spoken word introduction called "Departure" that was written by Graeme Edge. '' Billboard'' described the single as a "blockbuster rocker" that "comes on strong with all the ingredients to spiral he Moody Bluesto the top in short order" and a "mover from start to finish." '' Cash Box'' called it a "dance track with powerful teen attraction" and "polished vocals." ''Classic Rock History'' critic Brian Kachejian rated it as the Moody Blues' 6th greatest song, saying that it "combined heavy and mystic rhythms with the great signature Moody Blues spoken introduction." ''Ultimate Classic Rock'' critic Nick DeRiso rated it as t ...
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The Other Side Of Life (song)
"The Other Side of Life" is a 1986 single by The Moody Blues. It was first released in May 1986 as the title track on the album ''The Other Side of Life''. It was released as a single in August 1986, the second single released from the album, the first being "Your Wildest Dreams". After its release, it became a major success in the United States, making #11 and #18 on the Hot Adult Contemporary Tracks, adult contemporary and Hot Mainstream Rock Tracks, mainstream rock charts respectively. It also reached #58 on the Billboard Hot 100, ''Billboard'' Hot 100 chart. Reception ''Billboard (magazine), Billboard'' said it is a "bluesy shuffle (music), shuffle with a light, lyrical texture." ''Cash Box'' praised the music and poetry and said the tune is helped by "bright synthesizers." Chart history Personnel * Justin Hayward: acoustic guitar, electric guitar, vocals * John Lodge (musician), John Lodge: bass guitar * Patrick Moraz: keyboards * Graeme Edge: drums, percussion Reference ...
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I Know You're Out There Somewhere
"I Know You're Out There Somewhere" is a 1988 single by the English rock band the Moody Blues. It was written by guitarist Justin Hayward, and it is the sequel to the Moody Blues' 1986 single "Your Wildest Dreams", also written by Hayward. It is the band's final Top 40 single in the United States, peaking at #30 on the ''Billboard'' Hot 100. Background Following its release as a single in May 1988, it was included as the opening track of the 1988 album '' Sur la Mer''. The single has a label time of 4:15, excising the third of the four verses and the instrumental bridge in the middle of the song, while the LP has a label time of 6:38. According to ''Classic Rock History'' critic Brian Kachejian "The song was based on the story of a rock star longing for a past teenage love." The Moody Blues described the song as a sequel of sorts to their earlier single "Your Wildest Dreams," with the singer looking for his lost love, although according to Kachejian many fans considered it to ...
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Peter Knight (composer)
Peter Knight (23 June 1917 – 30 July 1985) was an English musical arranger, conductor and composer. Early career Knight was born in Exmouth, Devon, England. He was educated at Sutton High School in Plymouth and (showing an aptitude for music very early) studied piano, harmony and counterpoint privately. His first broadcast was in 1924 at the age of seven, a piano solo on ''Children's Hour'' from the BBC's studio in Plymouth. Before the war he was an active semi-professional musician while working at the Inland Revenue in Torquay, and then in London.Tracey, Sheila. ''Who's Who in Popular Music in Britain'' (1984), p 131 Knight joined the Ambrose Orchestra for a short spell in 1939, but soon enlisted in the Royal Air Force. After the Second World War, Knight joined the Sidney Lipton Band, resident at the Grosvenor House Hotel in London, where he stayed for four years, leaving to form the Peter Knight Singers with his wife Babs for broadcasting and recording work. The grou ...
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Graeme Edge
Graeme Charles Edge (30 March 1941 – 11 November 2021) was an English musician, songwriter and poet, best known as the co-founder and drummer of the English band the Moody Blues. In addition to his work with the Moody Blues, Edge worked as the bandleader of his own outfit, the Graeme Edge Band. He contributed his talents to a variety of other projects throughout his career. In 2018, Edge was inducted into the Rock and Roll Hall of Fame as a member of the Moody Blues. Life The Moody Blues (1964–1966) Born in Rocester, Staffordshire, Graeme Edge was one of the original members of the Moody Blues, alongside singer/guitarist Denny Laine, singer/bassist Clint Warwick, singer/keyboardist Mike Pinder and singer/flautist/harmonica player Ray Thomas. Edge provided a foundation for the original R&B and rock-flavoured band fronted by Laine, playing on all their Decca singles, including the UK chart-topping "Go Now" (January 1965) and other 1965 hit songs: "I Don't Want to Go On Wit ...
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Nights In White Satin
"Nights in White Satin" is a song by the Moody Blues, written and composed by Justin Hayward. It was first featured as the segment "The Night" on the album ''Days of Future Passed''. When first released as a single in 1967, it reached number 19 on the UK Singles Chart and number 103 in the United States in 1968. It was the first significant chart entry by the band since "Go Now" and its recent lineup change, in which Denny Laine and Clint Warwick had resigned and both Hayward and John Lodge had joined. When reissued in 1972, the single hit number two in the United States for two weeks on the ''Billboard'' Hot 100 (behind " I Can See Clearly Now" by Johnny Nash) and hit number one on the ''Cash Box'' Top 100, making it the band's most successful single in the United States. It earned a gold certification for sales of over a million US copies (platinum certification was not instituted until 1976). It also hit number one in Canada. After two weeks at #2, it was replaced by "I'd Lov ...
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Arrangement
In music, an arrangement is a musical adaptation of an existing composition. Differences from the original composition may include reharmonization, melodic paraphrasing, orchestration, or formal development. Arranging differs from orchestration in that the latter process is limited to the assignment of notes to instruments for performance by an orchestra, concert band, or other musical ensemble. Arranging "involves adding compositional techniques, such as new thematic material for introductions, transitions, or modulations, and endings. Arranging is the art of giving an existing melody musical variety".(Corozine 2002, p. 3) In jazz, a memorized (unwritten) arrangement of a new or pre-existing composition is known as a ''head arrangement''. Classical music Arrangement and transcriptions of classical and serious music go back to the early history of this genre. Eighteenth century J.S. Bach frequently made arrangements of his own and other composers' piec ...
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Orchestration
Orchestration is the study or practice of writing music for an orchestra (or, more loosely, for any musical ensemble, such as a concert band) or of adapting music composed for another medium for an orchestra. Also called "instrumentation", orchestration is the assignment of different instruments to play the different parts (e.g., melody, bassline, etc.) of a musical work. For example, a work for solo piano could be adapted and orchestrated so that an orchestra could perform the piece, or a concert band piece could be orchestrated for a symphony orchestra. In classical music, composers have historically orchestrated their own music. Only gradually over the course of music history did orchestration come to be regarded as a separate compositional art and profession in itself. In modern classical music, composers almost invariably orchestrate their own work. However, in musical theatre, film music and other commercial media, it is customary to use orchestrators and arrangers to ...
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Tuesday Afternoon
"Tuesday Afternoon" (sometimes referred to as "Forever Afternoon (Tuesday?)", or simply "Forever Afternoon") is a 1968 single by English symphonic rock band the Moody Blues, which was presented in its original album form on their 1967 album ''Days of Future Passed'' in two parts. Background The song was originally released on The Moody Blues' 1967 album ''Days of Future Passed'', a concept album chronicling a typical day. On the album, it was part one of "The Afternoon" track titled "Forever Afternoon (Tuesday?)". Justin Hayward said that he wrote the song on a Tuesday afternoon in Lypiatt Park, in western England near Stroud. Hayward's mother had taken him and his brother to the park while they were growing up, and he revisited the park during the production of Days of Future Passed to write the song. Justin Hayward wrote the song originally intending to name it "Tuesday Afternoon". At the insistence of producer Tony Clarke, it was named "Forever Afternoon (Tuesday?)" for its re ...
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